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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA49B4 it is the complementary color #55B64B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA49B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA49B4 shade: #AF49AF, #C05BC2, #D16DD5, #E27FE8 and #F391FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA49B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA49B4 shade: #AA49B4, #9937A1, #88258E, #77137B and #660168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA49B4 shade: #AB49B5, #B549A2, #B54985, #B54968 and #B5494B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA49B4 shade: #AB49B5, #8E49B5, #7149B5, #5449B5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA49B4 shade matches the following richer shades: #AB49B5, #BB35C9, #CC20DE and #DD0CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA49B4 shade: #AB49B5, #9A5EA0, #89738B, #788777 and #679C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA49B4 shade: #7149B5, #8D49B5, #AA49B5, #B549A3 and #B54986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA49B4 shade: #73327A, #8F3D97, #AB49B5, #B867C1 and #C684CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA49B4 shade: #AA49B4, #B55449 and #49B57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA49B4 shade: #AA49B4, #B5AA49 and #49B5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA49B4 shade: #AA49B4, #B55449, #54B549 and #49AAB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA49B4 shade: #AA49B4, #B57449, #54B549 and #498AB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

Complementary color

CMYK 53 / 0 / 59 / 29

HEX #55B64B

RGB 85 182 75

HSL 114.39, 0.42%, 0.5%

LAB 66.44, -49.54, 45.09

 

CMYK 0 / 58 / 0 / 31

HEX #AF49AF

RGB 175 73 175

HSL 300, 0.41%, 0.49%

LAB 48.23, 55.05, -35.28

 

CMYK 1 / 53 / 0 / 24

HEX #C05BC2

RGB 192 91 194

HSL 298.83, 0.46%, 0.56%

LAB 54.64, 54.63, -36.07

 

CMYK 2 / 49 / 0 / 16

HEX #D16DD5

RGB 209 109 213

HSL 297.69, 0.55%, 0.63%

LAB 61.04, 54.04, -36.68

 

CMYK 3 / 45 / 0 / 9

HEX #E27FE8

RGB 226 127 232

HSL 296.57, 0.7%, 0.7%

LAB 67.41, 53.37, -37.19

 

CMYK 3 / 42 / 0 / 2

HEX #F391FB

RGB 243 145 251

HSL 295.47, 0.93%, 0.78%

LAB 73.72, 52.66, -37.62

 

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

CMYK 5 / 66 / 0 / 37

HEX #9937A1

RGB 153 55 161

HSL 295.47, 0.49%, 0.42%

LAB 41.34, 54.81, -38.07

 

CMYK 4 / 74 / 0 / 44

HEX #88258E

RGB 136 37 142

HSL 296.57, 0.59%, 0.35%

LAB 35.02, 54.39, -36.75

 

CMYK 3 / 85 / 0 / 52

HEX #77137B

RGB 119 19 123

HSL 297.69, 0.73%, 0.28%

LAB 28.95, 52.95, -34.77

 

CMYK 2 / 99 / 0 / 59

HEX #660168

RGB 102 1 104

HSL 298.83, 0.98%, 0.21%

LAB 23.16, 50.25, -32.02

 

CMYK 6 / 60 / 0 / 29

HEX #AB49B5

RGB 171 73 181

HSL 294.44, 0.43%, 0.5%

LAB 47.96, 55.1, -39.26

 

CMYK 0 / 60 / 10 / 29

HEX #B549A2

RGB 181 73 162

HSL 310.56, 0.43%, 0.5%

LAB 48.51, 54.48, -27.11

 

CMYK 0 / 60 / 27 / 29

HEX #B54985

RGB 181 73 133

HSL 326.67, 0.43%, 0.5%

LAB 47.34, 50.18, -11.57

 

CMYK 0 / 60 / 43 / 29

HEX #B54968

RGB 181 73 104

HSL 342.78, 0.43%, 0.5%

LAB 46.43, 46.66, 4.7

 

CMYK 0 / 60 / 59 / 29

HEX #B5494B

RGB 181 73 75

HSL 358.89, 0.43%, 0.5%

LAB 45.77, 44.02, 21.44

 

CMYK 6 / 60 / 0 / 29

HEX #AB49B5

RGB 171 73 181

HSL 294.44, 0.43%, 0.5%

LAB 47.96, 55.1, -39.26

 

CMYK 22 / 60 / 0 / 29

HEX #8E49B5

RGB 142 73 181

HSL 278.33, 0.43%, 0.5%

LAB 44.02, 47.72, -45.75

 

CMYK 38 / 60 / 0 / 29

HEX #7149B5

RGB 113 73 181

HSL 262.22, 0.43%, 0.5%

LAB 40.59, 40.69, -51.44

 

CMYK 54 / 60 / 0 / 29

HEX #5449B5

RGB 84 73 181

HSL 246.11, 0.43%, 0.5%

LAB 37.82, 34.45, -56.06

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 6 / 60 / 0 / 29

HEX #AB49B5

RGB 171 73 181

HSL 294.44, 0.43%, 0.5%

LAB 47.96, 55.1, -39.26

 

CMYK 7 / 74 / 0 / 21

HEX #BB35C9

RGB 187 53 201

HSL 294.32, 0.58%, 0.5%

LAB 48.67, 70.2, -49.59

 

CMYK 8 / 86 / 0 / 13

HEX #CC20DE

RGB 204 32 222

HSL 294.32, 0.75%, 0.5%

LAB 50.86, 82.11, -57.97

 

CMYK 9 / 95 / 0 / 5

HEX #DD0CF2

RGB 221 12 242

HSL 294.52, 0.91%, 0.5%

LAB 54.08, 90.45, -63.94

 

CMYK 6 / 60 / 0 / 29

HEX #AB49B5

RGB 171 73 181

HSL 294.44, 0.43%, 0.5%

LAB 47.96, 55.1, -39.26

 

CMYK 4 / 41 / 0 / 37

HEX #9A5EA0

RGB 154 94 160

HSL 294.55, 0.26%, 0.5%

LAB 48.78, 35.38, -25.8

 

CMYK 1 / 17 / 0 / 45

HEX #89738B

RGB 137 115 139

HSL 295, 0.09%, 0.5%

LAB 51.2, 13.12, -9.89

 

CMYK 11 / 0 / 12 / 47

HEX #788777

RGB 120 135 119

HSL 116.25, 0.06%, 0.5%

LAB 54.71, -8.7, 6.76

 

CMYK 34 / 0 / 37 / 39

HEX #679C62

RGB 103 156 98

HSL 114.83, 0.23%, 0.5%

LAB 59.47, -29.48, 24.95

 

CMYK 38 / 60 / 0 / 29

HEX #7149B5

RGB 113 73 181

HSL 262.22, 0.43%, 0.5%

LAB 40.59, 40.69, -51.44

 

CMYK 22 / 60 / 0 / 29

HEX #8D49B5

RGB 141 73 181

HSL 277.78, 0.43%, 0.5%

LAB 43.89, 47.47, -45.96

 

CMYK 6 / 60 / 0 / 29

HEX #AA49B5

RGB 170 73 181

HSL 293.89, 0.43%, 0.5%

LAB 47.81, 54.85, -39.49

 

CMYK 0 / 60 / 10 / 29

HEX #B549A3

RGB 181 73 163

HSL 310, 0.43%, 0.5%

LAB 48.55, 54.64, -27.63

 

CMYK 0 / 60 / 26 / 29

HEX #B54986

RGB 181 73 134

HSL 326.11, 0.43%, 0.5%

LAB 47.38, 50.31, -12.12

 

CMYK 6 / 59 / 0 / 52

HEX #73327A

RGB 115 50 122

HSL 294.17, 0.42%, 0.34%

LAB 32.55, 39.63, -28.47

 

CMYK 5 / 60 / 0 / 41

HEX #8F3D97

RGB 143 61 151

HSL 294.67, 0.42%, 0.42%

LAB 40.27, 47.67, -33.85

 

CMYK 6 / 60 / 0 / 29

HEX #AB49B5

RGB 171 73 181

HSL 294.44, 0.43%, 0.5%

LAB 47.96, 55.1, -39.26

 

CMYK 5 / 47 / 0 / 24

HEX #B867C1

RGB 184 103 193

HSL 294, 0.42%, 0.58%

LAB 55.83, 46.18, -33.71

 

CMYK 3 / 35 / 0 / 20

HEX #C684CC

RGB 198 132 204

HSL 295, 0.41%, 0.66%

LAB 64.05, 37.1, -27.06

 

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

CMYK 0 / 54 / 60 / 29

HEX #B55449

RGB 181 84 73

HSL 6.11, 0.43%, 0.5%

LAB 47.81, 38.46, 25.28

 

CMYK 60 / 0 / 30 / 29

HEX #49B57F

RGB 73 181 127

HSL 150, 0.43%, 0.5%

LAB 66.52, -43.64, 18.5

 

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

CMYK 0 / 6 / 60 / 29

HEX #B5AA49

RGB 181 170 73

HSL 53.89, 0.43%, 0.5%

LAB 68.79, -8.35, 50.26

 

CMYK 60 / 0 / 6 / 29

HEX #49B5AA

RGB 73 181 170

HSL 173.89, 0.43%, 0.5%

LAB 67.55, -33.38, -3.64

 

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

CMYK 0 / 54 / 60 / 29

HEX #B55449

RGB 181 84 73

HSL 6.11, 0.43%, 0.5%

LAB 47.81, 38.46, 25.28

 

CMYK 54 / 0 / 60 / 29

HEX #54B549

RGB 84 181 73

HSL 113.89, 0.43%, 0.5%

LAB 66.07, -49.65, 45.58

 

CMYK 60 / 6 / 0 / 29

HEX #49AAB5

RGB 73 170 181

HSL 186.11, 0.43%, 0.5%

LAB 64.57, -24.94, -14.19

 

CMYK 6 / 59 / 0 / 29

HEX #AA49B4

RGB 170 73 180

HSL 294.39, 0.42%, 0.5%

LAB 47.76, 54.66, -38.99

 

CMYK 0 / 36 / 60 / 29

HEX #B57449

RGB 181 116 73

HSL 23.89, 0.43%, 0.5%

LAB 54.86, 21.22, 34.08

 

CMYK 54 / 0 / 60 / 29

HEX #54B549

RGB 84 181 73

HSL 113.89, 0.43%, 0.5%

LAB 66.07, -49.65, 45.58

 

CMYK 60 / 24 / 0 / 29

HEX #498AB5

RGB 73 138 181

HSL 203.89, 0.43%, 0.5%

LAB 55, -7.77, -28.82

 

Description

Color code: HEX #AA49B4 | qconv.com Color code: HEX #AA49B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 73 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 73 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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