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Color name
HEX #AA4B30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4B30 it is the complementary color #55B4CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4B30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4B30 shade: #AF4B2B, #C05D3E, #D16F51, #E28164 and #F39377

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4B30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4B30 shade: #AA4B30, #99391D, #88270A, #771500 and #660300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4B30 shade: #AB4B30 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4B30 shade: #AB4B30, #AB6C30, #AB8D30, #A7AB30 and #86AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4B30 shade matches the following richer shades: #AB4B30, #BC411E and #CE370C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4B30 shade: #AB4B30, #995541, #875F53, #756965 and #647277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4B30 shade: #AB3057, #AB3036, #AB4A30, #AB6B30 and #AB8C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4B30 shade: #6A2F1E, #8A3D27, #AB4B30, #C85B3C and #D1765C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4B30 shade: #AA4B30, #77AB30 and #3046AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4B30 shade: #AA4B30, #30AB4A and #4A30AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4B30 shade: #AA4B30, #77AB30, #3090AB and #6330AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4B30 shade: #AA4B30, #53AB30, #3090AB and #8830AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

Complementary color

CMYK 59 / 13 / 0 / 19

HEX #55B4CF

RGB 85 180 207

HSL 193.28, 0.56%, 0.57%

LAB 68.81, -20.16, -22.11

 

CMYK 0 / 57 / 75 / 31

HEX #AF4B2B

RGB 175 75 43

HSL 14.55, 0.61%, 0.43%

LAB 44.69, 38.9, 38.36

 

CMYK 0 / 52 / 68 / 25

HEX #C05D3E

RGB 192 93 62

HSL 14.31, 0.51%, 0.5%

LAB 51.13, 37.37, 36.01

 

CMYK 0 / 47 / 61 / 18

HEX #D16F51

RGB 209 111 81

HSL 14.06, 0.58%, 0.57%

LAB 57.58, 35.92, 33.86

 

CMYK 0 / 43 / 56 / 11

HEX #E28164

RGB 226 129 100

HSL 13.81, 0.68%, 0.64%

LAB 63.99, 34.58, 31.94

 

CMYK 0 / 40 / 51 / 5

HEX #F39377

RGB 243 147 119

HSL 13.55, 0.84%, 0.71%

LAB 70.35, 33.36, 30.22

 

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

CMYK 0 / 63 / 81 / 40

HEX #99391D

RGB 153 57 29

HSL 13.55, 0.68%, 0.36%

LAB 37.46, 38.71, 37.12

 

CMYK 0 / 71 / 93 / 47

HEX #88270A

RGB 136 39 10

HSL 13.81, 0.86%, 0.29%

LAB 31.13, 40.02, 39.3

 

CMYK 0 / 82 / 100 / 53

HEX #771500

RGB 119 21 0

HSL 10.59, 1%, 0.23%

LAB 25.13, 40.69, 36.96

 

CMYK 0 / 97 / 100 / 60

HEX #660300

RGB 102 3 0

HSL 1.76, 1%, 0.2%

LAB 19.6, 40.1, 29.97

 

CMYK 0 / 56 / 72 / 33

HEX #AB4B30

RGB 171 75 48

HSL 13.17, 0.56%, 0.43%

LAB 44.09, 37.59, 34.8

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 56 / 72 / 33

HEX #AB4B30

RGB 171 75 48

HSL 13.17, 0.56%, 0.43%

LAB 44.09, 37.59, 34.8

 

CMYK 0 / 37 / 72 / 33

HEX #AB6C30

RGB 171 108 48

HSL 29.27, 0.56%, 0.43%

LAB 51.38, 19.75, 42.77

 

CMYK 0 / 18 / 72 / 33

HEX #AB8D30

RGB 171 141 48

HSL 45.37, 0.56%, 0.43%

LAB 59.82, 1.29, 51.49

 

CMYK 2 / 0 / 72 / 33

HEX #A7AB30

RGB 167 171 48

HSL 61.95, 0.56%, 0.43%

LAB 67.69, -16.44, 59.12

 

CMYK 22 / 0 / 72 / 33

HEX #86AB30

RGB 134 171 48

HSL 78.05, 0.56%, 0.43%

LAB 65.28, -30.31, 55.95

 

CMYK 0 / 56 / 72 / 33

HEX #AB4B30

RGB 171 75 48

HSL 13.17, 0.56%, 0.43%

LAB 44.09, 37.59, 34.8

 

CMYK 0 / 65 / 84 / 26

HEX #BC411E

RGB 188 65 30

HSL 13.29, 0.72%, 0.43%

LAB 45.03, 47.89, 45.95

 

CMYK 0 / 73 / 94 / 19

HEX #CE370C

RGB 206 55 12

HSL 13.3, 0.89%, 0.43%

LAB 46.82, 57.46, 55.57

 

CMYK 0 / 56 / 72 / 33

HEX #AB4B30

RGB 171 75 48

HSL 13.17, 0.56%, 0.43%

LAB 44.09, 37.59, 34.8

 

CMYK 0 / 44 / 58 / 40

HEX #995541

RGB 153 85 65

HSL 13.64, 0.4%, 0.43%

LAB 43.73, 26.13, 23.93

 

CMYK 0 / 30 / 39 / 47

HEX #875F53

RGB 135 95 83

HSL 13.85, 0.24%, 0.43%

LAB 44.18, 14.65, 13.35

 

CMYK 0 / 10 / 14 / 54

HEX #756965

RGB 117 105 101

HSL 15, 0.07%, 0.43%

LAB 45.39, 3.99, 3.96

 

CMYK 16 / 4 / 0 / 53

HEX #647277

RGB 100 114 119

HSL 195.79, 0.09%, 0.43%

LAB 47.07, -4.08, -4.53

 

CMYK 0 / 72 / 49 / 33

HEX #AB3057

RGB 171 48 87

HSL 340.98, 0.56%, 0.43%

LAB 40.34, 52.39, 6.32

 

CMYK 0 / 72 / 68 / 33

HEX #AB3036

RGB 171 48 54

HSL 357.07, 0.56%, 0.43%

LAB 39.64, 50.01, 26.06

 

CMYK 0 / 57 / 72 / 33

HEX #AB4A30

RGB 171 74 48

HSL 12.68, 0.56%, 0.43%

LAB 43.9, 38.1, 34.58

 

CMYK 0 / 37 / 72 / 33

HEX #AB6B30

RGB 171 107 48

HSL 28.78, 0.56%, 0.43%

LAB 51.14, 20.31, 42.51

 

CMYK 0 / 18 / 72 / 33

HEX #AB8C30

RGB 171 140 48

HSL 44.88, 0.56%, 0.43%

LAB 59.55, 1.84, 51.22

 

CMYK 0 / 56 / 72 / 58

HEX #6A2F1E

RGB 106 47 30

HSL 13.42, 0.56%, 0.27%

LAB 27.27, 24.99, 23.18

 

CMYK 0 / 56 / 72 / 46

HEX #8A3D27

RGB 138 61 39

HSL 13.33, 0.56%, 0.35%

LAB 35.77, 31.25, 29.01

 

CMYK 0 / 56 / 72 / 33

HEX #AB4B30

RGB 171 75 48

HSL 13.17, 0.56%, 0.43%

LAB 44.09, 37.59, 34.8

 

CMYK 0 / 55 / 70 / 22

HEX #C85B3C

RGB 200 91 60

HSL 13.29, 0.56%, 0.51%

LAB 51.94, 41.35, 38.34

 

CMYK 0 / 44 / 56 / 18

HEX #D1765C

RGB 209 118 92

HSL 13.33, 0.56%, 0.59%

LAB 59.24, 33.07, 29.84

 

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

CMYK 30 / 0 / 72 / 33

HEX #77AB30

RGB 119 171 48

HSL 85.37, 0.56%, 0.43%

LAB 64.37, -36.19, 54.74

 

CMYK 72 / 59 / 0 / 33

HEX #3046AB

RGB 48 70 171

HSL 229.27, 0.56%, 0.43%

LAB 33.88, 26.89, -56.64

 

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

CMYK 72 / 0 / 57 / 33

HEX #30AB4A

RGB 48 171 74

HSL 132.68, 0.56%, 0.43%

LAB 61.87, -53.83, 39.94

 

CMYK 57 / 72 / 0 / 33

HEX #4A30AB

RGB 74 48 171

HSL 252.68, 0.56%, 0.43%

LAB 30.66, 44.22, -61.81

 

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

CMYK 30 / 0 / 72 / 33

HEX #77AB30

RGB 119 171 48

HSL 85.37, 0.56%, 0.43%

LAB 64.37, -36.19, 54.74

 

CMYK 72 / 16 / 0 / 33

HEX #3090AB

RGB 48 144 171

HSL 193.17, 0.56%, 0.43%

LAB 55.6, -18.63, -22.25

 

CMYK 42 / 72 / 0 / 33

HEX #6330AB

RGB 99 48 171

HSL 264.88, 0.56%, 0.43%

LAB 33.36, 48.44, -57.29

 

CMYK 0 / 56 / 72 / 33

HEX #AA4B30

RGB 170 75 48

HSL 13.28, 0.56%, 0.43%

LAB 43.93, 37.21, 34.58

 

CMYK 51 / 0 / 72 / 33

HEX #53AB30

RGB 83 171 48

HSL 102.93, 0.56%, 0.43%

LAB 62.66, -48.42, 52.45

 

CMYK 72 / 16 / 0 / 33

HEX #3090AB

RGB 48 144 171

HSL 193.17, 0.56%, 0.43%

LAB 55.6, -18.63, -22.25

 

CMYK 20 / 72 / 0 / 33

HEX #8830AB

RGB 136 48 171

HSL 282.93, 0.56%, 0.43%

LAB 38.36, 55.79, -48.97

 

Description

Color code: HEX #AA4B30 | qconv.com Color code: HEX #AA4B30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 75 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 75 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 72% 33% C M Y K

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Provide designers and agencies with accurate color values.

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