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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4FAF it is the complementary color #55B050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4FAF shade: #AF4FAA, #C061BD, #D173D0, #E285E3 and #F397F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4FAF shade: #AA4FAF, #993D9C, #882B89, #771976 and #660763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4FAF shade: #AA4FAF, #AF4F9A, #AF4F80, #AF4F66 and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4FAF shade: #AA4FAF, #904FAF, #764FAF, #5C4FAF and #4F4FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4FAF shade matches the following richer shades: #AA4FAF, #BD3AC4, #CF25D9 and #E211ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4FAF shade: #AA4FAF, #98639B, #857886, #738C72 and #60A15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4FAF shade: #754FAF, #8F4FAF, #A94FAF, #AF4F9C and #AF4F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4FAF shade: #733577, #8F4293, #AA4FAF, #B86BBC and #C687C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4FAF shade: #AA4FAF, #AF5B4F and #4FAF82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4FAF shade: #AA4FAF, #AFA94F and #4FAFA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4FAF shade: #AA4FAF, #AF5B4F, #55AF4F and #4FA3AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4FAF shade: #AA4FAF, #AF794F, #55AF4F and #4F85AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

Complementary color

CMYK 52 / 0 / 55 / 31

HEX #55B050

RGB 85 176 80

HSL 116.88, 0.38%, 0.5%

LAB 64.61, -46.55, 40.57

 

CMYK 0 / 55 / 3 / 31

HEX #AF4FAA

RGB 175 79 170

HSL 303.13, 0.38%, 0.5%

LAB 49.02, 51.38, -31.1

 

CMYK 0 / 49 / 2 / 25

HEX #C061BD

RGB 192 97 189

HSL 301.89, 0.43%, 0.57%

LAB 55.51, 50.81, -31.83

 

CMYK 0 / 45 / 0 / 18

HEX #D173D0

RGB 209 115 208

HSL 300.64, 0.51%, 0.64%

LAB 61.97, 50.14, -32.42

 

CMYK 0 / 41 / 0 / 11

HEX #E285E3

RGB 226 133 227

HSL 299.36, 0.63%, 0.71%

LAB 68.38, 49.43, -32.92

 

CMYK 1 / 39 / 0 / 4

HEX #F397F6

RGB 243 151 246

HSL 298.11, 0.84%, 0.78%

LAB 74.72, 48.7, -33.35

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 2 / 61 / 0 / 39

HEX #993D9C

RGB 153 61 156

HSL 298.11, 0.44%, 0.43%

LAB 42.02, 51.27, -34

 

CMYK 1 / 69 / 0 / 46

HEX #882B89

RGB 136 43 137

HSL 299.36, 0.52%, 0.35%

LAB 35.53, 51.23, -32.86

 

CMYK 0 / 79 / 1 / 53

HEX #771976

RGB 119 25 118

HSL 300.64, 0.65%, 0.28%

LAB 29.22, 50.39, -31.16

 

CMYK 0 / 93 / 3 / 60

HEX #660763

RGB 102 7 99

HSL 301.89, 0.87%, 0.21%

LAB 23.26, 48.12, -28.57

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 0 / 55 / 12 / 31

HEX #AF4F9A

RGB 175 79 154

HSL 313.13, 0.38%, 0.5%

LAB 48.31, 48.66, -22.75

 

CMYK 0 / 55 / 27 / 31

HEX #AF4F80

RGB 175 79 128

HSL 329.38, 0.38%, 0.5%

LAB 47.32, 44.72, -8.68

 

CMYK 0 / 55 / 42 / 31

HEX #AF4F66

RGB 175 79 102

HSL 345.63, 0.38%, 0.5%

LAB 46.53, 41.47, 5.94

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 18 / 55 / 0 / 31

HEX #904FAF

RGB 144 79 175

HSL 280.63, 0.38%, 0.5%

LAB 45.1, 43.78, -40.49

 

CMYK 33 / 55 / 0 / 31

HEX #764FAF

RGB 118 79 175

HSL 264.38, 0.38%, 0.5%

LAB 42.06, 36.9, -45.52

 

CMYK 47 / 55 / 0 / 31

HEX #5C4FAF

RGB 92 79 175

HSL 248.13, 0.38%, 0.5%

LAB 39.52, 30.59, -49.74

 

CMYK 55 / 55 / 0 / 31

HEX #4F4FAF

RGB 79 79 175

HSL 240, 0.38%, 0.5%

LAB 38.46, 27.78, -51.49

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 4 / 70 / 0 / 23

HEX #BD3AC4

RGB 189 58 196

HSL 296.96, 0.54%, 0.5%

LAB 49.29, 68.08, -45.7

 

CMYK 5 / 83 / 0 / 15

HEX #CF25D9

RGB 207 37 217

HSL 296.67, 0.71%, 0.5%

LAB 51.38, 80.85, -54.26

 

CMYK 5 / 93 / 0 / 7

HEX #E211ED

RGB 226 17 237

HSL 297, 0.87%, 0.5%

LAB 54.75, 90.03, -60.01

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 2 / 36 / 0 / 39

HEX #98639B

RGB 152 99 155

HSL 296.79, 0.22%, 0.5%

LAB 49.45, 30.92, -21.83

 

CMYK 1 / 10 / 0 / 47

HEX #857886

RGB 133 120 134

HSL 295.71, 0.06%, 0.5%

LAB 52, 7.7, -5.8

 

CMYK 18 / 0 / 19 / 45

HEX #738C72

RGB 115 140 114

HSL 117.69, 0.1%, 0.5%

LAB 55.7, -14.23, 10.98

 

CMYK 40 / 0 / 42 / 37

HEX #60A15D

RGB 96 161 93

HSL 117.35, 0.27%, 0.5%

LAB 60.58, -34.95, 29.01

 

CMYK 33 / 55 / 0 / 31

HEX #754FAF

RGB 117 79 175

HSL 263.75, 0.38%, 0.5%

LAB 41.95, 36.65, -45.7

 

CMYK 18 / 55 / 0 / 31

HEX #8F4FAF

RGB 143 79 175

HSL 280, 0.38%, 0.5%

LAB 44.98, 43.51, -40.69

 

CMYK 3 / 55 / 0 / 31

HEX #A94FAF

RGB 169 79 175

HSL 296.25, 0.38%, 0.5%

LAB 48.41, 50.62, -35.04

 

CMYK 0 / 55 / 11 / 31

HEX #AF4F9C

RGB 175 79 156

HSL 311.88, 0.38%, 0.5%

LAB 48.39, 48.98, -23.8

 

CMYK 0 / 55 / 26 / 31

HEX #AF4F82

RGB 175 79 130

HSL 328.13, 0.38%, 0.5%

LAB 47.39, 45, -9.78

 

CMYK 3 / 55 / 0 / 53

HEX #733577

RGB 115 53 119

HSL 296.36, 0.38%, 0.34%

LAB 32.97, 37.46, -25.92

 

CMYK 3 / 55 / 0 / 42

HEX #8F4293

RGB 143 66 147

HSL 297.04, 0.38%, 0.42%

LAB 40.96, 44.45, -30.33

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 2 / 43 / 0 / 26

HEX #B86BBC

RGB 184 107 188

HSL 297.04, 0.38%, 0.58%

LAB 56.42, 43.12, -29.92

 

CMYK 1 / 33 / 0 / 21

HEX #C687C9

RGB 198 135 201

HSL 297.27, 0.38%, 0.66%

LAB 64.6, 34.9, -24.53

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 0 / 48 / 55 / 31

HEX #AF5B4F

RGB 175 91 79

HSL 7.5, 0.38%, 0.5%

LAB 48.46, 32.96, 22.42

 

CMYK 55 / 0 / 26 / 31

HEX #4FAF82

RGB 79 175 130

HSL 151.88, 0.38%, 0.5%

LAB 64.91, -39.06, 14.66

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 0 / 3 / 55 / 31

HEX #AFA94F

RGB 175 169 79

HSL 56.25, 0.38%, 0.5%

LAB 68.06, -9.92, 46.48

 

CMYK 55 / 0 / 3 / 31

HEX #4FAFA9

RGB 79 175 169

HSL 176.25, 0.38%, 0.5%

LAB 65.89, -29.6, -5.51

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 0 / 48 / 55 / 31

HEX #AF5B4F

RGB 175 91 79

HSL 7.5, 0.38%, 0.5%

LAB 48.46, 32.96, 22.42

 

CMYK 51 / 0 / 55 / 31

HEX #55AF4F

RGB 85 175 79

HSL 116.25, 0.38%, 0.5%

LAB 64.29, -46.27, 40.66

 

CMYK 55 / 7 / 0 / 31

HEX #4FA3AF

RGB 79 163 175

HSL 187.5, 0.38%, 0.5%

LAB 62.47, -21.93, -13.98

 

CMYK 3 / 55 / 0 / 31

HEX #AA4FAF

RGB 170 79 175

HSL 296.88, 0.38%, 0.5%

LAB 48.55, 50.89, -34.81

 

CMYK 0 / 31 / 55 / 31

HEX #AF794F

RGB 175 121 79

HSL 26.25, 0.38%, 0.5%

LAB 55.43, 16.37, 31.34

 

CMYK 51 / 0 / 55 / 31

HEX #55AF4F

RGB 85 175 79

HSL 116.25, 0.38%, 0.5%

LAB 64.29, -46.27, 40.66

 

CMYK 55 / 24 / 0 / 31

HEX #4F85AF

RGB 79 133 175

HSL 206.25, 0.38%, 0.5%

LAB 53.53, -5.55, -27.64

 

Description

Color code: HEX #AA4FAF | qconv.com Color code: HEX #AA4FAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 79 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 79 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 55 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 55% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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