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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4FF2 it is the complementary color #55B00D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4FF2 shade: #AF4FED, #C061FF, #D173FF, #E285FF and #F397FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4FF2 shade: #AA4FF2, #993DDF, #882BCC, #7719B9 and #6607A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4FF2 shade: #AA4FF1, #D54FF1, #F14FE1, #F14FB6 and #F14F8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4FF2 shade: #AA4FF1, #7E4FF1, #524FF1 and #4F4FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4FF2 shade matches the following richer shades: #AA4FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4FF2 shade: #AA4FF1, #A85EE2, #A66ED3, #A47DC3 and #A28CB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4FF2 shade: #524FF1, #7D4FF1, #A84FF1, #D44FF1 and #F14FE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4FF2 shade: #8310DE, #9729EE, #AA4FF1, #BC75F4 and #CF9CF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4FF2 shade: #AA4FF2, #F14F78 and #4FF167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4FF2 shade: #AA4FF2, #F1A84F and #4FF1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4FF2 shade: #AA4FF2, #F14F78, #98F14F and #4FF1C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4FF2 shade: #AA4FF2, #F1574F, #98F14F and #4FE9F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

Complementary color

CMYK 52 / 0 / 93 / 31

HEX #55B00D

RGB 85 176 13

HSL 93.5, 0.86%, 0.37%

LAB 64.17, -51.45, 63.26

 

CMYK 26 / 67 / 0 / 7

HEX #AF4FED

RGB 175 79 237

HSL 276.46, 0.81%, 0.62%

LAB 52.75, 64.62, -63.61

 

CMYK 25 / 62 / 0 / 0

HEX #C061FF

RGB 192 97 255

HSL 276.08, 1%, 0.69%

LAB 58.95, 63.91, -63.54

 

CMYK 18 / 55 / 0 / 0

HEX #D173FF

RGB 209 115 255

HSL 280.29, 1%, 0.73%

LAB 64.19, 59.25, -55.05

 

CMYK 11 / 48 / 0 / 0

HEX #E285FF

RGB 226 133 255

HSL 285.74, 1%, 0.76%

LAB 69.59, 54.71, -46.4

 

CMYK 5 / 41 / 0 / 0

HEX #F397FF

RGB 243 151 255

HSL 293.08, 1%, 0.8%

LAB 75.08, 50.35, -37.67

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 31 / 73 / 0 / 13

HEX #993DDF

RGB 153 61 223

HSL 274.07, 0.72%, 0.56%

LAB 46.23, 64.96, -66.39

 

CMYK 33 / 79 / 0 / 20

HEX #882BCC

RGB 136 43 204

HSL 274.66, 0.65%, 0.48%

LAB 40.12, 64.72, -65.52

 

CMYK 36 / 86 / 0 / 27

HEX #7719B9

RGB 119 25 185

HSL 275.25, 0.76%, 0.41%

LAB 34.23, 63.6, -64.1

 

CMYK 39 / 96 / 0 / 35

HEX #6607A6

RGB 102 7 166

HSL 275.85, 0.92%, 0.34%

LAB 28.72, 61.09, -61.86

 

CMYK 29 / 67 / 0 / 5

HEX #AA4FF1

RGB 170 79 241

HSL 273.7, 0.85%, 0.63%

LAB 52.39, 64.47, -66.48

 

CMYK 12 / 67 / 0 / 5

HEX #D54FF1

RGB 213 79 241

HSL 289.63, 0.85%, 0.63%

LAB 58.12, 73.4, -56.95

 

CMYK 0 / 67 / 7 / 5

HEX #F14FE1

RGB 241 79 225

HSL 305.93, 0.85%, 0.63%

LAB 61.42, 76.96, -42.51

 

CMYK 0 / 67 / 24 / 5

HEX #F14FB6

RGB 241 79 182

HSL 321.85, 0.85%, 0.63%

LAB 59.59, 71.01, -20.92

 

CMYK 0 / 67 / 43 / 5

HEX #F14F8A

RGB 241 79 138

HSL 338.15, 0.85%, 0.63%

LAB 58.16, 66.14, 2.54

 

CMYK 29 / 67 / 0 / 5

HEX #AA4FF1

RGB 170 79 241

HSL 273.7, 0.85%, 0.63%

LAB 52.39, 64.47, -66.48

 

CMYK 48 / 67 / 0 / 5

HEX #7E4FF1

RGB 126 79 241

HSL 257.41, 0.85%, 0.63%

LAB 47.47, 56.24, -74.69

 

CMYK 66 / 67 / 0 / 5

HEX #524FF1

RGB 82 79 241

HSL 241.11, 0.85%, 0.63%

LAB 43.85, 49.72, -80.75

 

CMYK 67 / 67 / 0 / 5

HEX #4F4FF1

RGB 79 79 241

HSL 240, 0.85%, 0.63%

LAB 43.66, 49.36, -81.07

 

CMYK 29 / 67 / 0 / 5

HEX #AA4FF1

RGB 170 79 241

HSL 273.7, 0.85%, 0.63%

LAB 52.39, 64.47, -66.48

 

CMYK 29 / 67 / 0 / 5

HEX #AA4FF1

RGB 170 79 241

HSL 273.7, 0.85%, 0.63%

LAB 52.39, 64.47, -66.48

 

CMYK 26 / 58 / 0 / 11

HEX #A85EE2

RGB 168 94 226

HSL 273.64, 0.69%, 0.63%

LAB 53.84, 53.49, -55.73

 

CMYK 21 / 48 / 0 / 17

HEX #A66ED3

RGB 166 110 211

HSL 273.27, 0.53%, 0.63%

LAB 56.05, 41.07, -43.75

 

CMYK 16 / 36 / 0 / 24

HEX #A47DC3

RGB 164 125 195

HSL 273.43, 0.37%, 0.63%

LAB 58.51, 28.46, -30.85

 

CMYK 10 / 22 / 0 / 29

HEX #A28CB4

RGB 162 140 180

HSL 273, 0.21%, 0.63%

LAB 61.42, 15.98, -17.88

 

CMYK 66 / 67 / 0 / 5

HEX #524FF1

RGB 82 79 241

HSL 241.11, 0.85%, 0.63%

LAB 43.85, 49.72, -80.75

 

CMYK 48 / 67 / 0 / 5

HEX #7D4FF1

RGB 125 79 241

HSL 257.04, 0.85%, 0.63%

LAB 47.37, 56.07, -74.85

 

CMYK 30 / 67 / 0 / 5

HEX #A84FF1

RGB 168 79 241

HSL 272.96, 0.85%, 0.63%

LAB 52.14, 64.07, -66.89

 

CMYK 12 / 67 / 0 / 5

HEX #D44FF1

RGB 212 79 241

HSL 289.26, 0.85%, 0.63%

LAB 57.98, 73.18, -57.19

 

CMYK 0 / 67 / 5 / 5

HEX #F14FE4

RGB 241 79 228

HSL 304.81, 0.85%, 0.63%

LAB 61.56, 77.42, -43.97

 

CMYK 41 / 93 / 0 / 13

HEX #8310DE

RGB 131 16 222

HSL 273.5, 0.87%, 0.47%

LAB 38.67, 74.7, -78.29

 

CMYK 37 / 83 / 0 / 7

HEX #9729EE

RGB 151 41 238

HSL 273.5, 0.85%, 0.55%

LAB 44.71, 74.86, -77.38

 

CMYK 29 / 67 / 0 / 5

HEX #AA4FF1

RGB 170 79 241

HSL 273.7, 0.85%, 0.63%

LAB 52.39, 64.47, -66.48

 

CMYK 23 / 52 / 0 / 4

HEX #BC75F4

RGB 188 117 244

HSL 273.54, 0.85%, 0.71%

LAB 61.61, 50.6, -53.25

 

CMYK 16 / 37 / 0 / 3

HEX #CF9CF7

RGB 207 156 247

HSL 273.63, 0.85%, 0.79%

LAB 72.07, 35.56, -38.31

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 0 / 67 / 50 / 5

HEX #F14F78

RGB 241 79 120

HSL 344.81, 0.85%, 0.63%

LAB 57.7, 64.55, 12.48

 

CMYK 67 / 0 / 57 / 5

HEX #4FF167

RGB 79 241 103

HSL 128.89, 0.85%, 0.63%

LAB 84.77, -68.84, 53.72

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 0 / 30 / 67 / 5

HEX #F1A84F

RGB 241 168 79

HSL 32.96, 0.85%, 0.63%

LAB 74.36, 18.63, 55.34

 

CMYK 67 / 0 / 30 / 5

HEX #4FF1A8

RGB 79 241 168

HSL 152.96, 0.85%, 0.63%

LAB 85.71, -58.31, 23.29

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 0 / 67 / 50 / 5

HEX #F14F78

RGB 241 79 120

HSL 344.81, 0.85%, 0.63%

LAB 57.7, 64.55, 12.48

 

CMYK 37 / 0 / 67 / 5

HEX #98F14F

RGB 152 241 79

HSL 92.96, 0.85%, 0.63%

LAB 87.07, -52.23, 66.89

 

CMYK 67 / 0 / 17 / 5

HEX #4FF1C9

RGB 79 241 201

HSL 165.19, 0.85%, 0.63%

LAB 86.4, -51.04, 7.16

 

CMYK 30 / 67 / 0 / 5

HEX #AA4FF2

RGB 170 79 242

HSL 273.5, 0.86%, 0.63%

LAB 52.45, 64.69, -66.93

 

CMYK 0 / 64 / 67 / 5

HEX #F1574F

RGB 241 87 79

HSL 2.96, 0.85%, 0.63%

LAB 58.11, 58.62, 36.76

 

CMYK 37 / 0 / 67 / 5

HEX #98F14F

RGB 152 241 79

HSL 92.96, 0.85%, 0.63%

LAB 87.07, -52.23, 66.89

 

CMYK 67 / 3 / 0 / 5

HEX #4FE9F1

RGB 79 233 241

HSL 182.96, 0.85%, 0.63%

LAB 85.14, -37.13, -15.69

 

Description

Color code: HEX #AA4FF2 | qconv.com Color code: HEX #AA4FF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 79 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 79 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 67 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 67% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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