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Color name
HEX #AA5769

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5769 it is the complementary color #55A896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5769 shade: #AF5764, #C06977, #D17B8A, #E28D9D and #F39FB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5769 shade: #AA5769, #994556, #883343, #772130 and #660F1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5769 shade: #A95567 and #A95555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5769 shade: #A95567, #A9557E, #A95595, #A755A9 and #9055A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5769 shade matches the following richer shades: #A95567, #BE405B, #D22C50, #E71744 and #FC0238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5769 shade: #A95567, #946A73, #807E7F, #6B938A and #57A796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5769 shade: #A95595, #A9557F, #A95569, #A95855 and #A96E55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5769 shade: #723946, #8E4756, #A95567, #B77080 and #C58C98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5769 shade: #AA5769, #A9A655 and #558AA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5769 shade: #AA5769, #69A955 and #5569A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5769 shade: #AA5769, #A9A655, #55A995 and #5558A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5769 shade: #AA5769, #93A955, #55A995 and #6B55A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

Complementary color

CMYK 49 / 0 / 11 / 34

HEX #55A896

RGB 85 168 150

HSL 166.99, 0.33%, 0.5%

LAB 63.46, -29.77, 1.53

 

CMYK 0 / 50 / 43 / 31

HEX #AF5764

RGB 175 87 100

HSL 351.14, 0.35%, 0.51%

LAB 48.07, 37.15, 9.34

 

CMYK 0 / 45 / 38 / 25

HEX #C06977

RGB 192 105 119

HSL 350.34, 0.41%, 0.58%

LAB 54.7, 36.14, 7.76

 

CMYK 0 / 41 / 34 / 18

HEX #D17B8A

RGB 209 123 138

HSL 349.53, 0.48%, 0.65%

LAB 61.27, 35.17, 6.42

 

CMYK 0 / 38 / 31 / 11

HEX #E28D9D

RGB 226 141 157

HSL 348.71, 0.59%, 0.72%

LAB 67.76, 34.27, 5.25

 

CMYK 0 / 35 / 28 / 5

HEX #F39FB0

RGB 243 159 176

HSL 347.86, 0.78%, 0.79%

LAB 74.18, 33.42, 4.2

 

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

CMYK 0 / 55 / 44 / 40

HEX #994556

RGB 153 69 86

HSL 347.86, 0.38%, 0.44%

LAB 40.74, 36.86, 7.08

 

CMYK 0 / 63 / 51 / 47

HEX #883343

RGB 136 51 67

HSL 348.71, 0.45%, 0.37%

LAB 34, 37.74, 9.24

 

CMYK 0 / 72 / 60 / 53

HEX #772130

RGB 119 33 48

HSL 349.53, 0.57%, 0.3%

LAB 27.36, 38.31, 12.11

 

CMYK 0 / 85 / 72 / 60

HEX #660F1D

RGB 102 15 29

HSL 350.34, 0.74%, 0.23%

LAB 21.04, 38.01, 16.12

 

CMYK 0 / 50 / 39 / 34

HEX #A95567

RGB 169 85 103

HSL 347.14, 0.33%, 0.5%

LAB 46.86, 36.33, 5.68

 

CMYK 0 / 50 / 50 / 34

HEX #A95555

RGB 169 85 85

HSL 0, 0.33%, 0.5%

LAB 46.43, 34.38, 15.97

 

CMYK 0 / 50 / 39 / 34

HEX #A95567

RGB 169 85 103

HSL 347.14, 0.33%, 0.5%

LAB 46.86, 36.33, 5.68

 

CMYK 0 / 50 / 25 / 34

HEX #A9557E

RGB 169 85 126

HSL 330.71, 0.33%, 0.5%

LAB 47.54, 39.37, -7.23

 

CMYK 0 / 50 / 12 / 34

HEX #A95595

RGB 169 85 149

HSL 314.29, 0.33%, 0.5%

LAB 48.39, 42.98, -19.73

 

CMYK 1 / 50 / 0 / 34

HEX #A755A9

RGB 167 85 169

HSL 298.57, 0.33%, 0.5%

LAB 48.98, 45.93, -30.66

 

CMYK 15 / 50 / 0 / 34

HEX #9055A9

RGB 144 85 169

HSL 282.14, 0.33%, 0.5%

LAB 46.03, 39.21, -35.49

 

CMYK 0 / 50 / 39 / 34

HEX #A95567

RGB 169 85 103

HSL 347.14, 0.33%, 0.5%

LAB 46.86, 36.33, 5.68

 

CMYK 0 / 66 / 52 / 25

HEX #BE405B

RGB 190 64 91

HSL 347.14, 0.5%, 0.5%

LAB 46.14, 52.35, 12.46

 

CMYK 0 / 79 / 62 / 18

HEX #D22C50

RGB 210 44 80

HSL 346.99, 0.65%, 0.5%

LAB 47.08, 64.42, 21.1

 

CMYK 0 / 90 / 71 / 9

HEX #E71744

RGB 231 23 68

HSL 347.02, 0.82%, 0.5%

LAB 49.52, 73.58, 32.32

 

CMYK 0 / 99 / 78 / 1

HEX #FC0238

RGB 252 2 56

HSL 347.04, 0.98%, 0.5%

LAB 52.98, 80.11, 44.35

 

CMYK 0 / 50 / 39 / 34

HEX #A95567

RGB 169 85 103

HSL 347.14, 0.33%, 0.5%

LAB 46.86, 36.33, 5.68

 

CMYK 0 / 28 / 22 / 42

HEX #946A73

RGB 148 106 115

HSL 347.14, 0.17%, 0.5%

LAB 49.3, 18.18, 1.65

 

CMYK 0 / 2 / 1 / 50

HEX #807E7F

RGB 128 126 127

HSL 330, 0.01%, 0.5%

LAB 53, 0.95, -0.28

 

CMYK 27 / 0 / 6 / 42

HEX #6B938A

RGB 107 147 138

HSL 166.5, 0.16%, 0.5%

LAB 57.87, -15.74, 0.31

 

CMYK 48 / 0 / 10 / 35

HEX #57A796

RGB 87 167 150

HSL 167.25, 0.31%, 0.5%

LAB 63.23, -28.79, 1.21

 

CMYK 0 / 50 / 12 / 34

HEX #A95595

RGB 169 85 149

HSL 314.29, 0.33%, 0.5%

LAB 48.39, 42.98, -19.73

 

CMYK 0 / 50 / 25 / 34

HEX #A9557F

RGB 169 85 127

HSL 330, 0.33%, 0.5%

LAB 47.58, 39.52, -7.78

 

CMYK 0 / 50 / 38 / 34

HEX #A95569

RGB 169 85 105

HSL 345.71, 0.33%, 0.5%

LAB 46.91, 36.57, 4.55

 

CMYK 0 / 48 / 50 / 34

HEX #A95855

RGB 169 88 85

HSL 2.14, 0.33%, 0.5%

LAB 47.07, 32.77, 16.84

 

CMYK 0 / 35 / 50 / 34

HEX #A96E55

RGB 169 110 85

HSL 17.86, 0.33%, 0.5%

LAB 52.11, 20.59, 23.56

 

CMYK 0 / 50 / 39 / 55

HEX #723946

RGB 114 57 70

HSL 346.32, 0.33%, 0.34%

LAB 31.68, 26.58, 3.51

 

CMYK 0 / 50 / 39 / 44

HEX #8E4756

RGB 142 71 86

HSL 347.32, 0.33%, 0.42%

LAB 39.46, 31.67, 5.03

 

CMYK 0 / 50 / 39 / 34

HEX #A95567

RGB 169 85 103

HSL 347.14, 0.33%, 0.5%

LAB 46.86, 36.33, 5.68

 

CMYK 0 / 39 / 30 / 28

HEX #B77080

RGB 183 112 128

HSL 346.48, 0.33%, 0.58%

LAB 55.29, 30.16, 3.18

 

CMYK 0 / 29 / 23 / 23

HEX #C58C98

RGB 197 140 152

HSL 347.37, 0.33%, 0.66%

LAB 64.07, 23.42, 2.31

 

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

CMYK 0 / 2 / 50 / 34

HEX #A9A655

RGB 169 166 85

HSL 57.86, 0.33%, 0.5%

LAB 66.8, -10.36, 41.94

 

CMYK 50 / 18 / 0 / 34

HEX #558AA9

RGB 85 138 169

HSL 202.14, 0.33%, 0.5%

LAB 55.04, -8.85, -21.84

 

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

CMYK 38 / 0 / 50 / 34

HEX #69A955

RGB 105 169 85

HSL 105.71, 0.33%, 0.5%

LAB 63.37, -36.75, 36.78

 

CMYK 50 / 38 / 0 / 34

HEX #5569A9

RGB 85 105 169

HSL 225.71, 0.33%, 0.5%

LAB 45.5, 10.78, -36.7

 

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

CMYK 0 / 2 / 50 / 34

HEX #A9A655

RGB 169 166 85

HSL 57.86, 0.33%, 0.5%

LAB 66.8, -10.36, 41.94

 

CMYK 50 / 0 / 12 / 34

HEX #55A995

RGB 85 169 149

HSL 165.71, 0.33%, 0.5%

LAB 63.74, -30.5, 2.5

 

CMYK 50 / 48 / 0 / 34

HEX #5558A9

RGB 85 88 169

HSL 237.86, 0.33%, 0.5%

LAB 40.86, 21.46, -44.07

 

CMYK 0 / 49 / 38 / 33

HEX #AA5769

RGB 170 87 105

HSL 346.99, 0.33%, 0.5%

LAB 47.47, 35.88, 5.37

 

CMYK 13 / 0 / 50 / 34

HEX #93A955

RGB 147 169 85

HSL 75.71, 0.33%, 0.5%

LAB 65.93, -21.01, 40.49

 

CMYK 50 / 0 / 12 / 34

HEX #55A995

RGB 85 169 149

HSL 165.71, 0.33%, 0.5%

LAB 63.74, -30.5, 2.5

 

CMYK 37 / 50 / 0 / 34

HEX #6B55A9

RGB 107 85 169

HSL 255.71, 0.33%, 0.5%

LAB 41.98, 28.86, -42.16

 

Description

Color code: HEX #AA5769 | qconv.com Color code: HEX #AA5769 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 87 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 87 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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