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Color name
HEX #AA5130

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5130 it is the complementary color #55AECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5130 shade: #AF512B, #C0633E, #D17551, #E28764 and #F39977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5130 shade: #AA5130, #993F1D, #882D0A, #771B00 and #660900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5130 shade: #AB5130, #AB3030 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5130 shade: #AB5130, #AB7230, #AB9330, #A1AB30 and #80AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5130 shade matches the following richer shades: #AB5130, #BC491E and #CE410C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5130 shade: #AB5130, #995941, #876153, #756965 and #647277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5130 shade: #AB3050, #AB3030, #AB5030, #AB7130 and #AB9230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5130 shade: #6A321E, #8A4227, #AB5130, #C8623C and #D17C5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5130 shade: #AA5130, #71AB30 and #3040AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5130 shade: #AA5130, #30AB50 and #5030AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5130 shade: #AA5130, #71AB30, #308AAB and #6930AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5130 shade: #AA5130, #4CAB30, #308AAB and #8E30AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

Complementary color

CMYK 59 / 16 / 0 / 19

HEX #55AECF

RGB 85 174 207

HSL 196.23, 0.56%, 0.57%

LAB 67.06, -17.03, -24.79

 

CMYK 0 / 54 / 75 / 31

HEX #AF512B

RGB 175 81 43

HSL 17.27, 0.61%, 0.43%

LAB 45.87, 35.86, 39.61

 

CMYK 0 / 48 / 68 / 25

HEX #C0633E

RGB 192 99 62

HSL 17.08, 0.51%, 0.5%

LAB 52.37, 34.25, 37.45

 

CMYK 0 / 44 / 61 / 18

HEX #D17551

RGB 209 117 81

HSL 16.88, 0.58%, 0.57%

LAB 58.86, 32.77, 35.43

 

CMYK 0 / 40 / 56 / 11

HEX #E28764

RGB 226 135 100

HSL 16.67, 0.68%, 0.64%

LAB 65.29, 31.43, 33.6

 

CMYK 0 / 37 / 51 / 5

HEX #F39977

RGB 243 153 119

HSL 16.45, 0.84%, 0.71%

LAB 71.67, 30.22, 31.94

 

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

CMYK 0 / 59 / 81 / 40

HEX #993F1D

RGB 153 63 29

HSL 16.45, 0.68%, 0.36%

LAB 38.58, 35.76, 38.22

 

CMYK 0 / 67 / 93 / 47

HEX #882D0A

RGB 136 45 10

HSL 16.67, 0.86%, 0.29%

LAB 32.11, 37.38, 40.02

 

CMYK 0 / 77 / 100 / 53

HEX #771B00

RGB 119 27 0

HSL 13.61, 1%, 0.23%

LAB 25.88, 38.6, 37.66

 

CMYK 0 / 91 / 100 / 60

HEX #660900

RGB 102 9 0

HSL 5.29, 1%, 0.2%

LAB 20.12, 38.59, 30.56

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 33 / 72 / 33

HEX #AB7230

RGB 171 114 48

HSL 32.2, 0.56%, 0.43%

LAB 52.85, 16.38, 44.32

 

CMYK 0 / 14 / 72 / 33

HEX #AB9330

RGB 171 147 48

HSL 48.29, 0.56%, 0.43%

LAB 61.43, -2, 53.1

 

CMYK 6 / 0 / 72 / 33

HEX #A1AB30

RGB 161 171 48

HSL 64.88, 0.56%, 0.43%

LAB 67.21, -19.03, 58.5

 

CMYK 25 / 0 / 72 / 33

HEX #80AB30

RGB 128 171 48

HSL 80.98, 0.56%, 0.43%

LAB 64.91, -32.71, 55.45

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 61 / 84 / 26

HEX #BC491E

RGB 188 73 30

HSL 16.33, 0.72%, 0.43%

LAB 46.38, 44.3, 47.15

 

CMYK 0 / 68 / 94 / 19

HEX #CE410C

RGB 206 65 12

HSL 16.39, 0.89%, 0.43%

LAB 48.17, 53.74, 56.41

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 42 / 58 / 40

HEX #995941

RGB 153 89 65

HSL 16.36, 0.4%, 0.43%

LAB 44.66, 23.87, 25.12

 

CMYK 0 / 28 / 39 / 47

HEX #876153

RGB 135 97 83

HSL 16.15, 0.24%, 0.43%

LAB 44.7, 13.47, 14.07

 

CMYK 0 / 10 / 14 / 54

HEX #756965

RGB 117 105 101

HSL 15, 0.07%, 0.43%

LAB 45.39, 3.99, 3.96

 

CMYK 16 / 4 / 0 / 53

HEX #647277

RGB 100 114 119

HSL 195.79, 0.09%, 0.43%

LAB 47.07, -4.08, -4.53

 

CMYK 0 / 72 / 53 / 33

HEX #AB3050

RGB 171 48 80

HSL 344.39, 0.56%, 0.43%

LAB 40.17, 51.79, 10.49

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 53 / 72 / 33

HEX #AB5030

RGB 171 80 48

HSL 15.61, 0.56%, 0.43%

LAB 45.09, 35.03, 35.92

 

CMYK 0 / 34 / 72 / 33

HEX #AB7130

RGB 171 113 48

HSL 31.71, 0.56%, 0.43%

LAB 52.6, 16.94, 44.06

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 53 / 72 / 58

HEX #6A321E

RGB 106 50 30

HSL 15.79, 0.56%, 0.27%

LAB 27.95, 23.27, 23.97

 

CMYK 0 / 52 / 72 / 46

HEX #8A4227

RGB 138 66 39

HSL 16.36, 0.56%, 0.35%

LAB 36.83, 28.54, 30.22

 

CMYK 0 / 53 / 72 / 33

HEX #AB5130

RGB 171 81 48

HSL 16.1, 0.56%, 0.43%

LAB 45.3, 34.51, 36.15

 

CMYK 0 / 51 / 70 / 22

HEX #C8623C

RGB 200 98 60

HSL 16.29, 0.56%, 0.51%

LAB 53.32, 37.82, 39.91

 

CMYK 0 / 41 / 56 / 18

HEX #D17C5C

RGB 209 124 92

HSL 16.41, 0.56%, 0.59%

LAB 60.55, 29.88, 31.51

 

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

CMYK 34 / 0 / 72 / 33

HEX #71AB30

RGB 113 171 48

HSL 88.29, 0.56%, 0.43%

LAB 64.04, -38.44, 54.29

 

CMYK 72 / 63 / 0 / 33

HEX #3040AB

RGB 48 64 171

HSL 232.2, 0.56%, 0.43%

LAB 32.34, 30.82, -59.15

 

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

CMYK 72 / 0 / 53 / 33

HEX #30AB50

RGB 48 171 80

HSL 135.61, 0.56%, 0.43%

LAB 61.94, -52.98, 37.08

 

CMYK 53 / 72 / 0 / 33

HEX #5030AB

RGB 80 48 171

HSL 255.61, 0.56%, 0.43%

LAB 31.25, 45.16, -60.83

 

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

CMYK 34 / 0 / 72 / 33

HEX #71AB30

RGB 113 171 48

HSL 88.29, 0.56%, 0.43%

LAB 64.04, -38.44, 54.29

 

CMYK 72 / 19 / 0 / 33

HEX #308AAB

RGB 48 138 171

HSL 196.1, 0.56%, 0.43%

LAB 53.76, -15.37, -25.08

 

CMYK 39 / 72 / 0 / 33

HEX #6930AB

RGB 105 48 171

HSL 267.8, 0.56%, 0.43%

LAB 34.1, 49.56, -56.06

 

CMYK 0 / 52 / 72 / 33

HEX #AA5130

RGB 170 81 48

HSL 16.23, 0.56%, 0.43%

LAB 45.14, 34.11, 35.93

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 19 / 0 / 33

HEX #308AAB

RGB 48 138 171

HSL 196.1, 0.56%, 0.43%

LAB 53.76, -15.37, -25.08

 

CMYK 17 / 72 / 0 / 33

HEX #8E30AB

RGB 142 48 171

HSL 285.85, 0.56%, 0.43%

LAB 39.25, 57.07, -47.48

 

Description

Color code: HEX #AA5130 | qconv.com Color code: HEX #AA5130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 81 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 81 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 72% 33% C M Y K

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Provide designers and agencies with accurate color values.

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