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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5176 it is the complementary color #55AE89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5176 shade: #AF5171, #C06384, #D17597, #E287AA and #F399BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5176 shade: #AA5176, #993F63, #882D50, #771B3D and #66092A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5176 shade: #A85175, #A8515D and #A85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5176 shade: #A85175, #A8518D, #A851A4, #9551A8 and #7D51A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5176 shade matches the following richer shades: #A85175, #BC3D72, #D1286E, #E5146B and #F90067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5176 shade: #A85175, #946578, #80797C, #6C8D7F and #57A283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5176 shade: #A851A4, #A8518C, #A85175, #A8515E and #A85B51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5176 shade: #70364E, #8C4362, #A85175, #B76B8B and #C587A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5176 shade: #AA5176, #A89551 and #5198A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5176 shade: #AA5176, #75A851 and #5175A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5176 shade: #AA5176, #A89551, #51A884 and #5164A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5176 shade: #AA5176, #A1A851, #51A884 and #5851A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

Complementary color

CMYK 51 / 0 / 21 / 32

HEX #55AE89

RGB 85 174 137

HSL 155.06, 0.35%, 0.51%

LAB 64.97, -35.65, 10.93

 

CMYK 0 / 54 / 35 / 31

HEX #AF5171

RGB 175 81 113

HSL 339.57, 0.37%, 0.5%

LAB 47.22, 41.76, 0.26

 

CMYK 0 / 48 / 31 / 25

HEX #C06384

RGB 192 99 132

HSL 338.71, 0.42%, 0.57%

LAB 53.81, 40.9, -1.18

 

CMYK 0 / 44 / 28 / 18

HEX #D17597

RGB 209 117 151

HSL 337.83, 0.5%, 0.64%

LAB 60.35, 40.03, -2.39

 

CMYK 0 / 40 / 25 / 11

HEX #E287AA

RGB 226 135 170

HSL 336.92, 0.61%, 0.71%

LAB 66.82, 39.18, -3.44

 

CMYK 0 / 37 / 22 / 5

HEX #F399BD

RGB 243 153 189

HSL 336, 0.79%, 0.78%

LAB 73.23, 38.37, -4.37

 

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

CMYK 0 / 59 / 35 / 40

HEX #993F63

RGB 153 63 99

HSL 336, 0.42%, 0.42%

LAB 39.96, 41.41, -2.16

 

CMYK 0 / 67 / 41 / 47

HEX #882D50

RGB 136 45 80

HSL 336.92, 0.5%, 0.35%

LAB 33.33, 41.91, -0.13

 

CMYK 0 / 77 / 49 / 53

HEX #771B3D

RGB 119 27 61

HSL 337.83, 0.63%, 0.29%

LAB 26.86, 41.83, 2.64

 

CMYK 0 / 91 / 59 / 60

HEX #66092A

RGB 102 9 42

HSL 338.71, 0.84%, 0.22%

LAB 20.78, 40.5, 6.65

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 52 / 45 / 34

HEX #A8515D

RGB 168 81 93

HSL 351.72, 0.35%, 0.49%

LAB 45.63, 36.93, 10

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 52 / 16 / 34

HEX #A8518D

RGB 168 81 141

HSL 318.62, 0.35%, 0.49%

LAB 47.15, 43.39, -16.86

 

CMYK 0 / 52 / 2 / 34

HEX #A851A4

RGB 168 81 164

HSL 302.76, 0.35%, 0.49%

LAB 48.12, 47.32, -29.04

 

CMYK 11 / 52 / 0 / 34

HEX #9551A8

RGB 149 81 168

HSL 286.9, 0.35%, 0.49%

LAB 45.77, 42.6, -35.26

 

CMYK 26 / 52 / 0 / 34

HEX #7D51A8

RGB 125 81 168

HSL 270.34, 0.35%, 0.49%

LAB 42.87, 35.84, -40.04

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 68 / 39 / 26

HEX #BC3D72

RGB 188 61 114

HSL 334.96, 0.51%, 0.49%

LAB 45.97, 55.15, -1.94

 

CMYK 0 / 81 / 47 / 18

HEX #D1286E

RGB 209 40 110

HSL 335.15, 0.68%, 0.49%

LAB 47.23, 67.37, 2.82

 

CMYK 0 / 91 / 53 / 10

HEX #E5146B

RGB 229 20 107

HSL 335.02, 0.84%, 0.49%

LAB 49.76, 75.67, 8.8

 

CMYK 0 / 100 / 59 / 2

HEX #F90067

RGB 249 0 103

HSL 335.18, 1%, 0.49%

LAB 53.08, 81.61, 16.46

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 32 / 19 / 42

HEX #946578

RGB 148 101 120

HSL 335.74, 0.19%, 0.49%

LAB 48.21, 21.9, -2.94

 

CMYK 0 / 5 / 3 / 50

HEX #80797C

RGB 128 121 124

HSL 334.29, 0.03%, 0.49%

LAB 51.52, 3.25, -0.69

 

CMYK 23 / 0 / 10 / 45

HEX #6C8D7F

RGB 108 141 127

HSL 154.55, 0.13%, 0.49%

LAB 55.86, -14.63, 3.69

 

CMYK 46 / 0 / 19 / 36

HEX #57A283

RGB 87 162 131

HSL 155.2, 0.3%, 0.49%

LAB 61.23, -30.85, 8.97

 

CMYK 0 / 52 / 2 / 34

HEX #A851A4

RGB 168 81 164

HSL 302.76, 0.35%, 0.49%

LAB 48.12, 47.32, -29.04

 

CMYK 0 / 52 / 17 / 34

HEX #A8518C

RGB 168 81 140

HSL 319.31, 0.35%, 0.49%

LAB 47.11, 43.23, -16.32

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 52 / 44 / 34

HEX #A8515E

RGB 168 81 94

HSL 351.03, 0.35%, 0.49%

LAB 45.66, 37.03, 9.43

 

CMYK 0 / 46 / 52 / 34

HEX #A85B51

RGB 168 91 81

HSL 6.9, 0.35%, 0.49%

LAB 47.5, 30.37, 19.77

 

CMYK 0 / 52 / 30 / 56

HEX #70364E

RGB 112 54 78

HSL 335.17, 0.35%, 0.33%

LAB 30.96, 28.63, -2.79

 

CMYK 0 / 52 / 30 / 45

HEX #8C4362

RGB 140 67 98

HSL 334.52, 0.35%, 0.41%

LAB 38.68, 34.69, -3.67

 

CMYK 0 / 52 / 30 / 34

HEX #A85175

RGB 168 81 117

HSL 335.17, 0.35%, 0.49%

LAB 46.3, 39.84, -3.64

 

CMYK 0 / 42 / 24 / 28

HEX #B76B8B

RGB 183 107 139

HSL 334.74, 0.35%, 0.57%

LAB 54.5, 34.46, -4.42

 

CMYK 0 / 31 / 19 / 23

HEX #C587A0

RGB 197 135 160

HSL 335.81, 0.35%, 0.65%

LAB 63.12, 27.4, -3.62

 

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

CMYK 0 / 11 / 52 / 34

HEX #A89551

RGB 168 149 81

HSL 46.9, 0.35%, 0.49%

LAB 62.01, -2.05, 38.19

 

CMYK 52 / 10 / 0 / 34

HEX #5198A8

RGB 81 152 168

HSL 191.03, 0.35%, 0.49%

LAB 59, -17.75, -15.25

 

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

CMYK 30 / 0 / 52 / 34

HEX #75A851

RGB 117 168 81

HSL 95.17, 0.35%, 0.49%

LAB 63.66, -32.57, 39.28

 

CMYK 52 / 30 / 0 / 34

HEX #5175A8

RGB 81 117 168

HSL 215.17, 0.35%, 0.49%

LAB 48.63, 2.13, -31.2

 

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

CMYK 0 / 11 / 52 / 34

HEX #A89551

RGB 168 149 81

HSL 46.9, 0.35%, 0.49%

LAB 62.01, -2.05, 38.19

 

CMYK 52 / 0 / 21 / 34

HEX #51A884

RGB 81 168 132

HSL 155.17, 0.35%, 0.49%

LAB 62.86, -34.98, 10.69

 

CMYK 52 / 40 / 0 / 34

HEX #5164A8

RGB 81 100 168

HSL 226.9, 0.35%, 0.49%

LAB 43.79, 12.61, -38.83

 

CMYK 0 / 52 / 31 / 33

HEX #AA5176

RGB 170 81 118

HSL 335.06, 0.35%, 0.49%

LAB 46.63, 40.67, -3.73

 

CMYK 4 / 0 / 52 / 34

HEX #A1A851

RGB 161 168 81

HSL 64.83, 0.35%, 0.49%

LAB 66.65, -15.14, 43.58

 

CMYK 52 / 0 / 21 / 34

HEX #51A884

RGB 81 168 132

HSL 155.17, 0.35%, 0.49%

LAB 62.86, -34.98, 10.69

 

CMYK 48 / 52 / 0 / 34

HEX #5851A8

RGB 88 81 168

HSL 244.83, 0.35%, 0.49%

LAB 39.22, 26.26, -46.08

 

Description

Color code: HEX #AA5176 | qconv.com Color code: HEX #AA5176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 81 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 81 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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