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Color name
HEX #AA5A1C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5A1C it is the complementary color #55A5E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5A1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5A1C shade: #AF5A17, #C06C2A, #D17E3D, #E29050 and #F3A263

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5A1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5A1C shade: #AA5A1C, #994809, #883600, #772400 and #661200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5A1C shade: #AB5A1B, #AB331B and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5A1C shade: #AB5A1B, #AB801B, #ABA71B, #87AB1B and #61AB1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5A1C shade matches the following richer shades: #AB5A1B and #BB580B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5A1C shade: #AB5A1B, #9A5C2B, #8A5E3C, #7A604C and #6A625C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5A1C shade: #AB1B2A, #AB331B, #AB591B, #AB801B and #ABA61B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5A1C shade: #643410, #874716, #AB5A1B, #CE6D21 and #DE823A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5A1C shade: #AA5A1C, #50AB1B and #201BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5A1C shade: #AA5A1C, #1BAB59 and #591BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5A1C shade: #AA5A1C, #50AB1B, #1B6CAB and #761BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5A1C shade: #AA5A1C, #25AB1B, #1B6CAB and #A11BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

Complementary color

CMYK 63 / 27 / 0 / 11

HEX #55A5E3

RGB 85 165 227

HSL 206.2, 0.72%, 0.61%

LAB 65.27, -5.88, -38.58

 

CMYK 0 / 49 / 87 / 31

HEX #AF5A17

RGB 175 90 23

HSL 26.45, 0.77%, 0.39%

LAB 47.61, 30.43, 50.21

 

CMYK 0 / 44 / 78 / 25

HEX #C06C2A

RGB 192 108 42

HSL 26.4, 0.64%, 0.46%

LAB 54.13, 28.48, 49.27

 

CMYK 0 / 40 / 71 / 18

HEX #D17E3D

RGB 209 126 61

HSL 26.35, 0.62%, 0.53%

LAB 60.62, 26.76, 47.8

 

CMYK 0 / 36 / 65 / 11

HEX #E29050

RGB 226 144 80

HSL 26.3, 0.72%, 0.6%

LAB 67.05, 25.23, 46.2

 

CMYK 0 / 33 / 59 / 5

HEX #F3A263

RGB 243 162 99

HSL 26.25, 0.86%, 0.67%

LAB 73.41, 23.89, 44.61

 

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

CMYK 0 / 53 / 94 / 40

HEX #994809

RGB 153 72 9

HSL 26.25, 0.89%, 0.32%

LAB 40.29, 30.56, 47.59

 

CMYK 0 / 60 / 100 / 47

HEX #883600

RGB 136 54 0

HSL 23.82, 1%, 0.27%

LAB 33.72, 32.81, 45.05

 

CMYK 0 / 70 / 100 / 53

HEX #772400

RGB 119 36 0

HSL 18.15, 1%, 0.23%

LAB 27.25, 34.85, 38.89

 

CMYK 0 / 82 / 100 / 60

HEX #661200

RGB 102 18 0

HSL 10.59, 1%, 0.2%

LAB 21.05, 35.98, 31.59

 

CMYK 0 / 47 / 84 / 33

HEX #AB5A1B

RGB 171 90 27

HSL 26.25, 0.73%, 0.39%

LAB 47.04, 28.85, 47.97

 

CMYK 0 / 70 / 84 / 33

HEX #AB331B

RGB 171 51 27

HSL 10, 0.73%, 0.39%

LAB 39.76, 47.74, 41.47

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 47 / 84 / 33

HEX #AB5A1B

RGB 171 90 27

HSL 26.25, 0.73%, 0.39%

LAB 47.04, 28.85, 47.97

 

CMYK 0 / 25 / 84 / 33

HEX #AB801B

RGB 171 128 27

HSL 42.08, 0.73%, 0.39%

LAB 56.26, 7.64, 55.96

 

CMYK 0 / 2 / 84 / 33

HEX #ABA71B

RGB 171 167 27

HSL 58.33, 0.73%, 0.39%

LAB 66.81, -13.45, 64.87

 

CMYK 21 / 0 / 84 / 33

HEX #87AB1B

RGB 135 171 27

HSL 75, 0.73%, 0.39%

LAB 65.24, -30.89, 62.46

 

CMYK 43 / 0 / 84 / 33

HEX #61AB1B

RGB 97 171 27

HSL 90.83, 0.73%, 0.39%

LAB 63.13, -45.24, 59.8

 

CMYK 0 / 47 / 84 / 33

HEX #AB5A1B

RGB 171 90 27

HSL 26.25, 0.73%, 0.39%

LAB 47.04, 28.85, 47.97

 

CMYK 0 / 53 / 94 / 27

HEX #BB580B

RGB 187 88 11

HSL 26.25, 0.89%, 0.39%

LAB 48.97, 36.18, 55.63

 

CMYK 0 / 47 / 84 / 33

HEX #AB5A1B

RGB 171 90 27

HSL 26.25, 0.73%, 0.39%

LAB 47.04, 28.85, 47.97

 

CMYK 0 / 40 / 72 / 40

HEX #9A5C2B

RGB 154 92 43

HSL 26.49, 0.56%, 0.39%

LAB 45.22, 21.06, 38

 

CMYK 0 / 32 / 57 / 46

HEX #8A5E3C

RGB 138 94 60

HSL 26.15, 0.39%, 0.39%

LAB 43.85, 14.01, 26.58

 

CMYK 0 / 21 / 38 / 52

HEX #7A604C

RGB 122 96 76

HSL 26.09, 0.23%, 0.39%

LAB 42.8, 7.51, 15.44

 

CMYK 0 / 8 / 13 / 58

HEX #6A625C

RGB 106 98 92

HSL 25.71, 0.07%, 0.39%

LAB 42.11, 2.04, 4.55

 

CMYK 0 / 84 / 75 / 33

HEX #AB1B2A

RGB 171 27 42

HSL 353.75, 0.73%, 0.39%

LAB 37.13, 56, 30.42

 

CMYK 0 / 70 / 84 / 33

HEX #AB331B

RGB 171 51 27

HSL 10, 0.73%, 0.39%

LAB 39.76, 47.74, 41.47

 

CMYK 0 / 48 / 84 / 33

HEX #AB591B

RGB 171 89 27

HSL 25.83, 0.73%, 0.39%

LAB 46.82, 29.4, 47.78

 

CMYK 0 / 25 / 84 / 33

HEX #AB801B

RGB 171 128 27

HSL 42.08, 0.73%, 0.39%

LAB 56.26, 7.64, 55.96

 

CMYK 0 / 3 / 84 / 33

HEX #ABA61B

RGB 171 166 27

HSL 57.92, 0.73%, 0.39%

LAB 66.53, -12.93, 64.63

 

CMYK 0 / 48 / 84 / 61

HEX #643410

RGB 100 52 16

HSL 25.71, 0.72%, 0.23%

LAB 27.3, 18.62, 30.81

 

CMYK 0 / 47 / 84 / 47

HEX #874716

RGB 135 71 22

HSL 26.02, 0.72%, 0.31%

LAB 37.33, 23.66, 39.34

 

CMYK 0 / 47 / 84 / 33

HEX #AB5A1B

RGB 171 90 27

HSL 26.25, 0.73%, 0.39%

LAB 47.04, 28.85, 47.97

 

CMYK 0 / 47 / 84 / 19

HEX #CE6D21

RGB 206 109 33

HSL 26.36, 0.72%, 0.47%

LAB 56.26, 33.45, 55.64

 

CMYK 0 / 41 / 74 / 13

HEX #DE823A

RGB 222 130 58

HSL 26.34, 0.71%, 0.55%

LAB 63.18, 29.85, 52.42

 

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

CMYK 53 / 0 / 84 / 33

HEX #50AB1B

RGB 80 171 27

HSL 97.92, 0.73%, 0.39%

LAB 62.43, -50.57, 58.91

 

CMYK 81 / 84 / 0 / 33

HEX #201BAB

RGB 32 27 171

HSL 242.08, 0.73%, 0.39%

LAB 23.77, 50.73, -73.3

 

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

CMYK 84 / 0 / 48 / 33

HEX #1BAB59

RGB 27 171 89

HSL 145.83, 0.73%, 0.39%

LAB 61.72, -54.31, 32.18

 

CMYK 48 / 84 / 0 / 33

HEX #591BAB

RGB 89 27 171

HSL 265.83, 0.73%, 0.39%

LAB 29.03, 55.79, -64.44

 

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

CMYK 53 / 0 / 84 / 33

HEX #50AB1B

RGB 80 171 27

HSL 97.92, 0.73%, 0.39%

LAB 62.43, -50.57, 58.91

 

CMYK 84 / 37 / 0 / 33

HEX #1B6CAB

RGB 27 108 171

HSL 206.25, 0.73%, 0.39%

LAB 44.09, -0.29, -40.26

 

CMYK 31 / 84 / 0 / 33

HEX #761BAB

RGB 118 27 171

HSL 277.92, 0.73%, 0.39%

LAB 33.08, 59.91, -57.64

 

CMYK 0 / 47 / 84 / 33

HEX #AA5A1C

RGB 170 90 28

HSL 26.2, 0.72%, 0.39%

LAB 46.9, 28.46, 47.39

 

CMYK 78 / 0 / 84 / 33

HEX #25AB1B

RGB 37 171 27

HSL 115.83, 0.73%, 0.39%

LAB 61.31, -59.91, 57.47

 

CMYK 84 / 37 / 0 / 33

HEX #1B6CAB

RGB 27 108 171

HSL 206.25, 0.73%, 0.39%

LAB 44.09, -0.29, -40.26

 

CMYK 6 / 84 / 0 / 33

HEX #A11BAB

RGB 161 27 171

HSL 295.83, 0.73%, 0.39%

LAB 40.08, 67.29, -45.98

 

Description

Color code: HEX #AA5A1C | qconv.com Color code: HEX #AA5A1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 90 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 90 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 84% 33% C M Y K

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