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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5E6F it is the complementary color #55A190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5E6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5E6F shade: #AF5E6A, #C0707D, #D18290, #E294A3 and #F3A6B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5E6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5E6F shade: #AA5E6F, #994C5C, #883A49, #772836 and #661623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5E6F shade: #AA5E6F and #AA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5E6F shade: #AA5E6F, #AA5E84, #AA5E98, #A85EAA and #935EAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5E6F shade matches the following richer shades: #AA5E6F, #BE4A64, #D23759, #E5234E and #F90F43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5E6F shade: #AA5E6F, #96727A, #828685, #6F9A90 and #5BAD9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5E6F shade: #AA5E98, #AA5E84, #AA5E70, #AA615E and #AA755E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5E6F shade: #773F4B, #924D5C, #AA5E6F, #B87987 and #C7949F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5E6F shade: #AA5E6F, #AAA85E and #5E8EAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5E6F shade: #AA5E6F, #70AA5E and #5E70AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5E6F shade: #AA5E6F, #AAA85E, #5EAA98 and #5E61AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5E6F shade: #AA5E6F, #96AA5E, #5EAA98 and #725EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

Complementary color

CMYK 47 / 0 / 11 / 37

HEX #55A190

RGB 85 161 144

HSL 166.58, 0.31%, 0.48%

LAB 61.16, -27.83, 1.56

 

CMYK 0 / 46 / 39 / 31

HEX #AF5E6A

RGB 175 94 106

HSL 351.11, 0.34%, 0.53%

LAB 49.69, 34.12, 8.02

 

CMYK 0 / 42 / 35 / 25

HEX #C0707D

RGB 192 112 125

HSL 350.25, 0.39%, 0.6%

LAB 56.36, 33.13, 6.62

 

CMYK 0 / 38 / 31 / 18

HEX #D18290

RGB 209 130 144

HSL 349.37, 0.46%, 0.66%

LAB 62.96, 32.2, 5.41

 

CMYK 0 / 35 / 28 / 11

HEX #E294A3

RGB 226 148 163

HSL 348.46, 0.57%, 0.73%

LAB 69.46, 31.35, 4.34

 

CMYK 0 / 32 / 25 / 5

HEX #F3A6B6

RGB 243 166 182

HSL 347.53, 0.76%, 0.8%

LAB 75.89, 30.56, 3.37

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 50 / 40 / 40

HEX #994C5C

RGB 153 76 92

HSL 347.53, 0.34%, 0.45%

LAB 42.33, 33.86, 5.62

 

CMYK 0 / 57 / 46 / 47

HEX #883A49

RGB 136 58 73

HSL 348.46, 0.4%, 0.38%

LAB 35.48, 34.84, 7.47

 

CMYK 0 / 66 / 55 / 53

HEX #772836

RGB 119 40 54

HSL 349.37, 0.5%, 0.31%

LAB 28.66, 35.68, 9.88

 

CMYK 0 / 78 / 66 / 60

HEX #661623

RGB 102 22 35

HSL 350.25, 0.65%, 0.24%

LAB 22.02, 35.99, 13.22

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 45 / 45 / 33

HEX #AA5E5E

RGB 170 94 94

HSL 0, 0.31%, 0.52%

LAB 48.71, 30.84, 13.72

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 45 / 22 / 33

HEX #AA5E84

RGB 170 94 132

HSL 330, 0.31%, 0.52%

LAB 49.76, 35.82, -7.51

 

CMYK 0 / 45 / 11 / 33

HEX #AA5E98

RGB 170 94 152

HSL 314.21, 0.31%, 0.52%

LAB 50.47, 39.08, -18.3

 

CMYK 1 / 45 / 0 / 33

HEX #A85EAA

RGB 168 94 170

HSL 298.42, 0.31%, 0.52%

LAB 50.96, 41.71, -28.15

 

CMYK 14 / 45 / 0 / 33

HEX #935EAA

RGB 147 94 170

HSL 281.84, 0.31%, 0.52%

LAB 48.4, 35.3, -32.33

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 61 / 47 / 25

HEX #BE4A64

RGB 190 74 100

HSL 346.55, 0.47%, 0.52%

LAB 47.96, 48.81, 9.52

 

CMYK 0 / 74 / 58 / 18

HEX #D23759

RGB 210 55 89

HSL 346.84, 0.63%, 0.52%

LAB 48.46, 61.65, 17.44

 

CMYK 0 / 85 / 66 / 10

HEX #E5234E

RGB 229 35 78

HSL 346.7, 0.79%, 0.52%

LAB 49.99, 71.5, 26.8

 

CMYK 0 / 94 / 73 / 2

HEX #F90F43

RGB 249 15 67

HSL 346.67, 0.95%, 0.52%

LAB 52.83, 78.82, 37.71

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 24 / 19 / 41

HEX #96727A

RGB 150 114 122

HSL 346.67, 0.15%, 0.52%

LAB 51.75, 15.47, 1.09

 

CMYK 3 / 0 / 1 / 47

HEX #828685

RGB 130 134 133

HSL 165, 0.02%, 0.52%

LAB 55.57, -1.67, 0.02

 

CMYK 28 / 0 / 6 / 40

HEX #6F9A90

RGB 111 154 144

HSL 166.05, 0.18%, 0.52%

LAB 60.34, -16.83, 0.52

 

CMYK 47 / 0 / 10 / 32

HEX #5BAD9B

RGB 91 173 155

HSL 166.83, 0.33%, 0.52%

LAB 65.34, -29.5, 1.51

 

CMYK 0 / 45 / 11 / 33

HEX #AA5E98

RGB 170 94 152

HSL 314.21, 0.31%, 0.52%

LAB 50.47, 39.08, -18.3

 

CMYK 0 / 45 / 22 / 33

HEX #AA5E84

RGB 170 94 132

HSL 330, 0.31%, 0.52%

LAB 49.76, 35.82, -7.51

 

CMYK 0 / 45 / 34 / 33

HEX #AA5E70

RGB 170 94 112

HSL 345.79, 0.31%, 0.52%

LAB 49.16, 33, 3.58

 

CMYK 0 / 43 / 45 / 33

HEX #AA615E

RGB 170 97 94

HSL 2.37, 0.31%, 0.52%

LAB 49.38, 29.2, 14.65

 

CMYK 0 / 31 / 45 / 33

HEX #AA755E

RGB 170 117 94

HSL 18.16, 0.31%, 0.52%

LAB 54.11, 17.99, 21.06

 

CMYK 0 / 47 / 37 / 53

HEX #773F4B

RGB 119 63 75

HSL 347.14, 0.31%, 0.36%

LAB 33.95, 25.78, 3.65

 

CMYK 0 / 47 / 37 / 43

HEX #924D5C

RGB 146 77 92

HSL 346.96, 0.31%, 0.44%

LAB 41.52, 30.66, 4.33

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 34 / 27 / 28

HEX #B87987

RGB 184 121 135

HSL 346.67, 0.31%, 0.6%

LAB 57.67, 26.55, 2.57

 

CMYK 0 / 26 / 20 / 22

HEX #C7949F

RGB 199 148 159

HSL 347.06, 0.31%, 0.68%

LAB 66.39, 20.83, 1.75

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 1 / 45 / 33

HEX #AAA85E

RGB 170 168 94

HSL 58.42, 0.31%, 0.52%

LAB 67.55, -10.11, 38.32

 

CMYK 45 / 16 / 0 / 33

HEX #5E8EAA

RGB 94 142 170

HSL 202.11, 0.31%, 0.52%

LAB 56.71, -8.55, -19.82

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 34 / 0 / 45 / 33

HEX #70AA5E

RGB 112 170 94

HSL 105.79, 0.31%, 0.52%

LAB 64.16, -33.6, 33.24

 

CMYK 45 / 34 / 0 / 33

HEX #5E70AA

RGB 94 112 170

HSL 225.79, 0.31%, 0.52%

LAB 48.1, 9.07, -33.15

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 0 / 1 / 45 / 33

HEX #AAA85E

RGB 170 168 94

HSL 58.42, 0.31%, 0.52%

LAB 67.55, -10.11, 38.32

 

CMYK 45 / 0 / 11 / 33

HEX #5EAA98

RGB 94 170 152

HSL 165.79, 0.31%, 0.52%

LAB 64.48, -28.01, 1.95

 

CMYK 45 / 43 / 0 / 33

HEX #5E61AA

RGB 94 97 170

HSL 237.63, 0.31%, 0.52%

LAB 43.99, 18.34, -39.63

 

CMYK 0 / 45 / 35 / 33

HEX #AA5E6F

RGB 170 94 111

HSL 346.58, 0.31%, 0.52%

LAB 49.13, 32.87, 4.14

 

CMYK 12 / 0 / 45 / 33

HEX #96AA5E

RGB 150 170 94

HSL 75.79, 0.31%, 0.52%

LAB 66.55, -19.32, 36.75

 

CMYK 45 / 0 / 11 / 33

HEX #5EAA98

RGB 94 170 152

HSL 165.79, 0.31%, 0.52%

LAB 64.48, -28.01, 1.95

 

CMYK 33 / 45 / 0 / 33

HEX #725EAA

RGB 114 94 170

HSL 255.79, 0.31%, 0.52%

LAB 44.92, 25.59, -38.04

 

Description

Color code: HEX #AA5E6F | qconv.com Color code: HEX #AA5E6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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