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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5EB5 it is the complementary color #55A14A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5EB5 shade: #AF5EB0, #C070C3, #D182D6, #E294E9 and #F3A6FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5EB5 shade: #AA5EB5, #994CA2, #883A8F, #77287C and #661669

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5EB5 shade: #AA5EB5, #B55EA8, #B55E91, #B55E79 and #B55E62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5EB5 shade: #AA5EB5, #925EB5, #7B5EB5, #635EB5 and #5E5EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5EB5 shade matches the following richer shades: #AA5EB5, #B84BC8, #C638DB and #D425EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5EB5 shade: #AA5EB5, #9B71A2, #8D848F, #7F977C and #71AA69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5EB5 shade: #7B5EB5, #925EB5, #A95EB5, #B55EA9 and #B55E92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5EB5 shade: #7B3C84, #9549A0, #AA5EB5, #B97AC2 and #C796CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5EB5 shade: #AA5EB5, #B5645E and #5EB586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5EB5 shade: #AA5EB5, #B5A95E and #5EB5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5EB5 shade: #AA5EB5, #B5645E, #69B55E and #5EAFB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5EB5 shade: #AA5EB5, #B57E5E, #69B55E and #5E95B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

Complementary color

CMYK 47 / 0 / 54 / 37

HEX #55A14A

RGB 85 161 74

HSL 112.41, 0.37%, 0.46%

LAB 59.81, -41.1, 37.75

 

CMYK 1 / 47 / 0 / 31

HEX #AF5EB0

RGB 175 94 176

HSL 299.27, 0.34%, 0.53%

LAB 52.12, 44.97, -29.77

 

CMYK 2 / 43 / 0 / 24

HEX #C070C3

RGB 192 112 195

HSL 297.83, 0.41%, 0.6%

LAB 58.73, 44.23, -30.27

 

CMYK 2 / 39 / 0 / 16

HEX #D182D6

RGB 209 130 214

HSL 296.43, 0.51%, 0.67%

LAB 65.26, 43.48, -30.69

 

CMYK 3 / 36 / 0 / 9

HEX #E294E9

RGB 226 148 233

HSL 295.06, 0.66%, 0.75%

LAB 71.71, 42.74, -31.07

 

CMYK 4 / 34 / 0 / 1

HEX #F3A6FC

RGB 243 166 252

HSL 293.72, 0.93%, 0.82%

LAB 78.08, 42.03, -31.41

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 6 / 53 / 0 / 36

HEX #994CA2

RGB 153 76 162

HSL 293.72, 0.36%, 0.47%

LAB 45.01, 45.14, -32.87

 

CMYK 5 / 59 / 0 / 44

HEX #883A8F

RGB 136 58 143

HSL 295.06, 0.42%, 0.39%

LAB 38.28, 45.67, -32.21

 

CMYK 4 / 68 / 0 / 51

HEX #77287C

RGB 119 40 124

HSL 296.43, 0.51%, 0.32%

LAB 31.57, 45.84, -31.24

 

CMYK 3 / 79 / 0 / 59

HEX #661669

RGB 102 22 105

HSL 297.83, 0.65%, 0.25%

LAB 25.01, 45.21, -29.71

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 0 / 48 / 7 / 29

HEX #B55EA8

RGB 181 94 168

HSL 308.97, 0.37%, 0.54%

LAB 52.57, 45.34, -24.35

 

CMYK 0 / 48 / 20 / 29

HEX #B55E91

RGB 181 94 145

HSL 324.83, 0.37%, 0.54%

LAB 51.69, 41.58, -12.17

 

CMYK 0 / 48 / 33 / 29

HEX #B55E79

RGB 181 94 121

HSL 341.38, 0.37%, 0.54%

LAB 50.93, 38.19, 0.96

 

CMYK 0 / 48 / 46 / 29

HEX #B55E62

RGB 181 94 98

HSL 357.24, 0.37%, 0.54%

LAB 50.35, 35.5, 13.84

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 19 / 48 / 0 / 29

HEX #925EB5

RGB 146 94 181

HSL 275.86, 0.37%, 0.54%

LAB 48.83, 37.47, -38.1

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 45 / 48 / 0 / 29

HEX #635EB5

RGB 99 94 181

HSL 243.45, 0.37%, 0.54%

LAB 44.22, 24.8, -45.68

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 8 / 63 / 0 / 22

HEX #B84BC8

RGB 184 75 200

HSL 292.32, 0.53%, 0.54%

LAB 51.14, 60.97, -45.11

 

CMYK 10 / 74 / 0 / 14

HEX #C638DB

RGB 198 56 219

HSL 292.27, 0.69%, 0.54%

LAB 51.78, 74.53, -54.84

 

CMYK 11 / 84 / 0 / 7

HEX #D425EE

RGB 212 37 238

HSL 292.24, 0.86%, 0.54%

LAB 53.49, 85.06, -62.72

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 4 / 30 / 0 / 36

HEX #9B71A2

RGB 155 113 162

HSL 291.43, 0.21%, 0.54%

LAB 53.37, 25.33, -19.89

 

CMYK 1 / 8 / 0 / 44

HEX #8D848F

RGB 141 132 143

HSL 289.09, 0.05%, 0.54%

LAB 56.24, 5.51, -4.68

 

CMYK 16 / 0 / 18 / 41

HEX #7F977C

RGB 127 151 124

HSL 113.33, 0.11%, 0.54%

LAB 59.98, -13.87, 11.45

 

CMYK 34 / 0 / 38 / 33

HEX #71AA69

RGB 113 170 105

HSL 112.62, 0.28%, 0.54%

LAB 64.39, -31.64, 27.75

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 19 / 48 / 0 / 29

HEX #925EB5

RGB 146 94 181

HSL 275.86, 0.37%, 0.54%

LAB 48.83, 37.47, -38.1

 

CMYK 7 / 48 / 0 / 29

HEX #A95EB5

RGB 169 94 181

HSL 291.72, 0.37%, 0.54%

LAB 51.58, 44.15, -33.57

 

CMYK 0 / 48 / 7 / 29

HEX #B55EA9

RGB 181 94 169

HSL 308.28, 0.37%, 0.54%

LAB 52.61, 45.52, -24.87

 

CMYK 0 / 48 / 19 / 29

HEX #B55E92

RGB 181 94 146

HSL 324.14, 0.37%, 0.54%

LAB 51.73, 41.73, -12.71

 

CMYK 7 / 55 / 0 / 48

HEX #7B3C84

RGB 123 60 132

HSL 292.5, 0.38%, 0.38%

LAB 36.19, 38.77, -28.87

 

CMYK 7 / 54 / 0 / 37

HEX #9549A0

RGB 149 73 160

HSL 292.41, 0.37%, 0.46%

LAB 43.79, 45.15, -33.64

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 5 / 37 / 0 / 24

HEX #B97AC2

RGB 185 122 194

HSL 292.5, 0.37%, 0.62%

LAB 60, 36.5, -27.79

 

CMYK 4 / 28 / 0 / 19

HEX #C796CF

RGB 199 150 207

HSL 291.58, 0.37%, 0.7%

LAB 68.36, 28.16, -22.13

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 0 / 45 / 48 / 29

HEX #B5645E

RGB 181 100 94

HSL 4.14, 0.37%, 0.54%

LAB 51.55, 31.88, 17.86

 

CMYK 48 / 0 / 26 / 29

HEX #5EB586

RGB 94 181 134

HSL 147.59, 0.37%, 0.54%

LAB 67.39, -37.19, 16.01

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 0 / 7 / 48 / 29

HEX #B5A95E

RGB 181 169 94

HSL 51.72, 0.37%, 0.54%

LAB 68.76, -6.05, 40.02

 

CMYK 48 / 0 / 7 / 29

HEX #5EB5A9

RGB 94 181 169

HSL 171.72, 0.37%, 0.54%

LAB 68.24, -29.2, -2

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 0 / 45 / 48 / 29

HEX #B5645E

RGB 181 100 94

HSL 4.14, 0.37%, 0.54%

LAB 51.55, 31.88, 17.86

 

CMYK 42 / 0 / 48 / 29

HEX #69B55E

RGB 105 181 94

HSL 112.41, 0.37%, 0.54%

LAB 67.17, -40.85, 36.94

 

CMYK 48 / 3 / 0 / 29

HEX #5EAFB5

RGB 94 175 181

HSL 184.14, 0.37%, 0.54%

LAB 66.81, -23.1, -10.75

 

CMYK 6 / 48 / 0 / 29

HEX #AA5EB5

RGB 170 94 181

HSL 292.41, 0.37%, 0.54%

LAB 51.71, 44.45, -33.36

 

CMYK 0 / 30 / 48 / 29

HEX #B57E5E

RGB 181 126 94

HSL 22.07, 0.37%, 0.54%

LAB 57.61, 17.52, 25.93

 

CMYK 42 / 0 / 48 / 29

HEX #69B55E

RGB 105 181 94

HSL 112.41, 0.37%, 0.54%

LAB 67.17, -40.85, 36.94

 

CMYK 48 / 18 / 0 / 29

HEX #5E95B5

RGB 94 149 181

HSL 202.07, 0.37%, 0.54%

LAB 59.17, -9.28, -22.32

 

Description

Color code: HEX #AA5EB5 | qconv.com Color code: HEX #AA5EB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 48 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 48% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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