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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA65BD it is the complementary color #559A42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA65BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA65BD shade: #AF65B8, #C077CB, #D189DE, #E29BF1 and #F3ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA65BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA65BD shade: #AA65BD, #9953AA, #884197, #772F84 and #661D71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA65BD shade: #AA65BD, #BD65B8, #BD65A0, #BD6589 and #BD6571

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA65BD shade: #AA65BD, #9265BD, #7A65BD and #6565BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA65BD shade matches the following richer shades: #AA65BD, #B453CE, #BE42E0 and #C830F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA65BD shade: #AA65BD, #A077AB, #968899, #8C9A87 and #81AC76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA65BD shade: #7B65BD, #9265BD, #AA65BD, #BD65B8 and #BD65A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA65BD shade: #7F3E91, #994AAE, #AA65BD, #BA82C9 and #CA9FD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA65BD shade: #AA65BD, #BD6566 and #65BD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA65BD shade: #AA65BD, #BDAA65 and #65BDAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA65BD shade: #AA65BD, #BD6566, #78BD65 and #65BDBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA65BD shade: #AA65BD, #BD7E65, #78BD65 and #65A4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

Complementary color

CMYK 45 / 0 / 57 / 40

HEX #559A42

RGB 85 154 66

HSL 107.05, 0.4%, 0.43%

LAB 57.5, -39.09, 38.94

 

CMYK 5 / 45 / 0 / 28

HEX #AF65B8

RGB 175 101 184

HSL 293.49, 0.37%, 0.56%

LAB 53.9, 42.82, -31.63

 

CMYK 5 / 41 / 0 / 20

HEX #C077CB

RGB 192 119 203

HSL 292.14, 0.45%, 0.63%

LAB 60.53, 42.05, -32.01

 

CMYK 6 / 38 / 0 / 13

HEX #D189DE

RGB 209 137 222

HSL 290.82, 0.56%, 0.7%

LAB 67.07, 41.3, -32.34

 

CMYK 6 / 36 / 0 / 5

HEX #E29BF1

RGB 226 155 241

HSL 289.53, 0.75%, 0.78%

LAB 73.52, 40.56, -32.64

 

CMYK 5 / 32 / 0 / 0

HEX #F3ADFF

RGB 243 173 255

HSL 291.22, 1%, 0.84%

LAB 79.71, 38.91, -30.53

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 10 / 51 / 0 / 33

HEX #9953AA

RGB 153 83 170

HSL 288.28, 0.34%, 0.5%

LAB 46.79, 43.1, -34.8

 

CMYK 10 / 57 / 0 / 41

HEX #884197

RGB 136 65 151

HSL 289.53, 0.4%, 0.42%

LAB 40, 43.78, -34.34

 

CMYK 10 / 64 / 0 / 48

HEX #772F84

RGB 119 47 132

HSL 290.82, 0.47%, 0.35%

LAB 33.18, 44.23, -33.67

 

CMYK 10 / 74 / 0 / 56

HEX #661D71

RGB 102 29 113

HSL 292.14, 0.59%, 0.28%

LAB 26.44, 44.13, -32.59

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 47 / 3 / 26

HEX #BD65B8

RGB 189 101 184

HSL 303.41, 0.4%, 0.57%

LAB 55.67, 47.02, -28.74

 

CMYK 0 / 47 / 15 / 26

HEX #BD65A0

RGB 189 101 160

HSL 319.77, 0.4%, 0.57%

LAB 54.72, 42.93, -16.29

 

CMYK 0 / 47 / 28 / 26

HEX #BD6589

RGB 189 101 137

HSL 335.45, 0.4%, 0.57%

LAB 53.96, 39.49, -3.96

 

CMYK 0 / 47 / 40 / 26

HEX #BD6571

RGB 189 101 113

HSL 351.82, 0.4%, 0.57%

LAB 53.3, 36.44, 9.25

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 23 / 47 / 0 / 26

HEX #9265BD

RGB 146 101 189

HSL 270.68, 0.4%, 0.57%

LAB 50.8, 35.38, -39.62

 

CMYK 35 / 47 / 0 / 26

HEX #7A65BD

RGB 122 101 189

HSL 254.32, 0.4%, 0.57%

LAB 48.41, 28.74, -43.55

 

CMYK 47 / 47 / 0 / 26

HEX #6565BD

RGB 101 101 189

HSL 240, 0.4%, 0.57%

LAB 46.64, 23.4, -46.47

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 13 / 60 / 0 / 19

HEX #B453CE

RGB 180 83 206

HSL 287.32, 0.56%, 0.57%

LAB 52.23, 57.54, -46.86

 

CMYK 15 / 71 / 0 / 12

HEX #BE42E0

RGB 190 66 224

HSL 287.09, 0.72%, 0.57%

LAB 52.09, 70.39, -57.24

 

CMYK 17 / 80 / 0 / 5

HEX #C830F2

RGB 200 48 242

HSL 287.01, 0.88%, 0.57%

LAB 52.73, 81.23, -66.27

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 6 / 30 / 0 / 33

HEX #A077AB

RGB 160 119 171

HSL 287.31, 0.24%, 0.57%

LAB 55.69, 25.42, -21.5

 

CMYK 2 / 11 / 0 / 40

HEX #968899

RGB 150 136 153

HSL 289.41, 0.08%, 0.57%

LAB 58.41, 8.5, -7.13

 

CMYK 9 / 0 / 12 / 40

HEX #8C9A87

RGB 140 154 135

HSL 104.21, 0.09%, 0.57%

LAB 62.03, -8.69, 8.28

 

CMYK 25 / 0 / 31 / 33

HEX #81AC76

RGB 129 172 118

HSL 107.78, 0.25%, 0.57%

LAB 66.12, -24.98, 23.24

 

CMYK 35 / 47 / 0 / 26

HEX #7B65BD

RGB 123 101 189

HSL 255, 0.4%, 0.57%

LAB 48.5, 29.01, -43.4

 

CMYK 23 / 47 / 0 / 26

HEX #9265BD

RGB 146 101 189

HSL 270.68, 0.4%, 0.57%

LAB 50.8, 35.38, -39.62

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 47 / 3 / 26

HEX #BD65B8

RGB 189 101 184

HSL 303.41, 0.4%, 0.57%

LAB 55.67, 47.02, -28.74

 

CMYK 0 / 47 / 15 / 26

HEX #BD65A1

RGB 189 101 161

HSL 319.09, 0.4%, 0.57%

LAB 54.76, 43.09, -16.82

 

CMYK 12 / 57 / 0 / 43

HEX #7F3E91

RGB 127 62 145

HSL 286.99, 0.4%, 0.41%

LAB 37.85, 41.58, -34.19

 

CMYK 12 / 57 / 0 / 32

HEX #994AAE

RGB 153 74 174

HSL 287.4, 0.4%, 0.49%

LAB 45.26, 48.56, -39.58

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 7 / 35 / 0 / 21

HEX #BA82C9

RGB 186 130 201

HSL 287.32, 0.4%, 0.65%

LAB 62.19, 33.82, -28.36

 

CMYK 5 / 25 / 0 / 16

HEX #CA9FD5

RGB 202 159 213

HSL 287.78, 0.39%, 0.73%

LAB 70.98, 25.37, -21.42

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 47 / 46 / 26

HEX #BD6566

RGB 189 101 102

HSL 359.32, 0.4%, 0.57%

LAB 53.04, 35.25, 15.37

 

CMYK 47 / 0 / 29 / 26

HEX #65BD87

RGB 101 189 135

HSL 143.18, 0.4%, 0.57%

LAB 70.11, -38.73, 19.28

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 10 / 47 / 26

HEX #BDAA65

RGB 189 170 101

HSL 47.05, 0.4%, 0.57%

LAB 69.83, -2.55, 37.93

 

CMYK 47 / 0 / 10 / 26

HEX #65BDAA

RGB 101 189 170

HSL 167.05, 0.4%, 0.57%

LAB 70.92, -31.13, 1.4

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 47 / 46 / 26

HEX #BD6566

RGB 189 101 102

HSL 359.32, 0.4%, 0.57%

LAB 53.04, 35.25, 15.37

 

CMYK 37 / 0 / 47 / 26

HEX #78BD65

RGB 120 189 101

HSL 107.05, 0.4%, 0.57%

LAB 70.41, -38.59, 37.61

 

CMYK 47 / 0 / 1 / 26

HEX #65BDBB

RGB 101 189 187

HSL 178.64, 0.4%, 0.57%

LAB 71.38, -26.9, -7.21

 

CMYK 10 / 47 / 0 / 26

HEX #AA65BD

RGB 170 101 189

HSL 287.05, 0.4%, 0.57%

LAB 53.52, 42.34, -35.15

 

CMYK 0 / 33 / 47 / 26

HEX #BD7E65

RGB 189 126 101

HSL 17.05, 0.4%, 0.57%

LAB 58.68, 21.53, 23.57

 

CMYK 37 / 0 / 47 / 26

HEX #78BD65

RGB 120 189 101

HSL 107.05, 0.4%, 0.57%

LAB 70.41, -38.59, 37.61

 

CMYK 47 / 13 / 0 / 26

HEX #65A4BD

RGB 101 164 189

HSL 197.05, 0.4%, 0.57%

LAB 64.15, -13.48, -19.17

 

Description

Color code: HEX #AA65BD | qconv.com Color code: HEX #AA65BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 101 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 101 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 47 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 47% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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