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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6226 it is the complementary color #559DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6226 shade: #AF6221, #C07434, #D18647, #E2985A and #F3AA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6226 shade: #AA6226, #995013, #883E00, #772C00 and #661A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6226 shade: #AA6226, #AA3F26 and #AA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6226 shade: #AA6226, #AA8626, #AAA926, #87AA26 and #64AA26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6226 shade matches the following richer shades: #AA6226, #BB6115 and #CC5F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6226 shade: #AA6226, #996437, #886548, #776759 and #66686A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6226 shade: #AA2631, #AA3E26, #AA6126, #AA8526 and #AAA826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6226 shade: #673B17, #884F1F, #AA6226, #CC762E and #D68B4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6226 shade: #AA6226, #54AA26 and #2D26AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6226 shade: #AA6226, #26AA61 and #6126AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6226 shade: #AA6226, #54AA26, #266FAA and #7C26AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6226 shade: #AA6226, #2DAA26, #266FAA and #A326AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

Complementary color

CMYK 61 / 28 / 0 / 15

HEX #559DD9

RGB 85 157 217

HSL 207.27, 0.63%, 0.59%

LAB 62.55, -4.61, -37.3

 

CMYK 0 / 44 / 81 / 31

HEX #AF6221

RGB 175 98 33

HSL 27.46, 0.68%, 0.41%

LAB 49.45, 26.39, 47.89

 

CMYK 0 / 40 / 73 / 25

HEX #C07434

RGB 192 116 52

HSL 27.43, 0.57%, 0.48%

LAB 56.03, 24.58, 46.58

 

CMYK 0 / 36 / 66 / 18

HEX #D18647

RGB 209 134 71

HSL 27.39, 0.6%, 0.55%

LAB 62.56, 23, 45.03

 

CMYK 0 / 33 / 60 / 11

HEX #E2985A

RGB 226 152 90

HSL 27.35, 0.7%, 0.62%

LAB 69.01, 21.63, 43.45

 

CMYK 0 / 30 / 55 / 5

HEX #F3AA6D

RGB 243 170 109

HSL 27.31, 0.85%, 0.69%

LAB 75.39, 20.42, 41.92

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 48 / 88 / 40

HEX #995013

RGB 153 80 19

HSL 27.31, 0.78%, 0.34%

LAB 42.09, 26.41, 45.76

 

CMYK 0 / 54 / 100 / 47

HEX #883E00

RGB 136 62 0

HSL 27.35, 1%, 0.27%

LAB 35.36, 28.59, 45.99

 

CMYK 0 / 63 / 100 / 53

HEX #772C00

RGB 119 44 0

HSL 22.18, 1%, 0.23%

LAB 28.7, 30.98, 40.1

 

CMYK 0 / 75 / 100 / 60

HEX #661A00

RGB 102 26 0

HSL 15.29, 1%, 0.2%

LAB 22.17, 32.86, 32.8

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 63 / 78 / 33

HEX #AA3F26

RGB 170 63 38

HSL 11.36, 0.63%, 0.41%

LAB 41.6, 42.57, 37.52

 

CMYK 0 / 78 / 78 / 33

HEX #AA2626

RGB 170 38 38

HSL 0, 0.63%, 0.41%

LAB 37.97, 52.46, 33.68

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 21 / 78 / 33

HEX #AA8626

RGB 170 134 38

HSL 43.64, 0.63%, 0.41%

LAB 57.79, 4.24, 53.47

 

CMYK 0 / 1 / 78 / 33

HEX #AAA926

RGB 170 169 38

HSL 59.55, 0.63%, 0.41%

LAB 67.32, -14.55, 62.24

 

CMYK 21 / 0 / 78 / 33

HEX #87AA26

RGB 135 170 38

HSL 75.91, 0.63%, 0.41%

LAB 64.99, -29.97, 59.14

 

CMYK 41 / 0 / 78 / 33

HEX #64AA26

RGB 100 170 38

HSL 91.82, 0.63%, 0.41%

LAB 63.01, -43.26, 56.56

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 48 / 89 / 27

HEX #BB6115

RGB 187 97 21

HSL 27.47, 0.8%, 0.41%

LAB 50.88, 31.66, 54.27

 

CMYK 0 / 53 / 98 / 20

HEX #CC5F04

RGB 204 95 4

HSL 27.3, 0.96%, 0.41%

LAB 52.98, 39.33, 61.01

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 35 / 64 / 40

HEX #996437

RGB 153 100 55

HSL 27.55, 0.47%, 0.41%

LAB 47.19, 16.8, 33.84

 

CMYK 0 / 26 / 47 / 47

HEX #886548

RGB 136 101 72

HSL 27.19, 0.31%, 0.41%

LAB 45.65, 10.22, 21.88

 

CMYK 0 / 13 / 25 / 53

HEX #776759

RGB 119 103 89

HSL 28, 0.14%, 0.41%

LAB 44.72, 3.96, 10.24

 

CMYK 4 / 2 / 0 / 58

HEX #66686A

RGB 102 104 106

HSL 210, 0.02%, 0.41%

LAB 43.9, -0.35, -1.4

 

CMYK 0 / 78 / 71 / 33

HEX #AA2631

RGB 170 38 49

HSL 355, 0.63%, 0.41%

LAB 38.12, 52.93, 27.23

 

CMYK 0 / 64 / 78 / 33

HEX #AA3E26

RGB 170 62 38

HSL 10.91, 0.63%, 0.41%

LAB 41.42, 43.03, 37.34

 

CMYK 0 / 43 / 78 / 33

HEX #AA6126

RGB 170 97 38

HSL 26.82, 0.63%, 0.41%

LAB 48.56, 24.98, 44.58

 

CMYK 0 / 22 / 78 / 33

HEX #AA8526

RGB 170 133 38

HSL 43.18, 0.63%, 0.41%

LAB 57.52, 4.79, 53.22

 

CMYK 0 / 1 / 78 / 33

HEX #AAA826

RGB 170 168 38

HSL 59.09, 0.63%, 0.41%

LAB 67.04, -14.04, 61.98

 

CMYK 0 / 43 / 78 / 60

HEX #673B17

RGB 103 59 23

HSL 27, 0.63%, 0.25%

LAB 29.6, 16.12, 29.65

 

CMYK 0 / 42 / 77 / 47

HEX #884F1F

RGB 136 79 31

HSL 27.43, 0.63%, 0.33%

LAB 39.45, 19.88, 37.22

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 0 / 42 / 77 / 20

HEX #CC762E

RGB 204 118 46

HSL 27.34, 0.63%, 0.49%

LAB 58.03, 28.29, 51.86

 

CMYK 0 / 35 / 64 / 16

HEX #D68B4D

RGB 214 139 77

HSL 27.15, 0.63%, 0.57%

LAB 64.4, 22.77, 44.28

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 51 / 0 / 78 / 33

HEX #54AA26

RGB 84 170 38

HSL 99.09, 0.63%, 0.41%

LAB 62.32, -48.43, 55.66

 

CMYK 74 / 78 / 0 / 33

HEX #2D26AA

RGB 45 38 170

HSL 243.18, 0.63%, 0.41%

LAB 26.29, 45.86, -68.5

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 78 / 0 / 43 / 33

HEX #26AA61

RGB 38 170 97

HSL 146.82, 0.63%, 0.41%

LAB 61.68, -51.27, 27.96

 

CMYK 43 / 78 / 0 / 33

HEX #6126AA

RGB 97 38 170

HSL 266.82, 0.63%, 0.41%

LAB 31.42, 52.43, -59.88

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 51 / 0 / 78 / 33

HEX #54AA26

RGB 84 170 38

HSL 99.09, 0.63%, 0.41%

LAB 62.32, -48.43, 55.66

 

CMYK 78 / 35 / 0 / 33

HEX #266FAA

RGB 38 111 170

HSL 206.82, 0.63%, 0.41%

LAB 45.2, -1.37, -37.89

 

CMYK 27 / 78 / 0 / 33

HEX #7C26AA

RGB 124 38 170

HSL 279.09, 0.63%, 0.41%

LAB 35.15, 57.1, -53.64

 

CMYK 0 / 42 / 78 / 33

HEX #AA6226

RGB 170 98 38

HSL 27.27, 0.63%, 0.41%

LAB 48.79, 24.43, 44.81

 

CMYK 74 / 0 / 78 / 33

HEX #2DAA26

RGB 45 170 38

HSL 116.82, 0.63%, 0.41%

LAB 61.17, -57.69, 54.16

 

CMYK 78 / 35 / 0 / 33

HEX #266FAA

RGB 38 111 170

HSL 206.82, 0.63%, 0.41%

LAB 45.2, -1.37, -37.89

 

CMYK 4 / 78 / 0 / 33

HEX #A326AA

RGB 163 38 170

HSL 296.82, 0.63%, 0.41%

LAB 41.34, 64.68, -43.36

 

Description

Color code: HEX #AA6226 | qconv.com Color code: HEX #AA6226 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 98 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 98 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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