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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA63DD it is the complementary color #559C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA63DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA63DD shade: #AF63D8, #C075EB, #D187FE, #E299FF and #F3ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA63DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA63DD shade: #AA63DD, #9951CA, #883FB7, #772DA4 and #661B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA63DD shade: #AA64DD, #CB64DD, #DD64CE, #DD64AD and #DD648D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA63DD shade: #AA64DD, #8964DD, #6964DD and #6464DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA63DD shade matches the following richer shades: #AA64DD, #AD55EC and #AF45FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA63DD shade: #AA64DD, #A873CD, #A582BE, #A392AF and #A0A19F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA63DD shade: #6864DD, #8864DD, #A864DD, #C864DD and #DD64D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA63DD shade: #832AC3, #9842D5, #AA64DD, #BD86E4 and #CFA7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA63DD shade: #AA63DD, #DD6480 and #64DD78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA63DD shade: #AA63DD, #DDA864 and #64DDA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA63DD shade: #AA63DD, #DD6480, #98DD64 and #64DDC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA63DD shade: #AA63DD, #DD6C64, #98DD64 and #64D4DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

Complementary color

CMYK 46 / 0 / 78 / 39

HEX #559C22

RGB 85 156 34

HSL 94.92, 0.64%, 0.37%

LAB 57.87, -42.77, 52.73

 

CMYK 19 / 54 / 0 / 15

HEX #AF63D8

RGB 175 99 216

HSL 278.97, 0.6%, 0.62%

LAB 55.07, 50.46, -48.07

 

CMYK 18 / 50 / 0 / 8

HEX #C075EB

RGB 192 117 235

HSL 278.14, 0.75%, 0.69%

LAB 61.59, 49.67, -48.26

 

CMYK 18 / 47 / 0 / 0

HEX #D187FE

RGB 209 135 254

HSL 277.31, 0.98%, 0.76%

LAB 68.05, 48.87, -48.4

 

CMYK 11 / 40 / 0 / 0

HEX #E299FF

RGB 226 153 255

HSL 282.94, 1%, 0.8%

LAB 73.66, 44.38, -40.03

 

CMYK 5 / 33 / 0 / 0

HEX #F3ABFF

RGB 243 171 255

HSL 291.43, 1%, 0.84%

LAB 79.27, 39.97, -31.2

 

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

CMYK 24 / 60 / 0 / 21

HEX #9951CA

RGB 153 81 202

HSL 275.7, 0.53%, 0.55%

LAB 48.16, 51.07, -51.26

 

CMYK 26 / 66 / 0 / 28

HEX #883FB7

RGB 136 63 183

HSL 276.5, 0.49%, 0.48%

LAB 41.55, 51.71, -50.94

 

CMYK 27 / 73 / 0 / 36

HEX #772DA4

RGB 119 45 164

HSL 277.31, 0.57%, 0.41%

LAB 34.96, 52.02, -50.37

 

CMYK 30 / 81 / 0 / 43

HEX #661B91

RGB 102 27 145

HSL 278.14, 0.69%, 0.34%

LAB 28.52, 51.64, -49.36

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 8 / 55 / 0 / 13

HEX #CB64DD

RGB 203 100 221

HSL 291.07, 0.64%, 0.63%

LAB 59, 58.26, -44.44

 

CMYK 0 / 55 / 7 / 13

HEX #DD64CE

RGB 221 100 206

HSL 307.44, 0.64%, 0.63%

LAB 60.73, 60.45, -33.1

 

CMYK 0 / 55 / 22 / 13

HEX #DD64AD

RGB 221 100 173

HSL 323.8, 0.64%, 0.63%

LAB 59.44, 55.43, -16.25

 

CMYK 0 / 55 / 36 / 13

HEX #DD648D

RGB 221 100 141

HSL 339.67, 0.64%, 0.63%

LAB 58.42, 51.34, 0.78

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 38 / 55 / 0 / 13

HEX #8964DD

RGB 137 100 221

HSL 258.35, 0.64%, 0.63%

LAB 51.44, 41.69, -56.93

 

CMYK 52 / 55 / 0 / 13

HEX #6964DD

RGB 105 100 221

HSL 242.48, 0.64%, 0.63%

LAB 48.68, 34.72, -61.52

 

CMYK 55 / 55 / 0 / 13

HEX #6464DD

RGB 100 100 221

HSL 240, 0.64%, 0.63%

LAB 48.32, 33.74, -62.13

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 27 / 64 / 0 / 7

HEX #AD55EC

RGB 173 85 236

HSL 274.97, 0.8%, 0.63%

LAB 53.42, 61.25, -61.98

 

CMYK 30 / 73 / 0 / 2

HEX #AF45FB

RGB 175 69 251

HSL 274.95, 0.96%, 0.63%

LAB 52.21, 71.78, -72.31

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 18 / 44 / 0 / 20

HEX #A873CD

RGB 168 115 205

HSL 275.33, 0.47%, 0.63%

LAB 57.07, 37.52, -38.74

 

CMYK 13 / 32 / 0 / 25

HEX #A582BE

RGB 165 130 190

HSL 275, 0.32%, 0.63%

LAB 59.6, 24.82, -26.31

 

CMYK 7 / 17 / 0 / 31

HEX #A392AF

RGB 163 146 175

HSL 275.17, 0.15%, 0.63%

LAB 62.88, 11.86, -12.85

 

CMYK 1 / 0 / 1 / 37

HEX #A0A19F

RGB 160 161 159

HSL 90, 0.01%, 0.63%

LAB 66.11, -0.74, 0.91

 

CMYK 53 / 55 / 0 / 13

HEX #6864DD

RGB 104 100 221

HSL 241.98, 0.64%, 0.63%

LAB 48.61, 34.52, -61.64

 

CMYK 38 / 55 / 0 / 13

HEX #8864DD

RGB 136 100 221

HSL 257.85, 0.64%, 0.63%

LAB 51.35, 41.46, -57.09

 

CMYK 24 / 55 / 0 / 13

HEX #A864DD

RGB 168 100 221

HSL 273.72, 0.64%, 0.63%

LAB 54.72, 49.26, -51.5

 

CMYK 10 / 55 / 0 / 13

HEX #C864DD

RGB 200 100 221

HSL 289.59, 0.64%, 0.63%

LAB 58.62, 57.48, -45.08

 

CMYK 0 / 55 / 6 / 13

HEX #DD64D0

RGB 221 100 208

HSL 306.45, 0.64%, 0.63%

LAB 60.82, 60.77, -34.1

 

CMYK 33 / 78 / 0 / 24

HEX #832AC3

RGB 131 42 195

HSL 274.9, 0.65%, 0.46%

LAB 38.59, 62.29, -62.8

 

CMYK 29 / 69 / 0 / 16

HEX #9842D5

RGB 152 66 213

HSL 275.1, 0.64%, 0.55%

LAB 46.14, 60.44, -60.82

 

CMYK 23 / 55 / 0 / 13

HEX #AA64DD

RGB 170 100 221

HSL 274.71, 0.64%, 0.63%

LAB 54.95, 49.77, -51.12

 

CMYK 17 / 41 / 0 / 11

HEX #BD86E4

RGB 189 134 228

HSL 275.11, 0.64%, 0.71%

LAB 64.54, 38.21, -39.76

 

CMYK 12 / 29 / 0 / 8

HEX #CFA7EB

RGB 207 167 235

HSL 275.29, 0.63%, 0.79%

LAB 74.13, 27.03, -28.6

 

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

CMYK 0 / 55 / 42 / 13

HEX #DD6480

RGB 221 100 128

HSL 346.12, 0.64%, 0.63%

LAB 58.08, 49.91, 7.87

 

CMYK 55 / 0 / 46 / 13

HEX #64DD78

RGB 100 221 120

HSL 129.92, 0.64%, 0.63%

LAB 79.49, -54.91, 39.42

 

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

CMYK 0 / 24 / 55 / 13

HEX #DDA864

RGB 221 168 100

HSL 33.72, 0.64%, 0.63%

LAB 72.43, 11.76, 42.34

 

CMYK 55 / 0 / 24 / 13

HEX #64DDA8

RGB 100 221 168

HSL 153.72, 0.64%, 0.63%

LAB 80.32, -46.25, 15.91

 

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

CMYK 0 / 55 / 42 / 13

HEX #DD6480

RGB 221 100 128

HSL 346.12, 0.64%, 0.63%

LAB 58.08, 49.91, 7.87

 

CMYK 31 / 0 / 55 / 13

HEX #98DD64

RGB 152 221 100

HSL 94.21, 0.64%, 0.63%

LAB 81.46, -41.97, 51.87

 

CMYK 55 / 0 / 13 / 13

HEX #64DDC0

RGB 100 221 192

HSL 165.62, 0.64%, 0.63%

LAB 80.87, -40.88, 3.99

 

CMYK 23 / 55 / 0 / 13

HEX #AA63DD

RGB 170 99 221

HSL 274.92, 0.64%, 0.63%

LAB 54.75, 50.29, -51.44

 

CMYK 0 / 51 / 55 / 13

HEX #DD6C64

RGB 221 108 100

HSL 3.97, 0.64%, 0.63%

LAB 58.99, 43.43, 25.33

 

CMYK 31 / 0 / 55 / 13

HEX #98DD64

RGB 152 221 100

HSL 94.21, 0.64%, 0.63%

LAB 81.46, -41.97, 51.87

 

CMYK 55 / 4 / 0 / 13

HEX #64D4DD

RGB 100 212 221

HSL 184.46, 0.64%, 0.63%

LAB 79.05, -29.32, -14.17

 

Description

Color code: HEX #AA63DD | qconv.com Color code: HEX #AA63DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 99 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 99 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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