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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6AEA it is the complementary color #559515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6AEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6AEA shade: #AF6AE5, #C07CF8, #D18EFF, #E2A0FF and #F3B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6AEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6AEA shade: #AA6AEA, #9958D7, #8846C4, #7734B1 and #66229E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6AEA shade: #AA6BE9, #CC6BE9, #E96BE4, #E96BC2 and #E96BA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6AEA shade: #AA6BE9, #886BE9 and #6B6BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6AEA shade matches the following richer shades: #AA6BE9 and #AA5EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6AEA shade: #AA6BE9, #AA79DC, #AA86CE, #AA94C1 and #AAA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6AEA shade: #6B6FE9, #896BE9, #AA6BE9, #CC6BE9 and #E96BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6AEA shade: #8123DF, #9647E4, #AA6BE9, #BF8FEF and #D4B3F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6AEA shade: #AA6AEA, #E96B91 and #6BE978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6AEA shade: #AA6AEA, #E9AA6B and #6BE9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6AEA shade: #AA6AEA, #E96B91, #AAE96B and #6BE9C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6AEA shade: #AA6AEA, #E96B6B, #AAE96B and #6BE9E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

Complementary color

CMYK 43 / 0 / 86 / 42

HEX #559515

RGB 85 149 21

HSL 90, 0.75%, 0.33%

LAB 55.56, -40.51, 54.39

 

CMYK 24 / 54 / 0 / 10

HEX #AF6AE5

RGB 175 106 229

HSL 273.66, 0.7%, 0.66%

LAB 57.15, 49.69, -52.08

 

CMYK 23 / 50 / 0 / 3

HEX #C07CF8

RGB 192 124 248

HSL 272.9, 0.9%, 0.73%

LAB 63.67, 48.84, -52.15

 

CMYK 18 / 44 / 0 / 0

HEX #D18EFF

RGB 209 142 255

HSL 275.58, 1%, 0.78%

LAB 69.56, 45.39, -46.57

 

CMYK 11 / 37 / 0 / 0

HEX #E2A0FF

RGB 226 160 255

HSL 281.68, 1%, 0.81%

LAB 75.16, 40.67, -37.69

 

CMYK 5 / 30 / 0 / 0

HEX #F3B2FF

RGB 243 178 255

HSL 290.65, 1%, 0.85%

LAB 80.8, 36.28, -28.85

 

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

CMYK 29 / 59 / 0 / 16

HEX #9958D7

RGB 153 88 215

HSL 270.71, 0.61%, 0.59%

LAB 50.28, 50.48, -55.29

 

CMYK 31 / 64 / 0 / 23

HEX #8846C4

RGB 136 70 196

HSL 271.43, 0.52%, 0.52%

LAB 43.65, 51.29, -55.14

 

CMYK 33 / 71 / 0 / 31

HEX #7734B1

RGB 119 52 177

HSL 272.16, 0.55%, 0.45%

LAB 37.03, 51.88, -54.8

 

CMYK 35 / 78 / 0 / 38

HEX #66229E

RGB 102 34 158

HSL 272.9, 0.65%, 0.38%

LAB 30.49, 51.99, -54.11

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 12 / 54 / 0 / 9

HEX #CC6BE9

RGB 204 107 233

HSL 286.19, 0.74%, 0.67%

LAB 60.99, 57.46, -48.01

 

CMYK 0 / 54 / 2 / 9

HEX #E96BE4

RGB 233 107 228

HSL 302.38, 0.74%, 0.67%

LAB 64.52, 64.14, -39.42

 

CMYK 0 / 54 / 17 / 9

HEX #E96BC2

RGB 233 107 194

HSL 318.57, 0.74%, 0.67%

LAB 63.12, 58.78, -22.48

 

CMYK 0 / 54 / 31 / 9

HEX #E96BA0

RGB 233 107 160

HSL 334.76, 0.74%, 0.67%

LAB 61.98, 54.18, -4.79

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 42 / 54 / 0 / 9

HEX #886BE9

RGB 136 107 233

HSL 253.81, 0.74%, 0.67%

LAB 53.64, 40.73, -60.17

 

CMYK 54 / 54 / 0 / 9

HEX #6B6BE9

RGB 107 107 233

HSL 240, 0.74%, 0.67%

LAB 51.3, 34.63, -64.06

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 31 / 62 / 0 / 3

HEX #AA5EF7

RGB 170 94 247

HSL 269.8, 0.91%, 0.67%

LAB 55.35, 58.76, -65.05

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 23 / 45 / 0 / 14

HEX #AA79DC

RGB 170 121 220

HSL 269.7, 0.59%, 0.67%

LAB 59.33, 38.17, -43.62

 

CMYK 17 / 35 / 0 / 19

HEX #AA86CE

RGB 170 134 206

HSL 270, 0.42%, 0.67%

LAB 61.7, 27.66, -32.06

 

CMYK 12 / 23 / 0 / 24

HEX #AA94C1

RGB 170 148 193

HSL 269.33, 0.27%, 0.67%

LAB 64.62, 16.88, -20.27

 

CMYK 5 / 9 / 0 / 30

HEX #AAA2B3

RGB 170 162 179

HSL 268.24, 0.1%, 0.67%

LAB 67.76, 6.14, -7.73

 

CMYK 54 / 52 / 0 / 9

HEX #6B6FE9

RGB 107 111 233

HSL 238.1, 0.74%, 0.67%

LAB 52.26, 32.23, -62.5

 

CMYK 41 / 54 / 0 / 9

HEX #896BE9

RGB 137 107 233

HSL 254.29, 0.74%, 0.67%

LAB 53.73, 40.96, -60.02

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 12 / 54 / 0 / 9

HEX #CC6BE9

RGB 204 107 233

HSL 286.19, 0.74%, 0.67%

LAB 60.99, 57.46, -48.01

 

CMYK 0 / 54 / 2 / 9

HEX #E96BE5

RGB 233 107 229

HSL 301.9, 0.74%, 0.67%

LAB 64.56, 64.31, -39.9

 

CMYK 42 / 84 / 0 / 13

HEX #8123DF

RGB 129 35 223

HSL 270, 0.75%, 0.51%

LAB 39.91, 70.47, -76.84

 

CMYK 34 / 69 / 0 / 11

HEX #9647E4

RGB 150 71 228

HSL 270.19, 0.74%, 0.59%

LAB 47.74, 61.22, -66.79

 

CMYK 27 / 54 / 0 / 9

HEX #AA6BE9

RGB 170 107 233

HSL 270, 0.74%, 0.67%

LAB 57.02, 48.83, -54.56

 

CMYK 20 / 40 / 0 / 6

HEX #BF8FEF

RGB 191 143 239

HSL 270, 0.75%, 0.75%

LAB 67.24, 36.27, -41.58

 

CMYK 13 / 27 / 0 / 4

HEX #D4B3F4

RGB 212 179 244

HSL 270.46, 0.75%, 0.83%

LAB 77.74, 23.92, -27.89

 

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

CMYK 0 / 54 / 38 / 9

HEX #E96B91

RGB 233 107 145

HSL 341.9, 0.74%, 0.67%

LAB 61.55, 52.43, 3.23

 

CMYK 54 / 0 / 48 / 9

HEX #6BE978

RGB 107 233 120

HSL 126.19, 0.74%, 0.67%

LAB 83.32, -57.84, 44.28

 

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

CMYK 0 / 27 / 54 / 9

HEX #E9AA6B

RGB 233 170 107

HSL 30, 0.74%, 0.67%

LAB 74.28, 16.2, 41.32

 

CMYK 54 / 0 / 27 / 9

HEX #6BE9AA

RGB 107 233 170

HSL 150, 0.74%, 0.67%

LAB 84.12, -49.35, 20.2

 

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

CMYK 0 / 54 / 38 / 9

HEX #E96B91

RGB 233 107 145

HSL 341.9, 0.74%, 0.67%

LAB 61.55, 52.43, 3.23

 

CMYK 27 / 0 / 54 / 9

HEX #AAE96B

RGB 170 233 107

HSL 90, 0.74%, 0.67%

LAB 85.95, -40.24, 54.19

 

CMYK 54 / 0 / 16 / 9

HEX #6BE9C4

RGB 107 233 196

HSL 162.38, 0.74%, 0.67%

LAB 84.68, -43.81, 7.41

 

CMYK 27 / 55 / 0 / 8

HEX #AA6AEA

RGB 170 106 234

HSL 270, 0.75%, 0.67%

LAB 56.87, 49.59, -55.35

 

CMYK 0 / 54 / 54 / 9

HEX #E96B6B

RGB 233 107 107

HSL 0, 0.74%, 0.67%

LAB 60.69, 48.79, 23.91

 

CMYK 27 / 0 / 54 / 9

HEX #AAE96B

RGB 170 233 107

HSL 90, 0.74%, 0.67%

LAB 85.95, -40.24, 54.19

 

CMYK 54 / 0 / 0 / 9

HEX #6BE9E9

RGB 107 233 233

HSL 180, 0.74%, 0.67%

LAB 85.65, -34.75, -10.65

 

Description

Color code: HEX #AA6AEA | qconv.com Color code: HEX #AA6AEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 106 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 106 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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