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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6CC6 it is the complementary color #559339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6CC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6CC6 shade: #AF6CC1, #C07ED4, #D190E7, #E2A2FA and #F3B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6CC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6CC6 shade: #AA6CC6, #995AB3, #8848A0, #77368D and #66247A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6CC6 shade: #A96CC5, #C26CC5, #C56CB1, #C56C99 and #C56C80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6CC6 shade: #A96CC5, #916CC5, #796CC5 and #6C6CC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6CC6 shade matches the following richer shades: #A96CC5, #B05BD6, #B64BE6 and #BC3AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6CC6 shade: #A96CC5, #A37CB5, #9D8DA4, #979D94 and #91AE83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6CC6 shade: #796CC5, #916CC5, #A96CC5, #C16CC5 and #C56CB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6CC6 shade: #823EA0, #984EBA, #A96CC5, #BB89D1 and #CCA7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6CC6 shade: #AA6CC6, #C56C76 and #6CC585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6CC6 shade: #AA6CC6, #C5A96C and #6CC5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6CC6 shade: #AA6CC6, #C56C76, #88C56C and #6CC5BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6CC6 shade: #AA6CC6, #C57C6C, #88C56C and #6CB5C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

Complementary color

CMYK 42 / 0 / 61 / 42

HEX #559339

RGB 85 147 57

HSL 101.33, 0.44%, 0.4%

LAB 55.17, -37.05, 40.57

 

CMYK 9 / 44 / 0 / 24

HEX #AF6CC1

RGB 175 108 193

HSL 287.29, 0.41%, 0.59%

LAB 55.78, 40.86, -33.87

 

CMYK 9 / 41 / 0 / 17

HEX #C07ED4

RGB 192 126 212

HSL 286.05, 0.5%, 0.66%

LAB 62.41, 40.08, -34.15

 

CMYK 10 / 38 / 0 / 9

HEX #D190E7

RGB 209 144 231

HSL 284.83, 0.64%, 0.74%

LAB 68.95, 39.33, -34.39

 

CMYK 10 / 35 / 0 / 2

HEX #E2A2FA

RGB 226 162 250

HSL 283.64, 0.9%, 0.81%

LAB 75.4, 38.61, -34.62

 

CMYK 5 / 29 / 0 / 0

HEX #F3B4FF

RGB 243 180 255

HSL 290.4, 1%, 0.85%

LAB 81.25, 35.22, -28.17

 

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

CMYK 15 / 50 / 0 / 30

HEX #995AB3

RGB 153 90 179

HSL 282.47, 0.37%, 0.53%

LAB 48.68, 41.25, -37.1

 

CMYK 15 / 55 / 0 / 37

HEX #8848A0

RGB 136 72 160

HSL 283.64, 0.38%, 0.45%

LAB 41.86, 42.03, -36.81

 

CMYK 16 / 62 / 0 / 45

HEX #77368D

RGB 119 54 141

HSL 284.83, 0.45%, 0.38%

LAB 34.97, 42.68, -36.38

 

CMYK 16 / 70 / 0 / 52

HEX #66247A

RGB 102 36 122

HSL 286.05, 0.54%, 0.31%

LAB 28.09, 42.99, -35.67

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 2 / 45 / 0 / 23

HEX #C26CC5

RGB 194 108 197

HSL 297.98, 0.43%, 0.6%

LAB 58.25, 47.29, -32.13

 

CMYK 0 / 45 / 10 / 23

HEX #C56CB1

RGB 197 108 177

HSL 313.48, 0.43%, 0.6%

LAB 57.82, 44.67, -21.32

 

CMYK 0 / 45 / 22 / 23

HEX #C56C99

RGB 197 108 153

HSL 329.66, 0.43%, 0.6%

LAB 56.97, 40.88, -8.72

 

CMYK 0 / 45 / 35 / 23

HEX #C56C80

RGB 197 108 128

HSL 346.52, 0.43%, 0.6%

LAB 56.24, 37.48, 4.79

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 26 / 45 / 0 / 23

HEX #916CC5

RGB 145 108 197

HSL 264.94, 0.43%, 0.6%

LAB 52.7, 33.02, -41.22

 

CMYK 39 / 45 / 0 / 23

HEX #796CC5

RGB 121 108 197

HSL 248.76, 0.43%, 0.6%

LAB 50.48, 26.5, -44.88

 

CMYK 45 / 45 / 0 / 23

HEX #6C6CC5

RGB 108 108 197

HSL 240, 0.43%, 0.6%

LAB 49.43, 23.22, -46.61

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 18 / 57 / 0 / 16

HEX #B05BD6

RGB 176 91 214

HSL 281.46, 0.6%, 0.6%

LAB 53.56, 54.33, -49.32

 

CMYK 21 / 67 / 0 / 10

HEX #B64BE6

RGB 182 75 230

HSL 281.42, 0.76%, 0.6%

LAB 52.61, 66.34, -59.86

 

CMYK 24 / 77 / 0 / 3

HEX #BC3AF7

RGB 188 58 247

HSL 281.27, 0.92%, 0.6%

LAB 52.32, 77.18, -69.82

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 10 / 31 / 0 / 29

HEX #A37CB5

RGB 163 124 181

HSL 281.05, 0.28%, 0.6%

LAB 57.6, 25.66, -24.29

 

CMYK 4 / 14 / 0 / 36

HEX #9D8DA4

RGB 157 141 164

HSL 281.74, 0.11%, 0.6%

LAB 60.69, 10.36, -9.94

 

CMYK 4 / 0 / 6 / 38

HEX #979D94

RGB 151 157 148

HSL 100, 0.04%, 0.6%

LAB 64.02, -3.88, 3.95

 

CMYK 17 / 0 / 25 / 32

HEX #91AE83

RGB 145 174 131

HSL 100.47, 0.21%, 0.6%

LAB 67.97, -18.1, 18.87

 

CMYK 39 / 45 / 0 / 23

HEX #796CC5

RGB 121 108 197

HSL 248.76, 0.43%, 0.6%

LAB 50.48, 26.5, -44.88

 

CMYK 26 / 45 / 0 / 23

HEX #916CC5

RGB 145 108 197

HSL 264.94, 0.43%, 0.6%

LAB 52.7, 33.02, -41.22

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 2 / 45 / 0 / 23

HEX #C16CC5

RGB 193 108 197

HSL 297.3, 0.43%, 0.6%

LAB 58.13, 46.99, -32.33

 

CMYK 0 / 45 / 10 / 23

HEX #C56CB2

RGB 197 108 178

HSL 312.81, 0.43%, 0.6%

LAB 57.86, 44.83, -21.84

 

CMYK 19 / 61 / 0 / 37

HEX #823EA0

RGB 130 62 160

HSL 281.63, 0.44%, 0.44%

LAB 39.12, 45.63, -41.21

 

CMYK 18 / 58 / 0 / 27

HEX #984EBA

RGB 152 78 186

HSL 281.11, 0.44%, 0.52%

LAB 46.54, 48.81, -44.59

 

CMYK 14 / 45 / 0 / 23

HEX #A96CC5

RGB 169 108 197

HSL 281.12, 0.43%, 0.6%

LAB 55.27, 39.93, -37

 

CMYK 11 / 34 / 0 / 18

HEX #BB89D1

RGB 187 137 209

HSL 281.67, 0.44%, 0.68%

LAB 64.21, 31.9, -29.72

 

CMYK 7 / 24 / 0 / 14

HEX #CCA7DC

RGB 204 167 220

HSL 281.89, 0.43%, 0.76%

LAB 73.31, 23.02, -21.69

 

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

CMYK 0 / 45 / 40 / 23

HEX #C56C76

RGB 197 108 118

HSL 353.26, 0.43%, 0.6%

LAB 55.99, 36.29, 10.27

 

CMYK 45 / 0 / 32 / 23

HEX #6CC585

RGB 108 197 133

HSL 136.85, 0.43%, 0.6%

LAB 72.77, -40.75, 24.02

 

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

CMYK 0 / 14 / 45 / 23

HEX #C5A96C

RGB 197 169 108

HSL 41.12, 0.43%, 0.6%

LAB 70.41, 2.01, 35.17

 

CMYK 45 / 0 / 14 / 23

HEX #6CC5A9

RGB 108 197 169

HSL 161.12, 0.43%, 0.6%

LAB 73.54, -33.41, 5.78

 

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

CMYK 0 / 45 / 40 / 23

HEX #C56C76

RGB 197 108 118

HSL 353.26, 0.43%, 0.6%

LAB 55.99, 36.29, 10.27

 

CMYK 31 / 0 / 45 / 23

HEX #88C56C

RGB 136 197 108

HSL 101.12, 0.43%, 0.6%

LAB 73.71, -35.86, 38.41

 

CMYK 45 / 0 / 5 / 23

HEX #6CC5BB

RGB 108 197 187

HSL 173.26, 0.43%, 0.6%

LAB 74, -29.15, -3.31

 

CMYK 14 / 45 / 0 / 22

HEX #AA6CC6

RGB 170 108 198

HSL 281.33, 0.44%, 0.6%

LAB 55.43, 40.43, -37.31

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 31 / 0 / 45 / 23

HEX #88C56C

RGB 136 197 108

HSL 101.12, 0.43%, 0.6%

LAB 73.71, -35.86, 38.41

 

CMYK 45 / 8 / 0 / 23

HEX #6CB5C5

RGB 108 181 197

HSL 190.79, 0.43%, 0.6%

LAB 69.66, -18.56, -15.24

 

Description

Color code: HEX #AA6CC6 | qconv.com Color code: HEX #AA6CC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 108 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 108 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 45 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 45% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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