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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA753A it is the complementary color #558AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA753A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA753A shade: #AF7535, #C08748, #D1995B, #E2AB6E and #F3BD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA753A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA753A shade: #AA753A, #996327, #885114, #773F01 and #662D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA753A shade: #AA753A, #AA573A and #AA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA753A shade: #AA753A, #AA943A, #A3AA3A, #85AA3A and #66AA3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA753A shade matches the following richer shades: #AA753A, #BD7627, #D07715 and #E27802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA753A shade: #AA753A, #98744D, #85735F, #737272 and #607184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA753A shade: #AA3A3C, #AA563A, #AA743A, #AA923A and #A5AA3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA753A shade: #6D4B25, #8C6030, #AA753A, #C18A4C and #CC9E6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA753A shade: #AA753A, #5AAA3A and #473AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA753A shade: #AA753A, #3AAA74 and #743AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA753A shade: #AA753A, #5AAA3A, #3A70AA and #8B3AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA753A shade: #AA753A, #3AAA3C, #3A70AA and #AA3AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

Complementary color

CMYK 57 / 30 / 0 / 23

HEX #558AC5

RGB 85 138 197

HSL 211.61, 0.49%, 0.55%

LAB 56.23, -0.14, -35.97

 

CMYK 0 / 33 / 70 / 31

HEX #AF7535

RGB 175 117 53

HSL 31.48, 0.54%, 0.45%

LAB 54.13, 16.73, 43.42

 

CMYK 0 / 30 / 63 / 25

HEX #C08748

RGB 192 135 72

HSL 31.5, 0.49%, 0.52%

LAB 60.78, 15.31, 41.96

 

CMYK 0 / 27 / 56 / 18

HEX #D1995B

RGB 209 153 91

HSL 31.53, 0.56%, 0.59%

LAB 67.35, 14.11, 40.47

 

CMYK 0 / 24 / 51 / 11

HEX #E2AB6E

RGB 226 171 110

HSL 31.55, 0.67%, 0.66%

LAB 73.82, 13.07, 39.04

 

CMYK 0 / 22 / 47 / 5

HEX #F3BD81

RGB 243 189 129

HSL 31.58, 0.83%, 0.73%

LAB 80.2, 12.16, 37.68

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 35 / 75 / 40

HEX #996327

RGB 153 99 39

HSL 31.58, 0.59%, 0.38%

LAB 46.77, 16.4, 41.56

 

CMYK 0 / 40 / 85 / 47

HEX #885114

RGB 136 81 20

HSL 31.55, 0.74%, 0.31%

LAB 39.86, 18.28, 42.51

 

CMYK 0 / 47 / 99 / 53

HEX #773F01

RGB 119 63 1

HSL 31.53, 0.98%, 0.24%

LAB 32.87, 20.49, 42.7

 

CMYK 0 / 56 / 100 / 60

HEX #662D00

RGB 102 45 0

HSL 26.47, 1%, 0.2%

LAB 25.87, 23.14, 36.46

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 49 / 66 / 33

HEX #AA573A

RGB 170 87 58

HSL 15.54, 0.49%, 0.45%

LAB 46.54, 31.51, 31.99

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 13 / 66 / 33

HEX #AA943A

RGB 170 148 58

HSL 48.21, 0.49%, 0.45%

LAB 61.68, -2.41, 49.04

 

CMYK 4 / 0 / 66 / 33

HEX #A3AA3A

RGB 163 170 58

HSL 63.75, 0.49%, 0.45%

LAB 67.16, -17.09, 54.61

 

CMYK 22 / 0 / 66 / 33

HEX #85AA3A

RGB 133 170 58

HSL 79.82, 0.49%, 0.45%

LAB 65, -29.57, 51.68

 

CMYK 40 / 0 / 66 / 33

HEX #66AA3A

RGB 102 170 58

HSL 96.43, 0.49%, 0.45%

LAB 63.24, -41.14, 49.28

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 38 / 79 / 26

HEX #BD7627

RGB 189 118 39

HSL 31.6, 0.66%, 0.45%

LAB 56.01, 21.63, 52.2

 

CMYK 0 / 43 / 90 / 18

HEX #D07715

RGB 208 119 21

HSL 31.44, 0.82%, 0.45%

LAB 58.66, 28.72, 61.52

 

CMYK 0 / 47 / 99 / 11

HEX #E27802

RGB 226 120 2

HSL 31.61, 0.98%, 0.45%

LAB 61.31, 35.39, 68.14

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 24 / 49 / 40

HEX #98744D

RGB 152 116 77

HSL 31.2, 0.33%, 0.45%

LAB 51.5, 9.08, 26.92

 

CMYK 0 / 14 / 29 / 48

HEX #85735F

RGB 133 115 95

HSL 31.58, 0.17%, 0.45%

LAB 49.59, 3.74, 13.66

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 14 / 0 / 48

HEX #607184

RGB 96 113 132

HSL 211.67, 0.16%, 0.45%

LAB 46.93, -1.67, -12.53

 

CMYK 0 / 66 / 65 / 33

HEX #AA3A3C

RGB 170 58 60

HSL 358.93, 0.49%, 0.45%

LAB 41.05, 45.95, 24.1

 

CMYK 0 / 49 / 66 / 33

HEX #AA563A

RGB 170 86 58

HSL 15, 0.49%, 0.45%

LAB 46.32, 32.05, 31.74

 

CMYK 0 / 32 / 66 / 33

HEX #AA743A

RGB 170 116 58

HSL 31.07, 0.49%, 0.45%

LAB 53.32, 15.4, 39.86

 

CMYK 0 / 14 / 66 / 33

HEX #AA923A

RGB 170 146 58

HSL 47.14, 0.49%, 0.45%

LAB 61.14, -1.32, 48.46

 

CMYK 3 / 0 / 66 / 33

HEX #A5AA3A

RGB 165 170 58

HSL 62.68, 0.49%, 0.45%

LAB 67.32, -16.23, 54.82

 

CMYK 0 / 31 / 66 / 57

HEX #6D4B25

RGB 109 75 37

HSL 31.67, 0.49%, 0.29%

LAB 34.84, 10.09, 27.97

 

CMYK 0 / 31 / 66 / 45

HEX #8C6030

RGB 140 96 48

HSL 31.3, 0.49%, 0.37%

LAB 44.45, 12.78, 34.02

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 0 / 28 / 61 / 24

HEX #C18A4C

RGB 193 138 76

HSL 31.79, 0.49%, 0.53%

LAB 61.69, 14.37, 41

 

CMYK 0 / 23 / 48 / 20

HEX #CC9E6B

RGB 204 158 107

HSL 31.55, 0.49%, 0.61%

LAB 68.28, 10.74, 33.13

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 47 / 0 / 66 / 33

HEX #5AAA3A

RGB 90 170 58

HSL 102.86, 0.49%, 0.45%

LAB 62.7, -45.06, 48.53

 

CMYK 58 / 66 / 0 / 33

HEX #473AAA

RGB 71 58 170

HSL 246.96, 0.49%, 0.45%

LAB 32.41, 37.68, -58.37

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 66 / 0 / 32 / 33

HEX #3AAA74

RGB 58 170 116

HSL 151.07, 0.49%, 0.45%

LAB 62.43, -44.32, 18.81

 

CMYK 32 / 66 / 0 / 33

HEX #743AAA

RGB 116 58 170

HSL 271.07, 0.49%, 0.45%

LAB 37.19, 46.64, -50.39

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 47 / 0 / 66 / 33

HEX #5AAA3A

RGB 90 170 58

HSL 102.86, 0.49%, 0.45%

LAB 62.7, -45.06, 48.53

 

CMYK 66 / 34 / 0 / 33

HEX #3A70AA

RGB 58 112 170

HSL 211.07, 0.49%, 0.45%

LAB 46.16, 1.02, -36.32

 

CMYK 18 / 66 / 0 / 33

HEX #8B3AAA

RGB 139 58 170

HSL 283.39, 0.49%, 0.45%

LAB 40.27, 51.91, -45.27

 

CMYK 0 / 31 / 66 / 33

HEX #AA753A

RGB 170 117 58

HSL 31.61, 0.49%, 0.45%

LAB 53.57, 14.84, 40.15

 

CMYK 66 / 0 / 65 / 33

HEX #3AAA3C

RGB 58 170 60

HSL 121.07, 0.49%, 0.45%

LAB 61.63, -53.27, 46.19

 

CMYK 66 / 34 / 0 / 33

HEX #3A70AA

RGB 58 112 170

HSL 211.07, 0.49%, 0.45%

LAB 46.16, 1.02, -36.32

 

CMYK 0 / 66 / 1 / 33

HEX #AA3AA9

RGB 170 58 169

HSL 300.54, 0.49%, 0.45%

LAB 44.85, 59.14, -37.11

 

Description

Color code: HEX #AA753A | qconv.com Color code: HEX #AA753A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 117 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 117 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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