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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7711 it is the complementary color #5588EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7711 shade: #AF770C, #C0891F, #D19B32, #E2AD45 and #F3BF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7711 shade: #AA7711, #996500, #885300, #774100 and #662F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7711 shade: #AB7810, #AB4E10, #AB2410 and #AB1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7711 shade: #AB7810, #ABA110, #8BAB10, #62AB10 and #38AB10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7711 shade matches the following richer shades: #AB7810 and #BA7D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7711 shade: #AB7810, #9C7320, #8D6D2F, #7D683E and #6E634E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7711 shade: #AB2510, #AB4E10, #AB7810, #ABA110 and #8CAB10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7711 shade: #604309, #865D0D, #AB7810, #D19214 and #E9A825

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7711 shade: #AA7711, #25AB10 and #3A10AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7711 shade: #AA7711, #10AB78 and #7810AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7711 shade: #AA7711, #25AB10, #1044AB and #9710AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7711 shade: #AA7711, #10AB2A, #1044AB and #AB1091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

Complementary color

CMYK 64 / 43 / 0 / 7

HEX #5588EE

RGB 85 136 238

HSL 220, 0.82%, 0.63%

LAB 57.76, 14.68, -56.53

 

CMYK 0 / 32 / 93 / 31

HEX #AF770C

RGB 175 119 12

HSL 39.39, 0.87%, 0.37%

LAB 54.38, 14.16, 58.51

 

CMYK 0 / 29 / 84 / 25

HEX #C0891F

RGB 192 137 31

HSL 39.5, 0.72%, 0.44%

LAB 60.95, 12.22, 59.65

 

CMYK 0 / 26 / 76 / 18

HEX #D19B32

RGB 209 155 50

HSL 39.62, 0.63%, 0.51%

LAB 67.45, 10.55, 59.52

 

CMYK 0 / 23 / 69 / 11

HEX #E2AD45

RGB 226 173 69

HSL 39.75, 0.73%, 0.58%

LAB 73.86, 9.13, 58.76

 

CMYK 0 / 21 / 64 / 5

HEX #F3BF58

RGB 243 191 88

HSL 39.87, 0.87%, 0.65%

LAB 80.19, 7.9, 57.7

 

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

CMYK 0 / 34 / 100 / 40

HEX #996500

RGB 153 101 0

HSL 39.61, 1%, 0.3%

LAB 47.08, 14.12, 54.57

 

CMYK 0 / 39 / 100 / 47

HEX #885300

RGB 136 83 0

HSL 36.62, 1%, 0.27%

LAB 40.28, 16.65, 49.02

 

CMYK 0 / 45 / 100 / 53

HEX #774100

RGB 119 65 0

HSL 32.77, 1%, 0.23%

LAB 33.36, 19.29, 43.41

 

CMYK 0 / 54 / 100 / 60

HEX #662F00

RGB 102 47 0

HSL 27.65, 1%, 0.2%

LAB 26.33, 21.99, 36.87

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 54 / 91 / 33

HEX #AB4E10

RGB 171 78 16

HSL 24, 0.83%, 0.37%

LAB 44.44, 34.95, 49.84

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 0 / 91 / 91 / 33

HEX #AB1010

RGB 171 16 16

HSL 0, 0.83%, 0.37%

LAB 36.11, 57.5, 43.67

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 6 / 91 / 33

HEX #ABA110

RGB 171 161 16

HSL 56.13, 0.83%, 0.37%

LAB 65.11, -10.57, 65.79

 

CMYK 19 / 0 / 91 / 33

HEX #8BAB10

RGB 139 171 16

HSL 72.39, 0.83%, 0.37%

LAB 65.48, -29.54, 65.03

 

CMYK 43 / 0 / 91 / 33

HEX #62AB10

RGB 98 171 16

HSL 88.26, 0.83%, 0.37%

LAB 63.14, -45.27, 62.16

 

CMYK 67 / 0 / 91 / 33

HEX #38AB10

RGB 56 171 16

HSL 104.52, 0.83%, 0.37%

LAB 61.66, -57.01, 60.31

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 33 / 99 / 27

HEX #BA7D01

RGB 186 125 1

HSL 40.22, 0.99%, 0.37%

LAB 57.18, 15.62, 63.06

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 26 / 79 / 39

HEX #9C7320

RGB 156 115 32

HSL 40.16, 0.66%, 0.37%

LAB 51.19, 8.28, 49.04

 

CMYK 0 / 23 / 67 / 45

HEX #8D6D2F

RGB 141 109 47

HSL 39.57, 0.5%, 0.37%

LAB 48.01, 5.61, 38.56

 

CMYK 0 / 17 / 50 / 51

HEX #7D683E

RGB 125 104 62

HSL 40, 0.34%, 0.37%

LAB 45.09, 2.46, 26.67

 

CMYK 0 / 10 / 29 / 57

HEX #6E634E

RGB 110 99 78

HSL 39.38, 0.17%, 0.37%

LAB 42.44, 0.77, 13.55

 

CMYK 0 / 78 / 91 / 33

HEX #AB2510

RGB 171 37 16

HSL 8.13, 0.83%, 0.37%

LAB 37.88, 52.49, 44.95

 

CMYK 0 / 54 / 91 / 33

HEX #AB4E10

RGB 171 78 16

HSL 24, 0.83%, 0.37%

LAB 44.44, 34.95, 49.84

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 6 / 91 / 33

HEX #ABA110

RGB 171 161 16

HSL 56.13, 0.83%, 0.37%

LAB 65.11, -10.57, 65.79

 

CMYK 18 / 0 / 91 / 33

HEX #8CAB10

RGB 140 171 16

HSL 72, 0.83%, 0.37%

LAB 65.54, -29.12, 65.11

 

CMYK 0 / 30 / 91 / 62

HEX #604309

RGB 96 67 9

HSL 40, 0.83%, 0.21%

LAB 30.69, 7.13, 36.56

 

CMYK 0 / 31 / 90 / 47

HEX #865D0D

RGB 134 93 13

HSL 39.67, 0.82%, 0.29%

LAB 42.65, 10.1, 47.09

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

CMYK 0 / 30 / 90 / 18

HEX #D19214

RGB 209 146 20

HSL 40, 0.83%, 0.45%

LAB 65.09, 14.56, 66.69

 

CMYK 0 / 28 / 84 / 9

HEX #E9A825

RGB 233 168 37

HSL 40.1, 0.82%, 0.53%

LAB 73.2, 13.55, 70.02

 

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

CMYK 78 / 0 / 91 / 33

HEX #25AB10

RGB 37 171 16

HSL 111.87, 0.83%, 0.37%

LAB 61.27, -60.36, 59.82

 

CMYK 66 / 91 / 0 / 33

HEX #3A10AB

RGB 58 16 171

HSL 256.26, 0.83%, 0.37%

LAB 24.36, 56.3, -72.28

 

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

CMYK 91 / 0 / 30 / 33

HEX #10AB78

RGB 16 171 120

HSL 160.26, 0.83%, 0.37%

LAB 62.16, -48.89, 16.14

 

CMYK 30 / 91 / 0 / 33

HEX #7810AB

RGB 120 16 171

HSL 280.26, 0.83%, 0.37%

LAB 32.49, 62.88, -58.59

 

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

CMYK 78 / 0 / 91 / 33

HEX #25AB10

RGB 37 171 16

HSL 111.87, 0.83%, 0.37%

LAB 61.27, -60.36, 59.82

 

CMYK 91 / 60 / 0 / 33

HEX #1044AB

RGB 16 68 171

HSL 219.87, 0.83%, 0.37%

LAB 32.22, 25.25, -59.38

 

CMYK 12 / 91 / 0 / 33

HEX #9710AB

RGB 151 16 171

HSL 292.26, 0.83%, 0.37%

LAB 37.64, 67.64, -49.99

 

CMYK 0 / 30 / 90 / 33

HEX #AA7711

RGB 170 119 17

HSL 40, 0.82%, 0.37%

LAB 53.79, 11.99, 56.7

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2A

RGB 16 171 42

HSL 130.06, 0.83%, 0.37%

LAB 61.14, -61.12, 52.63

 

CMYK 91 / 60 / 0 / 33

HEX #1044AB

RGB 16 68 171

HSL 219.87, 0.83%, 0.37%

LAB 32.22, 25.25, -59.38

 

CMYK 0 / 91 / 15 / 33

HEX #AB1091

RGB 171 16 145

HSL 310.06, 0.83%, 0.37%

LAB 39.7, 67.32, -30.78

 

Description

Color code: HEX #AA7711 | qconv.com Color code: HEX #AA7711 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 119 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 119 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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