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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA77CA it is the complementary color #558835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA77CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA77CA shade: #AF77C5, #C089D8, #D19BEB, #E2ADFE and #F3BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA77CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA77CA shade: #AA77CA, #9965B7, #8853A4, #774191 and #662F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA77CA shade: #AA77CA, #C077CA, #CA77BD, #CA77A7 and #CA7790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA77CA shade: #AA77CA, #9377CA, #7D77CA and #7777CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA77CA shade matches the following richer shades: #AA77CA, #AD67D9, #B158E8 and #B449F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA77CA shade: #AA77CA, #A686BA, #A395AB, #9FA49C and #9CB48D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA77CA shade: #7C77CA, #9277CA, #A877CA, #BF77CA and #CA77BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA77CA shade: #8342AB, #9759BE, #AA77CA, #BC94D5 and #CFB2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA77CA shade: #AA77CA, #CA7787 and #77CA87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA77CA shade: #AA77CA, #CAA877 and #77CAA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA77CA shade: #AA77CA, #CA7787, #98CA77 and #77CAB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA77CA shade: #AA77CA, #CA7F77, #98CA77 and #77C1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

Complementary color

CMYK 38 / 0 / 61 / 47

HEX #558835

RGB 85 136 53

HSL 96.87, 0.44%, 0.37%

LAB 51.61, -32.52, 38.42

 

CMYK 11 / 40 / 0 / 23

HEX #AF77C5

RGB 175 119 197

HSL 283.08, 0.4%, 0.62%

LAB 58.36, 35.66, -32.13

 

CMYK 11 / 37 / 0 / 15

HEX #C089D8

RGB 192 137 216

HSL 281.77, 0.5%, 0.69%

LAB 65.01, 34.9, -32.34

 

CMYK 11 / 34 / 0 / 8

HEX #D19BEB

RGB 209 155 235

HSL 280.5, 0.67%, 0.76%

LAB 71.55, 34.19, -32.55

 

CMYK 11 / 32 / 0 / 0

HEX #E2ADFE

RGB 226 173 254

HSL 279.26, 0.98%, 0.84%

LAB 78, 33.52, -32.76

 

CMYK 5 / 25 / 0 / 0

HEX #F3BFFF

RGB 243 191 255

HSL 288.75, 1%, 0.87%

LAB 83.72, 29.39, -24.39

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 16 / 45 / 0 / 28

HEX #9965B7

RGB 153 101 183

HSL 278.05, 0.36%, 0.56%

LAB 51.27, 36.04, -35.36

 

CMYK 17 / 49 / 0 / 36

HEX #8853A4

RGB 136 83 164

HSL 279.26, 0.33%, 0.48%

LAB 44.38, 36.89, -35.2

 

CMYK 18 / 55 / 0 / 43

HEX #774191

RGB 119 65 145

HSL 280.5, 0.38%, 0.41%

LAB 37.38, 37.73, -34.99

 

CMYK 19 / 63 / 0 / 51

HEX #662F7E

RGB 102 47 126

HSL 281.77, 0.46%, 0.34%

LAB 30.31, 38.46, -34.64

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 5 / 41 / 0 / 21

HEX #C077CA

RGB 192 119 202

HSL 292.77, 0.44%, 0.63%

LAB 60.48, 41.86, -31.51

 

CMYK 0 / 41 / 6 / 21

HEX #CA77BD

RGB 202 119 189

HSL 309.4, 0.44%, 0.63%

LAB 61.15, 42.57, -23.01

 

CMYK 0 / 41 / 17 / 21

HEX #CA77A7

RGB 202 119 167

HSL 325.3, 0.44%, 0.63%

LAB 60.37, 38.92, -11.64

 

CMYK 0 / 41 / 29 / 21

HEX #CA7790

RGB 202 119 144

HSL 341.93, 0.44%, 0.63%

LAB 59.67, 35.54, 0.55

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 27 / 41 / 0 / 21

HEX #9377CA

RGB 147 119 202

HSL 260.24, 0.44%, 0.63%

LAB 55.75, 28.47, -39.26

 

CMYK 38 / 41 / 0 / 21

HEX #7D77CA

RGB 125 119 202

HSL 244.34, 0.44%, 0.63%

LAB 53.83, 22.38, -42.4

 

CMYK 41 / 41 / 0 / 21

HEX #7777CA

RGB 119 119 202

HSL 240, 0.44%, 0.63%

LAB 53.36, 20.81, -43.18

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 20 / 53 / 0 / 15

HEX #AD67D9

RGB 173 103 217

HSL 276.84, 0.6%, 0.63%

LAB 55.68, 48.08, -47.68

 

CMYK 24 / 62 / 0 / 9

HEX #B158E8

RGB 177 88 232

HSL 277.08, 0.76%, 0.63%

LAB 54.19, 59.85, -58.48

 

CMYK 27 / 70 / 0 / 3

HEX #B449F7

RGB 180 73 247

HSL 276.9, 0.92%, 0.63%

LAB 53.15, 70.26, -68.53

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 11 / 28 / 0 / 27

HEX #A686BA

RGB 166 134 186

HSL 276.92, 0.27%, 0.63%

LAB 60.52, 22.01, -22.63

 

CMYK 5 / 13 / 0 / 33

HEX #A395AB

RGB 163 149 171

HSL 278.18, 0.12%, 0.63%

LAB 63.53, 9.36, -9.62

 

CMYK 3 / 0 / 5 / 36

HEX #9FA49C

RGB 159 164 156

HSL 97.5, 0.04%, 0.63%

LAB 66.77, -3.3, 3.52

 

CMYK 13 / 0 / 22 / 29

HEX #9CB48D

RGB 156 180 141

HSL 96.92, 0.21%, 0.63%

LAB 70.62, -15.52, 17.21

 

CMYK 39 / 41 / 0 / 21

HEX #7C77CA

RGB 124 119 202

HSL 243.61, 0.44%, 0.63%

LAB 53.75, 22.11, -42.54

 

CMYK 28 / 41 / 0 / 21

HEX #9277CA

RGB 146 119 202

HSL 259.52, 0.44%, 0.63%

LAB 55.65, 28.19, -39.41

 

CMYK 17 / 41 / 0 / 21

HEX #A877CA

RGB 168 119 202

HSL 275.42, 0.44%, 0.63%

LAB 57.83, 34.62, -35.84

 

CMYK 5 / 41 / 0 / 21

HEX #BF77CA

RGB 191 119 202

HSL 292.05, 0.44%, 0.63%

LAB 60.37, 41.55, -31.7

 

CMYK 0 / 41 / 5 / 21

HEX #CA77BF

RGB 202 119 191

HSL 307.95, 0.44%, 0.63%

LAB 61.23, 42.92, -24.03

 

CMYK 23 / 61 / 0 / 33

HEX #8342AB

RGB 131 66 171

HSL 277.14, 0.44%, 0.46%

LAB 40.67, 46.31, -45.28

 

CMYK 21 / 53 / 0 / 25

HEX #9759BE

RGB 151 89 190

HSL 276.83, 0.44%, 0.55%

LAB 48.81, 43.66, -43.3

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 12 / 31 / 0 / 16

HEX #BC94D5

RGB 188 148 213

HSL 276.92, 0.44%, 0.71%

LAB 67.03, 26.94, -27.58

 

CMYK 8 / 21 / 0 / 12

HEX #CFB2E1

RGB 207 178 225

HSL 277.02, 0.44%, 0.79%

LAB 76.4, 18.99, -19.7

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 0 / 41 / 33 / 21

HEX #CA7787

RGB 202 119 135

HSL 348.43, 0.44%, 0.63%

LAB 59.43, 34.35, 5.4

 

CMYK 41 / 0 / 33 / 21

HEX #77CA87

RGB 119 202 135

HSL 131.57, 0.44%, 0.63%

LAB 74.77, -39.47, 25.75

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 0 / 17 / 41 / 21

HEX #CAA877

RGB 202 168 119

HSL 35.42, 0.44%, 0.63%

LAB 70.8, 5.77, 29.95

 

CMYK 41 / 0 / 17 / 21

HEX #77CAA8

RGB 119 202 168

HSL 155.42, 0.44%, 0.63%

LAB 75.45, -33.08, 9.11

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 0 / 41 / 33 / 21

HEX #CA7787

RGB 202 119 135

HSL 348.43, 0.44%, 0.63%

LAB 59.43, 34.35, 5.4

 

CMYK 25 / 0 / 41 / 21

HEX #98CA77

RGB 152 202 119

HSL 96.14, 0.44%, 0.63%

LAB 76.22, -31.12, 36.24

 

CMYK 41 / 0 / 8 / 21

HEX #77CAB9

RGB 119 202 185

HSL 167.71, 0.44%, 0.63%

LAB 75.86, -29.29, 0.56

 

CMYK 16 / 41 / 0 / 21

HEX #AA77CA

RGB 170 119 202

HSL 276.87, 0.44%, 0.63%

LAB 58.04, 35.22, -35.5

 

CMYK 0 / 37 / 41 / 21

HEX #CA7F77

RGB 202 127 119

HSL 5.78, 0.44%, 0.63%

LAB 60.84, 28.11, 16.56

 

CMYK 25 / 0 / 41 / 21

HEX #98CA77

RGB 152 202 119

HSL 96.14, 0.44%, 0.63%

LAB 76.22, -31.12, 36.24

 

CMYK 41 / 4 / 0 / 21

HEX #77C1CA

RGB 119 193 202

HSL 186.51, 0.44%, 0.63%

LAB 73.76, -20.69, -11.77

 

Description

Color code: HEX #AA77CA | qconv.com Color code: HEX #AA77CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 119 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 119 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 41 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 41% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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