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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7A3A it is the complementary color #5585C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7A3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7A3A shade: #AF7A35, #C08C48, #D19E5B, #E2B06E and #F3C281

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7A3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7A3A shade: #AA7A3A, #996827, #885614, #774401 and #663200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7A3A shade: #AA7A3A, #AA5C3A, #AA3E3A and #AA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7A3A shade: #AA7A3A, #AA993A, #9EAA3A, #80AA3A and #61AA3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7A3A shade matches the following richer shades: #AA7A3A, #BD7D27, #D08015 and #E28202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7A3A shade: #AA7A3A, #98784D, #85755F, #737272 and #607084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7A3A shade: #AA3E3A, #AA5C3A, #AA7A3A, #AA983A and #9FAA3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7A3A shade: #6D4E25, #8C6430, #AA7A3A, #C18F4C and #CCA26B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7A3A shade: #AA7A3A, #54AA3A and #4D3AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7A3A shade: #AA7A3A, #3AAA7A and #7A3AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7A3A shade: #AA7A3A, #54AA3A, #3A6BAA and #903AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7A3A shade: #AA7A3A, #3AAA42, #3A6BAA and #AA3AA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

Complementary color

CMYK 57 / 32 / 0 / 23

HEX #5585C5

RGB 85 133 197

HSL 214.29, 0.49%, 0.55%

LAB 54.8, 2.8, -38.21

 

CMYK 0 / 30 / 70 / 31

HEX #AF7A35

RGB 175 122 53

HSL 33.93, 0.54%, 0.45%

LAB 55.37, 13.93, 44.76

 

CMYK 0 / 27 / 63 / 25

HEX #C08C48

RGB 192 140 72

HSL 34, 0.49%, 0.52%

LAB 62.02, 12.56, 43.39

 

CMYK 0 / 24 / 56 / 18

HEX #D19E5B

RGB 209 158 91

HSL 34.07, 0.56%, 0.59%

LAB 68.58, 11.4, 41.96

 

CMYK 0 / 22 / 51 / 11

HEX #E2B06E

RGB 226 176 110

HSL 34.14, 0.67%, 0.66%

LAB 75.04, 10.41, 40.57

 

CMYK 0 / 20 / 47 / 5

HEX #F3C281

RGB 243 194 129

HSL 34.21, 0.83%, 0.73%

LAB 81.41, 9.54, 39.24

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 32 / 75 / 40

HEX #996827

RGB 153 104 39

HSL 34.21, 0.59%, 0.38%

LAB 48.03, 13.52, 42.86

 

CMYK 0 / 37 / 85 / 47

HEX #885614

RGB 136 86 20

HSL 34.14, 0.74%, 0.31%

LAB 41.12, 15.35, 43.61

 

CMYK 0 / 43 / 99 / 53

HEX #774401

RGB 119 68 1

HSL 34.07, 0.98%, 0.24%

LAB 34.1, 17.53, 43.5

 

CMYK 0 / 51 / 100 / 60

HEX #663200

RGB 102 50 0

HSL 29.41, 1%, 0.2%

LAB 27.03, 20.23, 37.51

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 46 / 66 / 33

HEX #AA5C3A

RGB 170 92 58

HSL 18.21, 0.49%, 0.45%

LAB 47.63, 28.8, 33.29

 

CMYK 0 / 64 / 66 / 33

HEX #AA3E3A

RGB 170 62 58

HSL 2.14, 0.49%, 0.45%

LAB 41.68, 44.04, 26.1

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 10 / 66 / 33

HEX #AA993A

RGB 170 153 58

HSL 50.89, 0.49%, 0.45%

LAB 63.04, -5.12, 50.48

 

CMYK 7 / 0 / 66 / 33

HEX #9EAA3A

RGB 158 170 58

HSL 66.43, 0.49%, 0.45%

LAB 66.77, -19.22, 54.08

 

CMYK 25 / 0 / 66 / 33

HEX #80AA3A

RGB 128 170 58

HSL 82.5, 0.49%, 0.45%

LAB 64.68, -31.55, 51.25

 

CMYK 43 / 0 / 66 / 33

HEX #61AA3A

RGB 97 170 58

HSL 99.11, 0.49%, 0.45%

LAB 63.01, -42.82, 48.96

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 34 / 79 / 26

HEX #BD7D27

RGB 189 125 39

HSL 34.4, 0.66%, 0.45%

LAB 57.69, 17.77, 53.77

 

CMYK 0 / 38 / 90 / 18

HEX #D08015

RGB 208 128 21

HSL 34.33, 0.82%, 0.45%

LAB 60.7, 23.89, 63.07

 

CMYK 0 / 42 / 99 / 11

HEX #E28202

RGB 226 130 2

HSL 34.29, 0.98%, 0.45%

LAB 63.46, 30.19, 69.49

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 21 / 49 / 40

HEX #98784D

RGB 152 120 77

HSL 34.4, 0.33%, 0.45%

LAB 52.56, 6.79, 28.27

 

CMYK 0 / 12 / 29 / 48

HEX #85755F

RGB 133 117 95

HSL 34.74, 0.17%, 0.45%

LAB 50.14, 2.58, 14.43

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 15 / 0 / 48

HEX #607084

RGB 96 112 132

HSL 213.33, 0.16%, 0.45%

LAB 46.63, -1.08, -12.97

 

CMYK 0 / 64 / 66 / 33

HEX #AA3E3A

RGB 170 62 58

HSL 2.14, 0.49%, 0.45%

LAB 41.68, 44.04, 26.1

 

CMYK 0 / 46 / 66 / 33

HEX #AA5C3A

RGB 170 92 58

HSL 18.21, 0.49%, 0.45%

LAB 47.63, 28.8, 33.29

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 11 / 66 / 33

HEX #AA983A

RGB 170 152 58

HSL 50.36, 0.49%, 0.45%

LAB 62.77, -4.58, 50.19

 

CMYK 6 / 0 / 66 / 33

HEX #9FAA3A

RGB 159 170 58

HSL 65.89, 0.49%, 0.45%

LAB 66.84, -18.8, 54.18

 

CMYK 0 / 28 / 66 / 57

HEX #6D4E25

RGB 109 78 37

HSL 34.17, 0.49%, 0.29%

LAB 35.66, 8.26, 28.92

 

CMYK 0 / 29 / 66 / 45

HEX #8C6430

RGB 140 100 48

HSL 33.91, 0.49%, 0.37%

LAB 45.5, 10.44, 35.22

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 0 / 26 / 61 / 24

HEX #C18F4C

RGB 193 143 76

HSL 34.36, 0.49%, 0.53%

LAB 62.93, 11.62, 42.45

 

CMYK 0 / 21 / 48 / 20

HEX #CCA26B

RGB 204 162 107

HSL 34.02, 0.49%, 0.61%

LAB 69.28, 8.57, 34.41

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 51 / 0 / 66 / 33

HEX #54AA3A

RGB 84 170 58

HSL 106.07, 0.49%, 0.45%

LAB 62.46, -46.88, 48.2

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 66 / 0 / 28 / 33

HEX #3AAA7A

RGB 58 170 122

HSL 154.29, 0.49%, 0.45%

LAB 62.55, -43.03, 15.69

 

CMYK 28 / 66 / 0 / 33

HEX #7A3AAA

RGB 122 58 170

HSL 274.29, 0.49%, 0.45%

LAB 37.96, 47.99, -49.11

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 51 / 0 / 66 / 33

HEX #54AA3A

RGB 84 170 58

HSL 106.07, 0.49%, 0.45%

LAB 62.46, -46.88, 48.2

 

CMYK 66 / 37 / 0 / 33

HEX #3A6BAA

RGB 58 107 170

HSL 213.75, 0.49%, 0.45%

LAB 44.68, 4.1, -38.66

 

CMYK 15 / 66 / 0 / 33

HEX #903AAA

RGB 144 58 170

HSL 286.07, 0.49%, 0.45%

LAB 40.99, 53.09, -44.08

 

CMYK 0 / 28 / 66 / 33

HEX #AA7A3A

RGB 170 122 58

HSL 34.29, 0.49%, 0.45%

LAB 54.84, 12.02, 41.56

 

CMYK 66 / 0 / 61 / 33

HEX #3AAA42

RGB 58 170 66

HSL 124.29, 0.49%, 0.45%

LAB 61.69, -52.59, 43.56

 

CMYK 66 / 37 / 0 / 33

HEX #3A6BAA

RGB 58 107 170

HSL 213.75, 0.49%, 0.45%

LAB 44.68, 4.1, -38.66

 

CMYK 0 / 66 / 4 / 33

HEX #AA3AA3

RGB 170 58 163

HSL 303.75, 0.49%, 0.45%

LAB 44.54, 58.12, -34.03

 

Description

Color code: HEX #AA7A3A | qconv.com Color code: HEX #AA7A3A | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 122 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 122 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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