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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7BCA it is the complementary color #558435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7BCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7BCA shade: #AF7BC5, #C08DD8, #D19FEB, #E2B1FE and #F3C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7BCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7BCA shade: #AA7BCA, #9969B7, #8857A4, #774591 and #66337E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7BCA shade: #AA7BCA, #BF7BCA, #CA7BC0, #CA7BAA and #CA7B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7BCA shade: #AA7BCA, #957BCA, #807BCA and #7B7BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7BCA shade matches the following richer shades: #AA7BCA, #AD6CD9, #B05EE8 and #B34FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7BCA shade: #AA7BCA, #A78ABB, #A599AC, #A2A89E and #9FB78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7BCA shade: #7F7BCA, #947BCA, #A97BCA, #BE7BCA and #CA7BC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7BCA shade: #8345AE, #975EBE, #AA7BCA, #BD99D6 and #D0B6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7BCA shade: #AA7BCA, #CA7B8C and #7BCA8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7BCA shade: #AA7BCA, #CAA97B and #7BCAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7BCA shade: #AA7BCA, #CA7B8C, #9CCA7B and #7BCAB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7BCA shade: #AA7BCA, #CA827B, #9CCA7B and #7BC4CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

Complementary color

CMYK 36 / 0 / 60 / 48

HEX #558435

RGB 85 132 53

HSL 95.7, 0.43%, 0.36%

LAB 50.32, -30.66, 36.96

 

CMYK 11 / 38 / 0 / 23

HEX #AF7BC5

RGB 175 123 197

HSL 282.16, 0.39%, 0.63%

LAB 59.26, 33.43, -30.73

 

CMYK 11 / 35 / 0 / 15

HEX #C08DD8

RGB 192 141 216

HSL 280.8, 0.49%, 0.7%

LAB 65.92, 32.7, -30.94

 

CMYK 11 / 32 / 0 / 8

HEX #D19FEB

RGB 209 159 235

HSL 279.47, 0.66%, 0.77%

LAB 72.46, 32.02, -31.15

 

CMYK 11 / 30 / 0 / 0

HEX #E2B1FE

RGB 226 177 254

HSL 278.18, 0.97%, 0.85%

LAB 78.91, 31.37, -31.36

 

CMYK 5 / 24 / 0 / 0

HEX #F3C3FF

RGB 243 195 255

HSL 288, 1%, 0.88%

LAB 84.64, 27.27, -22.99

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 16 / 43 / 0 / 28

HEX #9969B7

RGB 153 105 183

HSL 276.92, 0.35%, 0.56%

LAB 52.17, 33.78, -33.95

 

CMYK 17 / 47 / 0 / 36

HEX #8857A4

RGB 136 87 164

HSL 278.18, 0.31%, 0.49%

LAB 45.26, 34.62, -33.81

 

CMYK 18 / 52 / 0 / 43

HEX #774591

RGB 119 69 145

HSL 279.47, 0.36%, 0.42%

LAB 38.24, 35.49, -33.64

 

CMYK 19 / 60 / 0 / 51

HEX #66337E

RGB 102 51 126

HSL 280.8, 0.42%, 0.35%

LAB 31.11, 36.31, -33.37

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 5 / 39 / 0 / 21

HEX #BF7BCA

RGB 191 123 202

HSL 291.65, 0.43%, 0.64%

LAB 61.23, 39.4, -30.37

 

CMYK 0 / 39 / 5 / 21

HEX #CA7BC0

RGB 202 123 192

HSL 307.59, 0.43%, 0.64%

LAB 62.11, 40.98, -23.25

 

CMYK 0 / 39 / 16 / 21

HEX #CA7BAA

RGB 202 123 170

HSL 324.3, 0.43%, 0.64%

LAB 61.33, 37.26, -11.93

 

CMYK 0 / 39 / 26 / 21

HEX #CA7B95

RGB 202 123 149

HSL 340.25, 0.43%, 0.64%

LAB 60.69, 34.09, -0.85

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 26 / 39 / 0 / 21

HEX #957BCA

RGB 149 123 202

HSL 259.75, 0.43%, 0.64%

LAB 56.9, 26.73, -37.44

 

CMYK 37 / 39 / 0 / 21

HEX #807BCA

RGB 128 123 202

HSL 243.8, 0.43%, 0.64%

LAB 55.09, 20.81, -40.4

 

CMYK 39 / 39 / 0 / 21

HEX #7B7BCA

RGB 123 123 202

HSL 240, 0.43%, 0.64%

LAB 54.7, 19.46, -41.05

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 20 / 50 / 0 / 15

HEX #AD6CD9

RGB 173 108 217

HSL 275.78, 0.59%, 0.64%

LAB 56.7, 45.42, -46.06

 

CMYK 24 / 59 / 0 / 9

HEX #B05EE8

RGB 176 94 232

HSL 275.65, 0.75%, 0.64%

LAB 55.14, 56.72, -56.97

 

CMYK 28 / 68 / 0 / 3

HEX #B34FF7

RGB 179 79 247

HSL 275.71, 0.91%, 0.64%

LAB 53.91, 67.57, -67.31

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 11 / 26 / 0 / 27

HEX #A78ABB

RGB 167 138 187

HSL 275.51, 0.26%, 0.64%

LAB 61.64, 20.27, -21.47

 

CMYK 4 / 11 / 0 / 33

HEX #A599AC

RGB 165 153 172

HSL 277.89, 0.1%, 0.64%

LAB 64.77, 8.01, -8.3

 

CMYK 4 / 0 / 6 / 34

HEX #A2A89E

RGB 162 168 158

HSL 96, 0.05%, 0.64%

LAB 68.13, -4.01, 4.42

 

CMYK 13 / 0 / 22 / 28

HEX #9FB78F

RGB 159 183 143

HSL 96, 0.22%, 0.64%

LAB 71.7, -15.64, 17.66

 

CMYK 37 / 39 / 0 / 21

HEX #7F7BCA

RGB 127 123 202

HSL 243.04, 0.43%, 0.64%

LAB 55.01, 20.54, -40.53

 

CMYK 27 / 39 / 0 / 21

HEX #947BCA

RGB 148 123 202

HSL 258.99, 0.43%, 0.64%

LAB 56.81, 26.44, -37.59

 

CMYK 16 / 39 / 0 / 21

HEX #A97BCA

RGB 169 123 202

HSL 274.94, 0.43%, 0.64%

LAB 58.85, 32.68, -34.25

 

CMYK 6 / 39 / 0 / 21

HEX #BE7BCA

RGB 190 123 202

HSL 290.89, 0.43%, 0.64%

LAB 61.11, 39.09, -30.55

 

CMYK 0 / 39 / 4 / 21

HEX #CA7BC1

RGB 202 123 193

HSL 306.84, 0.43%, 0.64%

LAB 62.15, 41.16, -23.76

 

CMYK 25 / 60 / 0 / 32

HEX #8345AE

RGB 131 69 174

HSL 275.43, 0.43%, 0.48%

LAB 41.43, 45.45, -45.84

 

CMYK 21 / 51 / 0 / 25

HEX #975EBE

RGB 151 94 190

HSL 275.63, 0.42%, 0.56%

LAB 49.86, 40.94, -41.64

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 12 / 29 / 0 / 16

HEX #BD99D6

RGB 189 153 214

HSL 275.41, 0.43%, 0.72%

LAB 68.36, 24.69, -26.09

 

CMYK 8 / 19 / 0 / 11

HEX #D0B6E2

RGB 208 182 226

HSL 275.45, 0.43%, 0.8%

LAB 77.49, 17.34, -18.58

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 0 / 39 / 31 / 21

HEX #CA7B8C

RGB 202 123 140

HSL 347.09, 0.43%, 0.64%

LAB 60.44, 32.86, 3.97

 

CMYK 39 / 0 / 32 / 21

HEX #7BCA8A

RGB 123 202 138

HSL 131.39, 0.43%, 0.64%

LAB 75.01, -37.76, 24.52

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 0 / 16 / 39 / 21

HEX #CAA97B

RGB 202 169 123

HSL 34.94, 0.43%, 0.64%

LAB 71.12, 5.68, 28.24

 

CMYK 39 / 0 / 16 / 21

HEX #7BCAA9

RGB 123 202 169

HSL 154.94, 0.43%, 0.64%

LAB 75.65, -31.77, 8.89

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 0 / 39 / 31 / 21

HEX #CA7B8C

RGB 202 123 140

HSL 347.09, 0.43%, 0.64%

LAB 60.44, 32.86, 3.97

 

CMYK 23 / 0 / 39 / 21

HEX #9CCA7B

RGB 156 202 123

HSL 94.94, 0.43%, 0.64%

LAB 76.52, -29.15, 34.64

 

CMYK 39 / 0 / 8 / 21

HEX #7BCAB9

RGB 123 202 185

HSL 167.09, 0.43%, 0.64%

LAB 76.04, -28.24, 0.84

 

CMYK 16 / 39 / 0 / 21

HEX #AA7BCA

RGB 170 123 202

HSL 275.7, 0.43%, 0.64%

LAB 58.95, 32.98, -34.08

 

CMYK 0 / 36 / 39 / 21

HEX #CA827B

RGB 202 130 123

HSL 5.32, 0.43%, 0.64%

LAB 61.61, 26.94, 15.35

 

CMYK 23 / 0 / 39 / 21

HEX #9CCA7B

RGB 156 202 123

HSL 94.94, 0.43%, 0.64%

LAB 76.52, -29.15, 34.64

 

CMYK 39 / 3 / 0 / 21

HEX #7BC4CA

RGB 123 196 202

HSL 184.56, 0.43%, 0.64%

LAB 74.8, -21.19, -10.2

 

Description

Color code: HEX #AA7BCA | qconv.com Color code: HEX #AA7BCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 123 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 123 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 39 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 39% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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