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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7BD6 it is the complementary color #558429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7BD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7BD6 shade: #AF7BD1, #C08DE4, #D19FF7, #E2B1FF and #F3C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7BD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7BD6 shade: #AA7BD6, #9969C3, #8857B0, #77459D and #66338A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7BD6 shade: #A97AD6, #C27AD6, #D67AD1, #D67AB8 and #D67A9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7BD6 shade: #A97AD6, #917AD6 and #7A7AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7BD6 shade matches the following richer shades: #A97AD6, #AA6CE4 and #AA5EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7BD6 shade: #A97AD6, #A988C8, #A896BA, #A8A4AC and #A7B29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7BD6 shade: #7A7DD6, #8F7AD6, #A87AD6, #C07AD6 and #D67AD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7BD6 shade: #813BC2, #955ACC, #A97AD6, #BE99DF and #D2B9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7BD6 shade: #AA7BD6, #D67A95 and #7AD683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7BD6 shade: #AA7BD6, #D6A87A and #7AD6A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7BD6 shade: #AA7BD6, #D67A95, #A8D67A and #7AD6BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7BD6 shade: #AA7BD6, #D67A7A, #A8D67A and #7AD6D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

Complementary color

CMYK 36 / 0 / 69 / 48

HEX #558429

RGB 85 132 41

HSL 90.99, 0.53%, 0.34%

LAB 50.21, -31.81, 42.37

 

CMYK 16 / 41 / 0 / 18

HEX #AF7BD1

RGB 175 123 209

HSL 276.28, 0.48%, 0.65%

LAB 59.78, 36.02, -36.69

 

CMYK 16 / 38 / 0 / 11

HEX #C08DE4

RGB 192 141 228

HSL 275.17, 0.62%, 0.72%

LAB 66.41, 35.25, -36.82

 

CMYK 15 / 36 / 0 / 3

HEX #D19FF7

RGB 209 159 247

HSL 274.09, 0.85%, 0.8%

LAB 72.94, 34.52, -36.94

 

CMYK 11 / 31 / 0 / 0

HEX #E2B1FF

RGB 226 177 255

HSL 277.69, 1%, 0.85%

LAB 78.94, 31.58, -31.84

 

CMYK 5 / 24 / 0 / 0

HEX #F3C3FF

RGB 243 195 255

HSL 288, 1%, 0.88%

LAB 84.64, 27.27, -22.99

 

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

CMYK 22 / 46 / 0 / 24

HEX #9969C3

RGB 153 105 195

HSL 272, 0.43%, 0.59%

LAB 52.75, 36.52, -39.95

 

CMYK 23 / 51 / 0 / 31

HEX #8857B0

RGB 136 87 176

HSL 273.03, 0.36%, 0.52%

LAB 45.89, 37.42, -39.89

 

CMYK 24 / 56 / 0 / 38

HEX #77459D

RGB 119 69 157

HSL 274.09, 0.39%, 0.44%

LAB 38.92, 38.32, -39.81

 

CMYK 26 / 63 / 0 / 46

HEX #66338A

RGB 102 51 138

HSL 275.17, 0.46%, 0.37%

LAB 31.87, 39.17, -39.62

 

CMYK 21 / 43 / 0 / 16

HEX #A97AD6

RGB 169 122 214

HSL 270.65, 0.53%, 0.66%

LAB 59.17, 35.95, -40.51

 

CMYK 9 / 43 / 0 / 16

HEX #C27AD6

RGB 194 122 214

HSL 286.96, 0.53%, 0.66%

LAB 61.86, 43.23, -36.1

 

CMYK 0 / 43 / 2 / 16

HEX #D67AD1

RGB 214 122 209

HSL 303.26, 0.53%, 0.66%

LAB 64.01, 48.24, -29.77

 

CMYK 0 / 43 / 14 / 16

HEX #D67AB8

RGB 214 122 184

HSL 319.57, 0.53%, 0.66%

LAB 63.07, 44.02, -17.11

 

CMYK 0 / 43 / 26 / 16

HEX #D67A9F

RGB 214 122 159

HSL 335.87, 0.53%, 0.66%

LAB 62.27, 40.27, -4.08

 

CMYK 21 / 43 / 0 / 16

HEX #A97AD6

RGB 169 122 214

HSL 270.65, 0.53%, 0.66%

LAB 59.17, 35.95, -40.51

 

CMYK 32 / 43 / 0 / 16

HEX #917AD6

RGB 145 122 214

HSL 255, 0.53%, 0.66%

LAB 56.87, 29.22, -44.28

 

CMYK 43 / 43 / 0 / 16

HEX #7A7AD6

RGB 122 122 214

HSL 240, 0.53%, 0.66%

LAB 54.98, 23.23, -47.4

 

CMYK 21 / 43 / 0 / 16

HEX #A97AD6

RGB 169 122 214

HSL 270.65, 0.53%, 0.66%

LAB 59.17, 35.95, -40.51

 

CMYK 25 / 53 / 0 / 11

HEX #AA6CE4

RGB 170 108 228

HSL 271, 0.69%, 0.66%

LAB 56.95, 47.13, -51.87

 

CMYK 30 / 61 / 0 / 5

HEX #AA5EF2

RGB 170 94 242

HSL 270.81, 0.85%, 0.66%

LAB 55.03, 57.61, -62.77

 

CMYK 21 / 43 / 0 / 16

HEX #A97AD6

RGB 169 122 214

HSL 270.65, 0.53%, 0.66%

LAB 59.17, 35.95, -40.51

 

CMYK 16 / 32 / 0 / 22

HEX #A988C8

RGB 169 136 200

HSL 270.94, 0.37%, 0.66%

LAB 61.84, 24.88, -28.48

 

CMYK 10 / 19 / 0 / 27

HEX #A896BA

RGB 168 150 186

HSL 270, 0.21%, 0.66%

LAB 64.71, 13.6, -16.23

 

CMYK 2 / 5 / 0 / 33

HEX #A8A4AC

RGB 168 164 172

HSL 270, 0.05%, 0.66%

LAB 67.91, 2.96, -3.62

 

CMYK 6 / 0 / 11 / 30

HEX #A7B29E

RGB 167 178 158

HSL 93, 0.11%, 0.66%

LAB 71.23, -7.56, 8.91

 

CMYK 43 / 42 / 0 / 16

HEX #7A7DD6

RGB 122 125 214

HSL 238.04, 0.53%, 0.66%

LAB 55.75, 21.44, -46.19

 

CMYK 33 / 43 / 0 / 16

HEX #8F7AD6

RGB 143 122 214

HSL 253.7, 0.53%, 0.66%

LAB 56.7, 28.68, -44.57

 

CMYK 21 / 43 / 0 / 16

HEX #A87AD6

RGB 168 122 214

HSL 270, 0.53%, 0.66%

LAB 59.07, 35.66, -40.68

 

CMYK 10 / 43 / 0 / 16

HEX #C07AD6

RGB 192 122 214

HSL 285.65, 0.53%, 0.66%

LAB 61.64, 42.64, -36.47

 

CMYK 0 / 43 / 1 / 16

HEX #D67AD3

RGB 214 122 211

HSL 301.96, 0.53%, 0.66%

LAB 64.09, 48.6, -30.77

 

CMYK 34 / 70 / 0 / 24

HEX #813BC2

RGB 129 59 194

HSL 271.11, 0.53%, 0.5%

LAB 40.72, 54.66, -58.76

 

CMYK 27 / 56 / 0 / 20

HEX #955ACC

RGB 149 90 204

HSL 271.05, 0.53%, 0.58%

LAB 49.57, 45.85, -50.18

 

CMYK 21 / 43 / 0 / 16

HEX #A97AD6

RGB 169 122 214

HSL 270.65, 0.53%, 0.66%

LAB 59.17, 35.95, -40.51

 

CMYK 15 / 31 / 0 / 13

HEX #BE99DF

RGB 190 153 223

HSL 271.71, 0.52%, 0.74%

LAB 68.79, 26.92, -30.38

 

CMYK 10 / 21 / 0 / 9

HEX #D2B9E9

RGB 210 185 233

HSL 271.25, 0.52%, 0.82%

LAB 78.63, 17.77, -20.63

 

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

CMYK 0 / 43 / 30 / 16

HEX #D67A95

RGB 214 122 149

HSL 342.39, 0.53%, 0.66%

LAB 61.99, 38.91, 1.23

 

CMYK 43 / 0 / 39 / 16

HEX #7AD683

RGB 122 214 131

HSL 125.87, 0.53%, 0.66%

LAB 78.39, -44.5, 32.64

 

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

CMYK 0 / 21 / 43 / 16

HEX #D6A87A

RGB 214 168 122

HSL 30, 0.53%, 0.66%

LAB 72.03, 10.96, 30.19

 

CMYK 43 / 0 / 21 / 16

HEX #7AD6A8

RGB 122 214 168

HSL 150, 0.53%, 0.66%

LAB 79.07, -37.81, 14.28

 

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

CMYK 0 / 43 / 30 / 16

HEX #D67A95

RGB 214 122 149

HSL 342.39, 0.53%, 0.66%

LAB 61.99, 38.91, 1.23

 

CMYK 21 / 0 / 43 / 16

HEX #A8D67A

RGB 168 214 122

HSL 90, 0.53%, 0.66%

LAB 80.64, -30.62, 40.55

 

CMYK 43 / 0 / 13 / 16

HEX #7AD6BA

RGB 122 214 186

HSL 161.74, 0.53%, 0.66%

LAB 79.49, -33.98, 5.29

 

CMYK 21 / 43 / 0 / 16

HEX #AA7BD6

RGB 170 123 214

HSL 270.99, 0.53%, 0.66%

LAB 59.5, 35.67, -39.99

 

CMYK 0 / 43 / 43 / 16

HEX #D67A7A

RGB 214 122 122

HSL 0, 0.53%, 0.66%

LAB 61.33, 35.7, 15.75

 

CMYK 21 / 0 / 43 / 16

HEX #A8D67A

RGB 168 214 122

HSL 90, 0.53%, 0.66%

LAB 80.64, -30.62, 40.55

 

CMYK 43 / 0 / 0 / 16

HEX #7AD6D6

RGB 122 214 214

HSL 180, 0.53%, 0.66%

LAB 80.23, -27.37, -8.58

 

Description

Color code: HEX #AA7BD6 | qconv.com Color code: HEX #AA7BD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 123 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 123 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 43 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 43% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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