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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7D69 it is the complementary color #558296. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7D69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7D69 shade: #AF7D64, #C08F77, #D1A18A, #E2B39D and #F3C5B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7D69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7D69 shade: #AA7D69, #996B56, #885943, #774730 and #66351D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7D69 shade: #AA7D68, #AA6B68 and #AA6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7D69 shade: #AA7D68, #AA8E68, #AAA068, #A2AA68 and #91AA68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7D69 shade matches the following richer shades: #AA7D68, #BD7555, #D06E42, #E3672F and #F65F1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7D69 shade: #AA7D68, #97847B, #848B8E, #7192A1 and #5E9AB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7D69 shade: #AA6878, #AA6B68, #AA7C68, #AA8E68 and #AA9F68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7D69 shade: #7B5645, #956854, #AA7D68, #B99383 and #C8AA9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7D69 shade: #AA7D69, #89AA68 and #686FAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7D69 shade: #AA7D69, #68AA7C and #7C68AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7D69 shade: #AA7D69, #89AA68, #6896AA and #8968AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7D69 shade: #AA7D69, #75AA68, #6896AA and #9D68AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

Complementary color

CMYK 43 / 13 / 0 / 41

HEX #558296

RGB 85 130 150

HSL 198.46, 0.28%, 0.46%

LAB 51.95, -9.88, -15.58

 

CMYK 0 / 29 / 43 / 31

HEX #AF7D64

RGB 175 125 100

HSL 20, 0.32%, 0.54%

LAB 56.78, 16.23, 21.32

 

CMYK 0 / 26 / 38 / 25

HEX #C08F77

RGB 192 143 119

HSL 19.73, 0.37%, 0.61%

LAB 63.49, 15.36, 20.01

 

CMYK 0 / 23 / 34 / 18

HEX #D1A18A

RGB 209 161 138

HSL 19.44, 0.44%, 0.68%

LAB 70.09, 14.61, 18.82

 

CMYK 0 / 21 / 31 / 11

HEX #E2B39D

RGB 226 179 157

HSL 19.13, 0.54%, 0.75%

LAB 76.58, 13.94, 17.73

 

CMYK 0 / 19 / 28 / 5

HEX #F3C5B0

RGB 243 197 176

HSL 18.81, 0.74%, 0.82%

LAB 82.98, 13.35, 16.71

 

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

CMYK 0 / 30 / 44 / 40

HEX #996B56

RGB 153 107 86

HSL 18.81, 0.28%, 0.47%

LAB 49.45, 15.66, 19.1

 

CMYK 0 / 35 / 51 / 47

HEX #885943

RGB 136 89 67

HSL 19.13, 0.34%, 0.4%

LAB 42.44, 16.74, 20.63

 

CMYK 0 / 40 / 60 / 53

HEX #774730

RGB 119 71 48

HSL 19.44, 0.43%, 0.33%

LAB 35.29, 18.05, 22.4

 

CMYK 0 / 48 / 72 / 60

HEX #66351D

RGB 102 53 29

HSL 19.73, 0.56%, 0.26%

LAB 28.01, 19.65, 24.47

 

CMYK 0 / 26 / 39 / 33

HEX #AA7D68

RGB 170 125 104

HSL 19.09, 0.28%, 0.54%

LAB 56.3, 14.63, 18.29

 

CMYK 0 / 37 / 39 / 33

HEX #AA6B68

RGB 170 107 104

HSL 2.73, 0.28%, 0.54%

LAB 51.91, 24.79, 12.23

 

CMYK 0 / 39 / 39 / 33

HEX #AA6868

RGB 170 104 104

HSL 0, 0.28%, 0.54%

LAB 51.21, 26.47, 11.25

 

CMYK 0 / 26 / 39 / 33

HEX #AA7D68

RGB 170 125 104

HSL 19.09, 0.28%, 0.54%

LAB 56.3, 14.63, 18.29

 

CMYK 0 / 16 / 39 / 33

HEX #AA8E68

RGB 170 142 104

HSL 34.55, 0.28%, 0.54%

LAB 60.69, 5.09, 24.19

 

CMYK 0 / 6 / 39 / 33

HEX #AAA068

RGB 170 160 104

HSL 50.91, 0.28%, 0.54%

LAB 65.5, -4.76, 30.51

 

CMYK 5 / 0 / 39 / 33

HEX #A2AA68

RGB 162 170 104

HSL 67.27, 0.28%, 0.54%

LAB 67.6, -13.33, 33.07

 

CMYK 15 / 0 / 39 / 33

HEX #91AA68

RGB 145 170 104

HSL 82.73, 0.28%, 0.54%

LAB 66.34, -20.07, 31.21

 

CMYK 0 / 26 / 39 / 33

HEX #AA7D68

RGB 170 125 104

HSL 19.09, 0.28%, 0.54%

LAB 56.3, 14.63, 18.29

 

CMYK 0 / 38 / 55 / 26

HEX #BD7555

RGB 189 117 85

HSL 18.46, 0.44%, 0.54%

LAB 56.28, 24.99, 29.45

 

CMYK 0 / 47 / 68 / 18

HEX #D06E42

RGB 208 110 66

HSL 18.59, 0.6%, 0.54%

LAB 57.03, 35.1, 41.27

 

CMYK 0 / 55 / 79 / 11

HEX #E3672F

RGB 227 103 47

HSL 18.67, 0.76%, 0.54%

LAB 58.26, 45.13, 52.78

 

CMYK 0 / 61 / 89 / 4

HEX #F65F1C

RGB 246 95 28

HSL 18.44, 0.92%, 0.54%

LAB 59.76, 55.2, 62.8

 

CMYK 0 / 26 / 39 / 33

HEX #AA7D68

RGB 170 125 104

HSL 19.09, 0.28%, 0.54%

LAB 56.3, 14.63, 18.29

 

CMYK 0 / 13 / 19 / 41

HEX #97847B

RGB 151 132 123

HSL 19.29, 0.12%, 0.54%

LAB 56.6, 5.68, 7.5

 

CMYK 7 / 2 / 0 / 44

HEX #848B8E

RGB 132 139 142

HSL 198, 0.04%, 0.54%

LAB 57.39, -1.93, -2.49

 

CMYK 30 / 9 / 0 / 37

HEX #7192A1

RGB 113 146 161

HSL 198.75, 0.2%, 0.54%

LAB 58.64, -7.81, -11.65

 

CMYK 48 / 14 / 0 / 29

HEX #5E9AB4

RGB 94 154 180

HSL 198.14, 0.36%, 0.54%

LAB 60.59, -12.32, -19.58

 

CMYK 0 / 39 / 29 / 33

HEX #AA6878

RGB 170 104 120

HSL 345.45, 0.28%, 0.54%

LAB 51.61, 28.57, 2.36

 

CMYK 0 / 37 / 39 / 33

HEX #AA6B68

RGB 170 107 104

HSL 2.73, 0.28%, 0.54%

LAB 51.91, 24.79, 12.23

 

CMYK 0 / 27 / 39 / 33

HEX #AA7C68

RGB 170 124 104

HSL 18.18, 0.28%, 0.54%

LAB 56.05, 15.2, 17.95

 

CMYK 0 / 16 / 39 / 33

HEX #AA8E68

RGB 170 142 104

HSL 34.55, 0.28%, 0.54%

LAB 60.69, 5.09, 24.19

 

CMYK 0 / 6 / 39 / 33

HEX #AA9F68

RGB 170 159 104

HSL 50, 0.28%, 0.54%

LAB 65.23, -4.22, 30.16

 

CMYK 0 / 30 / 44 / 52

HEX #7B5645

RGB 123 86 69

HSL 18.89, 0.28%, 0.38%

LAB 40.07, 13.04, 16

 

CMYK 0 / 30 / 44 / 42

HEX #956854

RGB 149 104 84

HSL 18.46, 0.28%, 0.46%

LAB 48.17, 15.47, 18.47

 

CMYK 0 / 26 / 39 / 33

HEX #AA7D68

RGB 170 125 104

HSL 19.09, 0.28%, 0.54%

LAB 56.3, 14.63, 18.29

 

CMYK 0 / 21 / 29 / 27

HEX #B99383

RGB 185 147 131

HSL 17.78, 0.28%, 0.62%

LAB 64.02, 11.91, 13.9

 

CMYK 0 / 15 / 22 / 22

HEX #C8AA9D

RGB 200 170 157

HSL 18.14, 0.28%, 0.7%

LAB 71.87, 8.87, 10.74

 

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

CMYK 19 / 0 / 39 / 33

HEX #89AA68

RGB 137 170 104

HSL 90, 0.28%, 0.54%

LAB 65.8, -23.14, 30.4

 

CMYK 39 / 35 / 0 / 33

HEX #686FAA

RGB 104 111 170

HSL 233.64, 0.28%, 0.54%

LAB 48.53, 12.4, -32.42

 

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

CMYK 39 / 0 / 27 / 33

HEX #68AA7C

RGB 104 170 124

HSL 138.18, 0.28%, 0.54%

LAB 64.28, -31.23, 17.24

 

CMYK 27 / 39 / 0 / 33

HEX #7C68AA

RGB 124 104 170

HSL 258.18, 0.28%, 0.54%

LAB 48.37, 22.48, -32.55

 

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

CMYK 19 / 0 / 39 / 33

HEX #89AA68

RGB 137 170 104

HSL 90, 0.28%, 0.54%

LAB 65.8, -23.14, 30.4

 

CMYK 39 / 12 / 0 / 33

HEX #6896AA

RGB 104 150 170

HSL 198.18, 0.28%, 0.54%

LAB 59.58, -10.31, -15.41

 

CMYK 19 / 39 / 0 / 33

HEX #8968AA

RGB 137 104 170

HSL 270, 0.28%, 0.54%

LAB 49.64, 26.46, -30.47

 

CMYK 0 / 26 / 38 / 33

HEX #AA7D69

RGB 170 125 105

HSL 18.46, 0.28%, 0.54%

LAB 56.32, 14.76, 17.75

 

CMYK 31 / 0 / 39 / 33

HEX #75AA68

RGB 117 170 104

HSL 108.18, 0.28%, 0.54%

LAB 64.59, -30.42, 28.59

 

CMYK 39 / 12 / 0 / 33

HEX #6896AA

RGB 104 150 170

HSL 198.18, 0.28%, 0.54%

LAB 59.58, -10.31, -15.41

 

CMYK 8 / 39 / 0 / 33

HEX #9D68AA

RGB 157 104 170

HSL 288.18, 0.28%, 0.54%

LAB 51.8, 32.77, -26.94

 

Description

Color code: HEX #AA7D69 | qconv.com Color code: HEX #AA7D69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 125 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 125 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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