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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8473 it is the complementary color #557B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8473 shade: #AF846E, #C09681, #D1A894, #E2BAA7 and #F3CCBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8473 shade: #AA8473, #997260, #88604D, #774E3A and #663C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8473 shade: #A98473, #A97573 and #A97373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8473 shade: #A98473, #A99373, #A9A173, #A3A973 and #94A973

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8473 shade matches the following richer shades: #A98473, #BB7D61, #CE764F, #E06F3D and #F2682B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8473 shade: #A98473, #978B86, #859298, #7399AA and #61A0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8473 shade: #A97380, #A97573, #A98473, #A99273 and #A9A073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8473 shade: #7D5C4D, #976E5C, #A98473, #B99B8D and #C9B1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8473 shade: #AA8473, #8EA973 and #7379A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8473 shade: #AA8473, #73A984 and #8473A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8473 shade: #AA8473, #8EA973, #7399A9 and #8E73A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8473 shade: #AA8473, #7EA973, #7399A9 and #9E73A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

Complementary color

CMYK 39 / 12 / 0 / 45

HEX #557B8C

RGB 85 123 140

HSL 198.55, 0.24%, 0.44%

LAB 49.48, -8.72, -13.46

 

CMYK 0 / 25 / 37 / 31

HEX #AF846E

RGB 175 132 110

HSL 20.31, 0.29%, 0.56%

LAB 58.74, 13.48, 18.28

 

CMYK 0 / 22 / 33 / 25

HEX #C09681

RGB 192 150 129

HSL 20, 0.33%, 0.63%

LAB 65.44, 12.75, 17.1

 

CMYK 0 / 20 / 29 / 18

HEX #D1A894

RGB 209 168 148

HSL 19.67, 0.4%, 0.7%

LAB 72.03, 12.12, 16.02

 

CMYK 0 / 18 / 26 / 11

HEX #E2BAA7

RGB 226 186 167

HSL 19.32, 0.5%, 0.77%

LAB 78.51, 11.56, 15.02

 

CMYK 0 / 16 / 23 / 5

HEX #F3CCBA

RGB 243 204 186

HSL 18.95, 0.7%, 0.84%

LAB 84.89, 11.05, 14.09

 

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

CMYK 0 / 25 / 37 / 40

HEX #997260

RGB 153 114 96

HSL 18.95, 0.23%, 0.49%

LAB 51.44, 12.85, 15.96

 

CMYK 0 / 29 / 43 / 47

HEX #88604D

RGB 136 96 77

HSL 19.32, 0.28%, 0.42%

LAB 44.43, 13.74, 17.31

 

CMYK 0 / 34 / 51 / 53

HEX #774E3A

RGB 119 78 58

HSL 19.67, 0.34%, 0.35%

LAB 37.25, 14.82, 18.86

 

CMYK 0 / 41 / 62 / 60

HEX #663C27

RGB 102 60 39

HSL 20, 0.45%, 0.28%

LAB 29.92, 16.17, 20.68

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 31 / 32 / 34

HEX #A97573

RGB 169 117 115

HSL 2.22, 0.24%, 0.56%

LAB 54.44, 20.18, 9.34

 

CMYK 0 / 32 / 32 / 34

HEX #A97373

RGB 169 115 115

HSL 0, 0.24%, 0.56%

LAB 53.96, 21.31, 8.65

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 13 / 32 / 34

HEX #A99373

RGB 169 147 115

HSL 35.56, 0.24%, 0.56%

LAB 62.12, 3.3, 19.98

 

CMYK 0 / 5 / 32 / 34

HEX #A9A173

RGB 169 161 115

HSL 51.11, 0.24%, 0.56%

LAB 65.88, -4.35, 25.05

 

CMYK 4 / 0 / 32 / 34

HEX #A3A973

RGB 163 169 115

HSL 66.67, 0.24%, 0.56%

LAB 67.58, -11.01, 27.22

 

CMYK 12 / 0 / 32 / 34

HEX #94A973

RGB 148 169 115

HSL 83.33, 0.24%, 0.56%

LAB 66.45, -16.88, 25.52

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 33 / 48 / 27

HEX #BB7D61

RGB 187 125 97

HSL 18.67, 0.4%, 0.56%

LAB 58.13, 20.86, 25.05

 

CMYK 0 / 43 / 62 / 19

HEX #CE764F

RGB 206 118 79

HSL 18.43, 0.56%, 0.56%

LAB 58.64, 30.9, 36.16

 

CMYK 0 / 50 / 73 / 12

HEX #E06F3D

RGB 224 111 61

HSL 18.4, 0.72%, 0.56%

LAB 59.48, 40.6, 47.19

 

CMYK 0 / 57 / 82 / 5

HEX #F2682B

RGB 242 104 43

HSL 18.39, 0.88%, 0.56%

LAB 60.74, 50.08, 57.67

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 8 / 11 / 41

HEX #978B86

RGB 151 139 134

HSL 17.65, 0.08%, 0.56%

LAB 58.76, 3.58, 4.28

 

CMYK 13 / 4 / 0 / 40

HEX #859298

RGB 133 146 152

HSL 198.95, 0.08%, 0.56%

LAB 59.72, -3.39, -4.77

 

CMYK 32 / 10 / 0 / 33

HEX #7399AA

RGB 115 153 170

HSL 198.55, 0.24%, 0.56%

LAB 61.07, -8.81, -13.09

 

CMYK 48 / 15 / 0 / 26

HEX #61A0BC

RGB 97 160 188

HSL 198.46, 0.4%, 0.56%

LAB 62.77, -12.57, -20.74

 

CMYK 0 / 32 / 24 / 34

HEX #A97380

RGB 169 115 128

HSL 345.56, 0.24%, 0.56%

LAB 54.3, 23.18, 1.53

 

CMYK 0 / 31 / 32 / 34

HEX #A97573

RGB 169 117 115

HSL 2.22, 0.24%, 0.56%

LAB 54.44, 20.18, 9.34

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 14 / 32 / 34

HEX #A99273

RGB 169 146 115

HSL 34.44, 0.24%, 0.56%

LAB 61.85, 3.86, 19.62

 

CMYK 0 / 5 / 32 / 34

HEX #A9A073

RGB 169 160 115

HSL 50, 0.24%, 0.56%

LAB 65.6, -3.81, 24.68

 

CMYK 0 / 26 / 38 / 51

HEX #7D5C4D

RGB 125 92 77

HSL 18.75, 0.24%, 0.4%

LAB 42.08, 11.34, 13.91

 

CMYK 0 / 27 / 39 / 41

HEX #976E5C

RGB 151 110 92

HSL 18.31, 0.24%, 0.48%

LAB 50.1, 13.81, 16.43

 

CMYK 0 / 22 / 32 / 34

HEX #A98473

RGB 169 132 115

HSL 18.89, 0.24%, 0.56%

LAB 58.2, 11.69, 14.61

 

CMYK 0 / 16 / 24 / 27

HEX #B99B8D

RGB 185 155 141

HSL 19.09, 0.24%, 0.64%

LAB 66.27, 8.92, 11.48

 

CMYK 0 / 12 / 17 / 21

HEX #C9B1A7

RGB 201 177 167

HSL 17.65, 0.24%, 0.72%

LAB 73.97, 7, 8.27

 

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

CMYK 16 / 0 / 32 / 34

HEX #8EA973

RGB 142 169 115

HSL 90, 0.24%, 0.56%

LAB 66.03, -19.17, 24.89

 

CMYK 32 / 28 / 0 / 34

HEX #7379A9

RGB 115 121 169

HSL 233.33, 0.24%, 0.56%

LAB 52.04, 9.31, -26.3

 

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

CMYK 32 / 0 / 22 / 34

HEX #73A984

RGB 115 169 132

HSL 138.89, 0.24%, 0.56%

LAB 64.71, -25.75, 13.52

 

CMYK 22 / 32 / 0 / 34

HEX #8473A9

RGB 132 115 169

HSL 258.89, 0.24%, 0.56%

LAB 51.87, 18.15, -26.46

 

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

CMYK 16 / 0 / 32 / 34

HEX #8EA973

RGB 142 169 115

HSL 90, 0.24%, 0.56%

LAB 66.03, -19.17, 24.89

 

CMYK 32 / 9 / 0 / 34

HEX #7399A9

RGB 115 153 169

HSL 197.78, 0.24%, 0.56%

LAB 61.04, -9.06, -12.58

 

CMYK 16 / 32 / 0 / 34

HEX #8E73A9

RGB 142 115 169

HSL 270, 0.24%, 0.56%

LAB 52.81, 21.37, -24.92

 

CMYK 0 / 22 / 32 / 33

HEX #AA8473

RGB 170 132 115

HSL 18.55, 0.24%, 0.56%

LAB 58.31, 12.1, 14.77

 

CMYK 25 / 0 / 32 / 34

HEX #7EA973

RGB 126 169 115

HSL 107.78, 0.24%, 0.56%

LAB 65, -25.04, 23.33

 

CMYK 32 / 9 / 0 / 34

HEX #7399A9

RGB 115 153 169

HSL 197.78, 0.24%, 0.56%

LAB 61.04, -9.06, -12.58

 

CMYK 7 / 32 / 0 / 34

HEX #9E73A9

RGB 158 115 169

HSL 287.78, 0.24%, 0.56%

LAB 54.44, 26.63, -22.28

 

Description

Color code: HEX #AA8473 | qconv.com Color code: HEX #AA8473 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 132 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 132 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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