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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8523 it is the complementary color #557ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8523 shade: #AF851E, #C09731, #D1A944, #E2BB57 and #F3CD6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8523 shade: #AA8523, #997310, #886100, #774F00 and #663D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8523 shade: #A98422, #A96022, #A93B22 and #A92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8523 shade: #A98422, #A9A822, #85A922, #61A922 and #3CA922

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8523 shade matches the following richer shades: #A98422, #B98B12 and #CA9301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8523 shade: #A98422, #987C33, #887543, #776E54 and #676664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8523 shade: #A93B22, #A95F22, #A98322, #A9A722 and #87A922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8523 shade: #644E14, #87691B, #A98422, #CB9F29 and #D9B045

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8523 shade: #AA8523, #2DA922 and #4D22A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8523 shade: #AA8523, #22A983 and #8322A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8523 shade: #AA8523, #2DA922, #2248A9 and #9E22A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8523 shade: #AA8523, #22A93F, #2248A9 and #A9228C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

Complementary color

CMYK 61 / 45 / 0 / 14

HEX #557ADC

RGB 85 122 220

HSL 223.56, 0.66%, 0.6%

LAB 52.97, 17.09, -54.13

 

CMYK 0 / 24 / 83 / 31

HEX #AF851E

RGB 175 133 30

HSL 42.62, 0.71%, 0.4%

LAB 58.02, 6.77, 56.69

 

CMYK 0 / 21 / 74 / 25

HEX #C09731

RGB 192 151 49

HSL 42.8, 0.59%, 0.47%

LAB 64.61, 5.22, 56.55

 

CMYK 0 / 19 / 67 / 18

HEX #D1A944

RGB 209 169 68

HSL 42.98, 0.61%, 0.54%

LAB 71.11, 3.92, 55.78

 

CMYK 0 / 17 / 62 / 11

HEX #E2BB57

RGB 226 187 87

HSL 43.17, 0.71%, 0.61%

LAB 77.52, 2.82, 54.72

 

CMYK 0 / 16 / 56 / 5

HEX #F3CD6A

RGB 243 205 106

HSL 43.36, 0.85%, 0.68%

LAB 83.84, 1.87, 53.54

 

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

CMYK 0 / 25 / 90 / 40

HEX #997310

RGB 153 115 16

HSL 43.36, 0.81%, 0.33%

LAB 50.77, 6.39, 53.72

 

CMYK 0 / 29 / 100 / 47

HEX #886100

RGB 136 97 0

HSL 42.79, 1%, 0.27%

LAB 43.92, 8.44, 51.44

 

CMYK 0 / 34 / 100 / 53

HEX #774F00

RGB 119 79 0

HSL 39.83, 1%, 0.23%

LAB 36.96, 10.92, 45.73

 

CMYK 0 / 40 / 100 / 60

HEX #663D00

RGB 102 61 0

HSL 35.88, 1%, 0.2%

LAB 29.82, 13.56, 39.79

 

CMYK 0 / 22 / 80 / 34

HEX #A98422

RGB 169 132 34

HSL 43.56, 0.67%, 0.4%

LAB 57.13, 4.74, 54.29

 

CMYK 0 / 43 / 80 / 34

HEX #A96022

RGB 169 96 34

HSL 27.56, 0.67%, 0.4%

LAB 48.15, 24.94, 45.94

 

CMYK 0 / 65 / 80 / 34

HEX #A93B22

RGB 169 59 34

HSL 11.11, 0.67%, 0.4%

LAB 40.7, 43.87, 38.67

 

CMYK 0 / 80 / 80 / 34

HEX #A92222

RGB 169 34 34

HSL 0, 0.67%, 0.4%

LAB 37.29, 53.25, 35.21

 

CMYK 0 / 22 / 80 / 34

HEX #A98422

RGB 169 132 34

HSL 43.56, 0.67%, 0.4%

LAB 57.13, 4.74, 54.29

 

CMYK 0 / 1 / 80 / 34

HEX #A9A822

RGB 169 168 34

HSL 59.56, 0.67%, 0.4%

LAB 66.94, -14.62, 63.06

 

CMYK 21 / 0 / 80 / 34

HEX #85A922

RGB 133 169 34

HSL 76, 0.67%, 0.4%

LAB 64.55, -30.5, 59.9

 

CMYK 43 / 0 / 80 / 34

HEX #61A922

RGB 97 169 34

HSL 92, 0.67%, 0.4%

LAB 62.54, -44.09, 57.32

 

CMYK 64 / 0 / 80 / 34

HEX #3CA922

RGB 60 169 34

HSL 108.44, 0.67%, 0.4%

LAB 61.18, -54.65, 55.56

 

CMYK 0 / 22 / 80 / 34

HEX #A98422

RGB 169 132 34

HSL 43.56, 0.67%, 0.4%

LAB 57.13, 4.74, 54.29

 

CMYK 0 / 25 / 90 / 27

HEX #B98B12

RGB 185 139 18

HSL 43.47, 0.82%, 0.4%

LAB 60.63, 7.67, 62.51

 

CMYK 0 / 27 / 100 / 21

HEX #CA9301

RGB 202 147 1

HSL 43.58, 0.99%, 0.4%

LAB 64.5, 10.68, 68.91

 

CMYK 0 / 22 / 80 / 34

HEX #A98422

RGB 169 132 34

HSL 43.56, 0.67%, 0.4%

LAB 57.13, 4.74, 54.29

 

CMYK 0 / 18 / 66 / 40

HEX #987C33

RGB 152 124 51

HSL 43.37, 0.5%, 0.4%

LAB 53.31, 2.34, 42.74

 

CMYK 0 / 14 / 51 / 47

HEX #887543

RGB 136 117 67

HSL 43.48, 0.34%, 0.4%

LAB 49.93, 0.41, 30.15

 

CMYK 0 / 8 / 29 / 53

HEX #776E54

RGB 119 110 84

HSL 44.57, 0.17%, 0.4%

LAB 46.6, -0.92, 15.8

 

CMYK 0 / 1 / 3 / 60

HEX #676664

RGB 103 102 100

HSL 40, 0.01%, 0.4%

LAB 43.22, -0.01, 1.26

 

CMYK 0 / 65 / 80 / 34

HEX #A93B22

RGB 169 59 34

HSL 11.11, 0.67%, 0.4%

LAB 40.7, 43.87, 38.67

 

CMYK 0 / 44 / 80 / 34

HEX #A95F22

RGB 169 95 34

HSL 27.11, 0.67%, 0.4%

LAB 47.92, 25.5, 45.73

 

CMYK 0 / 22 / 80 / 34

HEX #A98322

RGB 169 131 34

HSL 43.11, 0.67%, 0.4%

LAB 56.86, 5.3, 54.05

 

CMYK 0 / 1 / 80 / 34

HEX #A9A722

RGB 169 167 34

HSL 59.11, 0.67%, 0.4%

LAB 66.66, -14.11, 62.82

 

CMYK 20 / 0 / 80 / 34

HEX #87A922

RGB 135 169 34

HSL 75.11, 0.67%, 0.4%

LAB 64.68, -29.68, 60.07

 

CMYK 0 / 22 / 80 / 61

HEX #644E14

RGB 100 78 20

HSL 43.5, 0.67%, 0.24%

LAB 34.41, 2.79, 35.79

 

CMYK 0 / 22 / 80 / 47

HEX #87691B

RGB 135 105 27

HSL 43.33, 0.67%, 0.32%

LAB 46.09, 4.02, 45.37

 

CMYK 0 / 22 / 80 / 34

HEX #A98422

RGB 169 132 34

HSL 43.56, 0.67%, 0.4%

LAB 57.13, 4.74, 54.29

 

CMYK 0 / 22 / 80 / 20

HEX #CB9F29

RGB 203 159 41

HSL 43.7, 0.66%, 0.48%

LAB 67.76, 5.43, 62.83

 

CMYK 0 / 19 / 68 / 15

HEX #D9B045

RGB 217 176 69

HSL 43.38, 0.66%, 0.56%

LAB 73.7, 3.7, 58.31

 

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

CMYK 73 / 0 / 80 / 34

HEX #2DA922

RGB 45 169 34

HSL 115.11, 0.67%, 0.4%

LAB 60.83, -57.63, 55.1

 

CMYK 54 / 80 / 0 / 34

HEX #4D22A9

RGB 77 34 169

HSL 259.11, 0.67%, 0.4%

LAB 28.34, 50.99, -64.41

 

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

CMYK 80 / 0 / 22 / 34

HEX #22A983

RGB 34 169 131

HSL 163.11, 0.67%, 0.4%

LAB 61.96, -43.96, 9.8

 

CMYK 22 / 80 / 0 / 34

HEX #8322A9

RGB 131 34 169

HSL 283.11, 0.67%, 0.4%

LAB 35.66, 59.55, -52.16

 

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

CMYK 73 / 0 / 80 / 34

HEX #2DA922

RGB 45 169 34

HSL 115.11, 0.67%, 0.4%

LAB 60.83, -57.63, 55.1

 

CMYK 80 / 57 / 0 / 34

HEX #2248A9

RGB 34 72 169

HSL 223.11, 0.67%, 0.4%

LAB 33.65, 23.14, -55.85

 

CMYK 7 / 80 / 0 / 34

HEX #9E22A9

RGB 158 34 169

HSL 295.11, 0.67%, 0.4%

LAB 40.04, 64.65, -44.87

 

CMYK 0 / 22 / 79 / 33

HEX #AA8523

RGB 170 133 35

HSL 43.56, 0.66%, 0.4%

LAB 57.5, 4.67, 54.31

 

CMYK 80 / 0 / 63 / 34

HEX #22A93F

RGB 34 169 63

HSL 132.89, 0.67%, 0.4%

LAB 60.85, -56.64, 43.84

 

CMYK 80 / 57 / 0 / 34

HEX #2248A9

RGB 34 72 169

HSL 223.11, 0.67%, 0.4%

LAB 33.65, 23.14, -55.85

 

CMYK 0 / 80 / 17 / 34

HEX #A9228C

RGB 169 34 140

HSL 312.89, 0.67%, 0.4%

LAB 40.37, 62.49, -26.71

 

Description

Color code: HEX #AA8523 | qconv.com Color code: HEX #AA8523 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 133 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 133 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 79 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 79% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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