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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8790 it is the complementary color #55786F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8790. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8790 shade: #AF878B, #C0999E, #D1ABB1, #E2BDC4 and #F3CFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8790. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8790 shade: #AA8790, #99757D, #88636A, #775157 and #663F44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8790 shade: #AA8790 and #AA8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8790 shade: #AA8790, #AA8799, #AA87A3, #A887AA and #9E87AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8790 shade matches the following richer shades: #AA8790, #BA7788, #CB6680, #DB5678 and #EC4570

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8790 shade: #AA8790, #999898, #89A8A0, #78B9A8 and #68C9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8790 shade: #AA87A3, #AA879A, #AA8790, #AA8787 and #AA9087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8790 shade: #825C66, #996F7A, #AA8790, #BB9FA6 and #CCB7BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8790 shade: #AA8790, #AAA887 and #879EAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8790 shade: #AA8790, #90AA87 and #8790AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8790 shade: #AA8790, #AAA887, #87AAA1 and #8789AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8790 shade: #AA8790, #A2AA87, #87AAA1 and #8F87AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

Complementary color

CMYK 29 / 0 / 8 / 53

HEX #55786F

RGB 85 120 111

HSL 164.57, 0.17%, 0.4%

LAB 47.64, -14.52, 0.93

 

CMYK 0 / 23 / 21 / 31

HEX #AF878B

RGB 175 135 139

HSL 354, 0.2%, 0.61%

LAB 60.16, 15.89, 3.75

 

CMYK 0 / 20 / 18 / 25

HEX #C0999E

RGB 192 153 158

HSL 352.31, 0.24%, 0.68%

LAB 66.87, 15.31, 2.92

 

CMYK 0 / 18 / 15 / 18

HEX #D1ABB1

RGB 209 171 177

HSL 350.53, 0.29%, 0.75%

LAB 73.45, 14.79, 2.15

 

CMYK 0 / 16 / 13 / 11

HEX #E2BDC4

RGB 226 189 196

HSL 348.65, 0.39%, 0.81%

LAB 79.93, 14.31, 1.42

 

CMYK 0 / 15 / 12 / 5

HEX #F3CFD7

RGB 243 207 215

HSL 346.67, 0.6%, 0.88%

LAB 86.3, 13.88, 0.73

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 24 / 18 / 40

HEX #99757D

RGB 153 117 125

HSL 346.67, 0.15%, 0.53%

LAB 52.92, 15.4, 1.07

 

CMYK 0 / 27 / 22 / 47

HEX #88636A

RGB 136 99 106

HSL 348.65, 0.16%, 0.46%

LAB 45.9, 16.07, 1.94

 

CMYK 0 / 32 / 27 / 53

HEX #775157

RGB 119 81 87

HSL 350.53, 0.19%, 0.39%

LAB 38.72, 16.86, 2.93

 

CMYK 0 / 38 / 33 / 60

HEX #663F44

RGB 102 63 68

HSL 352.31, 0.24%, 0.32%

LAB 31.34, 17.78, 4.09

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 21 / 21 / 33

HEX #AA8787

RGB 170 135 135

HSL 0, 0.17%, 0.6%

LAB 59.55, 13.34, 5.08

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 21 / 10 / 33

HEX #AA8799

RGB 170 135 153

HSL 329.14, 0.17%, 0.6%

LAB 60.05, 16.36, -4.5

 

CMYK 0 / 21 / 4 / 33

HEX #AA87A3

RGB 170 135 163

HSL 312, 0.17%, 0.6%

LAB 60.35, 18.19, -9.75

 

CMYK 1 / 21 / 0 / 33

HEX #A887AA

RGB 168 135 170

HSL 296.57, 0.17%, 0.6%

LAB 60.39, 18.83, -13.72

 

CMYK 7 / 21 / 0 / 33

HEX #9E87AA

RGB 158 135 170

HSL 279.43, 0.17%, 0.6%

LAB 59.43, 15.36, -15.25

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 36 / 27 / 27

HEX #BA7788

RGB 186 119 136

HSL 344.78, 0.33%, 0.6%

LAB 57.47, 28.55, 1.73

 

CMYK 0 / 50 / 37 / 20

HEX #CB6680

RGB 203 102 128

HSL 344.55, 0.49%, 0.6%

LAB 55.84, 42.73, 4.32

 

CMYK 0 / 61 / 45 / 14

HEX #DB5678

RGB 219 86 120

HSL 344.66, 0.65%, 0.6%

LAB 55.15, 54.87, 8.36

 

CMYK 0 / 71 / 53 / 7

HEX #EC4570

RGB 236 69 112

HSL 344.55, 0.81%, 0.6%

LAB 55.34, 66.09, 13.78

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 1 / 1 / 40

HEX #999898

RGB 153 152 152

HSL 0, 0%, 0.6%

LAB 62.92, 0.37, 0.12

 

CMYK 18 / 0 / 5 / 34

HEX #89A8A0

RGB 137 168 160

HSL 164.52, 0.15%, 0.6%

LAB 66.41, -12.31, 0.59

 

CMYK 35 / 0 / 9 / 27

HEX #78B9A8

RGB 120 185 168

HSL 164.31, 0.32%, 0.6%

LAB 70.54, -24.58, 2.05

 

CMYK 48 / 0 / 12 / 21

HEX #68C9B0

RGB 104 201 176

HSL 164.54, 0.47%, 0.6%

LAB 74.73, -34.65, 3.7

 

CMYK 0 / 21 / 4 / 33

HEX #AA87A3

RGB 170 135 163

HSL 312, 0.17%, 0.6%

LAB 60.35, 18.19, -9.75

 

CMYK 0 / 21 / 9 / 33

HEX #AA879A

RGB 170 135 154

HSL 327.43, 0.17%, 0.6%

LAB 60.08, 16.54, -5.02

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 21 / 21 / 33

HEX #AA8787

RGB 170 135 135

HSL 0, 0.17%, 0.6%

LAB 59.55, 13.34, 5.08

 

CMYK 0 / 15 / 21 / 33

HEX #AA9087

RGB 170 144 135

HSL 15.43, 0.17%, 0.6%

LAB 61.86, 8.28, 8.39

 

CMYK 0 / 29 / 22 / 49

HEX #825C66

RGB 130 92 102

HSL 344.21, 0.17%, 0.44%

LAB 43.3, 17.16, 0.5

 

CMYK 0 / 27 / 20 / 40

HEX #996F7A

RGB 153 111 122

HSL 344.29, 0.17%, 0.52%

LAB 51.32, 18.37, 0.5

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 15 / 11 / 27

HEX #BB9FA6

RGB 187 159 166

HSL 345, 0.17%, 0.68%

LAB 68.1, 11.47, 0.19

 

CMYK 0 / 10 / 7 / 20

HEX #CCB7BD

RGB 204 183 189

HSL 342.86, 0.17%, 0.76%

LAB 76.3, 8.51, -0.31

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 1 / 21 / 33

HEX #AAA887

RGB 170 168 135

HSL 56.57, 0.17%, 0.6%

LAB 68.24, -4.89, 17.35

 

CMYK 21 / 7 / 0 / 33

HEX #879EAA

RGB 135 158 170

HSL 200.57, 0.17%, 0.6%

LAB 63.76, -5.36, -8.93

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 15 / 0 / 21 / 33

HEX #90AA87

RGB 144 170 135

HSL 104.57, 0.17%, 0.6%

LAB 66.85, -15.72, 15.11

 

CMYK 21 / 15 / 0 / 33

HEX #8790AA

RGB 135 144 170

HSL 224.57, 0.17%, 0.6%

LAB 59.89, 2.47, -14.75

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 0 / 1 / 21 / 33

HEX #AAA887

RGB 170 168 135

HSL 56.57, 0.17%, 0.6%

LAB 68.24, -4.89, 17.35

 

CMYK 21 / 0 / 5 / 33

HEX #87AAA1

RGB 135 170 161

HSL 164.57, 0.17%, 0.6%

LAB 66.88, -13.81, 0.7

 

CMYK 21 / 19 / 0 / 33

HEX #8789AA

RGB 135 137 170

HSL 236.57, 0.17%, 0.6%

LAB 57.98, 6.48, -17.63

 

CMYK 0 / 21 / 15 / 33

HEX #AA8790

RGB 170 135 144

HSL 344.57, 0.17%, 0.6%

LAB 59.79, 14.8, 0.28

 

CMYK 5 / 0 / 21 / 33

HEX #A2AA87

RGB 162 170 135

HSL 73.71, 0.17%, 0.6%

LAB 68.15, -9.02, 17.13

 

CMYK 21 / 0 / 5 / 33

HEX #87AAA1

RGB 135 170 161

HSL 164.57, 0.17%, 0.6%

LAB 66.88, -13.81, 0.7

 

CMYK 16 / 21 / 0 / 33

HEX #8F87AA

RGB 143 135 170

HSL 253.71, 0.17%, 0.6%

LAB 58.1, 10.27, -17.39

 

Description

Color code: HEX #AA8790 | qconv.com Color code: HEX #AA8790 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 135 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 135 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 15% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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