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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA891C it is the complementary color #5576E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA891C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA891C shade: #AF8917, #C09B2A, #D1AD3D, #E2BF50 and #F3D163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA891C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA891C shade: #AA891C, #997709, #886500, #775300 and #664100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA891C shade: #AB891B, #AB631B, #AB3C1B and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA891C shade: #AB891B, #A5AB1B, #7FAB1B, #58AB1B and #31AB1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA891C shade matches the following richer shades: #AB891B and #BB920B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA891C shade: #AB891B, #9A812B, #8A783C, #7A6F4C and #6A675C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA891C shade: #AB3D1B, #AB631B, #AB891B, #A6AB1B and #80AB1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA891C shade: #645010, #876D16, #AB891B, #CEA621 and #DEB83A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA891C shade: #AA891C, #20AB1B and #501BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA891C shade: #AA891C, #1BAB89 and #891BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA891C shade: #AA891C, #20AB1B, #1B3DAB and #A61BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA891C shade: #AA891C, #1BAB42, #1B3DAB and #AB1B84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

Complementary color

CMYK 63 / 48 / 0 / 11

HEX #5576E3

RGB 85 118 227

HSL 226.06, 0.72%, 0.61%

LAB 52.32, 21.92, -59.1

 

CMYK 0 / 22 / 87 / 31

HEX #AF8917

RGB 175 137 23

HSL 45, 0.77%, 0.39%

LAB 59.04, 4.35, 59.6

 

CMYK 0 / 19 / 78 / 25

HEX #C09B2A

RGB 192 155 42

HSL 45.2, 0.64%, 0.46%

LAB 65.61, 2.76, 60.1

 

CMYK 0 / 17 / 71 / 18

HEX #D1AD3D

RGB 209 173 61

HSL 45.41, 0.62%, 0.53%

LAB 72.08, 1.42, 59.72

 

CMYK 0 / 15 / 65 / 11

HEX #E2BF50

RGB 226 191 80

HSL 45.62, 0.72%, 0.6%

LAB 78.47, 0.29, 58.89

 

CMYK 0 / 14 / 59 / 5

HEX #F3D163

RGB 243 209 99

HSL 45.83, 0.86%, 0.67%

LAB 84.77, -0.69, 57.84

 

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

CMYK 0 / 22 / 94 / 40

HEX #997709

RGB 153 119 9

HSL 45.83, 0.89%, 0.32%

LAB 51.82, 3.98, 56.04

 

CMYK 0 / 26 / 100 / 47

HEX #886500

RGB 136 101 0

HSL 44.56, 1%, 0.27%

LAB 45, 6.11, 52.17

 

CMYK 0 / 30 / 100 / 53

HEX #775300

RGB 119 83 0

HSL 41.85, 1%, 0.23%

LAB 38.04, 8.52, 46.46

 

CMYK 0 / 36 / 100 / 60

HEX #664100

RGB 102 65 0

HSL 38.24, 1%, 0.2%

LAB 30.89, 11.09, 40.58

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 0 / 42 / 84 / 33

HEX #AB631B

RGB 171 99 27

HSL 30, 0.73%, 0.39%

LAB 49.08, 23.91, 49.76

 

CMYK 0 / 65 / 84 / 33

HEX #AB3C1B

RGB 171 60 27

HSL 13.75, 0.73%, 0.39%

LAB 41.17, 43.92, 42.75

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 4 / 0 / 84 / 33

HEX #A5AB1B

RGB 165 171 27

HSL 62.5, 0.73%, 0.39%

LAB 67.43, -18.13, 65.19

 

CMYK 26 / 0 / 84 / 33

HEX #7FAB1B

RGB 127 171 27

HSL 78.33, 0.73%, 0.39%

LAB 64.74, -34.13, 61.82

 

CMYK 49 / 0 / 84 / 33

HEX #58AB1B

RGB 88 171 27

HSL 94.58, 0.73%, 0.39%

LAB 62.74, -48.16, 59.3

 

CMYK 71 / 0 / 84 / 33

HEX #31AB1B

RGB 49 171 27

HSL 110.83, 0.73%, 0.39%

LAB 61.53, -57.95, 57.76

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 0 / 22 / 94 / 27

HEX #BB920B

RGB 187 146 11

HSL 46.02, 0.89%, 0.39%

LAB 62.63, 4.63, 65.4

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 0 / 16 / 72 / 40

HEX #9A812B

RGB 154 129 43

HSL 46.49, 0.56%, 0.39%

LAB 54.81, -0.03, 47.99

 

CMYK 0 / 13 / 57 / 46

HEX #8A783C

RGB 138 120 60

HSL 46.15, 0.39%, 0.39%

LAB 50.88, -1.06, 35.09

 

CMYK 0 / 9 / 38 / 52

HEX #7A6F4C

RGB 122 111 76

HSL 45.65, 0.23%, 0.39%

LAB 47.01, -1.31, 21.07

 

CMYK 0 / 3 / 13 / 58

HEX #6A675C

RGB 106 103 92

HSL 47.14, 0.07%, 0.39%

LAB 43.56, -0.94, 6.62

 

CMYK 0 / 64 / 84 / 33

HEX #AB3D1B

RGB 171 61 27

HSL 14.17, 0.73%, 0.39%

LAB 41.33, 43.47, 42.9

 

CMYK 0 / 42 / 84 / 33

HEX #AB631B

RGB 171 99 27

HSL 30, 0.73%, 0.39%

LAB 49.08, 23.91, 49.76

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 3 / 0 / 84 / 33

HEX #A6AB1B

RGB 166 171 27

HSL 62.08, 0.73%, 0.39%

LAB 67.51, -17.7, 65.29

 

CMYK 25 / 0 / 84 / 33

HEX #80AB1B

RGB 128 171 27

HSL 77.92, 0.73%, 0.39%

LAB 64.8, -33.73, 61.9

 

CMYK 0 / 20 / 84 / 61

HEX #645010

RGB 100 80 16

HSL 45.71, 0.72%, 0.23%

LAB 34.97, 1.39, 37.95

 

CMYK 0 / 19 / 84 / 47

HEX #876D16

RGB 135 109 22

HSL 46.19, 0.72%, 0.31%

LAB 47.17, 1.52, 48.15

 

CMYK 0 / 20 / 84 / 33

HEX #AB891B

RGB 171 137 27

HSL 45.83, 0.73%, 0.39%

LAB 58.63, 2.64, 57.97

 

CMYK 0 / 19 / 84 / 19

HEX #CEA621

RGB 206 166 33

HSL 46.13, 0.72%, 0.47%

LAB 69.83, 2.75, 67.17

 

CMYK 0 / 17 / 74 / 13

HEX #DEB83A

RGB 222 184 58

HSL 46.1, 0.71%, 0.55%

LAB 76.14, 1.09, 65.31

 

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

CMYK 81 / 0 / 84 / 33

HEX #20AB1B

RGB 32 171 27

HSL 117.92, 0.73%, 0.39%

LAB 61.23, -60.57, 57.37

 

CMYK 53 / 84 / 0 / 33

HEX #501BAB

RGB 80 27 171

HSL 262.08, 0.73%, 0.39%

LAB 27.93, 54.7, -66.3

 

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

CMYK 84 / 0 / 20 / 33

HEX #1BAB89

RGB 27 171 137

HSL 165.83, 0.73%, 0.39%

LAB 62.65, -43.95, 7.43

 

CMYK 20 / 84 / 0 / 33

HEX #891BAB

RGB 137 27 171

HSL 285.83, 0.73%, 0.39%

LAB 36.07, 63.02, -52.66

 

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

CMYK 81 / 0 / 84 / 33

HEX #20AB1B

RGB 32 171 27

HSL 117.92, 0.73%, 0.39%

LAB 61.23, -60.57, 57.37

 

CMYK 84 / 64 / 0 / 33

HEX #1B3DAB

RGB 27 61 171

HSL 225.83, 0.73%, 0.39%

LAB 30.67, 30.66, -61.92

 

CMYK 3 / 84 / 0 / 33

HEX #A61BAB

RGB 166 27 171

HSL 297.92, 0.73%, 0.39%

LAB 40.95, 68.22, -44.55

 

CMYK 0 / 19 / 84 / 33

HEX #AA891C

RGB 170 137 28

HSL 46.06, 0.72%, 0.39%

LAB 58.53, 2.22, 57.55

 

CMYK 84 / 0 / 61 / 33

HEX #1BAB42

RGB 27 171 66

HSL 136.25, 0.73%, 0.39%

LAB 61.44, -57.73, 43.12

 

CMYK 84 / 64 / 0 / 33

HEX #1B3DAB

RGB 27 61 171

HSL 225.83, 0.73%, 0.39%

LAB 30.67, 30.66, -61.92

 

CMYK 0 / 84 / 23 / 33

HEX #AB1B84

RGB 171 27 132

HSL 316.25, 0.73%, 0.39%

LAB 39.76, 63.6, -22.71

 

Description

Color code: HEX #AA891C | qconv.com Color code: HEX #AA891C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 137 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 137 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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