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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA81DE it is the complementary color #557E21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA81DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA81DE shade: #AF81D9, #C093EC, #D1A5FF, #E2B7FF and #F3C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA81DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA81DE shade: #AA81DE, #996FCB, #885DB8, #774BA5 and #663992

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA81DE shade: #AA82DD, #C382DD, #DB82DD, #DD82C6 and #DD82AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA81DE shade: #AA82DD, #9182DD and #8282DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA81DE shade matches the following richer shades: #AA82DD, #A975EA and #A768F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA81DE shade: #AA82DD, #AC8ED1, #AD9BC4, #AFA8B7 and #B0B5AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA81DE shade: #828BDD, #9182DD, #A982DD, #C282DD and #DA82DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA81DE shade: #7E40CC, #9461D5, #AA82DD, #C0A2E6 and #D6C3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA81DE shade: #AA81DE, #DD82A3 and #82DD85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA81DE shade: #AA81DE, #DDA982 and #82DDA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA81DE shade: #AA81DE, #DD82A3, #B6DD82 and #82DDBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA81DE shade: #AA81DE, #DD8288, #B6DD82 and #82DDD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

Complementary color

CMYK 33 / 0 / 74 / 51

HEX #557E21

RGB 85 126 33

HSL 86.45, 0.58%, 0.31%

LAB 48.21, -29.61, 43.63

 

CMYK 19 / 41 / 0 / 15

HEX #AF81D9

RGB 175 129 217

HSL 271.36, 0.54%, 0.68%

LAB 61.5, 34.45, -38.49

 

CMYK 19 / 38 / 0 / 7

HEX #C093EC

RGB 192 147 236

HSL 270.34, 0.7%, 0.75%

LAB 68.12, 33.69, -38.56

 

CMYK 18 / 35 / 0 / 0

HEX #D1A5FF

RGB 209 165 255

HSL 269.33, 1%, 0.82%

LAB 74.63, 32.98, -38.65

 

CMYK 11 / 28 / 0 / 0

HEX #E2B7FF

RGB 226 183 255

HSL 275.83, 1%, 0.86%

LAB 80.32, 28.35, -29.72

 

CMYK 5 / 21 / 0 / 0

HEX #F3C9FF

RGB 243 201 255

HSL 286.67, 1%, 0.89%

LAB 86.03, 24.09, -20.89

 

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

CMYK 25 / 45 / 0 / 20

HEX #996FCB

RGB 153 111 203

HSL 267.39, 0.47%, 0.62%

LAB 54.5, 35.02, -41.74

 

CMYK 26 / 49 / 0 / 28

HEX #885DB8

RGB 136 93 184

HSL 268.35, 0.39%, 0.54%

LAB 47.65, 35.93, -41.76

 

CMYK 28 / 55 / 0 / 35

HEX #774BA5

RGB 119 75 165

HSL 269.33, 0.38%, 0.47%

LAB 40.69, 36.9, -41.78

 

CMYK 30 / 61 / 0 / 43

HEX #663992

RGB 102 57 146

HSL 270.34, 0.44%, 0.4%

LAB 33.62, 37.87, -41.73

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DD

RGB 170 130 221

HSL 266.37, 0.57%, 0.69%

LAB 61.42, 33.37, -40.89

 

CMYK 12 / 41 / 0 / 13

HEX #C382DD

RGB 195 130 221

HSL 282.86, 0.57%, 0.69%

LAB 63.99, 40.66, -36.69

 

CMYK 1 / 41 / 0 / 13

HEX #DB82DD

RGB 219 130 221

HSL 298.68, 0.57%, 0.69%

LAB 66.71, 47.79, -32.25

 

CMYK 0 / 41 / 10 / 13

HEX #DD82C6

RGB 221 130 198

HSL 315.16, 0.57%, 0.69%

LAB 66.07, 44.41, -20.38

 

CMYK 0 / 41 / 21 / 13

HEX #DD82AE

RGB 221 130 174

HSL 330.99, 0.57%, 0.69%

LAB 65.27, 40.65, -8.06

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DD

RGB 170 130 221

HSL 266.37, 0.57%, 0.69%

LAB 61.42, 33.37, -40.89

 

CMYK 34 / 41 / 0 / 13

HEX #9182DD

RGB 145 130 221

HSL 249.89, 0.57%, 0.69%

LAB 59.16, 26.41, -44.6

 

CMYK 41 / 41 / 0 / 13

HEX #8282DD

RGB 130 130 221

HSL 240, 0.57%, 0.69%

LAB 57.97, 22.49, -46.56

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DD

RGB 170 130 221

HSL 266.37, 0.57%, 0.69%

LAB 61.42, 33.37, -40.89

 

CMYK 28 / 50 / 0 / 8

HEX #A975EA

RGB 169 117 234

HSL 266.67, 0.74%, 0.69%

LAB 59.07, 43.41, -51.87

 

CMYK 32 / 58 / 0 / 3

HEX #A768F7

RGB 167 104 247

HSL 266.43, 0.9%, 0.69%

LAB 56.91, 53.02, -62.55

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DD

RGB 170 130 221

HSL 266.37, 0.57%, 0.69%

LAB 61.42, 33.37, -40.89

 

CMYK 18 / 32 / 0 / 18

HEX #AC8ED1

RGB 172 142 209

HSL 266.87, 0.42%, 0.69%

LAB 63.93, 24.43, -30.26

 

CMYK 12 / 21 / 0 / 23

HEX #AD9BC4

RGB 173 155 196

HSL 266.34, 0.26%, 0.69%

LAB 66.76, 14.57, -18.67

 

CMYK 4 / 8 / 0 / 28

HEX #AFA8B7

RGB 175 168 183

HSL 268, 0.09%, 0.69%

LAB 69.85, 5.36, -6.8

 

CMYK 3 / 0 / 6 / 29

HEX #B0B5AA

RGB 176 181 170

HSL 87.27, 0.07%, 0.69%

LAB 73.01, -3.78, 4.98

 

CMYK 41 / 37 / 0 / 13

HEX #828BDD

RGB 130 139 221

HSL 234.07, 0.57%, 0.69%

LAB 60.28, 17.2, -42.92

 

CMYK 34 / 41 / 0 / 13

HEX #9182DD

RGB 145 130 221

HSL 249.89, 0.57%, 0.69%

LAB 59.16, 26.41, -44.6

 

CMYK 24 / 41 / 0 / 13

HEX #A982DD

RGB 169 130 221

HSL 265.71, 0.57%, 0.69%

LAB 61.33, 33.08, -41.05

 

CMYK 12 / 41 / 0 / 13

HEX #C282DD

RGB 194 130 221

HSL 282.2, 0.57%, 0.69%

LAB 63.88, 40.36, -36.86

 

CMYK 1 / 41 / 0 / 13

HEX #DA82DD

RGB 218 130 221

HSL 298.02, 0.57%, 0.69%

LAB 66.59, 47.5, -32.44

 

CMYK 38 / 69 / 0 / 20

HEX #7E40CC

RGB 126 64 204

HSL 266.57, 0.58%, 0.53%

LAB 41.94, 54.13, -62.61

 

CMYK 31 / 54 / 0 / 16

HEX #9461D5

RGB 148 97 213

HSL 266.38, 0.58%, 0.61%

LAB 51.44, 43.97, -52.34

 

CMYK 23 / 41 / 0 / 13

HEX #AA82DD

RGB 170 130 221

HSL 266.37, 0.57%, 0.69%

LAB 61.42, 33.37, -40.89

 

CMYK 17 / 30 / 0 / 10

HEX #C0A2E6

RGB 192 162 230

HSL 266.47, 0.58%, 0.77%

LAB 71.39, 24.07, -30.2

 

CMYK 10 / 18 / 0 / 6

HEX #D6C3EF

RGB 214 195 239

HSL 265.91, 0.58%, 0.85%

LAB 81.6, 14.87, -19.32

 

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

CMYK 0 / 41 / 26 / 13

HEX #DD82A3

RGB 221 130 163

HSL 338.24, 0.57%, 0.69%

LAB 64.95, 39.08, -2.31

 

CMYK 41 / 0 / 40 / 13

HEX #82DD85

RGB 130 221 133

HSL 121.98, 0.57%, 0.69%

LAB 80.82, -44.86, 34.88

 

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

CMYK 0 / 24 / 41 / 13

HEX #DDA982

RGB 221 169 130

HSL 25.71, 0.57%, 0.69%

LAB 73.13, 14.1, 27.49

 

CMYK 41 / 0 / 24 / 13

HEX #82DDA9

RGB 130 221 169

HSL 145.71, 0.57%, 0.69%

LAB 81.47, -38.61, 17.16

 

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

CMYK 0 / 41 / 26 / 13

HEX #DD82A3

RGB 221 130 163

HSL 338.24, 0.57%, 0.69%

LAB 64.95, 39.08, -2.31

 

CMYK 18 / 0 / 41 / 13

HEX #B6DD82

RGB 182 221 130

HSL 85.71, 0.57%, 0.69%

LAB 83.58, -27.84, 40.49

 

CMYK 41 / 0 / 15 / 13

HEX #82DDBC

RGB 130 221 188

HSL 158.24, 0.57%, 0.69%

LAB 81.89, -34.73, 7.72

 

CMYK 23 / 42 / 0 / 13

HEX #AA81DE

RGB 170 129 222

HSL 266.45, 0.58%, 0.69%

LAB 61.24, 34.16, -41.73

 

CMYK 0 / 41 / 38 / 13

HEX #DD8288

RGB 221 130 136

HSL 356.04, 0.57%, 0.69%

LAB 64.25, 35.66, 12.01

 

CMYK 18 / 0 / 41 / 13

HEX #B6DD82

RGB 182 221 130

HSL 85.71, 0.57%, 0.69%

LAB 83.58, -27.84, 40.49

 

CMYK 41 / 0 / 3 / 13

HEX #82DDD7

RGB 130 221 215

HSL 176.04, 0.57%, 0.69%

LAB 82.57, -28.58, -5.6

 

Description

Color code: HEX #AA81DE | qconv.com Color code: HEX #AA81DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 129 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 129 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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