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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8AD1 it is the complementary color #55752E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8AD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8AD1 shade: #AF8ACC, #C09CDF, #D1AEF2, #E2C0FF and #F3D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8AD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8AD1 shade: #AA8AD1, #9978BE, #8866AB, #775498 and #664285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8AD1 shade: #A989D1, #BD89D1, #D089D1, #D189BE and #D189AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8AD1 shade: #A989D1, #9689D1 and #8989D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8AD1 shade matches the following richer shades: #A989D1, #A87CDE, #A76FEB and #A561F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8AD1 shade: #A989D1, #AB96C4, #ACA3B6, #ADB1A9 and #AFBE9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8AD1 shade: #898FD1, #9689D1, #A989D1, #BC89D1 and #D089D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8AD1 shade: #7E4EBA, #946BC5, #A989D1, #BFA7DC and #D4C4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8AD1 shade: #AA8AD1, #D189A2 and #89D18D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8AD1 shade: #AA8AD1, #D1A989 and #89D1A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8AD1 shade: #AA8AD1, #D189A2, #B0D189 and #89D1B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8AD1 shade: #AA8AD1, #D1898D, #B0D189 and #89D1CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

Complementary color

CMYK 27 / 0 / 61 / 54

HEX #55752E

RGB 85 117 46

HSL 87.04, 0.44%, 0.32%

LAB 45.43, -24.11, 34.81

 

CMYK 14 / 32 / 0 / 20

HEX #AF8ACC

RGB 175 138 204

HSL 273.64, 0.39%, 0.67%

LAB 63.05, 26.52, -28.8

 

CMYK 14 / 30 / 0 / 13

HEX #C09CDF

RGB 192 156 223

HSL 272.24, 0.51%, 0.74%

LAB 69.69, 25.88, -28.98

 

CMYK 14 / 28 / 0 / 5

HEX #D1AEF2

RGB 209 174 242

HSL 270.88, 0.72%, 0.82%

LAB 76.22, 25.29, -29.17

 

CMYK 11 / 25 / 0 / 0

HEX #E2C0FF

RGB 226 192 255

HSL 272.38, 1%, 0.88%

LAB 82.43, 23.52, -26.5

 

CMYK 5 / 18 / 0 / 0

HEX #F3D2FF

RGB 243 210 255

HSL 284, 1%, 0.91%

LAB 88.15, 19.33, -17.69

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 19 / 37 / 0 / 25

HEX #9978BE

RGB 153 120 190

HSL 268.29, 0.35%, 0.61%

LAB 56.01, 26.79, -31.97

 

CMYK 20 / 40 / 0 / 33

HEX #8866AB

RGB 136 102 171

HSL 269.57, 0.29%, 0.54%

LAB 49.1, 27.57, -31.9

 

CMYK 22 / 45 / 0 / 40

HEX #775498

RGB 119 84 152

HSL 270.88, 0.29%, 0.46%

LAB 42.05, 28.42, -31.86

 

CMYK 23 / 50 / 0 / 48

HEX #664285

RGB 102 66 133

HSL 272.24, 0.34%, 0.39%

LAB 34.83, 29.35, -31.81

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 10 / 34 / 0 / 18

HEX #BD89D1

RGB 189 137 209

HSL 283.33, 0.44%, 0.68%

LAB 64.41, 32.53, -29.38

 

CMYK 0 / 34 / 0 / 18

HEX #D089D1

RGB 208 137 209

HSL 299.17, 0.44%, 0.68%

LAB 66.45, 38.51, -26.08

 

CMYK 0 / 34 / 9 / 18

HEX #D189BE

RGB 209 137 190

HSL 315.83, 0.44%, 0.68%

LAB 65.88, 35.43, -16.31

 

CMYK 0 / 34 / 18 / 18

HEX #D189AB

RGB 209 137 171

HSL 331.67, 0.44%, 0.68%

LAB 65.27, 32.32, -6.53

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 28 / 34 / 0 / 18

HEX #9689D1

RGB 150 137 209

HSL 250.83, 0.44%, 0.68%

LAB 60.76, 20.66, -35.34

 

CMYK 34 / 34 / 0 / 18

HEX #8989D1

RGB 137 137 209

HSL 240, 0.44%, 0.68%

LAB 59.72, 16.95, -37.04

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 24 / 44 / 0 / 13

HEX #A87CDE

RGB 168 124 222

HSL 266.94, 0.6%, 0.68%

LAB 59.9, 36.4, -43.85

 

CMYK 29 / 53 / 0 / 8

HEX #A76FEB

RGB 167 111 235

HSL 267.1, 0.76%, 0.68%

LAB 57.64, 46.41, -54.71

 

CMYK 33 / 61 / 0 / 3

HEX #A561F8

RGB 165 97 248

HSL 267.02, 0.92%, 0.68%

LAB 55.41, 56.42, -65.53

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 13 / 23 / 0 / 23

HEX #AB96C4

RGB 171 150 196

HSL 267.39, 0.28%, 0.68%

LAB 65.32, 16.73, -20.87

 

CMYK 5 / 10 / 0 / 29

HEX #ACA3B6

RGB 172 163 182

HSL 268.42, 0.12%, 0.68%

LAB 68.27, 6.88, -8.62

 

CMYK 2 / 0 / 5 / 31

HEX #ADB1A9

RGB 173 177 169

HSL 90, 0.05%, 0.68%

LAB 71.69, -2.9, 3.59

 

CMYK 8 / 0 / 18 / 25

HEX #AFBE9C

RGB 175 190 156

HSL 86.47, 0.21%, 0.68%

LAB 75.04, -11.29, 15.46

 

CMYK 34 / 32 / 0 / 18

HEX #898FD1

RGB 137 143 209

HSL 235, 0.44%, 0.68%

LAB 61.28, 13.46, -34.61

 

CMYK 28 / 34 / 0 / 18

HEX #9689D1

RGB 150 137 209

HSL 250.83, 0.44%, 0.68%

LAB 60.76, 20.66, -35.34

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 10 / 34 / 0 / 18

HEX #BC89D1

RGB 188 137 209

HSL 282.5, 0.44%, 0.68%

LAB 64.31, 32.21, -29.55

 

CMYK 0 / 34 / 0 / 18

HEX #D089D1

RGB 208 137 209

HSL 299.17, 0.44%, 0.68%

LAB 66.45, 38.51, -26.08

 

CMYK 32 / 58 / 0 / 27

HEX #7E4EBA

RGB 126 78 186

HSL 266.67, 0.44%, 0.52%

LAB 43.4, 42.29, -49.78

 

CMYK 25 / 46 / 0 / 23

HEX #946BC5

RGB 148 107 197

HSL 267.33, 0.44%, 0.6%

LAB 52.78, 34.44, -41.08

 

CMYK 19 / 34 / 0 / 18

HEX #A989D1

RGB 169 137 209

HSL 266.67, 0.44%, 0.68%

LAB 62.45, 26.34, -32.58

 

CMYK 13 / 24 / 0 / 14

HEX #BFA7DC

RGB 191 167 220

HSL 267.17, 0.43%, 0.76%

LAB 72.15, 18.84, -23.57

 

CMYK 9 / 16 / 0 / 9

HEX #D4C4E8

RGB 212 196 232

HSL 266.67, 0.44%, 0.84%

LAB 81.46, 12.28, -15.8

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 0 / 34 / 22 / 18

HEX #D189A2

RGB 209 137 162

HSL 339.17, 0.44%, 0.68%

LAB 65.01, 30.95, -1.83

 

CMYK 34 / 0 / 33 / 18

HEX #89D18D

RGB 137 209 141

HSL 123.33, 0.44%, 0.68%

LAB 77.78, -36.13, 26.81

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 0 / 19 / 34 / 18

HEX #D1A989

RGB 209 169 137

HSL 26.67, 0.44%, 0.68%

LAB 72.05, 10.15, 22.05

 

CMYK 34 / 0 / 19 / 18

HEX #89D1A9

RGB 137 209 169

HSL 146.67, 0.44%, 0.68%

LAB 78.34, -31.06, 12.8

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 0 / 34 / 22 / 18

HEX #D189A2

RGB 209 137 162

HSL 339.17, 0.44%, 0.68%

LAB 65.01, 30.95, -1.83

 

CMYK 16 / 0 / 34 / 18

HEX #B0D189

RGB 176 209 137

HSL 87.5, 0.44%, 0.68%

LAB 79.98, -23.35, 32.2

 

CMYK 34 / 0 / 12 / 18

HEX #89D1B8

RGB 137 209 184

HSL 159.17, 0.44%, 0.68%

LAB 78.68, -27.98, 5.29

 

CMYK 19 / 34 / 0 / 18

HEX #AA8AD1

RGB 170 138 209

HSL 267.04, 0.44%, 0.68%

LAB 62.78, 26.08, -32.06

 

CMYK 0 / 34 / 33 / 18

HEX #D1898D

RGB 209 137 141

HSL 356.67, 0.44%, 0.68%

LAB 64.46, 28.04, 9.26

 

CMYK 16 / 0 / 34 / 18

HEX #B0D189

RGB 176 209 137

HSL 87.5, 0.44%, 0.68%

LAB 79.98, -23.35, 32.2

 

CMYK 34 / 0 / 2 / 18

HEX #89D1CD

RGB 137 209 205

HSL 176.67, 0.44%, 0.68%

LAB 79.23, -23.28, -5.17

 

Description

Color code: HEX #AA8AD1 | qconv.com Color code: HEX #AA8AD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 138 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 138 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 34 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 34% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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