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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8B35 it is the complementary color #5574CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8B35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8B35 shade: #AF8B30, #C09D43, #D1AF56, #E2C169 and #F3D37C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8B35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8B35 shade: #AA8B35, #997922, #88670F, #775500 and #664300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8B35 shade: #AA8B35, #AA6C35, #AA4C35 and #AA3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8B35 shade: #AA8B35, #A9AA35, #8AAA35, #6BAA35 and #4BAA35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8B35 shade matches the following richer shades: #AA8B35, #BC9423 and #CE9C11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8B35 shade: #AA8B35, #988348, #867A5A, #74726C and #61697E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8B35 shade: #AA4D35, #AA6C35, #AA8B35, #AAAA35 and #8BAA35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8B35 shade: #6B5822, #8B712B, #AA8B35, #C4A245 and #CEB264

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8B35 shade: #AA8B35, #3DAA35 and #5C35AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8B35 shade: #AA8B35, #35AA8B and #8B35AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8B35 shade: #AA8B35, #3DAA35, #3554AA and #A235AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8B35 shade: #AA8B35, #35AA51, #3554AA and #AA358F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

Complementary color

CMYK 58 / 43 / 0 / 21

HEX #5574CA

RGB 85 116 202

HSL 224.1, 0.52%, 0.56%

LAB 50.32, 14.74, -48.15

 

CMYK 0 / 21 / 73 / 31

HEX #AF8B30

RGB 175 139 48

HSL 42.99, 0.57%, 0.44%

LAB 59.7, 4.18, 51.5

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 16 / 59 / 18

HEX #D1AF56

RGB 209 175 86

HSL 43.41, 0.57%, 0.58%

LAB 72.82, 1.91, 49.42

 

CMYK 0 / 15 / 54 / 11

HEX #E2C169

RGB 226 193 105

HSL 43.64, 0.68%, 0.65%

LAB 79.23, 1.03, 48.18

 

CMYK 0 / 13 / 49 / 5

HEX #F3D37C

RGB 243 211 124

HSL 43.87, 0.83%, 0.72%

LAB 85.55, 0.27, 46.93

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 21 / 78 / 40

HEX #997922

RGB 153 121 34

HSL 43.87, 0.64%, 0.37%

LAB 52.47, 3.57, 49.34

 

CMYK 0 / 24 / 89 / 47

HEX #88670F

RGB 136 103 15

HSL 43.64, 0.8%, 0.3%

LAB 45.59, 5.26, 49

 

CMYK 0 / 29 / 100 / 53

HEX #775500

RGB 119 85 0

HSL 42.86, 1%, 0.23%

LAB 38.58, 7.32, 46.83

 

CMYK 0 / 34 / 100 / 60

HEX #664300

RGB 102 67 0

HSL 39.41, 1%, 0.2%

LAB 31.44, 9.86, 40.97

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 36 / 69 / 33

HEX #AA6C35

RGB 170 108 53

HSL 28.21, 0.52%, 0.44%

LAB 51.3, 19.6, 40.15

 

CMYK 0 / 55 / 69 / 33

HEX #AA4C35

RGB 170 76 53

HSL 11.79, 0.52%, 0.44%

LAB 44.19, 36.97, 32.06

 

CMYK 0 / 69 / 69 / 33

HEX #AA3535

RGB 170 53 53

HSL 0, 0.52%, 0.44%

LAB 40.16, 47.65, 27.26

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 1 / 0 / 69 / 33

HEX #A9AA35

RGB 169 170 53

HSL 60.51, 0.52%, 0.44%

LAB 67.61, -14.8, 57.22

 

CMYK 19 / 0 / 69 / 33

HEX #8AAA35

RGB 138 170 53

HSL 76.41, 0.52%, 0.44%

LAB 65.29, -27.9, 54.12

 

CMYK 37 / 0 / 69 / 33

HEX #6BAA35

RGB 107 170 53

HSL 92.31, 0.52%, 0.44%

LAB 63.45, -39.81, 51.65

 

CMYK 56 / 0 / 69 / 33

HEX #4BAA35

RGB 75 170 53

HSL 108.72, 0.52%, 0.44%

LAB 62.09, -49.87, 49.79

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 21 / 81 / 26

HEX #BC9423

RGB 188 148 35

HSL 44.31, 0.69%, 0.44%

LAB 63.34, 4.53, 60.27

 

CMYK 0 / 24 / 92 / 19

HEX #CE9C11

RGB 206 156 17

HSL 44.13, 0.85%, 0.44%

LAB 67.23, 7.78, 68.74

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 14 / 53 / 40

HEX #988348

RGB 152 131 72

HSL 44.25, 0.36%, 0.44%

LAB 55.46, 0.08, 34.59

 

CMYK 0 / 9 / 33 / 47

HEX #867A5A

RGB 134 122 90

HSL 43.64, 0.2%, 0.44%

LAB 51.53, -0.58, 19.23

 

CMYK 0 / 2 / 7 / 55

HEX #74726C

RGB 116 114 108

HSL 45, 0.04%, 0.44%

LAB 48.05, -0.4, 3.59

 

CMYK 23 / 17 / 0 / 51

HEX #61697E

RGB 97 105 126

HSL 223.45, 0.13%, 0.44%

LAB 44.45, 1.91, -12.68

 

CMYK 0 / 55 / 69 / 33

HEX #AA4D35

RGB 170 77 53

HSL 12.31, 0.52%, 0.44%

LAB 44.39, 36.46, 32.29

 

CMYK 0 / 36 / 69 / 33

HEX #AA6C35

RGB 170 108 53

HSL 28.21, 0.52%, 0.44%

LAB 51.3, 19.6, 40.15

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 0 / 69 / 33

HEX #AAAA35

RGB 170 170 53

HSL 60, 0.52%, 0.44%

LAB 67.69, -14.37, 57.33

 

CMYK 18 / 0 / 69 / 33

HEX #8BAA35

RGB 139 170 53

HSL 75.9, 0.52%, 0.44%

LAB 65.35, -27.49, 54.21

 

CMYK 0 / 18 / 68 / 58

HEX #6B5822

RGB 107 88 34

HSL 44.38, 0.52%, 0.28%

LAB 38.24, 1.02, 33.32

 

CMYK 0 / 19 / 69 / 45

HEX #8B712B

RGB 139 113 43

HSL 43.75, 0.53%, 0.36%

LAB 48.85, 2.12, 41.34

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 0 / 17 / 65 / 23

HEX #C4A245

RGB 196 162 69

HSL 43.94, 0.52%, 0.52%

LAB 68.03, 2.11, 51.64

 

CMYK 0 / 14 / 51 / 19

HEX #CEB264

RGB 206 178 100

HSL 44.15, 0.52%, 0.6%

LAB 73.47, 0.19, 43.26

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 64 / 0 / 69 / 33

HEX #3DAA35

RGB 61 170 53

HSL 115.9, 0.52%, 0.44%

LAB 61.65, -53.32, 49.2

 

CMYK 46 / 69 / 0 / 33

HEX #5C35AA

RGB 92 53 170

HSL 260, 0.52%, 0.44%

LAB 33.4, 44.3, -56.67

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 69 / 0 / 18 / 33

HEX #35AA8B

RGB 53 170 139

HSL 164.1, 0.52%, 0.44%

LAB 62.82, -39.87, 6.63

 

CMYK 18 / 69 / 0 / 33

HEX #8B35AA

RGB 139 53 170

HSL 284.1, 0.52%, 0.44%

LAB 39.47, 54.14, -46.55

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 64 / 0 / 69 / 33

HEX #3DAA35

RGB 61 170 53

HSL 115.9, 0.52%, 0.44%

LAB 61.65, -53.32, 49.2

 

CMYK 69 / 51 / 0 / 33

HEX #3554AA

RGB 53 84 170

HSL 224.1, 0.52%, 0.44%

LAB 37.84, 18.02, -49.61

 

CMYK 5 / 69 / 0 / 33

HEX #A235AA

RGB 162 53 170

HSL 295.9, 0.52%, 0.44%

LAB 42.96, 59.37, -40.78

 

CMYK 0 / 18 / 69 / 33

HEX #AA8B35

RGB 170 139 53

HSL 44.1, 0.52%, 0.44%

LAB 59.22, 2.22, 48.68

 

CMYK 69 / 0 / 52 / 33

HEX #35AA51

RGB 53 170 81

HSL 134.36, 0.52%, 0.44%

LAB 61.74, -51.58, 36.37

 

CMYK 69 / 51 / 0 / 33

HEX #3554AA

RGB 53 84 170

HSL 224.1, 0.52%, 0.44%

LAB 37.84, 18.02, -49.61

 

CMYK 0 / 69 / 16 / 33

HEX #AA358F

RGB 170 53 143

HSL 313.85, 0.52%, 0.44%

LAB 42.88, 56.93, -24.62

 

Description

Color code: HEX #AA8B35 | qconv.com Color code: HEX #AA8B35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 139 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 139 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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