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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8BE3 it is the complementary color #55741C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8BE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8BE3 shade: #AF8BDE, #C09DF1, #D1AFFF, #E2C1FF and #F3D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8BE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8BE3 shade: #AA8BE3, #9979D0, #8867BD, #7755AA and #664397

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8BE3 shade: #AA8CE3, #C28CE3, #D98CE3, #E38CD5 and #E38CBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8BE3 shade: #AA8CE3, #938CE3 and #8C8CE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8BE3 shade matches the following richer shades: #AA8CE3, #A780EE and #A374FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8BE3 shade: #AA8CE3, #AE97D7, #B1A3CC, #B4AEC0 and #B8BAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8BE3 shade: #8C9CE3, #938CE3, #AA8CE3, #C18CE3 and #D88CE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8BE3 shade: #7A49D3, #926ADB, #AA8CE3, #C3ADEB and #DBCEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8BE3 shade: #AA8BE3, #E38CB3 and #90E38C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8BE3 shade: #AA8BE3, #E3AA8C and #8CE3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8BE3 shade: #AA8BE3, #E38CB3, #C4E38C and #8CE3BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8BE3 shade: #AA8BE3, #E38C99, #C4E38C and #8CE3D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

Complementary color

CMYK 27 / 0 / 76 / 55

HEX #55741C

RGB 85 116 28

HSL 81.14, 0.61%, 0.28%

LAB 44.95, -25.1, 42.35

 

CMYK 21 / 37 / 0 / 13

HEX #AF8BDE

RGB 175 139 222

HSL 266.02, 0.56%, 0.71%

LAB 64.04, 29.99, -37.31

 

CMYK 20 / 35 / 0 / 5

HEX #C09DF1

RGB 192 157 241

HSL 265, 0.75%, 0.78%

LAB 70.64, 29.28, -37.36

 

CMYK 18 / 31 / 0 / 0

HEX #D1AFFF

RGB 209 175 255

HSL 265.5, 1%, 0.84%

LAB 76.94, 27.53, -35.06

 

CMYK 11 / 24 / 0 / 0

HEX #E2C1FF

RGB 226 193 255

HSL 271.94, 1%, 0.88%

LAB 82.66, 22.98, -26.14

 

CMYK 5 / 17 / 0 / 0

HEX #F3D3FF

RGB 243 211 255

HSL 283.64, 1%, 0.91%

LAB 88.38, 18.81, -17.34

 

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

CMYK 26 / 42 / 0 / 18

HEX #9979D0

RGB 153 121 208

HSL 262.07, 0.48%, 0.65%

LAB 57.08, 30.51, -40.53

 

CMYK 28 / 46 / 0 / 26

HEX #8867BD

RGB 136 103 189

HSL 263.02, 0.39%, 0.57%

LAB 50.23, 31.4, -40.59

 

CMYK 30 / 50 / 0 / 33

HEX #7755AA

RGB 119 85 170

HSL 264, 0.33%, 0.5%

LAB 43.24, 32.37, -40.67

 

CMYK 32 / 56 / 0 / 41

HEX #664397

RGB 102 67 151

HSL 265, 0.39%, 0.43%

LAB 36.13, 33.42, -40.76

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 15 / 38 / 0 / 11

HEX #C28CE3

RGB 194 140 227

HSL 277.24, 0.61%, 0.72%

LAB 66.35, 36.18, -36.35

 

CMYK 4 / 38 / 0 / 11

HEX #D98CE3

RGB 217 140 227

HSL 293.1, 0.61%, 0.72%

LAB 68.79, 43.09, -32.36

 

CMYK 0 / 38 / 6 / 11

HEX #E38CD5

RGB 227 140 213

HSL 309.66, 0.61%, 0.72%

LAB 69.39, 43.65, -23.6

 

CMYK 0 / 38 / 17 / 11

HEX #E38CBD

RGB 227 140 189

HSL 326.21, 0.61%, 0.72%

LAB 68.58, 39.72, -11.48

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 35 / 38 / 0 / 11

HEX #938CE3

RGB 147 140 227

HSL 244.83, 0.61%, 0.72%

LAB 62.09, 22.74, -43.32

 

CMYK 38 / 38 / 0 / 11

HEX #8C8CE3

RGB 140 140 227

HSL 240, 0.61%, 0.72%

LAB 61.55, 20.88, -44.21

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 30 / 46 / 0 / 7

HEX #A780EE

RGB 167 128 238

HSL 261.27, 0.76%, 0.72%

LAB 61.5, 37.75, -50.23

 

CMYK 35 / 54 / 0 / 2

HEX #A374FA

RGB 163 116 250

HSL 261.04, 0.93%, 0.72%

LAB 59.14, 46.41, -60.65

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 19 / 30 / 0 / 16

HEX #AE97D7

RGB 174 151 215

HSL 261.56, 0.44%, 0.72%

LAB 66.55, 21.32, -29.54

 

CMYK 13 / 20 / 0 / 20

HEX #B1A3CC

RGB 177 163 204

HSL 260.49, 0.29%, 0.72%

LAB 69.4, 13.12, -19.07

 

CMYK 6 / 9 / 0 / 25

HEX #B4AEC0

RGB 180 174 192

HSL 260, 0.13%, 0.72%

LAB 72.08, 5.58, -8.4

 

CMYK 1 / 0 / 3 / 27

HEX #B8BAB4

RGB 184 186 180

HSL 80, 0.04%, 0.72%

LAB 75.2, -1.8, 2.78

 

CMYK 38 / 31 / 0 / 11

HEX #8C9CE3

RGB 140 156 227

HSL 228.97, 0.61%, 0.72%

LAB 65.67, 11.64, -37.75

 

CMYK 35 / 38 / 0 / 11

HEX #938CE3

RGB 147 140 227

HSL 244.83, 0.61%, 0.72%

LAB 62.09, 22.74, -43.32

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 15 / 38 / 0 / 11

HEX #C18CE3

RGB 193 140 227

HSL 276.55, 0.61%, 0.72%

LAB 66.24, 35.88, -36.52

 

CMYK 5 / 38 / 0 / 11

HEX #D88CE3

RGB 216 140 227

HSL 292.41, 0.61%, 0.72%

LAB 68.68, 42.79, -32.54

 

CMYK 42 / 65 / 0 / 17

HEX #7A49D3

RGB 122 73 211

HSL 261.3, 0.61%, 0.56%

LAB 43.66, 50.6, -63.87

 

CMYK 33 / 52 / 0 / 14

HEX #926ADB

RGB 146 106 219

HSL 261.24, 0.61%, 0.64%

LAB 53.53, 39.96, -52.41

 

CMYK 25 / 38 / 0 / 11

HEX #AA8CE3

RGB 170 140 227

HSL 260.69, 0.61%, 0.72%

LAB 64.04, 29.14, -40.12

 

CMYK 17 / 26 / 0 / 8

HEX #C3ADEB

RGB 195 173 235

HSL 261.29, 0.61%, 0.8%

LAB 74.5, 20.01, -28.12

 

CMYK 10 / 15 / 0 / 5

HEX #DBCEF3

RGB 219 206 243

HSL 261.08, 0.61%, 0.88%

LAB 84.83, 11.4, -16.54

 

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

CMYK 0 / 38 / 21 / 11

HEX #E38CB3

RGB 227 140 179

HSL 333.1, 0.61%, 0.72%

LAB 68.27, 38.2, -6.34

 

CMYK 37 / 0 / 38 / 11

HEX #90E38C

RGB 144 227 140

HSL 117.24, 0.61%, 0.72%

LAB 83.32, -42.17, 34.73

 

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

CMYK 0 / 25 / 38 / 11

HEX #E3AA8C

RGB 227 170 140

HSL 20.69, 0.61%, 0.72%

LAB 74.17, 17.06, 23.61

 

CMYK 38 / 0 / 25 / 11

HEX #8CE3AA

RGB 140 227 170

HSL 140.69, 0.61%, 0.72%

LAB 83.66, -38.32, 19.75

 

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

CMYK 0 / 38 / 21 / 11

HEX #E38CB3

RGB 227 140 179

HSL 333.1, 0.61%, 0.72%

LAB 68.27, 38.2, -6.34

 

CMYK 14 / 0 / 38 / 11

HEX #C4E38C

RGB 196 227 140

HSL 81.38, 0.61%, 0.72%

LAB 86.29, -24.33, 39.16

 

CMYK 38 / 0 / 18 / 11

HEX #8CE3BB

RGB 140 227 187

HSL 152.41, 0.61%, 0.72%

LAB 84.02, -35.02, 11.36

 

CMYK 25 / 39 / 0 / 11

HEX #AA8BE3

RGB 170 139 227

HSL 261.14, 0.61%, 0.72%

LAB 63.8, 29.71, -40.49

 

CMYK 0 / 38 / 33 / 11

HEX #E38C99

RGB 227 140 153

HSL 351.03, 0.61%, 0.72%

LAB 67.57, 34.64, 7.22

 

CMYK 14 / 0 / 38 / 11

HEX #C4E38C

RGB 196 227 140

HSL 81.38, 0.61%, 0.72%

LAB 86.29, -24.33, 39.16

 

CMYK 38 / 0 / 6 / 11

HEX #8CE3D6

RGB 140 227 214

HSL 171.03, 0.61%, 0.72%

LAB 84.67, -29.18, -1.93

 

Description

Color code: HEX #AA8BE3 | qconv.com Color code: HEX #AA8BE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 139 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 139 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 39% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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