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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8E1D it is the complementary color #5571E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8E1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8E1D shade: #AF8E18, #C0A02B, #D1B23E, #E2C451 and #F3D664

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8E1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8E1D shade: #AA8E1D, #997C0A, #886A00, #775800 and #664600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8E1D shade: #AA8E1C, #AA671C, #AA411C and #AA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8E1D shade: #AA8E1C, #A0AA1C, #79AA1C, #53AA1C and #2DAA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8E1D shade matches the following richer shades: #AA8E1C and #BA970C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8E1D shade: #AA8E1C, #99842C, #897A3D, #79704D and #69675D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8E1D shade: #AA421C, #AA681C, #AA8D1C, #A0AA1C and #7AAA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8E1D shade: #635310, #867016, #AA8E1C, #CDAB22 and #DDBD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8E1D shade: #AA8E1D, #1CAA1C and #551CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8E1D shade: #AA8E1D, #1CAA8D and #8D1CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8E1D shade: #AA8E1D, #1CAA1C, #1C39AA and #AA1CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8E1D shade: #AA8E1D, #1CAA47, #1C39AA and #AA1C7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

Complementary color

CMYK 62 / 50 / 0 / 11

HEX #5571E2

RGB 85 113 226

HSL 228.09, 0.71%, 0.61%

LAB 50.96, 24.67, -60.74

 

CMYK 0 / 19 / 86 / 31

HEX #AF8E18

RGB 175 142 24

HSL 46.89, 0.76%, 0.39%

LAB 60.36, 1.63, 60.42

 

CMYK 0 / 17 / 78 / 25

HEX #C0A02B

RGB 192 160 43

HSL 47.11, 0.63%, 0.46%

LAB 66.92, 0.11, 60.96

 

CMYK 0 / 15 / 70 / 18

HEX #D1B23E

RGB 209 178 62

HSL 47.35, 0.62%, 0.53%

LAB 73.38, -1.17, 60.63

 

CMYK 0 / 13 / 64 / 11

HEX #E2C451

RGB 226 196 81

HSL 47.59, 0.71%, 0.6%

LAB 79.75, -2.25, 59.84

 

CMYK 0 / 12 / 59 / 5

HEX #F3D664

RGB 243 214 100

HSL 47.83, 0.86%, 0.67%

LAB 86.04, -3.17, 58.82

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 0 / 19 / 93 / 40

HEX #997C0A

RGB 153 124 10

HSL 47.83, 0.88%, 0.32%

LAB 53.18, 1.18, 56.88

 

CMYK 0 / 22 / 100 / 47

HEX #886A00

RGB 136 106 0

HSL 46.76, 1%, 0.27%

LAB 46.37, 3.21, 53.11

 

CMYK 0 / 26 / 100 / 53

HEX #775800

RGB 119 88 0

HSL 44.37, 1%, 0.23%

LAB 39.41, 5.53, 47.39

 

CMYK 0 / 31 / 100 / 60

HEX #664600

RGB 102 70 0

HSL 41.18, 1%, 0.2%

LAB 32.27, 8.01, 41.53

 

CMYK 0 / 16 / 84 / 33

HEX #AA8E1C

RGB 170 142 28

HSL 48.17, 0.72%, 0.39%

LAB 59.87, -0.53, 58.69

 

CMYK 0 / 39 / 84 / 33

HEX #AA671C

RGB 170 103 28

HSL 31.69, 0.72%, 0.39%

LAB 49.89, 21.27, 50.04

 

CMYK 0 / 62 / 84 / 33

HEX #AA411C

RGB 170 65 28

HSL 15.63, 0.72%, 0.39%

LAB 41.86, 41.29, 42.84

 

CMYK 0 / 84 / 84 / 33

HEX #AA1C1C

RGB 170 28 28

HSL 0, 0.72%, 0.39%

LAB 36.86, 55, 38.2

 

CMYK 0 / 16 / 84 / 33

HEX #AA8E1C

RGB 170 142 28

HSL 48.17, 0.72%, 0.39%

LAB 59.87, -0.53, 58.69

 

CMYK 6 / 0 / 84 / 33

HEX #A0AA1C

RGB 160 170 28

HSL 64.23, 0.72%, 0.39%

LAB 66.75, -19.77, 64.22

 

CMYK 29 / 0 / 84 / 33

HEX #79AA1C

RGB 121 170 28

HSL 80.7, 0.72%, 0.39%

LAB 64.08, -36, 60.86

 

CMYK 51 / 0 / 84 / 33

HEX #53AA1C

RGB 83 170 28

HSL 96.76, 0.72%, 0.39%

LAB 62.23, -49.26, 58.51

 

CMYK 74 / 0 / 84 / 33

HEX #2DAA1C

RGB 45 170 28

HSL 112.82, 0.72%, 0.39%

LAB 61.13, -58.29, 57.1

 

CMYK 0 / 16 / 84 / 33

HEX #AA8E1C

RGB 170 142 28

HSL 48.17, 0.72%, 0.39%

LAB 59.87, -0.53, 58.69

 

CMYK 0 / 19 / 94 / 27

HEX #BA970C

RGB 186 151 12

HSL 47.93, 0.88%, 0.39%

LAB 63.83, 1.47, 66.09

 

CMYK 0 / 16 / 84 / 33

HEX #AA8E1C

RGB 170 142 28

HSL 48.17, 0.72%, 0.39%

LAB 59.87, -0.53, 58.69

 

CMYK 0 / 14 / 71 / 40

HEX #99842C

RGB 153 132 44

HSL 48.44, 0.55%, 0.39%

LAB 55.54, -2.1, 48.27

 

CMYK 0 / 11 / 55 / 46

HEX #897A3D

RGB 137 122 61

HSL 48.16, 0.38%, 0.39%

LAB 51.35, -2.55, 35.11

 

CMYK 0 / 7 / 36 / 53

HEX #79704D

RGB 121 112 77

HSL 47.73, 0.22%, 0.39%

LAB 47.22, -2.19, 20.75

 

CMYK 0 / 2 / 11 / 59

HEX #69675D

RGB 105 103 93

HSL 50, 0.06%, 0.39%

LAB 43.5, -1.16, 5.92

 

CMYK 0 / 61 / 84 / 33

HEX #AA421C

RGB 170 66 28

HSL 16.06, 0.72%, 0.39%

LAB 42.04, 40.81, 43.01

 

CMYK 0 / 39 / 84 / 33

HEX #AA681C

RGB 170 104 28

HSL 32.11, 0.72%, 0.39%

LAB 50.13, 20.71, 50.25

 

CMYK 0 / 17 / 84 / 33

HEX #AA8D1C

RGB 170 141 28

HSL 47.75, 0.72%, 0.39%

LAB 59.6, 0.01, 58.46

 

CMYK 6 / 0 / 84 / 33

HEX #A0AA1C

RGB 160 170 28

HSL 64.23, 0.72%, 0.39%

LAB 66.75, -19.77, 64.22

 

CMYK 28 / 0 / 84 / 33

HEX #7AAA1C

RGB 122 170 28

HSL 80.28, 0.72%, 0.39%

LAB 64.14, -35.61, 60.93

 

CMYK 0 / 16 / 84 / 61

HEX #635310

RGB 99 83 16

HSL 48.43, 0.72%, 0.23%

LAB 35.75, -0.93, 38.61

 

CMYK 0 / 16 / 84 / 47

HEX #867016

RGB 134 112 22

HSL 48.21, 0.72%, 0.31%

LAB 47.9, -0.67, 48.75

 

CMYK 0 / 16 / 84 / 33

HEX #AA8E1C

RGB 170 142 28

HSL 48.17, 0.72%, 0.39%

LAB 59.87, -0.53, 58.69

 

CMYK 0 / 17 / 83 / 20

HEX #CDAB22

RGB 205 171 34

HSL 48.07, 0.72%, 0.47%

LAB 71.02, -0.31, 67.86

 

CMYK 0 / 14 / 73 / 13

HEX #DDBD3B

RGB 221 189 59

HSL 48.15, 0.7%, 0.55%

LAB 77.33, -1.9, 66.05

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 84 / 0 / 84 / 33

HEX #1CAA1C

RGB 28 170 28

HSL 120, 0.72%, 0.39%

LAB 60.85, -60.68, 56.75

 

CMYK 50 / 84 / 0 / 33

HEX #551CAA

RGB 85 28 170

HSL 264.08, 0.72%, 0.39%

LAB 28.55, 54.68, -64.64

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 84 / 0 / 17 / 33

HEX #1CAA8D

RGB 28 170 141

HSL 167.75, 0.72%, 0.39%

LAB 62.44, -42.39, 4.91

 

CMYK 17 / 84 / 0 / 33

HEX #8D1CAA

RGB 141 28 170

HSL 287.75, 0.72%, 0.39%

LAB 36.73, 63.27, -50.94

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 84 / 0 / 84 / 33

HEX #1CAA1C

RGB 28 170 28

HSL 120, 0.72%, 0.39%

LAB 60.85, -60.68, 56.75

 

CMYK 84 / 66 / 0 / 33

HEX #1C39AA

RGB 28 57 170

HSL 227.75, 0.72%, 0.39%

LAB 29.6, 32.99, -63.07

 

CMYK 0 / 84 / 0 / 33

HEX #AA1CAA

RGB 170 28 170

HSL 300, 0.72%, 0.39%

LAB 41.66, 68.6, -42.78

 

CMYK 0 / 16 / 83 / 33

HEX #AA8E1D

RGB 170 142 29

HSL 48.09, 0.71%, 0.39%

LAB 59.87, -0.5, 58.4

 

CMYK 84 / 0 / 58 / 33

HEX #1CAA47

RGB 28 170 71

HSL 138.17, 0.72%, 0.39%

LAB 61.18, -56.64, 40.48

 

CMYK 84 / 66 / 0 / 33

HEX #1C39AA

RGB 28 57 170

HSL 227.75, 0.72%, 0.39%

LAB 29.6, 32.99, -63.07

 

CMYK 0 / 84 / 25 / 33

HEX #AA1C7F

RGB 170 28 127

HSL 318.17, 0.72%, 0.39%

LAB 39.43, 62.51, -20.15

 

Description

Color code: HEX #AA8E1D | qconv.com Color code: HEX #AA8E1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 142 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 142 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 83 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 83% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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