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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA984B it is the complementary color #5567B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA984B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA984B shade: #AF9846, #C0AA59, #D1BC6C, #E2CE7F and #F3E092

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA984B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA984B shade: #AA984B, #998638, #887425, #776212 and #665000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA984B shade: #AA984A, #AA7E4A, #AA644A, #AA4A4A and #AA4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA984B shade: #AA984A, #A2AA4A, #88AA4A, #6EAA4A and #55AA4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA984B shade matches the following richer shades: #AA984A, #BDA436, #D1B023 and #E5BC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA984B shade: #AA984A, #968B5E, #827F72, #6E7386 and #5A6699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA984B shade: #AA644A, #AA7D4A, #AA974A, #A3AA4A and #8AAA4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA984B shade: #706431, #8D7E3E, #AA984A, #BAAA63 and #C7B980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA984B shade: #AA984B, #4AAA4A and #704AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA984B shade: #AA984B, #4AAA97 and #974AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA984B shade: #AA984B, #4AAA4A, #4A5DAA and #AA4AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA984B shade: #AA984B, #4AAA67, #4A5DAA and #AA4A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

Complementary color

CMYK 53 / 43 / 0 / 29

HEX #5567B4

RGB 85 103 180

HSL 228.63, 0.39%, 0.52%

LAB 45.53, 15.56, -43.07

 

CMYK 0 / 13 / 60 / 31

HEX #AF9846

RGB 175 152 70

HSL 46.86, 0.43%, 0.48%

LAB 63.35, -1.56, 45.42

 

CMYK 0 / 11 / 54 / 25

HEX #C0AA59

RGB 192 170 89

HSL 47.18, 0.45%, 0.55%

LAB 69.95, -2.4, 44.2

 

CMYK 0 / 10 / 48 / 18

HEX #D1BC6C

RGB 209 188 108

HSL 47.52, 0.52%, 0.62%

LAB 76.44, -3.1, 42.95

 

CMYK 0 / 9 / 44 / 11

HEX #E2CE7F

RGB 226 206 127

HSL 47.88, 0.63%, 0.69%

LAB 82.83, -3.69, 41.72

 

CMYK 0 / 8 / 40 / 5

HEX #F3E092

RGB 243 224 146

HSL 48.25, 0.8%, 0.76%

LAB 89.13, -4.2, 40.53

 

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

CMYK 0 / 12 / 63 / 40

HEX #998638

RGB 153 134 56

HSL 48.25, 0.46%, 0.41%

LAB 56.2, -2.46, 43.54

 

CMYK 0 / 15 / 73 / 47

HEX #887425

RGB 136 116 37

HSL 47.88, 0.57%, 0.34%

LAB 49.32, -1.34, 44.44

 

CMYK 0 / 18 / 85 / 53

HEX #776212

RGB 119 98 18

HSL 47.52, 0.74%, 0.27%

LAB 42.31, 0.09, 44.56

 

CMYK 0 / 22 / 100 / 60

HEX #665000

RGB 102 80 0

HSL 47.06, 1%, 0.2%

LAB 35.13, 1.88, 43.49

 

CMYK 0 / 11 / 56 / 33

HEX #AA984A

RGB 170 152 74

HSL 48.75, 0.39%, 0.48%

LAB 62.92, -3.42, 42.85

 

CMYK 0 / 26 / 56 / 33

HEX #AA7E4A

RGB 170 126 74

HSL 32.5, 0.39%, 0.48%

LAB 56.05, 10.97, 34.68

 

CMYK 0 / 41 / 56 / 33

HEX #AA644A

RGB 170 100 74

HSL 16.25, 0.39%, 0.48%

LAB 49.68, 25.59, 26.76

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 11 / 56 / 33

HEX #AA984A

RGB 170 152 74

HSL 48.75, 0.39%, 0.48%

LAB 62.92, -3.42, 42.85

 

CMYK 5 / 0 / 56 / 33

HEX #A2AA4A

RGB 162 170 74

HSL 65, 0.39%, 0.48%

LAB 67.22, -16.36, 47.6

 

CMYK 20 / 0 / 56 / 33

HEX #88AA4A

RGB 136 170 74

HSL 81.25, 0.39%, 0.48%

LAB 65.34, -27.01, 44.95

 

CMYK 35 / 0 / 56 / 33

HEX #6EAA4A

RGB 110 170 74

HSL 97.5, 0.39%, 0.48%

LAB 63.8, -36.79, 42.77

 

CMYK 50 / 0 / 56 / 33

HEX #55AA4A

RGB 85 170 74

HSL 113.13, 0.39%, 0.48%

LAB 62.66, -44.86, 41.14

 

CMYK 0 / 11 / 56 / 33

HEX #AA984A

RGB 170 152 74

HSL 48.75, 0.39%, 0.48%

LAB 62.92, -3.42, 42.85

 

CMYK 0 / 13 / 71 / 26

HEX #BDA436

RGB 189 164 54

HSL 48.89, 0.56%, 0.48%

LAB 67.75, -2.86, 57.56

 

CMYK 0 / 16 / 83 / 18

HEX #D1B023

RGB 209 176 35

HSL 48.62, 0.71%, 0.48%

LAB 72.71, -1.17, 69.17

 

CMYK 0 / 18 / 93 / 10

HEX #E5BC0F

RGB 229 188 15

HSL 48.5, 0.88%, 0.48%

LAB 77.67, 0.89, 77.88

 

CMYK 0 / 11 / 56 / 33

HEX #AA984A

RGB 170 152 74

HSL 48.75, 0.39%, 0.48%

LAB 62.92, -3.42, 42.85

 

CMYK 0 / 7 / 37 / 41

HEX #968B5E

RGB 150 139 94

HSL 48.21, 0.23%, 0.48%

LAB 57.81, -2.85, 25.58

 

CMYK 0 / 2 / 12 / 49

HEX #827F72

RGB 130 127 114

HSL 48.75, 0.07%, 0.48%

LAB 53.1, -1.29, 7.47

 

CMYK 18 / 14 / 0 / 47

HEX #6E7386

RGB 110 115 134

HSL 227.5, 0.1%, 0.48%

LAB 48.63, 2.37, -11.04

 

CMYK 41 / 33 / 0 / 40

HEX #5A6699

RGB 90 102 153

HSL 228.57, 0.26%, 0.48%

LAB 44.2, 9.02, -29.26

 

CMYK 0 / 41 / 56 / 33

HEX #AA644A

RGB 170 100 74

HSL 16.25, 0.39%, 0.48%

LAB 49.68, 25.59, 26.76

 

CMYK 0 / 26 / 56 / 33

HEX #AA7D4A

RGB 170 125 74

HSL 31.88, 0.39%, 0.48%

LAB 55.79, 11.53, 34.37

 

CMYK 0 / 11 / 56 / 33

HEX #AA974A

RGB 170 151 74

HSL 48.13, 0.39%, 0.48%

LAB 62.65, -2.88, 42.54

 

CMYK 4 / 0 / 56 / 33

HEX #A3AA4A

RGB 163 170 74

HSL 64.38, 0.39%, 0.48%

LAB 67.3, -15.94, 47.71

 

CMYK 19 / 0 / 56 / 33

HEX #8AAA4A

RGB 138 170 74

HSL 80, 0.39%, 0.48%

LAB 65.47, -26.22, 45.14

 

CMYK 0 / 11 / 56 / 56

HEX #706431

RGB 112 100 49

HSL 48.57, 0.39%, 0.32%

LAB 42.43, -2.47, 30.33

 

CMYK 0 / 11 / 56 / 45

HEX #8D7E3E

RGB 141 126 62

HSL 48.61, 0.39%, 0.4%

LAB 52.88, -2.92, 36.48

 

CMYK 0 / 11 / 56 / 33

HEX #AA984A

RGB 170 152 74

HSL 48.75, 0.39%, 0.48%

LAB 62.92, -3.42, 42.85

 

CMYK 0 / 9 / 47 / 27

HEX #BAAA63

RGB 186 170 99

HSL 48.97, 0.39%, 0.56%

LAB 69.53, -4, 38.53

 

CMYK 0 / 7 / 36 / 22

HEX #C7B980

RGB 199 185 128

HSL 48.17, 0.39%, 0.64%

LAB 75.08, -3.45, 30.75

 

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

CMYK 56 / 0 / 56 / 33

HEX #4AAA4A

RGB 74 170 74

HSL 120, 0.39%, 0.48%

LAB 62.25, -47.87, 40.57

 

CMYK 34 / 56 / 0 / 33

HEX #704AAA

RGB 112 74 170

HSL 263.75, 0.39%, 0.48%

LAB 39.99, 36.95, -45.91

 

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

CMYK 56 / 0 / 11 / 33

HEX #4AAA97

RGB 74 170 151

HSL 168.13, 0.39%, 0.48%

LAB 63.7, -32.95, 1.29

 

CMYK 11 / 56 / 0 / 33

HEX #974AAA

RGB 151 74 170

HSL 288.13, 0.39%, 0.48%

LAB 44.77, 47.2, -38.01

 

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

CMYK 56 / 0 / 56 / 33

HEX #4AAA4A

RGB 74 170 74

HSL 120, 0.39%, 0.48%

LAB 62.25, -47.87, 40.57

 

CMYK 56 / 45 / 0 / 33

HEX #4A5DAA

RGB 74 93 170

HSL 228.13, 0.39%, 0.48%

LAB 41.51, 16.13, -43.66

 

CMYK 0 / 56 / 0 / 33

HEX #AA4AAA

RGB 170 74 170

HSL 300, 0.39%, 0.48%

LAB 47.43, 52.36, -33.65

 

CMYK 0 / 11 / 56 / 33

HEX #AA984B

RGB 170 152 75

HSL 48.63, 0.39%, 0.48%

LAB 62.94, -3.34, 42.37

 

CMYK 56 / 0 / 39 / 33

HEX #4AAA67

RGB 74 170 103

HSL 138.13, 0.39%, 0.48%

LAB 62.66, -43.43, 26.24

 

CMYK 56 / 45 / 0 / 33

HEX #4A5DAA

RGB 74 93 170

HSL 228.13, 0.39%, 0.48%

LAB 41.51, 16.13, -43.66

 

CMYK 0 / 56 / 17 / 33

HEX #AA4A8D

RGB 170 74 141

HSL 318.13, 0.39%, 0.48%

LAB 46.13, 47.49, -18.38

 

Description

Color code: HEX #AA984B | qconv.com Color code: HEX #AA984B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 152 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 152 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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