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Color name
HEX #AA988D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA988D it is the complementary color #556772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA988D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA988D shade: #AF9888, #C0AA9B, #D1BCAE, #E2CEC1 and #F3E0D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA988D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA988D shade: #AA988D, #99867A, #887467, #776254 and #665041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA988D shade: #AA978C, #AA8F8C and #AA8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA988D shade: #AA978C, #AA9F8C, #AAA88C, #A4AA8C and #9CAA8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA988D shade matches the following richer shades: #AA978C, #BA947C, #CA906C, #DA8C5C and #EA884C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA988D shade: #AA978C, #9A9B9C, #8A9FAC, #7AA3BC and #6AA7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA988D shade: #AA8C91, #AA8F8C, #AA978C, #AA9F8C and #AAA78C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA988D shade: #836E61, #988274, #AA978C, #BCADA4 and #CDC2BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA988D shade: #AA988D, #99AA8C and #8C8DAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA988D shade: #AA988D, #8CAA97 and #978CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA988D shade: #AA988D, #99AA8C, #8C9FAA and #9D8CAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA988D shade: #AA988D, #90AA8C, #8C9FAA and #A68CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

Complementary color

CMYK 25 / 10 / 0 / 55

HEX #556772

RGB 85 103 114

HSL 202.76, 0.15%, 0.39%

LAB 42.53, -4.04, -8.41

 

CMYK 0 / 13 / 22 / 31

HEX #AF9888

RGB 175 152 136

HSL 24.62, 0.2%, 0.61%

LAB 64.44, 5.93, 11.55

 

CMYK 0 / 11 / 19 / 25

HEX #C0AA9B

RGB 192 170 155

HSL 24.32, 0.23%, 0.68%

LAB 71.09, 5.53, 10.64

 

CMYK 0 / 10 / 17 / 18

HEX #D1BCAE

RGB 209 188 174

HSL 24, 0.28%, 0.75%

LAB 77.63, 5.17, 9.78

 

CMYK 0 / 9 / 15 / 11

HEX #E2CEC1

RGB 226 206 193

HSL 23.64, 0.36%, 0.82%

LAB 84.05, 4.84, 8.98

 

CMYK 0 / 8 / 13 / 5

HEX #F3E0D4

RGB 243 224 212

HSL 23.23, 0.56%, 0.89%

LAB 90.38, 4.55, 8.21

 

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

CMYK 0 / 12 / 20 / 40

HEX #99867A

RGB 153 134 122

HSL 23.23, 0.13%, 0.54%

LAB 57.3, 5.17, 9.09

 

CMYK 0 / 15 / 24 / 47

HEX #887467

RGB 136 116 103

HSL 23.64, 0.14%, 0.47%

LAB 50.34, 5.62, 10.06

 

CMYK 0 / 18 / 29 / 53

HEX #776254

RGB 119 98 84

HSL 24, 0.17%, 0.4%

LAB 43.21, 6.16, 11.14

 

CMYK 0 / 22 / 36 / 60

HEX #665041

RGB 102 80 65

HSL 24.32, 0.22%, 0.33%

LAB 35.88, 6.82, 12.34

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 0 / 16 / 18 / 33

HEX #AA8F8C

RGB 170 143 140

HSL 6, 0.15%, 0.61%

LAB 61.73, 9.64, 5.37

 

CMYK 0 / 18 / 18 / 33

HEX #AA8C8C

RGB 170 140 140

HSL 0, 0.15%, 0.61%

LAB 60.95, 11.32, 4.25

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 0 / 6 / 18 / 33

HEX #AA9F8C

RGB 170 159 140

HSL 38, 0.15%, 0.61%

LAB 65.93, 0.77, 11.36

 

CMYK 0 / 1 / 18 / 33

HEX #AAA88C

RGB 170 168 140

HSL 56, 0.15%, 0.61%

LAB 68.35, -4.12, 14.75

 

CMYK 4 / 0 / 18 / 33

HEX #A4AA8C

RGB 164 170 140

HSL 72, 0.15%, 0.61%

LAB 68.41, -7.47, 14.77

 

CMYK 8 / 0 / 18 / 33

HEX #9CAA8C

RGB 156 170 140

HSL 88, 0.15%, 0.61%

LAB 67.81, -10.46, 13.83

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 0 / 20 / 33 / 27

HEX #BA947C

RGB 186 148 124

HSL 23.23, 0.31%, 0.61%

LAB 64.22, 10.81, 18.11

 

CMYK 0 / 29 / 47 / 21

HEX #CA906C

RGB 202 144 108

HSL 22.98, 0.47%, 0.61%

LAB 64.63, 17.65, 27.82

 

CMYK 0 / 36 / 58 / 15

HEX #DA8C5C

RGB 218 140 92

HSL 22.86, 0.63%, 0.61%

LAB 65.31, 24.93, 37.69

 

CMYK 0 / 42 / 68 / 8

HEX #EA884C

RGB 234 136 76

HSL 22.78, 0.79%, 0.61%

LAB 66.23, 32.47, 47.53

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 1 / 1 / 0 / 39

HEX #9A9B9C

RGB 154 155 156

HSL 210, 0.01%, 0.61%

LAB 63.93, -0.16, -0.66

 

CMYK 20 / 8 / 0 / 33

HEX #8A9FAC

RGB 138 159 172

HSL 202.94, 0.17%, 0.61%

LAB 64.3, -4.48, -9.22

 

CMYK 35 / 13 / 0 / 26

HEX #7AA3BC

RGB 122 163 188

HSL 202.73, 0.33%, 0.61%

LAB 64.93, -7.66, -17.33

 

CMYK 48 / 18 / 0 / 20

HEX #6AA7CC

RGB 106 167 204

HSL 202.65, 0.49%, 0.61%

LAB 65.8, -9.65, -24.99

 

CMYK 0 / 18 / 15 / 33

HEX #AA8C91

RGB 170 140 145

HSL 350, 0.15%, 0.61%

LAB 61.09, 12.15, 1.6

 

CMYK 0 / 16 / 18 / 33

HEX #AA8F8C

RGB 170 143 140

HSL 6, 0.15%, 0.61%

LAB 61.73, 9.64, 5.37

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 0 / 6 / 18 / 33

HEX #AA9F8C

RGB 170 159 140

HSL 38, 0.15%, 0.61%

LAB 65.93, 0.77, 11.36

 

CMYK 0 / 2 / 18 / 33

HEX #AAA78C

RGB 170 167 140

HSL 54, 0.15%, 0.61%

LAB 68.08, -3.58, 14.37

 

CMYK 0 / 16 / 26 / 49

HEX #836E61

RGB 131 110 97

HSL 22.94, 0.15%, 0.45%

LAB 48.06, 6.12, 10.33

 

CMYK 0 / 14 / 24 / 40

HEX #988274

RGB 152 130 116

HSL 23.33, 0.15%, 0.53%

LAB 55.99, 6.1, 10.68

 

CMYK 0 / 11 / 18 / 33

HEX #AA978C

RGB 170 151 140

HSL 22, 0.15%, 0.61%

LAB 63.81, 5.18, 8.35

 

CMYK 0 / 8 / 13 / 26

HEX #BCADA4

RGB 188 173 164

HSL 22.5, 0.15%, 0.69%

LAB 71.73, 3.85, 6.56

 

CMYK 0 / 5 / 8 / 20

HEX #CDC2BC

RGB 205 194 188

HSL 21.18, 0.15%, 0.77%

LAB 79.15, 2.81, 4.38

 

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

CMYK 10 / 0 / 18 / 33

HEX #99AA8C

RGB 153 170 140

HSL 94, 0.15%, 0.61%

LAB 67.59, -11.57, 13.49

 

CMYK 18 / 17 / 0 / 33

HEX #8C8DAA

RGB 140 141 170

HSL 238, 0.15%, 0.61%

LAB 59.46, 5.83, -15.36

 

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

CMYK 18 / 0 / 11 / 33

HEX #8CAA97

RGB 140 170 151

HSL 142, 0.15%, 0.61%

LAB 66.95, -14.18, 6.38

 

CMYK 11 / 18 / 0 / 33

HEX #978CAA

RGB 151 140 170

HSL 262, 0.15%, 0.61%

LAB 60.1, 10.1, -14.3

 

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

CMYK 10 / 0 / 18 / 33

HEX #99AA8C

RGB 153 170 140

HSL 94, 0.15%, 0.61%

LAB 67.59, -11.57, 13.49

 

CMYK 18 / 6 / 0 / 33

HEX #8C9FAA

RGB 140 159 170

HSL 202, 0.15%, 0.61%

LAB 64.38, -4.28, -7.97

 

CMYK 8 / 18 / 0 / 33

HEX #9D8CAA

RGB 157 140 170

HSL 274, 0.15%, 0.61%

LAB 60.63, 12.16, -13.45

 

CMYK 0 / 11 / 17 / 33

HEX #AA988D

RGB 170 152 141

HSL 22.76, 0.15%, 0.61%

LAB 64.1, 4.78, 8.2

 

CMYK 15 / 0 / 18 / 33

HEX #90AA8C

RGB 144 170 140

HSL 112, 0.15%, 0.61%

LAB 66.95, -14.84, 12.51

 

CMYK 18 / 6 / 0 / 33

HEX #8C9FAA

RGB 140 159 170

HSL 202, 0.15%, 0.61%

LAB 64.38, -4.28, -7.97

 

CMYK 2 / 18 / 0 / 33

HEX #A68CAA

RGB 166 140 170

HSL 292, 0.15%, 0.61%

LAB 61.45, 15.29, -12.13

 

Description

Color code: HEX #AA988D | qconv.com Color code: HEX #AA988D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 152 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 152 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 17% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - 米袋财富 高安全高稳定理财计划 预期收益...
Link: http://www.midai365.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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