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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA908F it is the complementary color #556F70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA908F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA908F shade: #AF908A, #C0A29D, #D1B4B0, #E2C6C3 and #F3D8D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA908F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA908F shade: #AA908F, #997E7C, #886C69, #775A56 and #664843

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA908F shade: #A98E8D and #A98D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA908F shade: #A98E8D, #A9968D, #A99D8D, #A9A58D and #A6A98D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA908F shade matches the following richer shades: #A98E8D, #B97F7D, #C9706D, #D9615D and #E9534D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA908F shade: #A98E8D, #999D9D, #89ACAD, #79BBBD and #69CACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA908F shade: #A98D9B, #A98D94, #A98E8D, #A9958D and #A99D8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA908F shade: #826362, #977776, #A98E8D, #BBA5A5 and #CCBDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA908F shade: #AA908F, #A2A98D and #8D97A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA908F shade: #AA908F, #8DA98E and #8E8DA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA908F shade: #AA908F, #A2A98D, #8DA8A9 and #948DA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA908F shade: #AA908F, #9AA98D, #8DA8A9 and #9C8DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

Complementary color

CMYK 24 / 1 / 0 / 56

HEX #556F70

RGB 85 111 112

HSL 182.22, 0.14%, 0.39%

LAB 44.9, -9.21, -3.68

 

CMYK 0 / 18 / 21 / 31

HEX #AF908A

RGB 175 144 138

HSL 9.73, 0.19%, 0.61%

LAB 62.42, 10.69, 7.56

 

CMYK 0 / 16 / 18 / 25

HEX #C0A29D

RGB 192 162 157

HSL 8.57, 0.22%, 0.68%

LAB 69.1, 10.2, 6.69

 

CMYK 0 / 14 / 16 / 18

HEX #D1B4B0

RGB 209 180 176

HSL 7.27, 0.26%, 0.75%

LAB 75.66, 9.76, 5.88

 

CMYK 0 / 12 / 14 / 11

HEX #E2C6C3

RGB 226 198 195

HSL 5.81, 0.35%, 0.83%

LAB 82.11, 9.37, 5.12

 

CMYK 0 / 11 / 12 / 5

HEX #F3D8D6

RGB 243 216 214

HSL 4.14, 0.55%, 0.9%

LAB 88.46, 9.01, 4.39

 

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

CMYK 0 / 18 / 19 / 40

HEX #997E7C

RGB 153 126 124

HSL 4.14, 0.12%, 0.54%

LAB 55.23, 10.05, 4.98

 

CMYK 0 / 21 / 23 / 47

HEX #886C69

RGB 136 108 105

HSL 5.81, 0.13%, 0.47%

LAB 48.23, 10.61, 5.89

 

CMYK 0 / 24 / 28 / 53

HEX #775A56

RGB 119 90 86

HSL 7.27, 0.16%, 0.4%

LAB 41.07, 11.27, 6.91

 

CMYK 0 / 29 / 34 / 60

HEX #664843

RGB 102 72 67

HSL 8.57, 0.21%, 0.33%

LAB 33.7, 12.06, 8.07

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 0 / 17 / 17 / 34

HEX #A98D8D

RGB 169 141 141

HSL 0, 0.14%, 0.61%

LAB 61.14, 10.54, 3.94

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 0 / 11 / 17 / 34

HEX #A9968D

RGB 169 150 141

HSL 19.29, 0.14%, 0.61%

LAB 63.48, 5.51, 7.31

 

CMYK 0 / 7 / 17 / 34

HEX #A99D8D

RGB 169 157 141

HSL 34.29, 0.14%, 0.61%

LAB 65.34, 1.64, 9.94

 

CMYK 0 / 2 / 17 / 34

HEX #A9A58D

RGB 169 165 141

HSL 51.43, 0.14%, 0.61%

LAB 67.48, -2.72, 12.97

 

CMYK 2 / 0 / 17 / 34

HEX #A6A98D

RGB 166 169 141

HSL 66.43, 0.14%, 0.61%

LAB 68.32, -6.01, 14.11

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 0 / 31 / 32 / 27

HEX #B97F7D

RGB 185 127 125

HSL 2, 0.3%, 0.61%

LAB 58.95, 22.22, 10.18

 

CMYK 0 / 44 / 46 / 21

HEX #C9706D

RGB 201 112 109

HSL 1.96, 0.46%, 0.61%

LAB 57.18, 34.7, 17.24

 

CMYK 0 / 55 / 57 / 15

HEX #D9615D

RGB 217 97 93

HSL 1.94, 0.62%, 0.61%

LAB 56.18, 46.81, 25.54

 

CMYK 0 / 64 / 67 / 9

HEX #E9534D

RGB 233 83 77

HSL 2.31, 0.78%, 0.61%

LAB 56.13, 57.54, 35.17

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 3 / 0 / 0 / 38

HEX #999D9D

RGB 153 157 157

HSL 180, 0.02%, 0.61%

LAB 64.42, -1.43, -0.51

 

CMYK 21 / 1 / 0 / 32

HEX #89ACAD

RGB 137 172 173

HSL 181.67, 0.18%, 0.61%

LAB 67.9, -11.61, -4.45

 

CMYK 36 / 1 / 0 / 26

HEX #79BBBD

RGB 121 187 189

HSL 181.76, 0.34%, 0.61%

LAB 71.74, -20.37, -7.67

 

CMYK 49 / 1 / 0 / 20

HEX #69CACD

RGB 105 202 205

HSL 181.8, 0.5%, 0.61%

LAB 75.86, -27.7, -10.32

 

CMYK 0 / 17 / 8 / 34

HEX #A98D9B

RGB 169 141 155

HSL 330, 0.14%, 0.61%

LAB 61.53, 12.96, -3.46

 

CMYK 0 / 17 / 12 / 34

HEX #A98D94

RGB 169 141 148

HSL 345, 0.14%, 0.61%

LAB 61.33, 11.72, 0.23

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 0 / 12 / 17 / 34

HEX #A9958D

RGB 169 149 141

HSL 17.14, 0.14%, 0.61%

LAB 63.22, 6.07, 6.93

 

CMYK 0 / 7 / 17 / 34

HEX #A99D8D

RGB 169 157 141

HSL 34.29, 0.14%, 0.61%

LAB 65.34, 1.64, 9.94

 

CMYK 0 / 24 / 25 / 49

HEX #826362

RGB 130 99 98

HSL 1.87, 0.14%, 0.45%

LAB 45.01, 12.35, 5.4

 

CMYK 0 / 21 / 22 / 41

HEX #977776

RGB 151 119 118

HSL 1.82, 0.14%, 0.53%

LAB 53.04, 12.32, 5.31

 

CMYK 0 / 16 / 17 / 34

HEX #A98E8D

RGB 169 142 141

HSL 2.14, 0.14%, 0.61%

LAB 61.4, 9.98, 4.31

 

CMYK 0 / 12 / 12 / 27

HEX #BBA5A5

RGB 187 165 165

HSL 0, 0.14%, 0.69%

LAB 69.61, 8, 2.93

 

CMYK 0 / 7 / 8 / 20

HEX #CCBDBC

RGB 204 189 188

HSL 3.75, 0.14%, 0.77%

LAB 77.79, 5.12, 2.4

 

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

CMYK 4 / 0 / 17 / 34

HEX #A2A98D

RGB 162 169 141

HSL 75, 0.14%, 0.61%

LAB 68.01, -7.52, 13.63

 

CMYK 17 / 11 / 0 / 34

HEX #8D97A9

RGB 141 151 169

HSL 218.57, 0.14%, 0.61%

LAB 62.22, 0.27, -10.63

 

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

CMYK 17 / 0 / 16 / 34

HEX #8DA98E

RGB 141 169 142

HSL 122.14, 0.14%, 0.61%

LAB 66.51, -15.02, 10.76

 

CMYK 16 / 17 / 0 / 34

HEX #8E8DA9

RGB 142 141 169

HSL 242.14, 0.14%, 0.61%

LAB 59.58, 6.27, -14.58

 

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

CMYK 4 / 0 / 17 / 34

HEX #A2A98D

RGB 162 169 141

HSL 75, 0.14%, 0.61%

LAB 68.01, -7.52, 13.63

 

CMYK 17 / 1 / 0 / 34

HEX #8DA8A9

RGB 141 168 169

HSL 182.14, 0.14%, 0.61%

LAB 66.92, -9.06, -3.64

 

CMYK 12 / 17 / 0 / 34

HEX #948DA9

RGB 148 141 169

HSL 255, 0.14%, 0.61%

LAB 60.08, 8.29, -13.79

 

CMYK 0 / 15 / 16 / 33

HEX #AA908F

RGB 170 144 143

HSL 2.22, 0.14%, 0.61%

LAB 62.06, 9.57, 4.15

 

CMYK 9 / 0 / 17 / 34

HEX #9AA98D

RGB 154 169 141

HSL 92.14, 0.14%, 0.61%

LAB 67.4, -10.5, 12.7

 

CMYK 17 / 1 / 0 / 34

HEX #8DA8A9

RGB 141 168 169

HSL 182.14, 0.14%, 0.61%

LAB 66.92, -9.06, -3.64

 

CMYK 8 / 17 / 0 / 34

HEX #9C8DA9

RGB 156 141 169

HSL 272.14, 0.14%, 0.61%

LAB 60.77, 11.04, -12.69

 

Description

Color code: HEX #AA908F | qconv.com Color code: HEX #AA908F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 144 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 144 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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