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Color name
HEX #AA9100

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9100 it is the complementary color #556EFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9100 shade: #AF9100, #C0A30E, #D1B521, #E2C734 and #F3D947

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9100 shade: #AA9100, #997F00, #886D00, #775B00 and #664900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9100 shade: #A88F00, #A86200, #A83400, #A80700 and #A80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9100 shade: #A88F00, #93A800, #66A800, #38A800 and #0BA800

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9100 shade matches the following richer shades: #A88F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9100 shade: #A88F00, #9A850D, #8D7C1B, #7F7228 and #716936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9100 shade: #A83500, #A86200, #A88F00, #94A800 and #67A800

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9100 shade: #554900, #7F6C00, #A88F00, #D1B200 and #FAD500

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9100 shade: #AA9100, #00A808 and #4B00A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9100 shade: #AA9100, #00A88F and #8F00A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9100 shade: #AA9100, #00A808, #0019A8 and #A8009F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9100 shade: #AA9100, #00A83A, #0019A8 and #A8006D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

Complementary color

CMYK 67 / 57 / 0 / 0

HEX #556EFF

RGB 85 110 255

HSL 231.18, 1%, 0.67%

LAB 52.18, 36.32, -74.95

 

CMYK 0 / 17 / 100 / 31

HEX #AF9100

RGB 175 145 0

HSL 49.71, 1%, 0.34%

LAB 61.1, -0.42, 65.35

 

CMYK 0 / 15 / 93 / 25

HEX #C0A30E

RGB 192 163 14

HSL 50.22, 0.86%, 0.4%

LAB 67.6, -2.26, 68.88

 

CMYK 0 / 13 / 84 / 18

HEX #D1B521

RGB 209 181 33

HSL 50.45, 0.73%, 0.47%

LAB 74.01, -3.84, 70.78

 

CMYK 0 / 12 / 77 / 11

HEX #E2C734

RGB 226 199 52

HSL 50.69, 0.75%, 0.55%

LAB 80.33, -5.2, 71.43

 

CMYK 0 / 11 / 71 / 5

HEX #F3D947

RGB 243 217 71

HSL 50.93, 0.88%, 0.62%

LAB 86.57, -6.37, 71.33

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 0 / 17 / 100 / 40

HEX #997F00

RGB 153 127 0

HSL 49.8, 1%, 0.3%

LAB 53.98, -0.66, 59.28

 

CMYK 0 / 20 / 100 / 47

HEX #886D00

RGB 136 109 0

HSL 48.09, 1%, 0.27%

LAB 47.2, 1.48, 53.69

 

CMYK 0 / 24 / 100 / 53

HEX #775B00

RGB 119 91 0

HSL 45.88, 1%, 0.23%

LAB 40.25, 3.74, 47.97

 

CMYK 0 / 28 / 100 / 60

HEX #664900

RGB 102 73 0

HSL 42.94, 1%, 0.2%

LAB 33.11, 6.16, 42.1

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 0 / 42 / 100 / 34

HEX #A86200

RGB 168 98 0

HSL 35, 1%, 0.33%

LAB 48.34, 22.62, 56.35

 

CMYK 0 / 69 / 100 / 34

HEX #A83400

RGB 168 52 0

HSL 18.57, 1%, 0.33%

LAB 39.21, 45.81, 51.12

 

CMYK 0 / 96 / 100 / 34

HEX #A80700

RGB 168 7 0

HSL 2.5, 1%, 0.33%

LAB 34.96, 57.72, 49.1

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 13 / 0 / 100 / 34

HEX #93A800

RGB 147 168 0

HSL 67.5, 1%, 0.33%

LAB 65.13, -24.97, 67.17

 

CMYK 39 / 0 / 100 / 34

HEX #66A800

RGB 102 168 0

HSL 83.57, 1%, 0.33%

LAB 62.36, -42.97, 63.86

 

CMYK 67 / 0 / 100 / 34

HEX #38A800

RGB 56 168 0

HSL 100, 1%, 0.33%

LAB 60.65, -56.42, 61.77

 

CMYK 93 / 0 / 100 / 34

HEX #0BA800

RGB 11 168 0

HSL 116.07, 1%, 0.33%

LAB 59.96, -62.46, 60.93

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 0 / 14 / 92 / 40

HEX #9A850D

RGB 154 133 13

HSL 51.06, 0.84%, 0.33%

LAB 55.76, -3.31, 58.35

 

CMYK 0 / 12 / 81 / 45

HEX #8D7C1B

RGB 141 124 27

HSL 51.05, 0.68%, 0.33%

LAB 52.01, -3.97, 51.01

 

CMYK 0 / 10 / 69 / 50

HEX #7F7228

RGB 127 114 40

HSL 51.03, 0.52%, 0.33%

LAB 47.88, -4.23, 41.34

 

CMYK 0 / 7 / 52 / 56

HEX #716936

RGB 113 105 54

HSL 51.86, 0.35%, 0.33%

LAB 44.06, -4.43, 29.58

 

CMYK 0 / 68 / 100 / 34

HEX #A83500

RGB 168 53 0

HSL 18.93, 1%, 0.33%

LAB 39.36, 45.39, 51.19

 

CMYK 0 / 42 / 100 / 34

HEX #A86200

RGB 168 98 0

HSL 35, 1%, 0.33%

LAB 48.34, 22.62, 56.35

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 12 / 0 / 100 / 34

HEX #94A800

RGB 148 168 0

HSL 67.14, 1%, 0.33%

LAB 65.2, -24.54, 67.26

 

CMYK 39 / 0 / 100 / 34

HEX #67A800

RGB 103 168 0

HSL 83.21, 1%, 0.33%

LAB 62.41, -42.61, 63.92

 

CMYK 0 / 14 / 100 / 67

HEX #554900

RGB 85 73 0

HSL 51.53, 1%, 0.17%

LAB 31.11, -2.54, 39.76

 

CMYK 0 / 15 / 100 / 50

HEX #7F6C00

RGB 127 108 0

HSL 51.02, 1%, 0.25%

LAB 45.96, -2.28, 52.37

 

CMYK 0 / 15 / 100 / 34

HEX #A88F00

RGB 168 143 0

HSL 51.07, 1%, 0.33%

LAB 59.86, -2.53, 64.14

 

CMYK 0 / 15 / 100 / 18

HEX #D1B200

RGB 209 178 0

HSL 51.1, 1%, 0.41%

LAB 73.15, -2.79, 75.4

 

CMYK 0 / 15 / 100 / 2

HEX #FAD500

RGB 250 213 0

HSL 51.12, 1%, 0.49%

LAB 85.96, -3.04, 86.24

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 100 / 0 / 95 / 34

HEX #00A808

RGB 0 168 8

HSL 122.86, 1%, 0.33%

LAB 59.91, -62.85, 59.75

 

CMYK 55 / 100 / 0 / 34

HEX #4B00A8

RGB 75 0 168

HSL 266.79, 1%, 0.33%

LAB 24.71, 60.32, -69.82

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 100 / 0 / 15 / 34

HEX #00A88F

RGB 0 168 143

HSL 171.07, 1%, 0.33%

LAB 61.64, -42.52, 2.62

 

CMYK 15 / 100 / 0 / 34

HEX #8F00A8

RGB 143 0 168

HSL 291.07, 1%, 0.33%

LAB 35.33, 67.95, -51.99

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 100 / 0 / 95 / 34

HEX #00A808

RGB 0 168 8

HSL 122.86, 1%, 0.33%

LAB 59.91, -62.85, 59.75

 

CMYK 100 / 85 / 0 / 34

HEX #0019A8

RGB 0 25 168

HSL 231.07, 1%, 0.33%

LAB 22.03, 49.75, -74.42

 

CMYK 0 / 100 / 5 / 34

HEX #A8009F

RGB 168 0 159

HSL 303.21, 1%, 0.33%

LAB 39.29, 70.56, -39.97

 

CMYK 0 / 15 / 100 / 33

HEX #AA9100

RGB 170 145 0

HSL 51.18, 1%, 0.33%

LAB 60.6, -2.71, 64.76

 

CMYK 100 / 0 / 65 / 34

HEX #00A83A

RGB 0 168 58

HSL 140.71, 1%, 0.33%

LAB 60.17, -59.52, 45.22

 

CMYK 100 / 85 / 0 / 34

HEX #0019A8

RGB 0 25 168

HSL 231.07, 1%, 0.33%

LAB 22.03, 49.75, -74.42

 

CMYK 0 / 100 / 35 / 34

HEX #A8006D

RGB 168 0 109

HSL 321.07, 1%, 0.33%

LAB 36.8, 64.31, -12.93

 

Description

Color code: HEX #AA9100 | qconv.com Color code: HEX #AA9100 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 145 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 145 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 100 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 100% 33% C M Y K

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