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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA931C it is the complementary color #556CE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA931C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA931C shade: #AF9317, #C0A52A, #D1B73D, #E2C950 and #F3DB63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA931C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA931C shade: #AA931C, #998109, #886F00, #775D00 and #664B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA931C shade: #AB931B, #AB6D1B, #AB461B, #AB1F1B and #AB1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA931C shade: #AB931B, #9BAB1B, #75AB1B, #4EAB1B and #27AB1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA931C shade matches the following richer shades: #AB931B and #BB9E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA931C shade: #AB931B, #9A882B, #8A7E3C, #7A734C and #6A685C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA931C shade: #AB461B, #AB6C1B, #AB931B, #9CAB1B and #76AB1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA931C shade: #645610, #877516, #AB931B, #CEB221 and #DEC43A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA931C shade: #AA931C, #1BAB20 and #591BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA931C shade: #AA931C, #1BAB93 and #931BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA931C shade: #AA931C, #1BAB20, #1B33AB and #AB1BA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA931C shade: #AA931C, #1BAB4B, #1B33AB and #AB1B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

Complementary color

CMYK 63 / 52 / 0 / 11

HEX #556CE3

RGB 85 108 227

HSL 230.28, 0.72%, 0.61%

LAB 49.74, 28.09, -63.26

 

CMYK 0 / 16 / 87 / 31

HEX #AF9317

RGB 175 147 23

HSL 48.95, 0.77%, 0.39%

LAB 61.69, -1.13, 61.76

 

CMYK 0 / 14 / 78 / 25

HEX #C0A52A

RGB 192 165 42

HSL 49.2, 0.64%, 0.46%

LAB 68.23, -2.6, 62.51

 

CMYK 0 / 12 / 71 / 18

HEX #D1B73D

RGB 209 183 61

HSL 49.46, 0.62%, 0.53%

LAB 74.67, -3.84, 62.32

 

CMYK 0 / 11 / 65 / 11

HEX #E2C950

RGB 226 201 80

HSL 49.73, 0.72%, 0.6%

LAB 81.03, -4.88, 61.63

 

CMYK 0 / 10 / 59 / 5

HEX #F3DB63

RGB 243 219 99

HSL 50, 0.86%, 0.67%

LAB 87.3, -5.77, 60.68

 

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

CMYK 0 / 16 / 94 / 40

HEX #998109

RGB 153 129 9

HSL 50, 0.89%, 0.32%

LAB 54.55, -1.63, 58.09

 

CMYK 0 / 18 / 100 / 47

HEX #886F00

RGB 136 111 0

HSL 48.97, 1%, 0.27%

LAB 47.76, 0.33, 54.08

 

CMYK 0 / 22 / 100 / 53

HEX #775D00

RGB 119 93 0

HSL 46.89, 1%, 0.23%

LAB 40.82, 2.56, 48.36

 

CMYK 0 / 26 / 100 / 60

HEX #664B00

RGB 102 75 0

HSL 44.12, 1%, 0.2%

LAB 33.68, 4.93, 42.49

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 0 / 36 / 84 / 33

HEX #AB6D1B

RGB 171 109 27

HSL 34.17, 0.73%, 0.39%

LAB 51.47, 18.32, 51.83

 

CMYK 0 / 59 / 84 / 33

HEX #AB461B

RGB 171 70 27

HSL 17.92, 0.73%, 0.39%

LAB 42.94, 39.24, 44.34

 

CMYK 0 / 82 / 84 / 33

HEX #AB1F1B

RGB 171 31 27

HSL 1.67, 0.73%, 0.39%

LAB 37.33, 54.48, 39.26

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 9 / 0 / 84 / 33

HEX #9BAB1B

RGB 155 171 27

HSL 66.67, 0.73%, 0.39%

LAB 66.65, -22.47, 64.22

 

CMYK 32 / 0 / 84 / 33

HEX #75AB1B

RGB 117 171 27

HSL 82.5, 0.73%, 0.39%

LAB 64.15, -38.03, 61.08

 

CMYK 54 / 0 / 84 / 33

HEX #4EAB1B

RGB 78 171 27

HSL 98.75, 0.73%, 0.39%

LAB 62.36, -51.14, 58.81

 

CMYK 77 / 0 / 84 / 33

HEX #27AB1B

RGB 39 171 27

HSL 115, 0.73%, 0.39%

LAB 61.34, -59.62, 57.51

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 0 / 16 / 94 / 27

HEX #BB9E0B

RGB 187 158 11

HSL 50.11, 0.89%, 0.39%

LAB 65.78, -1.87, 67.74

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 0 / 12 / 72 / 40

HEX #9A882B

RGB 154 136 43

HSL 50.27, 0.56%, 0.39%

LAB 56.74, -3.91, 49.92

 

CMYK 0 / 9 / 57 / 46

HEX #8A7E3C

RGB 138 126 60

HSL 50.77, 0.39%, 0.39%

LAB 52.57, -4.44, 37.07

 

CMYK 0 / 6 / 38 / 52

HEX #7A734C

RGB 122 115 76

HSL 50.87, 0.23%, 0.39%

LAB 48.16, -3.61, 22.58

 

CMYK 0 / 2 / 13 / 58

HEX #6A685C

RGB 106 104 92

HSL 51.43, 0.07%, 0.39%

LAB 43.85, -1.53, 7.04

 

CMYK 0 / 59 / 84 / 33

HEX #AB461B

RGB 171 70 27

HSL 17.92, 0.73%, 0.39%

LAB 42.94, 39.24, 44.34

 

CMYK 0 / 37 / 84 / 33

HEX #AB6C1B

RGB 171 108 27

HSL 33.75, 0.73%, 0.39%

LAB 51.22, 18.88, 51.62

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 9 / 0 / 84 / 33

HEX #9CAB1B

RGB 156 171 27

HSL 66.25, 0.73%, 0.39%

LAB 66.73, -22.04, 64.32

 

CMYK 31 / 0 / 84 / 33

HEX #76AB1B

RGB 118 171 27

HSL 82.08, 0.73%, 0.39%

LAB 64.21, -37.65, 61.15

 

CMYK 0 / 14 / 84 / 61

HEX #645610

RGB 100 86 16

HSL 50, 0.72%, 0.23%

LAB 36.75, -2.22, 39.55

 

CMYK 0 / 13 / 84 / 47

HEX #877516

RGB 135 117 22

HSL 50.44, 0.72%, 0.31%

LAB 49.41, -3.04, 50.11

 

CMYK 0 / 14 / 84 / 33

HEX #AB931B

RGB 171 147 27

HSL 50, 0.73%, 0.39%

LAB 61.31, -2.83, 60.25

 

CMYK 0 / 14 / 84 / 19

HEX #CEB221

RGB 206 178 33

HSL 50.29, 0.72%, 0.47%

LAB 72.94, -3.59, 69.77

 

CMYK 0 / 12 / 74 / 13

HEX #DEC43A

RGB 222 196 58

HSL 50.49, 0.71%, 0.55%

LAB 79.22, -5.13, 68.26

 

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

CMYK 84 / 0 / 81 / 33

HEX #1BAB20

RGB 27 171 32

HSL 122.08, 0.73%, 0.39%

LAB 61.19, -60.86, 55.94

 

CMYK 48 / 84 / 0 / 33

HEX #591BAB

RGB 89 27 171

HSL 265.83, 0.73%, 0.39%

LAB 29.03, 55.79, -64.44

 

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

CMYK 84 / 0 / 14 / 33

HEX #1BAB93

RGB 27 171 147

HSL 170, 0.73%, 0.39%

LAB 62.9, -41.3, 2.22

 

CMYK 14 / 84 / 0 / 33

HEX #931BAB

RGB 147 27 171

HSL 290, 0.73%, 0.39%

LAB 37.71, 64.76, -49.92

 

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

CMYK 84 / 0 / 81 / 33

HEX #1BAB20

RGB 27 171 32

HSL 122.08, 0.73%, 0.39%

LAB 61.19, -60.86, 55.94

 

CMYK 84 / 70 / 0 / 33

HEX #1B33AB

RGB 27 51 171

HSL 230, 0.73%, 0.39%

LAB 28.22, 37.16, -65.94

 

CMYK 0 / 84 / 3 / 33

HEX #AB1BA6

RGB 171 27 166

HSL 302.08, 0.73%, 0.39%

LAB 41.52, 68.38, -40.59

 

CMYK 0 / 14 / 84 / 33

HEX #AA931C

RGB 170 147 28

HSL 50.28, 0.72%, 0.39%

LAB 61.22, -3.26, 59.85

 

CMYK 84 / 0 / 56 / 33

HEX #1BAB4B

RGB 27 171 75

HSL 140, 0.73%, 0.39%

LAB 61.54, -56.51, 38.98

 

CMYK 84 / 70 / 0 / 33

HEX #1B33AB

RGB 27 51 171

HSL 230, 0.73%, 0.39%

LAB 28.22, 37.16, -65.94

 

CMYK 0 / 84 / 28 / 33

HEX #AB1B7B

RGB 171 27 123

HSL 320, 0.73%, 0.39%

LAB 39.36, 62.49, -17.75

 

Description

Color code: HEX #AA931C | qconv.com Color code: HEX #AA931C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 147 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 147 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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