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Color name
HEX #AA935A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA935A it is the complementary color #556CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA935A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA935A shade: #AF9355, #C0A568, #D1B77B, #E2C98E and #F3DBA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA935A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA935A shade: #AA935A, #998147, #886F34, #775D21 and #664B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA935A shade: #AA935A, #AA7D5A, #AA675A and #AA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA935A shade: #AA935A, #AAA85A, #95AA5A, #80AA5A and #6AAA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA935A shade matches the following richer shades: #AA935A, #BE9B45, #D2A431, #E6AC1D and #FAB509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA935A shade: #AA935A, #958A6E, #818182, #6D7996 and #5970AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA935A shade: #AA675A, #AA7C5A, #AA925A, #AAA75A and #97AA5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA935A shade: #75643C, #907C4A, #AA935A, #B8A475 and #C6B690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA935A shade: #AA935A, #62AA5A and #725AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA935A shade: #AA935A, #5AAA92 and #925AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA935A shade: #AA935A, #62AA5A, #5A72AA and #A25AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA935A shade: #AA935A, #5AAA6A, #5A72AA and #AA5A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

Complementary color

CMYK 48 / 35 / 0 / 35

HEX #556CA5

RGB 85 108 165

HSL 222.75, 0.32%, 0.49%

LAB 46.14, 7.65, -33.33

 

CMYK 0 / 16 / 51 / 31

HEX #AF9355

RGB 175 147 85

HSL 41.33, 0.36%, 0.51%

LAB 62.2, 2.42, 36.5

 

CMYK 0 / 14 / 46 / 25

HEX #C0A568

RGB 192 165 104

HSL 41.59, 0.41%, 0.58%

LAB 68.84, 1.68, 35.18

 

CMYK 0 / 12 / 41 / 18

HEX #D1B77B

RGB 209 183 123

HSL 41.86, 0.48%, 0.65%

LAB 75.36, 1.04, 33.91

 

CMYK 0 / 11 / 37 / 11

HEX #E2C98E

RGB 226 201 142

HSL 42.14, 0.59%, 0.72%

LAB 81.78, 0.5, 32.71

 

CMYK 0 / 10 / 34 / 5

HEX #F3DBA1

RGB 243 219 161

HSL 42.44, 0.77%, 0.79%

LAB 88.11, 0.04, 31.58

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 16 / 54 / 40

HEX #998147

RGB 153 129 71

HSL 42.44, 0.37%, 0.44%

LAB 55, 1.55, 34.58

 

CMYK 0 / 18 / 62 / 47

HEX #886F34

RGB 136 111 52

HSL 42.14, 0.45%, 0.37%

LAB 48.07, 2.51, 35.94

 

CMYK 0 / 22 / 72 / 53

HEX #775D21

RGB 119 93 33

HSL 41.86, 0.57%, 0.3%

LAB 40.99, 3.75, 37.15

 

CMYK 0 / 26 / 86 / 60

HEX #664B0E

RGB 102 75 14

HSL 41.59, 0.76%, 0.23%

LAB 33.75, 5.36, 37.7

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 26 / 47 / 33

HEX #AA7D5A

RGB 170 125 90

HSL 26.25, 0.32%, 0.51%

LAB 56.04, 13.05, 25.88

 

CMYK 0 / 39 / 47 / 33

HEX #AA675A

RGB 170 103 90

HSL 9.75, 0.32%, 0.51%

LAB 50.67, 25.44, 18.76

 

CMYK 0 / 47 / 47 / 33

HEX #AA5A5A

RGB 170 90 90

HSL 0, 0.32%, 0.51%

LAB 47.75, 32.59, 14.79

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 1 / 47 / 33

HEX #AAA85A

RGB 170 168 90

HSL 58.5, 0.32%, 0.51%

LAB 67.49, -10.52, 40.29

 

CMYK 12 / 0 / 47 / 33

HEX #95AA5A

RGB 149 170 90

HSL 75.75, 0.32%, 0.51%

LAB 66.43, -20.18, 38.61

 

CMYK 25 / 0 / 47 / 33

HEX #80AA5A

RGB 128 170 90

HSL 91.5, 0.32%, 0.51%

LAB 65.02, -28.36, 36.57

 

CMYK 38 / 0 / 47 / 33

HEX #6AAA5A

RGB 106 170 90

HSL 108, 0.32%, 0.51%

LAB 63.8, -36.19, 34.78

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 18 / 64 / 25

HEX #BE9B45

RGB 190 155 69

HSL 42.64, 0.48%, 0.51%

LAB 65.61, 3.28, 48.82

 

CMYK 0 / 22 / 77 / 18

HEX #D2A431

RGB 210 164 49

HSL 42.86, 0.64%, 0.51%

LAB 69.81, 6.11, 62.17

 

CMYK 0 / 25 / 87 / 10

HEX #E6AC1D

RGB 230 172 29

HSL 42.69, 0.8%, 0.51%

LAB 73.82, 9.95, 72.46

 

CMYK 0 / 28 / 96 / 2

HEX #FAB509

RGB 250 181 9

HSL 42.82, 0.96%, 0.51%

LAB 78.11, 13.53, 79.86

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 7 / 26 / 42

HEX #958A6E

RGB 149 138 110

HSL 43.08, 0.16%, 0.51%

LAB 57.74, -0.53, 16.51

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 27 / 19 / 0 / 41

HEX #6D7996

RGB 109 121 150

HSL 222.44, 0.16%, 0.51%

LAB 50.84, 2.45, -17.13

 

CMYK 48 / 34 / 0 / 33

HEX #5970AA

RGB 89 112 170

HSL 222.96, 0.32%, 0.51%

LAB 47.77, 7.77, -33.69

 

CMYK 0 / 39 / 47 / 33

HEX #AA675A

RGB 170 103 90

HSL 9.75, 0.32%, 0.51%

LAB 50.67, 25.44, 18.76

 

CMYK 0 / 27 / 47 / 33

HEX #AA7C5A

RGB 170 124 90

HSL 25.5, 0.32%, 0.51%

LAB 55.79, 13.61, 25.55

 

CMYK 0 / 14 / 47 / 33

HEX #AA925A

RGB 170 146 90

HSL 42, 0.32%, 0.51%

LAB 61.52, 1.32, 32.9

 

CMYK 0 / 2 / 47 / 33

HEX #AAA75A

RGB 170 167 90

HSL 57.75, 0.32%, 0.51%

LAB 67.22, -9.99, 39.96

 

CMYK 11 / 0 / 47 / 33

HEX #97AA5A

RGB 151 170 90

HSL 74.25, 0.32%, 0.51%

LAB 66.57, -19.37, 38.83

 

CMYK 0 / 15 / 49 / 54

HEX #75643C

RGB 117 100 60

HSL 42.11, 0.32%, 0.35%

LAB 43.1, 0.95, 25.12

 

CMYK 0 / 14 / 49 / 44

HEX #907C4A

RGB 144 124 74

HSL 42.86, 0.32%, 0.43%

LAB 52.77, 0.69, 30.03

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 0 / 11 / 36 / 28

HEX #B8A475

RGB 184 164 117

HSL 42.09, 0.32%, 0.59%

LAB 68.04, 0.37, 27.08

 

CMYK 0 / 8 / 27 / 22

HEX #C6B690

RGB 198 182 144

HSL 42.22, 0.32%, 0.67%

LAB 74.49, -0.21, 21.44

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 42 / 0 / 47 / 33

HEX #62AA5A

RGB 98 170 90

HSL 114, 0.32%, 0.51%

LAB 63.41, -38.79, 34.21

 

CMYK 33 / 47 / 0 / 33

HEX #725AAA

RGB 114 90 170

HSL 258, 0.32%, 0.51%

LAB 43.93, 28.01, -39.61

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 47 / 0 / 14 / 33

HEX #5AAA92

RGB 90 170 146

HSL 162, 0.32%, 0.51%

LAB 64.16, -30.46, 4.81

 

CMYK 14 / 47 / 0 / 33

HEX #925AAA

RGB 146 90 170

HSL 282, 0.32%, 0.51%

LAB 47.4, 37.25, -33.91

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 42 / 0 / 47 / 33

HEX #62AA5A

RGB 98 170 90

HSL 114, 0.32%, 0.51%

LAB 63.41, -38.79, 34.21

 

CMYK 47 / 33 / 0 / 33

HEX #5A72AA

RGB 90 114 170

HSL 222, 0.32%, 0.51%

LAB 48.4, 6.81, -32.7

 

CMYK 5 / 47 / 0 / 33

HEX #A25AAA

RGB 162 90 170

HSL 294, 0.32%, 0.51%

LAB 49.37, 42.03, -30.68

 

CMYK 0 / 14 / 47 / 33

HEX #AA935A

RGB 170 147 90

HSL 42.75, 0.32%, 0.51%

LAB 61.78, 0.77, 33.23

 

CMYK 47 / 0 / 38 / 33

HEX #5AAA6A

RGB 90 170 106

HSL 132, 0.32%, 0.51%

LAB 63.31, -38.67, 25.6

 

CMYK 47 / 33 / 0 / 33

HEX #5A72AA

RGB 90 114 170

HSL 222, 0.32%, 0.51%

LAB 48.4, 6.81, -32.7

 

CMYK 0 / 47 / 9 / 33

HEX #AA5A9A

RGB 170 90 154

HSL 312, 0.32%, 0.51%

LAB 49.73, 41.54, -20.62

 

Description

Color code: HEX #AA935A | qconv.com Color code: HEX #AA935A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 147 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 147 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 47% 33% C M Y K

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Provide designers and agencies with accurate color values.

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