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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9A7C it is the complementary color #556583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9A7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9A7C shade: #AF9A77, #C0AC8A, #D1BE9D, #E2D0B0 and #F3E2C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9A7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9A7C shade: #AA9A7C, #998869, #887656, #776443 and #665230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9A7C shade: #AA9A7D, #AA8E7D, #AA827D and #AA7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9A7C shade: #AA9A7D, #AAA67D, #A1AA7D, #95AA7D and #89AA7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9A7C shade matches the following richer shades: #AA9A7D, #BBA06C, #CDA55A, #DEAA49 and #EFAF38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9A7C shade: #AA9A7D, #99958E, #8790A0, #768AB1 and #6585C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9A7C shade: #AA827D, #AA8E7D, #AA9A7D, #AAA67D and #A2AA7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9A7C shade: #817154, #998764, #AA9A7D, #BAAE96 and #CAC1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9A7C shade: #AA9A7C, #84AA7D and #887DAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9A7C shade: #AA9A7C, #7DAA9A and #9A7DAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9A7C shade: #AA9A7C, #84AA7D, #7D8DAA and #A37DAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9A7C shade: #AA9A7C, #7DAA84, #7D8DAA and #AA7DA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

Complementary color

CMYK 35 / 23 / 0 / 49

HEX #556583

RGB 85 101 131

HSL 219.13, 0.21%, 0.42%

LAB 42.58, 1.76, -18.63

 

CMYK 0 / 12 / 32 / 31

HEX #AF9A77

RGB 175 154 119

HSL 37.5, 0.26%, 0.58%

LAB 64.61, 2.41, 21.24

 

CMYK 0 / 10 / 28 / 25

HEX #C0AC8A

RGB 192 172 138

HSL 37.78, 0.3%, 0.65%

LAB 71.25, 1.97, 20.15

 

CMYK 0 / 9 / 25 / 18

HEX #D1BE9D

RGB 209 190 157

HSL 38.08, 0.36%, 0.72%

LAB 77.77, 1.59, 19.13

 

CMYK 0 / 8 / 22 / 11

HEX #E2D0B0

RGB 226 208 176

HSL 38.4, 0.46%, 0.79%

LAB 84.18, 1.25, 18.17

 

CMYK 0 / 7 / 20 / 5

HEX #F3E2C3

RGB 243 226 195

HSL 38.75, 0.67%, 0.86%

LAB 90.5, 0.94, 17.26

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 0 / 11 / 31 / 40

HEX #998869

RGB 153 136 105

HSL 38.75, 0.19%, 0.51%

LAB 57.46, 1.52, 19.02

 

CMYK 0 / 13 / 37 / 47

HEX #887656

RGB 136 118 86

HSL 38.4, 0.23%, 0.44%

LAB 50.53, 2.03, 20.22

 

CMYK 0 / 16 / 44 / 53

HEX #776443

RGB 119 100 67

HSL 38.08, 0.28%, 0.36%

LAB 43.42, 2.66, 21.54

 

CMYK 0 / 20 / 53 / 60

HEX #665230

RGB 102 82 48

HSL 37.78, 0.36%, 0.29%

LAB 36.12, 3.48, 22.99

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 16 / 26 / 33

HEX #AA8E7D

RGB 170 142 125

HSL 22.67, 0.21%, 0.58%

LAB 61.11, 7.88, 12.99

 

CMYK 0 / 24 / 26 / 33

HEX #AA827D

RGB 170 130 125

HSL 6.67, 0.21%, 0.58%

LAB 58.03, 14.63, 8.65

 

CMYK 0 / 26 / 26 / 33

HEX #AA7D7D

RGB 170 125 125

HSL 0, 0.21%, 0.58%

LAB 56.78, 17.46, 6.86

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 2 / 26 / 33

HEX #AAA67D

RGB 170 166 125

HSL 54.67, 0.21%, 0.58%

LAB 67.5, -5.28, 21.8

 

CMYK 5 / 0 / 26 / 33

HEX #A1AA7D

RGB 161 170 125

HSL 72, 0.21%, 0.58%

LAB 67.88, -10.93, 22.19

 

CMYK 12 / 0 / 26 / 33

HEX #95AA7D

RGB 149 170 125

HSL 88, 0.21%, 0.58%

LAB 66.99, -15.51, 20.84

 

CMYK 19 / 0 / 26 / 33

HEX #89AA7D

RGB 137 170 125

HSL 104, 0.21%, 0.58%

LAB 66.17, -19.95, 19.59

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 14 / 42 / 27

HEX #BBA06C

RGB 187 160 108

HSL 39.49, 0.37%, 0.58%

LAB 67.12, 2.73, 30.76

 

CMYK 0 / 20 / 56 / 20

HEX #CDA55A

RGB 205 165 90

HSL 39.13, 0.53%, 0.58%

LAB 69.91, 5.86, 43.97

 

CMYK 0 / 23 / 67 / 13

HEX #DEAA49

RGB 222 170 73

HSL 39.06, 0.69%, 0.58%

LAB 72.73, 9.24, 55.7

 

CMYK 0 / 27 / 77 / 6

HEX #EFAF38

RGB 239 175 56

HSL 39.02, 0.85%, 0.58%

LAB 75.64, 13.01, 66.18

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 3 / 7 / 40

HEX #99958E

RGB 153 149 142

HSL 38.18, 0.05%, 0.58%

LAB 61.84, 0.17, 4.2

 

CMYK 16 / 10 / 0 / 37

HEX #8790A0

RGB 135 144 160

HSL 218.4, 0.12%, 0.58%

LAB 59.56, 0.18, -9.55

 

CMYK 33 / 22 / 0 / 31

HEX #768AB1

RGB 118 138 177

HSL 219.66, 0.27%, 0.58%

LAB 57.27, 2.36, -22.83

 

CMYK 48 / 31 / 0 / 24

HEX #6585C2

RGB 101 133 194

HSL 219.35, 0.43%, 0.58%

LAB 55.52, 5.51, -35.32

 

CMYK 0 / 24 / 26 / 33

HEX #AA827D

RGB 170 130 125

HSL 6.67, 0.21%, 0.58%

LAB 58.03, 14.63, 8.65

 

CMYK 0 / 16 / 26 / 33

HEX #AA8E7D

RGB 170 142 125

HSL 22.67, 0.21%, 0.58%

LAB 61.11, 7.88, 12.99

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 2 / 26 / 33

HEX #AAA67D

RGB 170 166 125

HSL 54.67, 0.21%, 0.58%

LAB 67.5, -5.28, 21.8

 

CMYK 5 / 0 / 26 / 33

HEX #A2AA7D

RGB 162 170 125

HSL 70.67, 0.21%, 0.58%

LAB 67.96, -10.54, 22.31

 

CMYK 0 / 12 / 35 / 49

HEX #817154

RGB 129 113 84

HSL 38.67, 0.21%, 0.42%

LAB 48.41, 1.63, 18.41

 

CMYK 0 / 12 / 35 / 40

HEX #998764

RGB 153 135 100

HSL 39.62, 0.21%, 0.5%

LAB 57.1, 1.41, 21.34

 

CMYK 0 / 9 / 26 / 33

HEX #AA9A7D

RGB 170 154 125

HSL 38.67, 0.21%, 0.58%

LAB 64.27, 1.23, 17.39

 

CMYK 0 / 6 / 19 / 27

HEX #BAAE96

RGB 186 174 150

HSL 40, 0.21%, 0.66%

LAB 71.5, 0.32, 13.87

 

CMYK 0 / 4 / 13 / 21

HEX #CAC1AF

RGB 202 193 175

HSL 40, 0.2%, 0.74%

LAB 78.34, 0.1, 10.18

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 22 / 0 / 26 / 33

HEX #84AA7D

RGB 132 170 125

HSL 110.67, 0.21%, 0.58%

LAB 65.85, -21.75, 19.1

 

CMYK 20 / 26 / 0 / 33

HEX #887DAA

RGB 136 125 170

HSL 254.67, 0.21%, 0.58%

LAB 54.87, 13.78, -22.38

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 26 / 0 / 9 / 33

HEX #7DAA9A

RGB 125 170 154

HSL 158.67, 0.21%, 0.58%

LAB 66.09, -18.54, 3.37

 

CMYK 9 / 26 / 0 / 33

HEX #9A7DAA

RGB 154 125 170

HSL 278.67, 0.21%, 0.58%

LAB 56.53, 19.75, -19.7

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 22 / 0 / 26 / 33

HEX #84AA7D

RGB 132 170 125

HSL 110.67, 0.21%, 0.58%

LAB 65.85, -21.75, 19.1

 

CMYK 26 / 17 / 0 / 33

HEX #7D8DAA

RGB 125 141 170

HSL 218.67, 0.21%, 0.58%

LAB 58.33, 0.98, -17.17

 

CMYK 4 / 26 / 0 / 33

HEX #A37DAA

RGB 163 125 170

HSL 290.67, 0.21%, 0.58%

LAB 57.42, 22.8, -18.26

 

CMYK 0 / 9 / 27 / 33

HEX #AA9A7C

RGB 170 154 124

HSL 39.13, 0.21%, 0.58%

LAB 64.25, 1.09, 17.91

 

CMYK 26 / 0 / 22 / 33

HEX #7DAA84

RGB 125 170 132

HSL 129.33, 0.21%, 0.58%

LAB 65.57, -22.94, 14.81

 

CMYK 26 / 17 / 0 / 33

HEX #7D8DAA

RGB 125 141 170

HSL 218.67, 0.21%, 0.58%

LAB 58.33, 0.98, -17.17

 

CMYK 0 / 26 / 4 / 33

HEX #AA7DA3

RGB 170 125 163

HSL 309.33, 0.21%, 0.58%

LAB 57.9, 23.85, -13.44

 

Description

Color code: HEX #AA9A7C | qconv.com Color code: HEX #AA9A7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 154 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 154 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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