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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9A5A it is the complementary color #5565A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9A5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9A5A shade: #AF9A55, #C0AC68, #D1BE7B, #E2D08E and #F3E2A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9A5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9A5A shade: #AA9A5A, #998847, #887634, #776421 and #66520E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9A5A shade: #AA9A5A, #AA845A, #AA6E5A and #AA5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9A5A shade: #AA9A5A, #A4AA5A, #8EAA5A, #79AA5A and #63AA5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9A5A shade matches the following richer shades: #AA9A5A, #BEA645, #D2B231, #E6BE1D and #FACA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9A5A shade: #AA9A5A, #958D6E, #818182, #6D7596 and #5969AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9A5A shade: #AA6F5A, #AA845A, #AA9A5A, #A4AA5A and #8FAA5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9A5A shade: #75693C, #90824A, #AA9A5A, #B8AA75 and #C6BB90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9A5A shade: #AA9A5A, #5AAA5A and #7A5AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9A5A shade: #AA9A5A, #5AAA9A and #9A5AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9A5A shade: #AA9A5A, #5AAA5A, #5A6AAA and #AA5AAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9A5A shade: #AA9A5A, #5AAA72, #5A6AAA and #AA5A92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

Complementary color

CMYK 48 / 39 / 0 / 35

HEX #5565A5

RGB 85 101 165

HSL 228, 0.32%, 0.49%

LAB 44.17, 12, -36.44

 

CMYK 0 / 12 / 51 / 31

HEX #AF9A55

RGB 175 154 85

HSL 46, 0.36%, 0.51%

LAB 64.06, -1.4, 38.77

 

CMYK 0 / 10 / 46 / 25

HEX #C0AC68

RGB 192 172 104

HSL 46.36, 0.41%, 0.58%

LAB 70.67, -2.07, 37.49

 

CMYK 0 / 9 / 41 / 18

HEX #D1BE7B

RGB 209 190 123

HSL 46.74, 0.48%, 0.65%

LAB 77.17, -2.63, 36.25

 

CMYK 0 / 8 / 37 / 11

HEX #E2D08E

RGB 226 208 142

HSL 47.14, 0.59%, 0.72%

LAB 83.57, -3.11, 35.06

 

CMYK 0 / 7 / 34 / 5

HEX #F3E2A1

RGB 243 226 161

HSL 47.56, 0.77%, 0.79%

LAB 89.87, -3.53, 33.92

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 0 / 11 / 54 / 40

HEX #998847

RGB 153 136 71

HSL 47.56, 0.37%, 0.44%

LAB 56.91, -2.36, 36.89

 

CMYK 0 / 13 / 62 / 47

HEX #887634

RGB 136 118 52

HSL 47.14, 0.45%, 0.37%

LAB 50.02, -1.49, 38.16

 

CMYK 0 / 16 / 72 / 53

HEX #776421

RGB 119 100 33

HSL 46.74, 0.57%, 0.3%

LAB 42.98, -0.38, 39.21

 

CMYK 0 / 20 / 86 / 60

HEX #66520E

RGB 102 82 14

HSL 46.36, 0.76%, 0.23%

LAB 35.77, 1.1, 39.48

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 0 / 22 / 47 / 33

HEX #AA845A

RGB 170 132 90

HSL 31.5, 0.32%, 0.51%

LAB 57.83, 9.11, 28.2

 

CMYK 0 / 35 / 47 / 33

HEX #AA6E5A

RGB 170 110 90

HSL 15, 0.32%, 0.51%

LAB 52.33, 21.51, 20.99

 

CMYK 0 / 47 / 47 / 33

HEX #AA5A5A

RGB 170 90 90

HSL 0, 0.32%, 0.51%

LAB 47.75, 32.59, 14.79

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 4 / 0 / 47 / 33

HEX #A4AA5A

RGB 164 170 90

HSL 64.5, 0.32%, 0.51%

LAB 67.56, -14.05, 40.26

 

CMYK 16 / 0 / 47 / 33

HEX #8EAA5A

RGB 142 170 90

HSL 81, 0.32%, 0.51%

LAB 65.93, -22.96, 37.9

 

CMYK 29 / 0 / 47 / 33

HEX #79AA5A

RGB 121 170 90

HSL 96.75, 0.32%, 0.51%

LAB 64.61, -30.95, 35.96

 

CMYK 42 / 0 / 47 / 33

HEX #63AA5A

RGB 99 170 90

HSL 113.25, 0.32%, 0.51%

LAB 63.46, -38.48, 34.28

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 0 / 13 / 64 / 25

HEX #BEA645

RGB 190 166 69

HSL 48.1, 0.48%, 0.51%

LAB 68.5, -2.63, 51.99

 

CMYK 0 / 15 / 77 / 18

HEX #D2B231

RGB 210 178 49

HSL 48.07, 0.64%, 0.51%

LAB 73.39, -1.32, 65.51

 

CMYK 0 / 17 / 87 / 10

HEX #E6BE1D

RGB 230 190 29

HSL 48.06, 0.8%, 0.51%

LAB 78.31, 0.51, 76.02

 

CMYK 0 / 19 / 96 / 2

HEX #FACA09

RGB 250 202 9

HSL 48.05, 0.96%, 0.51%

LAB 83.22, 2.64, 83.49

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 0 / 5 / 26 / 42

HEX #958D6E

RGB 149 141 110

HSL 47.69, 0.16%, 0.51%

LAB 58.57, -2.2, 17.64

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 27 / 22 / 0 / 41

HEX #6D7596

RGB 109 117 150

HSL 228.29, 0.16%, 0.51%

LAB 49.71, 4.82, -18.85

 

CMYK 48 / 38 / 0 / 33

HEX #5969AA

RGB 89 105 170

HSL 228.15, 0.32%, 0.51%

LAB 45.81, 12.09, -36.77

 

CMYK 0 / 35 / 47 / 33

HEX #AA6F5A

RGB 170 111 90

HSL 15.75, 0.32%, 0.51%

LAB 52.57, 20.95, 21.31

 

CMYK 0 / 22 / 47 / 33

HEX #AA845A

RGB 170 132 90

HSL 31.5, 0.32%, 0.51%

LAB 57.83, 9.11, 28.2

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 4 / 0 / 47 / 33

HEX #A4AA5A

RGB 164 170 90

HSL 64.5, 0.32%, 0.51%

LAB 67.56, -14.05, 40.26

 

CMYK 16 / 0 / 47 / 33

HEX #8FAA5A

RGB 143 170 90

HSL 80.25, 0.32%, 0.51%

LAB 66, -22.57, 38

 

CMYK 0 / 10 / 49 / 54

HEX #75693C

RGB 117 105 60

HSL 47.37, 0.32%, 0.35%

LAB 44.53, -1.97, 26.92

 

CMYK 0 / 10 / 49 / 44

HEX #90824A

RGB 144 130 74

HSL 48, 0.32%, 0.43%

LAB 54.44, -2.69, 32.1

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 0 / 8 / 36 / 28

HEX #B8AA75

RGB 184 170 117

HSL 47.46, 0.32%, 0.59%

LAB 69.63, -2.85, 29.18

 

CMYK 0 / 6 / 27 / 22

HEX #C6BB90

RGB 198 187 144

HSL 47.78, 0.32%, 0.67%

LAB 75.8, -2.85, 23.23

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 47 / 0 / 47 / 33

HEX #5AAA5A

RGB 90 170 90

HSL 120, 0.32%, 0.51%

LAB 63.06, -41.24, 33.7

 

CMYK 28 / 47 / 0 / 33

HEX #7A5AAA

RGB 122 90 170

HSL 264, 0.32%, 0.51%

LAB 44.73, 30.25, -38.29

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 47 / 0 / 9 / 33

HEX #5AAA9A

RGB 90 170 154

HSL 168, 0.32%, 0.51%

LAB 64.37, -28.53, 0.65

 

CMYK 9 / 47 / 0 / 33

HEX #9A5AAA

RGB 154 90 170

HSL 288, 0.32%, 0.51%

LAB 48.37, 39.63, -32.32

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 47 / 0 / 47 / 33

HEX #5AAA5A

RGB 90 170 90

HSL 120, 0.32%, 0.51%

LAB 63.06, -41.24, 33.7

 

CMYK 47 / 38 / 0 / 33

HEX #5A6AAA

RGB 90 106 170

HSL 228, 0.32%, 0.51%

LAB 46.16, 11.72, -36.22

 

CMYK 0 / 47 / 0 / 33

HEX #AA5AAA

RGB 170 90 170

HSL 300, 0.32%, 0.51%

LAB 50.41, 44.43, -28.99

 

CMYK 0 / 9 / 47 / 33

HEX #AA9A5A

RGB 170 154 90

HSL 48, 0.32%, 0.51%

LAB 63.67, -3.05, 35.59

 

CMYK 47 / 0 / 33 / 33

HEX #5AAA72

RGB 90 170 114

HSL 138, 0.32%, 0.51%

LAB 63.46, -37.23, 21.47

 

CMYK 47 / 38 / 0 / 33

HEX #5A6AAA

RGB 90 106 170

HSL 228, 0.32%, 0.51%

LAB 46.16, 11.72, -36.22

 

CMYK 0 / 47 / 14 / 33

HEX #AA5A92

RGB 170 90 146

HSL 318, 0.32%, 0.51%

LAB 49.42, 40.19, -16.36

 

Description

Color code: HEX #AA9A5A | qconv.com Color code: HEX #AA9A5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 154 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 154 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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