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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9BBE it is the complementary color #556441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9BBE shade: #AF9BB9, #C0ADCC, #D1BFDF, #E2D1F2 and #F3E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9BBE shade: #AA9BBE, #9989AB, #887798, #776585 and #665372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9BBE shade: #AA9CBE, #B49CBE, #BD9CBE, #BE9CB6 and #BE9CAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9BBE shade: #AA9CBE, #A19CBE and #9C9CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9BBE shade matches the following richer shades: #AA9CBE, #A98FCB, #A781D8, #A574E6 and #A367F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9BBE shade: #AA9CBE, #ACA9B1, #AEB6A4, #B0C396 and #B2D189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9BBE shade: #9CA0BE, #A19CBE, #AA9CBE, #B39CBE and #BC9CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9BBE shade: #806A9D, #9583AE, #AA9CBE, #C0B5CE and #D5CEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9BBE shade: #AA9BBE, #BE9CA9 and #9CBE9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9BBE shade: #AA9BBE, #BEAA9C and #9CBEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9BBE shade: #AA9BBE, #BE9CA9, #B0BE9C and #9CBEB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9BBE shade: #AA9BBE, #BE9C9F, #B0BE9C and #9CBEBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

Complementary color

CMYK 15 / 0 / 35 / 61

HEX #556441

RGB 85 100 65

HSL 85.71, 0.21%, 0.32%

LAB 40.29, -12.58, 18.02

 

CMYK 5 / 16 / 0 / 27

HEX #AF9BB9

RGB 175 155 185

HSL 280, 0.18%, 0.67%

LAB 66.57, 12.97, -12.81

 

CMYK 6 / 15 / 0 / 20

HEX #C0ADCC

RGB 192 173 204

HSL 276.77, 0.23%, 0.74%

LAB 73.19, 12.57, -13.23

 

CMYK 6 / 14 / 0 / 13

HEX #D1BFDF

RGB 209 191 223

HSL 273.75, 0.33%, 0.81%

LAB 79.7, 12.21, -13.64

 

CMYK 7 / 14 / 0 / 5

HEX #E2D1F2

RGB 226 209 242

HSL 270.91, 0.56%, 0.88%

LAB 86.1, 11.87, -14.05

 

CMYK 5 / 11 / 0 / 0

HEX #F3E3FF

RGB 243 227 255

HSL 274.29, 1%, 0.95%

LAB 92.23, 10.42, -11.58

 

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

CMYK 11 / 20 / 0 / 33

HEX #9989AB

RGB 153 137 171

HSL 268.24, 0.17%, 0.6%

LAB 59.53, 12.72, -15.72

 

CMYK 11 / 22 / 0 / 40

HEX #887798

RGB 136 119 152

HSL 270.91, 0.14%, 0.53%

LAB 52.61, 13.18, -15.39

 

CMYK 11 / 24 / 0 / 48

HEX #776585

RGB 119 101 133

HSL 273.75, 0.14%, 0.46%

LAB 45.53, 13.69, -15.07

 

CMYK 11 / 27 / 0 / 55

HEX #665372

RGB 102 83 114

HSL 276.77, 0.16%, 0.39%

LAB 38.25, 14.27, -14.76

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 5 / 18 / 0 / 25

HEX #B49CBE

RGB 180 156 190

HSL 282.35, 0.21%, 0.68%

LAB 67.43, 15.12, -14.26

 

CMYK 1 / 18 / 0 / 25

HEX #BD9CBE

RGB 189 156 190

HSL 298.24, 0.21%, 0.68%

LAB 68.25, 18.2, -12.94

 

CMYK 0 / 18 / 4 / 25

HEX #BE9CB6

RGB 190 156 182

HSL 314.12, 0.21%, 0.68%

LAB 68.1, 17.05, -8.71

 

CMYK 0 / 18 / 9 / 25

HEX #BE9CAD

RGB 190 156 173

HSL 330, 0.21%, 0.68%

LAB 67.83, 15.43, -4.08

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 15 / 18 / 0 / 25

HEX #A19CBE

RGB 161 156 190

HSL 248.82, 0.21%, 0.68%

LAB 65.8, 8.76, -16.87

 

CMYK 18 / 18 / 0 / 25

HEX #9C9CBE

RGB 156 156 190

HSL 240, 0.21%, 0.68%

LAB 65.41, 7.13, -17.51

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 17 / 30 / 0 / 20

HEX #A98FCB

RGB 169 143 203

HSL 266, 0.37%, 0.68%

LAB 63.67, 21.58, -27.34

 

CMYK 23 / 40 / 0 / 15

HEX #A781D8

RGB 167 129 216

HSL 266.21, 0.53%, 0.68%

LAB 60.67, 31.89, -39.29

 

CMYK 28 / 50 / 0 / 10

HEX #A574E6

RGB 165 116 230

HSL 265.79, 0.7%, 0.68%

LAB 58.23, 41.96, -50.99

 

CMYK 33 / 58 / 0 / 5

HEX #A367F3

RGB 163 103 243

HSL 265.71, 0.85%, 0.68%

LAB 56.05, 51.66, -61.74

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 3 / 5 / 0 / 31

HEX #ACA9B1

RGB 172 169 177

HSL 262.5, 0.05%, 0.68%

LAB 69.7, 2.59, -3.73

 

CMYK 4 / 0 / 10 / 29

HEX #AEB6A4

RGB 174 182 164

HSL 86.67, 0.11%, 0.68%

LAB 72.98, -6.1, 8.2

 

CMYK 10 / 0 / 23 / 24

HEX #B0C396

RGB 176 195 150

HSL 85.33, 0.27%, 0.68%

LAB 76.35, -14.46, 20.51

 

CMYK 15 / 0 / 34 / 18

HEX #B2D189

RGB 178 209 137

HSL 85.83, 0.44%, 0.68%

LAB 80.11, -22.62, 32.4

 

CMYK 18 / 16 / 0 / 25

HEX #9CA0BE

RGB 156 160 190

HSL 232.94, 0.21%, 0.68%

LAB 66.46, 4.89, -15.91

 

CMYK 15 / 18 / 0 / 25

HEX #A19CBE

RGB 161 156 190

HSL 248.82, 0.21%, 0.68%

LAB 65.8, 8.76, -16.87

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 6 / 18 / 0 / 25

HEX #B39CBE

RGB 179 156 190

HSL 280.59, 0.21%, 0.68%

LAB 67.34, 14.78, -14.41

 

CMYK 1 / 18 / 0 / 25

HEX #BC9CBE

RGB 188 156 190

HSL 296.47, 0.21%, 0.68%

LAB 68.16, 17.85, -13.09

 

CMYK 18 / 32 / 0 / 38

HEX #806A9D

RGB 128 106 157

HSL 265.88, 0.21%, 0.52%

LAB 48.68, 19.32, -24.42

 

CMYK 14 / 25 / 0 / 32

HEX #9583AE

RGB 149 131 174

HSL 265.12, 0.21%, 0.6%

LAB 57.73, 15.49, -20.2

 

CMYK 11 / 18 / 0 / 25

HEX #AA9CBE

RGB 170 156 190

HSL 264.71, 0.21%, 0.68%

LAB 66.55, 11.74, -15.67

 

CMYK 7 / 12 / 0 / 19

HEX #C0B5CE

RGB 192 181 206

HSL 266.4, 0.2%, 0.76%

LAB 75.27, 8.6, -11.2

 

CMYK 4 / 8 / 0 / 13

HEX #D5CEDF

RGB 213 206 223

HSL 264.71, 0.21%, 0.84%

LAB 83.77, 5.54, -7.54

 

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

CMYK 0 / 18 / 11 / 25

HEX #BE9CA9

RGB 190 156 169

HSL 337.06, 0.21%, 0.68%

LAB 67.72, 14.74, -2.02

 

CMYK 18 / 0 / 18 / 25

HEX #9CBE9C

RGB 156 190 156

HSL 120, 0.21%, 0.68%

LAB 73.74, -18.05, 13.44

 

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

CMYK 0 / 11 / 18 / 25

HEX #BEAA9C

RGB 190 170 156

HSL 24.71, 0.21%, 0.68%

LAB 70.94, 4.93, 9.85

 

CMYK 18 / 0 / 11 / 25

HEX #9CBEAA

RGB 156 190 170

HSL 144.71, 0.21%, 0.68%

LAB 74.06, -15.44, 6.31

 

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

CMYK 0 / 18 / 11 / 25

HEX #BE9CA9

RGB 190 156 169

HSL 337.06, 0.21%, 0.68%

LAB 67.72, 14.74, -2.02

 

CMYK 7 / 0 / 18 / 25

HEX #B0BE9C

RGB 176 190 156

HSL 84.71, 0.21%, 0.68%

LAB 75.11, -10.93, 15.57

 

CMYK 18 / 0 / 7 / 25

HEX #9CBEB1

RGB 156 190 177

HSL 157.06, 0.21%, 0.68%

LAB 74.23, -14.06, 2.76

 

CMYK 11 / 18 / 0 / 25

HEX #AA9BBE

RGB 170 155 190

HSL 265.71, 0.21%, 0.68%

LAB 66.3, 12.3, -16.06

 

CMYK 0 / 18 / 16 / 25

HEX #BE9C9F

RGB 190 156 159

HSL 354.71, 0.21%, 0.68%

LAB 67.45, 13.07, 3.17

 

CMYK 7 / 0 / 18 / 25

HEX #B0BE9C

RGB 176 190 156

HSL 84.71, 0.21%, 0.68%

LAB 75.11, -10.93, 15.57

 

CMYK 18 / 0 / 2 / 25

HEX #9CBEBB

RGB 156 190 187

HSL 174.71, 0.21%, 0.68%

LAB 74.5, -12, -2.29

 

Description

Color code: HEX #AA9BBE | qconv.com Color code: HEX #AA9BBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 155 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 155 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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