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Color name
HEX #AA9D2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9D2B it is the complementary color #5562D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9D2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9D2B shade: #AF9D26, #C0AF39, #D1C14C, #E2D35F and #F3E572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9D2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9D2B shade: #AA9D2B, #998B18, #887905, #776700 and #665500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9D2B shade: #AB9E2A, #AB7B2A, #AB582A, #AB362A and #AB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9D2B shade: #AB9E2A, #95AB2A, #73AB2A, #50AB2A and #2DAB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9D2B shade matches the following richer shades: #AB9E2A, #BCAB19 and #CEB908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9D2B shade: #AB9E2A, #9A903C, #88824D, #77745E and #666770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9D2B shade: #AB572A, #AB7A2A, #AB9C2A, #98AB2A and #75AB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9D2B shade: #69611A, #8A7F22, #AB9E2A, #CCBC33 and #D4C754

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9D2B shade: #AA9D2B, #2AAB35 and #682AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9D2B shade: #AA9D2B, #2AAB9C and #9C2AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9D2B shade: #AA9D2B, #2AAB35, #2A39AB and #AB2AA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9D2B shade: #AA9D2B, #2AAB5C, #2A39AB and #AB2A7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

Complementary color

CMYK 60 / 54 / 0 / 17

HEX #5562D4

RGB 85 98 212

HSL 233.86, 0.6%, 0.58%

LAB 46.2, 29.26, -60.47

 

CMYK 0 / 10 / 78 / 31

HEX #AF9D26

RGB 175 157 38

HSL 52.12, 0.64%, 0.42%

LAB 64.46, -6.04, 59.81

 

CMYK 0 / 9 / 70 / 25

HEX #C0AF39

RGB 192 175 57

HSL 52.44, 0.54%, 0.49%

LAB 70.98, -7.21, 59.69

 

CMYK 0 / 8 / 64 / 18

HEX #D1C14C

RGB 209 193 76

HSL 52.78, 0.59%, 0.56%

LAB 77.41, -8.17, 59.02

 

CMYK 0 / 7 / 58 / 11

HEX #E2D35F

RGB 226 211 95

HSL 53.13, 0.69%, 0.63%

LAB 83.75, -8.99, 58.08

 

CMYK 0 / 6 / 53 / 5

HEX #F3E572

RGB 243 229 114

HSL 53.49, 0.84%, 0.7%

LAB 90, -9.67, 57.01

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 0 / 9 / 84 / 40

HEX #998B18

RGB 153 139 24

HSL 53.49, 0.73%, 0.35%

LAB 57.37, -6.79, 57.04

 

CMYK 0 / 11 / 96 / 47

HEX #887905

RGB 136 121 5

HSL 53.13, 0.93%, 0.28%

LAB 50.59, -5.23, 55.1

 

CMYK 0 / 13 / 100 / 53

HEX #776700

RGB 119 103 0

HSL 51.93, 1%, 0.23%

LAB 43.69, -3.29, 50.38

 

CMYK 0 / 17 / 100 / 60

HEX #665500

RGB 102 85 0

HSL 50, 1%, 0.2%

LAB 36.6, -1.13, 44.52

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 0 / 28 / 75 / 33

HEX #AB7B2A

RGB 171 123 42

HSL 37.67, 0.61%, 0.42%

LAB 55.06, 11.01, 49.28

 

CMYK 0 / 49 / 75 / 33

HEX #AB582A

RGB 171 88 42

HSL 21.4, 0.61%, 0.42%

LAB 46.72, 30.5, 40.83

 

CMYK 0 / 68 / 75 / 33

HEX #AB362A

RGB 171 54 42

HSL 5.58, 0.61%, 0.42%

LAB 40.35, 47.04, 34.01

 

CMYK 0 / 75 / 75 / 33

HEX #AB2A2A

RGB 171 42 42

HSL 0, 0.61%, 0.42%

LAB 38.69, 51.6, 32.18

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 33 / 0 / 75 / 33

HEX #73AB2A

RGB 115 171 42

HSL 86.05, 0.61%, 0.42%

LAB 64.11, -38.07, 56.56

 

CMYK 53 / 0 / 75 / 33

HEX #50AB2A

RGB 80 171 42

HSL 102.33, 0.61%, 0.42%

LAB 62.51, -49.73, 54.44

 

CMYK 74 / 0 / 75 / 33

HEX #2DAB2A

RGB 45 171 42

HSL 118.6, 0.61%, 0.42%

LAB 61.53, -57.72, 53.14

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 0 / 9 / 87 / 26

HEX #BCAB19

RGB 188 171 25

HSL 53.74, 0.77%, 0.42%

LAB 69.39, -8.05, 68.07

 

CMYK 0 / 10 / 96 / 19

HEX #CEB908

RGB 206 185 8

HSL 53.64, 0.93%, 0.42%

LAB 74.72, -7.66, 75.52

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 0 / 6 / 61 / 40

HEX #9A903C

RGB 154 144 60

HSL 53.62, 0.44%, 0.42%

LAB 59.11, -7.2, 44.89

 

CMYK 0 / 4 / 43 / 47

HEX #88824D

RGB 136 130 77

HSL 53.9, 0.28%, 0.42%

LAB 53.75, -5.85, 29.45

 

CMYK 0 / 3 / 21 / 53

HEX #77745E

RGB 119 116 94

HSL 52.8, 0.12%, 0.42%

LAB 48.54, -2.83, 12.59

 

CMYK 9 / 8 / 0 / 56

HEX #666770

RGB 102 103 112

HSL 234, 0.05%, 0.42%

LAB 43.79, 1.56, -5.18

 

CMYK 0 / 49 / 75 / 33

HEX #AB572A

RGB 171 87 42

HSL 20.93, 0.61%, 0.42%

LAB 46.5, 31.04, 40.6

 

CMYK 0 / 29 / 75 / 33

HEX #AB7A2A

RGB 171 122 42

HSL 37.21, 0.61%, 0.42%

LAB 54.81, 11.58, 49.03

 

CMYK 0 / 9 / 75 / 33

HEX #AB9C2A

RGB 171 156 42

HSL 53.02, 0.61%, 0.42%

LAB 63.84, -7.13, 57.72

 

CMYK 11 / 0 / 75 / 33

HEX #98AB2A

RGB 152 171 42

HSL 68.84, 0.61%, 0.42%

LAB 66.5, -23.17, 59.67

 

CMYK 32 / 0 / 75 / 33

HEX #75AB2A

RGB 117 171 42

HSL 85.12, 0.61%, 0.42%

LAB 64.22, -37.32, 56.7

 

CMYK 0 / 8 / 75 / 59

HEX #69611A

RGB 105 97 26

HSL 53.92, 0.6%, 0.26%

LAB 40.62, -5.76, 39.44

 

CMYK 0 / 8 / 75 / 46

HEX #8A7F22

RGB 138 127 34

HSL 53.65, 0.6%, 0.34%

LAB 52.62, -6.73, 48.95

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 0 / 8 / 75 / 20

HEX #CCBC33

RGB 204 188 51

HSL 53.73, 0.6%, 0.5%

LAB 75.48, -9.03, 66.57

 

CMYK 0 / 6 / 60 / 17

HEX #D4C754

RGB 212 199 84

HSL 53.91, 0.6%, 0.58%

LAB 79.32, -9.46, 57.7

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 75 / 0 / 69 / 33

HEX #2AAB35

RGB 42 171 53

HSL 125.12, 0.61%, 0.42%

LAB 61.55, -57.25, 48.96

 

CMYK 39 / 75 / 0 / 33

HEX #682AAB

RGB 104 42 171

HSL 268.84, 0.61%, 0.42%

LAB 33, 52.12, -57.85

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 75 / 0 / 9 / 33

HEX #2AAB9C

RGB 42 171 156

HSL 173.02, 0.61%, 0.42%

LAB 63.36, -37.32, -2.11

 

CMYK 9 / 75 / 0 / 33

HEX #9C2AAB

RGB 156 42 171

HSL 293.02, 0.61%, 0.42%

LAB 40.68, 62.18, -45.07

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 75 / 0 / 69 / 33

HEX #2AAB35

RGB 42 171 53

HSL 125.12, 0.61%, 0.42%

LAB 61.55, -57.25, 48.96

 

CMYK 75 / 67 / 0 / 33

HEX #2A39AB

RGB 42 57 171

HSL 233.02, 0.61%, 0.42%

LAB 30.3, 34.64, -62.5

 

CMYK 0 / 75 / 6 / 33

HEX #AB2AA0

RGB 171 42 160

HSL 305.12, 0.61%, 0.42%

LAB 42.54, 63.56, -35.39

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 75 / 0 / 46 / 33

HEX #2AAB5C

RGB 42 171 92

HSL 143.26, 0.61%, 0.42%

LAB 61.99, -51.99, 31.01

 

CMYK 75 / 67 / 0 / 33

HEX #2A39AB

RGB 42 57 171

HSL 233.02, 0.61%, 0.42%

LAB 30.3, 34.64, -62.5

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A7A

RGB 171 42 122

HSL 322.79, 0.61%, 0.42%

LAB 40.77, 58.24, -14.98

 

Description

Color code: HEX #AA9D2B | qconv.com Color code: HEX #AA9D2B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 157 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 157 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 75% 33% C M Y K

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Provide designers and agencies with accurate color values.

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