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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA8DC it is the complementary color #555723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA8DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA8DC shade: #AFA8D7, #C0BAEA, #D1CCFD, #E2DEFF and #F3F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA8DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA8DC shade: #AAA8DC, #9996C9, #8884B6, #7772A3 and #666090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA8DC shade: #A9A7DC, #B7A7DC, #C5A7DC, #D4A7DC and #DCA7D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA8DC shade: #A9A7DC and #A7A7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA8DC shade matches the following richer shades: #A9A7DC, #A09DE6, #9793EF and #8E89F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA8DC shade: #A9A7DC, #B2B1D2, #BBBBC8, #C4C5BE and #CECFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA8DC shade: #A7C1DC, #A7B3DC, #A9A7DC, #B7A7DC and #C5A7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA8DC shade: #6F6CC4, #8C89D0, #A9A7DC, #C6C4E7 and #E3E2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA8DC shade: #AAA8DC, #DCA7CF and #BADCA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA8DC shade: #AAA8DC, #DCA9A7 and #A7DCA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA8DC shade: #AAA8DC, #DCA7CF, #DADCA7 and #A7DCB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA8DC shade: #AAA8DC, #DCA7C0, #DADCA7 and #A7DCC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

Complementary color

CMYK 2 / 0 / 60 / 66

HEX #555723

RGB 85 87 35

HSL 62.31, 0.43%, 0.24%

LAB 35.73, -8.92, 29.4

 

CMYK 19 / 22 / 0 / 16

HEX #AFA8D7

RGB 175 168 215

HSL 248.94, 0.37%, 0.75%

LAB 70.89, 12.12, -22.88

 

CMYK 18 / 21 / 0 / 8

HEX #C0BAEA

RGB 192 186 234

HSL 247.5, 0.53%, 0.82%

LAB 77.44, 11.74, -23.11

 

CMYK 17 / 19 / 0 / 1

HEX #D1CCFD

RGB 209 204 253

HSL 246.12, 0.92%, 0.9%

LAB 83.88, 11.39, -23.36

 

CMYK 11 / 13 / 0 / 0

HEX #E2DEFF

RGB 226 222 255

HSL 247.27, 1%, 0.94%

LAB 89.69, 7.58, -15.51

 

CMYK 5 / 6 / 0 / 0

HEX #F3F0FF

RGB 243 240 255

HSL 252, 1%, 0.97%

LAB 95.41, 3.71, -6.86

 

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

CMYK 24 / 25 / 0 / 21

HEX #9996C9

RGB 153 150 201

HSL 243.53, 0.32%, 0.69%

LAB 64, 12.13, -25.82

 

CMYK 25 / 27 / 0 / 29

HEX #8884B6

RGB 136 132 182

HSL 244.8, 0.26%, 0.62%

LAB 57.19, 12.61, -25.7

 

CMYK 27 / 30 / 0 / 36

HEX #7772A3

RGB 119 114 163

HSL 246.12, 0.21%, 0.54%

LAB 50.22, 13.14, -25.62

 

CMYK 29 / 33 / 0 / 44

HEX #666090

RGB 102 96 144

HSL 247.5, 0.2%, 0.47%

LAB 43.07, 13.76, -25.58

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 17 / 24 / 0 / 14

HEX #B7A7DC

RGB 183 167 220

HSL 258.11, 0.43%, 0.76%

LAB 71.47, 16.3, -24.67

 

CMYK 10 / 24 / 0 / 14

HEX #C5A7DC

RGB 197 167 220

HSL 273.96, 0.43%, 0.76%

LAB 72.68, 20.76, -22.72

 

CMYK 4 / 24 / 0 / 14

HEX #D4A7DC

RGB 212 167 220

HSL 290.94, 0.43%, 0.76%

LAB 74.06, 25.63, -20.48

 

CMYK 0 / 24 / 3 / 14

HEX #DCA7D5

RGB 220 167 213

HSL 307.92, 0.43%, 0.76%

LAB 74.61, 26.97, -15.76

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 24 / 24 / 0 / 14

HEX #A7A7DC

RGB 167 167 220

HSL 240, 0.43%, 0.76%

LAB 70.19, 11.35, -26.74

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 30 / 32 / 0 / 10

HEX #A09DE6

RGB 160 157 230

HSL 242.47, 0.59%, 0.76%

LAB 67.5, 17.37, -36.43

 

CMYK 37 / 38 / 0 / 6

HEX #9793EF

RGB 151 147 239

HSL 242.61, 0.74%, 0.76%

LAB 64.71, 22.96, -45.81

 

CMYK 43 / 45 / 0 / 2

HEX #8E89F9

RGB 142 137 249

HSL 242.68, 0.9%, 0.76%

LAB 62.07, 29.24, -55.53

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 15 / 16 / 0 / 18

HEX #B2B1D2

RGB 178 177 210

HSL 241.82, 0.27%, 0.76%

LAB 73.26, 7.01, -16.52

 

CMYK 7 / 7 / 0 / 22

HEX #BBBBC8

RGB 187 187 200

HSL 240, 0.11%, 0.76%

LAB 76.24, 2.49, -6.54

 

CMYK 1 / 0 / 4 / 23

HEX #C4C5BE

RGB 196 197 190

HSL 68.57, 0.06%, 0.76%

LAB 79.26, -1.61, 3.38

 

CMYK 0 / 0 / 13 / 19

HEX #CECFB4

RGB 206 207 180

HSL 62.22, 0.22%, 0.76%

LAB 82.4, -4.97, 13.32

 

CMYK 24 / 12 / 0 / 14

HEX #A7C1DC

RGB 167 193 220

HSL 210.57, 0.43%, 0.76%

LAB 76.99, -2.88, -16.4

 

CMYK 24 / 19 / 0 / 14

HEX #A7B3DC

RGB 167 179 220

HSL 226.42, 0.43%, 0.76%

LAB 73.3, 4.71, -21.99

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 17 / 24 / 0 / 14

HEX #B7A7DC

RGB 183 167 220

HSL 258.11, 0.43%, 0.76%

LAB 71.47, 16.3, -24.67

 

CMYK 10 / 24 / 0 / 14

HEX #C5A7DC

RGB 197 167 220

HSL 273.96, 0.43%, 0.76%

LAB 72.68, 20.76, -22.72

 

CMYK 43 / 45 / 0 / 23

HEX #6F6CC4

RGB 111 108 196

HSL 242.05, 0.43%, 0.6%

LAB 49.61, 23.66, -45.75

 

CMYK 33 / 34 / 0 / 18

HEX #8C89D0

RGB 140 137 208

HSL 242.54, 0.43%, 0.68%

LAB 59.91, 17.53, -36.17

 

CMYK 23 / 24 / 0 / 14

HEX #A9A7DC

RGB 169 167 220

HSL 242.26, 0.43%, 0.76%

LAB 70.34, 11.96, -26.5

 

CMYK 14 / 15 / 0 / 9

HEX #C6C4E7

RGB 198 196 231

HSL 243.43, 0.42%, 0.84%

LAB 80.32, 7.57, -17.08

 

CMYK 7 / 7 / 0 / 5

HEX #E3E2F3

RGB 227 226 243

HSL 243.53, 0.41%, 0.92%

LAB 90.41, 3.48, -8.14

 

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

CMYK 0 / 24 / 6 / 14

HEX #DCA7CF

RGB 220 167 207

HSL 314.72, 0.43%, 0.76%

LAB 74.42, 25.9, -12.76

 

CMYK 15 / 0 / 24 / 14

HEX #BADCA7

RGB 186 220 167

HSL 98.49, 0.43%, 0.76%

LAB 84.18, -20.75, 22.43

 

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

CMYK 0 / 23 / 24 / 14

HEX #DCA9A7

RGB 220 169 167

HSL 2.26, 0.43%, 0.76%

LAB 73.79, 18.41, 8.26

 

CMYK 24 / 0 / 23 / 14

HEX #A7DCA9

RGB 167 220 169

HSL 122.26, 0.43%, 0.76%

LAB 83.05, -26.89, 19.65

 

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

CMYK 0 / 24 / 6 / 14

HEX #DCA7CF

RGB 220 167 207

HSL 314.72, 0.43%, 0.76%

LAB 74.42, 25.9, -12.76

 

CMYK 1 / 0 / 24 / 14

HEX #DADCA7

RGB 218 220 167

HSL 62.26, 0.43%, 0.76%

LAB 86.45, -9.16, 25.89

 

CMYK 24 / 0 / 19 / 14

HEX #A7DCB3

RGB 167 220 179

HSL 133.58, 0.43%, 0.76%

LAB 83.26, -25.12, 14.69

 

CMYK 23 / 24 / 0 / 14

HEX #AAA8DC

RGB 170 168 220

HSL 242.31, 0.43%, 0.76%

LAB 70.68, 11.71, -25.98

 

CMYK 0 / 24 / 13 / 14

HEX #DCA7C0

RGB 220 167 192

HSL 331.7, 0.43%, 0.76%

LAB 73.97, 23.34, -5.2

 

CMYK 1 / 0 / 24 / 14

HEX #DADCA7

RGB 218 220 167

HSL 62.26, 0.43%, 0.76%

LAB 86.45, -9.16, 25.89

 

CMYK 24 / 0 / 11 / 14

HEX #A7DCC3

RGB 167 220 195

HSL 151.7, 0.43%, 0.76%

LAB 83.62, -22.1, 6.75

 

Description

Color code: HEX #AAA8DC | qconv.com Color code: HEX #AAA8DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 168 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 168 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 24 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 24% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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