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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA26E it is the complementary color #555D91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA26E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA26E shade: #AFA269, #C0B47C, #D1C68F, #E2D8A2 and #F3EAB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA26E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA26E shade: #AAA26E, #99905B, #887E48, #776C35 and #665A22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA26E shade: #AAA26E, #AA926E, #AA816E, #AA716E and #AA6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA26E shade: #AAA26E, #A1AA6E, #91AA6E, #81AA6E and #71AA6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA26E shade matches the following richer shades: #AAA26E, #BCAF5B, #CFBD49, #E1CA36 and #F4D824

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA26E shade: #AAA26E, #979480, #848693, #7279A6 and #5F6BB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA26E shade: #AA826E, #AA926E, #AAA26E, #A2AA6E and #92AA6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA26E shade: #7C7549, #968E58, #AAA26E, #B9B288 and #C8C3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA26E shade: #AAA26E, #6EAA72 and #8A6EAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA26E shade: #AAA26E, #6EAAA2 and #A26EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA26E shade: #AAA26E, #6EAA72, #6E76AA and #AA6EA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA26E shade: #AAA26E, #6EAA84, #6E76AA and #AA6E94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

Complementary color

CMYK 41 / 36 / 0 / 43

HEX #555D91

RGB 85 93 145

HSL 232, 0.26%, 0.45%

LAB 40.9, 10.82, -29.67

 

CMYK 0 / 7 / 40 / 31

HEX #AFA269

RGB 175 162 105

HSL 48.86, 0.3%, 0.55%

LAB 66.5, -3.65, 31.35

 

CMYK 0 / 6 / 35 / 25

HEX #C0B47C

RGB 192 180 124

HSL 49.41, 0.35%, 0.62%

LAB 73.09, -4.09, 30.14

 

CMYK 0 / 5 / 32 / 18

HEX #D1C68F

RGB 209 198 143

HSL 50, 0.42%, 0.69%

LAB 79.57, -4.47, 29

 

CMYK 0 / 4 / 28 / 11

HEX #E2D8A2

RGB 226 216 162

HSL 50.63, 0.52%, 0.76%

LAB 85.95, -4.79, 27.92

 

CMYK 0 / 4 / 26 / 5

HEX #F3EAB5

RGB 243 234 181

HSL 51.29, 0.72%, 0.83%

LAB 92.24, -5.06, 26.89

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 0 / 6 / 41 / 40

HEX #99905B

RGB 153 144 91

HSL 51.29, 0.25%, 0.48%

LAB 59.41, -4.69, 29.36

 

CMYK 0 / 7 / 47 / 47

HEX #887E48

RGB 136 126 72

HSL 50.63, 0.31%, 0.41%

LAB 52.54, -4.17, 30.65

 

CMYK 0 / 9 / 55 / 53

HEX #776C35

RGB 119 108 53

HSL 50, 0.38%, 0.34%

LAB 45.5, -3.5, 31.98

 

CMYK 0 / 12 / 67 / 60

HEX #665A22

RGB 102 90 34

HSL 49.41, 0.5%, 0.27%

LAB 38.29, -2.59, 33.23

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 0 / 14 / 35 / 33

HEX #AA926E

RGB 170 146 110

HSL 36, 0.26%, 0.55%

LAB 61.85, 3.61, 22.42

 

CMYK 0 / 24 / 35 / 33

HEX #AA816E

RGB 170 129 110

HSL 19, 0.26%, 0.55%

LAB 57.44, 13.13, 16.42

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 35 / 35 / 33

HEX #AA6E6E

RGB 170 110 110

HSL 0, 0.26%, 0.55%

LAB 52.76, 23.86, 9.9

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 5 / 0 / 35 / 33

HEX #A1AA6E

RGB 161 170 110

HSL 69, 0.26%, 0.55%

LAB 67.61, -12.98, 29.91

 

CMYK 15 / 0 / 35 / 33

HEX #91AA6E

RGB 145 170 110

HSL 85, 0.26%, 0.55%

LAB 66.44, -19.25, 28.15

 

CMYK 24 / 0 / 35 / 33

HEX #81AA6E

RGB 129 170 110

HSL 101, 0.26%, 0.55%

LAB 65.39, -25.24, 26.57

 

CMYK 34 / 0 / 35 / 33

HEX #71AA6E

RGB 113 170 110

HSL 117, 0.26%, 0.55%

LAB 64.47, -30.84, 25.19

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 0 / 7 / 52 / 26

HEX #BCAF5B

RGB 188 175 91

HSL 51.96, 0.42%, 0.55%

LAB 70.94, -6.56, 44.31

 

CMYK 0 / 9 / 65 / 19

HEX #CFBD49

RGB 207 189 73

HSL 51.94, 0.58%, 0.55%

LAB 76.16, -7.15, 58.91

 

CMYK 0 / 10 / 76 / 12

HEX #E1CA36

RGB 225 202 54

HSL 51.93, 0.74%, 0.55%

LAB 81.02, -7.08, 71.39

 

CMYK 0 / 11 / 85 / 4

HEX #F4D824

RGB 244 216 36

HSL 51.92, 0.9%, 0.55%

LAB 86.24, -6.64, 81.45

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 0 / 2 / 15 / 41

HEX #979480

RGB 151 148 128

HSL 52.17, 0.1%, 0.55%

LAB 61.06, -2.47, 10.98

 

CMYK 10 / 9 / 0 / 42

HEX #848693

RGB 132 134 147

HSL 232, 0.06%, 0.55%

LAB 56.15, 1.97, -7.2

 

CMYK 31 / 27 / 0 / 35

HEX #7279A6

RGB 114 121 166

HSL 231.92, 0.23%, 0.55%

LAB 51.84, 8.2, -24.88

 

CMYK 48 / 42 / 0 / 28

HEX #5F6BB8

RGB 95 107 184

HSL 231.91, 0.39%, 0.55%

LAB 47.51, 16.7, -42.23

 

CMYK 0 / 24 / 35 / 33

HEX #AA826E

RGB 170 130 110

HSL 20, 0.26%, 0.55%

LAB 57.69, 12.56, 16.77

 

CMYK 0 / 14 / 35 / 33

HEX #AA926E

RGB 170 146 110

HSL 36, 0.26%, 0.55%

LAB 61.85, 3.61, 22.42

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 5 / 0 / 35 / 33

HEX #A2AA6E

RGB 162 170 110

HSL 68, 0.26%, 0.55%

LAB 67.69, -12.58, 30.02

 

CMYK 14 / 0 / 35 / 33

HEX #92AA6E

RGB 146 170 110

HSL 84, 0.26%, 0.55%

LAB 66.51, -18.87, 28.25

 

CMYK 0 / 6 / 41 / 51

HEX #7C7549

RGB 124 117 73

HSL 51.76, 0.26%, 0.39%

LAB 48.87, -4.25, 25.24

 

CMYK 0 / 5 / 41 / 41

HEX #968E58

RGB 150 142 88

HSL 52.26, 0.26%, 0.47%

LAB 58.54, -5.21, 29.81

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 0 / 4 / 26 / 27

HEX #B9B288

RGB 185 178 136

HSL 51.43, 0.26%, 0.63%

LAB 72.18, -4.25, 22.41

 

CMYK 0 / 3 / 19 / 22

HEX #C8C3A2

RGB 200 195 162

HSL 52.11, 0.26%, 0.71%

LAB 78.41, -3.72, 17.24

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 35 / 0 / 33 / 33

HEX #6EAA72

RGB 110 170 114

HSL 124, 0.26%, 0.55%

LAB 64.39, -31.16, 22.89

 

CMYK 19 / 35 / 0 / 33

HEX #8A6EAA

RGB 138 110 170

HSL 268, 0.26%, 0.55%

LAB 51.22, 23.25, -28.01

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 35 / 0 / 5 / 33

HEX #6EAAA2

RGB 110 170 162

HSL 172, 0.26%, 0.55%

LAB 65.49, -21.26, -2.06

 

CMYK 5 / 35 / 0 / 33

HEX #A26EAA

RGB 162 110 170

HSL 292, 0.26%, 0.55%

LAB 53.75, 31, -23.9

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 35 / 0 / 33 / 33

HEX #6EAA72

RGB 110 170 114

HSL 124, 0.26%, 0.55%

LAB 64.39, -31.16, 22.89

 

CMYK 35 / 31 / 0 / 33

HEX #6E76AA

RGB 110 118 170

HSL 232, 0.26%, 0.55%

LAB 50.89, 9.89, -28.7

 

CMYK 0 / 35 / 2 / 33

HEX #AA6EA6

RGB 170 110 166

HSL 304, 0.26%, 0.55%

LAB 54.5, 32.86, -20.33

 

CMYK 0 / 5 / 35 / 33

HEX #AAA26E

RGB 170 162 110

HSL 52, 0.26%, 0.55%

LAB 66.15, -5.11, 28.12

 

CMYK 35 / 0 / 22 / 33

HEX #6EAA84

RGB 110 170 132

HSL 142, 0.26%, 0.55%

LAB 64.75, -27.82, 13.53

 

CMYK 35 / 31 / 0 / 33

HEX #6E76AA

RGB 110 118 170

HSL 232, 0.26%, 0.55%

LAB 50.89, 9.89, -28.7

 

CMYK 0 / 35 / 13 / 33

HEX #AA6E94

RGB 170 110 148

HSL 322, 0.26%, 0.55%

LAB 53.85, 29.61, -10.83

 

Description

Color code: HEX #AAA26E | qconv.com Color code: HEX #AAA26E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 162 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 162 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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