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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAAC01 it is the complementary color #5553FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAAC01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAAC01 shade: #AFAC00, #C0BE0F, #D1D022, #E2E235 and #F3F448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAAC01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAAC01 shade: #AAAC01, #999A00, #888800, #777600 and #666400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAAC01 shade: #AAAC00, #AC8000, #AC5100, #AC2300 and #AC0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAAC01 shade: #AAAC00, #7CAC00, #4DAC00, #1FAC00 and #00AC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAAC01 shade matches the following richer shades: #AAAC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAAC01 shade: #AAAC00, #9C9E0E, #8F901C, #81822A and #737438

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAAC01 shade: #AC5000, #AC7E00, #ACAC00, #7EAC00 and #50AC00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAAC01 shade: #595A00, #818300, #AAAC00, #D3D501 and #FAFD02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAAC01 shade: #AAAC01, #00AC23 and #6700AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAAC01 shade: #AAAC01, #00ACAC and #AC00AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAAC01 shade: #AAAC01, #00AC23, #0000AC and #AC008A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAAC01 shade: #AAAC01, #00AC56, #0000AC and #AC0056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

Complementary color

CMYK 67 / 67 / 0 / 0

HEX #5553FE

RGB 85 83 254

HSL 240.7, 0.99%, 0.66%

LAB 46.01, 51.93, -84.48

 

CMYK 0 / 2 / 100 / 31

HEX #AFAC00

RGB 175 172 0

HSL 58.97, 1%, 0.34%

LAB 68.47, -14.72, 70.63

 

CMYK 0 / 1 / 92 / 25

HEX #C0BE0F

RGB 192 190 15

HSL 59.32, 0.86%, 0.41%

LAB 74.87, -16.24, 74.29

 

CMYK 0 / 0 / 84 / 18

HEX #D1D022

RGB 209 208 34

HSL 59.66, 0.72%, 0.48%

LAB 81.17, -17.55, 76.5

 

CMYK 0 / 0 / 77 / 11

HEX #E2E235

RGB 226 226 53

HSL 60, 0.75%, 0.55%

LAB 87.4, -18.67, 77.52

 

CMYK 0 / 0 / 70 / 4

HEX #F3F448

RGB 243 244 72

HSL 60.35, 0.89%, 0.62%

LAB 93.55, -19.62, 77.76

 

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

CMYK 1 / 0 / 100 / 40

HEX #999A00

RGB 153 154 0

HSL 60.39, 1%, 0.3%

LAB 61.55, -15.24, 64.74

 

CMYK 0 / 0 / 100 / 47

HEX #888800

RGB 136 136 0

HSL 60, 1%, 0.27%

LAB 54.91, -13.51, 59.22

 

CMYK 0 / 1 / 100 / 53

HEX #777600

RGB 119 118 0

HSL 59.5, 1%, 0.23%

LAB 48.11, -11.72, 53.57

 

CMYK 0 / 2 / 100 / 60

HEX #666400

RGB 102 100 0

HSL 58.82, 1%, 0.2%

LAB 41.12, -9.87, 47.76

 

CMYK 1 / 0 / 100 / 33

HEX #AAAC00

RGB 170 172 0

HSL 60.7, 1%, 0.34%

LAB 68.06, -16.93, 70.14

 

CMYK 0 / 26 / 100 / 33

HEX #AC8000

RGB 172 128 0

HSL 44.65, 1%, 0.34%

LAB 56.3, 7.59, 61.86

 

CMYK 0 / 53 / 100 / 33

HEX #AC5100

RGB 172 81 0

HSL 28.26, 1%, 0.34%

LAB 45.16, 33.56, 54.72

 

CMYK 0 / 80 / 100 / 33

HEX #AC2300

RGB 172 35 0

HSL 12.21, 1%, 0.34%

LAB 37.79, 53.2, 50.91

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 1 / 0 / 100 / 33

HEX #AAAC00

RGB 170 172 0

HSL 60.7, 1%, 0.34%

LAB 68.06, -16.93, 70.14

 

CMYK 28 / 0 / 100 / 33

HEX #7CAC00

RGB 124 172 0

HSL 76.74, 1%, 0.34%

LAB 64.8, -36.39, 66.25

 

CMYK 55 / 0 / 100 / 33

HEX #4DAC00

RGB 77 172 0

HSL 93.14, 1%, 0.34%

LAB 62.58, -52.56, 63.57

 

CMYK 82 / 0 / 100 / 33

HEX #1FAC00

RGB 31 172 0

HSL 109.19, 1%, 0.34%

LAB 61.48, -61.86, 62.23

 

CMYK 100 / 0 / 91 / 33

HEX #00AC10

RGB 0 172 16

HSL 125.58, 1%, 0.34%

LAB 61.26, -63.73, 59.68

 

CMYK 1 / 0 / 100 / 33

HEX #AAAC00

RGB 170 172 0

HSL 60.7, 1%, 0.34%

LAB 68.06, -16.93, 70.14

 

CMYK 1 / 0 / 100 / 33

HEX #AAAC00

RGB 170 172 0

HSL 60.7, 1%, 0.34%

LAB 68.06, -16.93, 70.14

 

CMYK 1 / 0 / 91 / 38

HEX #9C9E0E

RGB 156 158 14

HSL 60.83, 0.84%, 0.34%

LAB 62.97, -15.75, 63.9

 

CMYK 1 / 0 / 81 / 44

HEX #8F901C

RGB 143 144 28

HSL 60.52, 0.67%, 0.34%

LAB 57.91, -13.89, 56.02

 

CMYK 1 / 0 / 68 / 49

HEX #81822A

RGB 129 130 42

HSL 60.68, 0.51%, 0.34%

LAB 52.73, -12.05, 45.54

 

CMYK 1 / 0 / 52 / 55

HEX #737438

RGB 115 116 56

HSL 61, 0.35%, 0.34%

LAB 47.52, -9.56, 32.7

 

CMYK 0 / 53 / 100 / 33

HEX #AC5000

RGB 172 80 0

HSL 27.91, 1%, 0.34%

LAB 44.95, 34.08, 54.6

 

CMYK 0 / 27 / 100 / 33

HEX #AC7E00

RGB 172 126 0

HSL 43.95, 1%, 0.34%

LAB 55.78, 8.71, 61.51

 

CMYK 0 / 0 / 100 / 33

HEX #ACAC00

RGB 172 172 0

HSL 60, 1%, 0.34%

LAB 68.22, -16.05, 70.34

 

CMYK 27 / 0 / 100 / 33

HEX #7EAC00

RGB 126 172 0

HSL 76.05, 1%, 0.34%

LAB 64.92, -35.59, 66.39

 

CMYK 53 / 0 / 100 / 33

HEX #50AC00

RGB 80 172 0

HSL 92.09, 1%, 0.34%

LAB 62.68, -51.7, 63.7

 

CMYK 1 / 0 / 100 / 65

HEX #595A00

RGB 89 90 0

HSL 60.67, 1%, 0.18%

LAB 36.81, -10.58, 44.07

 

CMYK 2 / 0 / 100 / 49

HEX #818300

RGB 129 131 0

HSL 60.92, 1%, 0.26%

LAB 52.84, -14.08, 57.43

 

CMYK 1 / 0 / 100 / 33

HEX #AAAC00

RGB 170 172 0

HSL 60.7, 1%, 0.34%

LAB 68.06, -16.93, 70.14

 

CMYK 1 / 0 / 100 / 16

HEX #D3D501

RGB 211 213 1

HSL 60.57, 0.99%, 0.42%

LAB 82.61, -19.66, 82.21

 

CMYK 1 / 0 / 99 / 1

HEX #FAFD02

RGB 250 253 2

HSL 60.72, 0.98%, 0.5%

LAB 96.24, -22.64, 93.51

 

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

CMYK 100 / 0 / 80 / 33

HEX #00AC23

RGB 0 172 35

HSL 132.21, 1%, 0.34%

LAB 61.33, -62.78, 55.1

 

CMYK 40 / 100 / 0 / 33

HEX #6700AC

RGB 103 0 172

HSL 275.93, 1%, 0.34%

LAB 29.06, 63.65, -64.92

 

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

CMYK 100 / 0 / 0 / 33

HEX #00ACAC

RGB 0 172 172

HSL 180, 1%, 0.34%

LAB 63.74, -35.79, -10.52

 

CMYK 0 / 100 / 0 / 33

HEX #AC00AC

RGB 172 0 172

HSL 300, 1%, 0.34%

LAB 40.81, 73.14, -45.29

 

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

CMYK 100 / 0 / 80 / 33

HEX #00AC23

RGB 0 172 35

HSL 132.21, 1%, 0.34%

LAB 61.33, -62.78, 55.1

 

CMYK 100 / 100 / 0 / 33

HEX #0000AC

RGB 0 0 172

HSL 240, 1%, 0.34%

LAB 19.96, 58.96, -80.3

 

CMYK 0 / 100 / 20 / 33

HEX #AC008A

RGB 172 0 138

HSL 311.86, 1%, 0.34%

LAB 38.91, 68.45, -27.72

 

CMYK 1 / 0 / 99 / 33

HEX #AAAC01

RGB 170 172 1

HSL 60.7, 0.99%, 0.34%

LAB 68.06, -16.92, 70.02

 

CMYK 100 / 0 / 50 / 33

HEX #00AC56

RGB 0 172 86

HSL 150, 1%, 0.34%

LAB 61.81, -56.83, 33.78

 

CMYK 100 / 100 / 0 / 33

HEX #0000AC

RGB 0 0 172

HSL 240, 1%, 0.34%

LAB 19.96, 58.96, -80.3

 

CMYK 0 / 100 / 50 / 33

HEX #AC0056

RGB 172 0 86

HSL 330, 1%, 0.34%

LAB 36.82, 63.09, 1.93

 

Description

Color code: HEX #AAAC01 | qconv.com Color code: HEX #AAAC01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 172 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 172 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 99 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 99% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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