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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAACB4 it is the complementary color #55534B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAACB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAACB4 shade: #AFACAF, #C0BEC2, #D1D0D5, #E2E2E8 and #F3F4FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAACB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAACB4 shade: #AAACB4, #999AA1, #88888E, #77767B and #666468

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAACB4 shade: #ABADB4, #ABABB4, #AEABB4, #B0ABB4 and #B3ABB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAACB4 shade: #ABADB4 and #ABABB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAACB4 shade matches the following richer shades: #ABADB4, #9EA5C1, #919DCE, #8496DB and #788EE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAACB4 shade: #ABADB4, #B7B4A7, #C4BC9B, #D1C48E and #DECB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAACB4 shade: #ABB2B4, #ABAFB4, #ABADB4, #ABABB4 and #AEABB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAACB4 shade: #7F828D, #9597A1, #ABADB4, #C1C2C8 and #D6D7DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAACB4 shade: #AAACB4, #B4ABB4 and #B0B4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAACB4 shade: #AAACB4, #B4ABAD and #ADB4AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAACB4 shade: #AAACB4, #B4ABB4, #B4B2AB and #ABB4AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAACB4 shade: #AAACB4, #B4ABB1, #B4B2AB and #ABB4AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

Complementary color

CMYK 0 / 2 / 12 / 67

HEX #55534B

RGB 85 83 75

HSL 48, 0.06%, 0.31%

LAB 35.25, -0.8, 4.97

 

CMYK 0 / 2 / 0 / 31

HEX #AFACAF

RGB 175 172 175

HSL 300, 0.02%, 0.68%

LAB 70.67, 1.63, -1.17

 

CMYK 1 / 2 / 0 / 24

HEX #C0BEC2

RGB 192 190 194

HSL 270, 0.03%, 0.75%

LAB 77.24, 1.44, -1.77

 

CMYK 2 / 2 / 0 / 16

HEX #D1D0D5

RGB 209 208 213

HSL 252, 0.06%, 0.83%

LAB 83.69, 1.26, -2.36

 

CMYK 3 / 3 / 0 / 9

HEX #E2E2E8

RGB 226 226 232

HSL 240, 0.12%, 0.9%

LAB 90.04, 1.09, -2.93

 

CMYK 3 / 3 / 0 / 2

HEX #F3F4FB

RGB 243 244 251

HSL 232.5, 0.5%, 0.97%

LAB 96.3, 0.93, -3.48

 

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

CMYK 5 / 4 / 0 / 37

HEX #999AA1

RGB 153 154 161

HSL 232.5, 0.04%, 0.62%

LAB 63.72, 1.02, -3.79

 

CMYK 4 / 4 / 0 / 44

HEX #88888E

RGB 136 136 142

HSL 240, 0.03%, 0.55%

LAB 56.88, 1.21, -3.21

 

CMYK 3 / 4 / 0 / 52

HEX #77767B

RGB 119 118 123

HSL 252, 0.02%, 0.47%

LAB 49.87, 1.4, -2.61

 

CMYK 2 / 4 / 0 / 59

HEX #666468

RGB 102 100 104

HSL 270, 0.02%, 0.4%

LAB 42.67, 1.62, -1.98

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 5 / 5 / 0 / 29

HEX #ABABB4

RGB 171 171 180

HSL 240, 0.06%, 0.69%

LAB 70.23, 1.74, -4.61

 

CMYK 3 / 5 / 0 / 29

HEX #AEABB4

RGB 174 171 180

HSL 260, 0.06%, 0.69%

LAB 70.47, 2.78, -4.24

 

CMYK 2 / 5 / 0 / 29

HEX #B0ABB4

RGB 176 171 180

HSL 273.33, 0.06%, 0.69%

LAB 70.63, 3.48, -3.98

 

CMYK 1 / 5 / 0 / 29

HEX #B3ABB4

RGB 179 171 180

HSL 293.33, 0.06%, 0.69%

LAB 70.87, 4.53, -3.59

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 5 / 5 / 0 / 29

HEX #ABABB4

RGB 171 171 180

HSL 240, 0.06%, 0.69%

LAB 70.23, 1.74, -4.61

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 18 / 15 / 0 / 24

HEX #9EA5C1

RGB 158 165 193

HSL 228, 0.22%, 0.69%

LAB 68.04, 3.43, -15.18

 

CMYK 30 / 24 / 0 / 19

HEX #919DCE

RGB 145 157 206

HSL 228.2, 0.38%, 0.69%

LAB 65.43, 6.97, -26.47

 

CMYK 40 / 32 / 0 / 14

HEX #8496DB

RGB 132 150 219

HSL 227.59, 0.55%, 0.69%

LAB 63.2, 10.76, -37.21

 

CMYK 48 / 39 / 0 / 9

HEX #788EE7

RGB 120 142 231

HSL 228.11, 0.7%, 0.69%

LAB 60.88, 15.9, -47.58

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 0 / 2 / 9 / 28

HEX #B7B4A7

RGB 183 180 167

HSL 48.75, 0.1%, 0.69%

LAB 73.22, -1.25, 7

 

CMYK 0 / 4 / 21 / 23

HEX #C4BC9B

RGB 196 188 155

HSL 48.29, 0.26%, 0.69%

LAB 76.11, -2.59, 17.74

 

CMYK 0 / 6 / 32 / 18

HEX #D1C48E

RGB 209 196 142

HSL 48.36, 0.42%, 0.69%

LAB 79.03, -3.55, 28.81

 

CMYK 0 / 9 / 42 / 13

HEX #DECB81

RGB 222 203 129

HSL 47.74, 0.58%, 0.69%

LAB 81.74, -3.54, 39.26

 

CMYK 5 / 1 / 0 / 29

HEX #ABB2B4

RGB 171 178 180

HSL 193.33, 0.06%, 0.69%

LAB 72.09, -2.05, -1.88

 

CMYK 5 / 3 / 0 / 29

HEX #ABAFB4

RGB 171 175 180

HSL 213.33, 0.06%, 0.69%

LAB 71.29, -0.43, -3.05

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 5 / 5 / 0 / 29

HEX #ABABB4

RGB 171 171 180

HSL 240, 0.06%, 0.69%

LAB 70.23, 1.74, -4.61

 

CMYK 3 / 5 / 0 / 29

HEX #AEABB4

RGB 174 171 180

HSL 260, 0.06%, 0.69%

LAB 70.47, 2.78, -4.24

 

CMYK 10 / 8 / 0 / 45

HEX #7F828D

RGB 127 130 141

HSL 227.14, 0.06%, 0.53%

LAB 54.45, 1.19, -6.3

 

CMYK 7 / 6 / 0 / 37

HEX #9597A1

RGB 149 151 161

HSL 230, 0.06%, 0.61%

LAB 62.59, 1.29, -5.49

 

CMYK 5 / 4 / 0 / 29

HEX #ABADB4

RGB 171 173 180

HSL 226.67, 0.06%, 0.69%

LAB 70.76, 0.65, -3.83

 

CMYK 4 / 3 / 0 / 22

HEX #C1C2C8

RGB 193 194 200

HSL 231.43, 0.06%, 0.77%

LAB 78.51, 0.78, -3.13

 

CMYK 2 / 2 / 0 / 14

HEX #D6D7DB

RGB 214 215 219

HSL 228, 0.06%, 0.85%

LAB 86.01, 0.4, -2.09

 

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

CMYK 0 / 5 / 0 / 29

HEX #B4ABB4

RGB 180 171 180

HSL 300, 0.06%, 0.69%

LAB 70.96, 4.88, -3.46

 

CMYK 2 / 0 / 5 / 29

HEX #B0B4AB

RGB 176 180 171

HSL 86.67, 0.06%, 0.69%

LAB 72.77, -3.07, 4.09

 

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

CMYK 0 / 5 / 4 / 29

HEX #B4ABAD

RGB 180 171 173

HSL 346.67, 0.06%, 0.69%

LAB 70.76, 3.58, 0.12

 

CMYK 4 / 0 / 5 / 29

HEX #ADB4AB

RGB 173 180 171

HSL 106.67, 0.06%, 0.69%

LAB 72.54, -4.14, 3.73

 

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

CMYK 0 / 5 / 0 / 29

HEX #B4ABB4

RGB 180 171 180

HSL 300, 0.06%, 0.69%

LAB 70.96, 4.88, -3.46

 

CMYK 0 / 1 / 5 / 29

HEX #B4B2AB

RGB 180 178 171

HSL 46.67, 0.06%, 0.69%

LAB 72.55, -0.57, 3.81

 

CMYK 5 / 0 / 5 / 29

HEX #ABB4AB

RGB 171 180 171

HSL 120, 0.06%, 0.69%

LAB 72.39, -4.84, 3.49

 

CMYK 6 / 4 / 0 / 29

HEX #AAACB4

RGB 170 172 180

HSL 228, 0.06%, 0.69%

LAB 70.42, 0.85, -4.35

 

CMYK 0 / 5 / 2 / 29

HEX #B4ABB1

RGB 180 171 177

HSL 320, 0.06%, 0.69%

LAB 70.87, 4.32, -1.93

 

CMYK 0 / 1 / 5 / 29

HEX #B4B2AB

RGB 180 178 171

HSL 46.67, 0.06%, 0.69%

LAB 72.55, -0.57, 3.81

 

CMYK 5 / 0 / 3 / 29

HEX #ABB4AE

RGB 171 180 174

HSL 140, 0.06%, 0.69%

LAB 72.47, -4.28, 1.96

 

Description

Color code: HEX #AAACB4 | qconv.com Color code: HEX #AAACB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 172 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 172 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 4 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 4% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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