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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAAE0D it is the complementary color #5551F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAAE0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAAE0D shade: #AFAE08, #C0C01B, #D1D22E, #E2E441 and #F3F654

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAAE0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAAE0D shade: #AAAE0D, #999C00, #888A00, #777800 and #666600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAAE0D shade: #ABAF0D, #AF870D, #AF5B0D, #AF300D and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAAE0D shade: #ABAF0D, #7FAF0D, #53AF0D, #28AF0D and #0DAF1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAAE0D shade matches the following richer shades: #ABAF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAAE0D shade: #ABAF0D, #9CA01C, #8E902B, #7F813B and #71724A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAAE0D shade: #AF5B0D, #AF860D, #ACAF0D, #81AF0D and #56AF0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAAE0D shade: #606207, #85890A, #ABAF0D, #D0D510 and #E9EE20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAAE0D shade: #AAAE0D, #0DAF30 and #710DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAAE0D shade: #AAAE0D, #0DACAF and #AF0DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAAE0D shade: #AAAE0D, #0DAF30, #0F0DAF and #AF0D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAAE0D shade: #AAAE0D, #0DAF61, #0F0DAF and #AF0D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

Complementary color

CMYK 65 / 67 / 0 / 5

HEX #5551F2

RGB 85 81 242

HSL 241.49, 0.86%, 0.63%

LAB 44.56, 49.27, -80.15

 

CMYK 0 / 1 / 95 / 31

HEX #AFAE08

RGB 175 174 8

HSL 59.64, 0.91%, 0.36%

LAB 69.04, -15.64, 70.08

 

CMYK 0 / 0 / 86 / 25

HEX #C0C01B

RGB 192 192 27

HSL 60, 0.75%, 0.43%

LAB 75.44, -17.01, 72.71

 

CMYK 0 / 0 / 78 / 18

HEX #D1D22E

RGB 209 210 46

HSL 60.37, 0.65%, 0.5%

LAB 81.75, -18.17, 73.98

 

CMYK 1 / 0 / 71 / 11

HEX #E2E441

RGB 226 228 65

HSL 60.74, 0.75%, 0.57%

LAB 87.99, -19.15, 74.32

 

CMYK 1 / 0 / 66 / 4

HEX #F3F654

RGB 243 246 84

HSL 61.11, 0.9%, 0.65%

LAB 94.14, -19.98, 74.09

 

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

CMYK 2 / 0 / 100 / 39

HEX #999C00

RGB 153 156 0

HSL 61.15, 1%, 0.31%

LAB 62.13, -16.28, 65.16

 

CMYK 1 / 0 / 100 / 46

HEX #888A00

RGB 136 138 0

HSL 60.87, 1%, 0.27%

LAB 55.49, -14.57, 59.64

 

CMYK 1 / 0 / 100 / 53

HEX #777800

RGB 119 120 0

HSL 60.5, 1%, 0.24%

LAB 48.7, -12.82, 54

 

CMYK 0 / 0 / 100 / 60

HEX #666600

RGB 102 102 0

HSL 60, 1%, 0.2%

LAB 41.73, -11, 48.21

 

CMYK 2 / 0 / 93 / 31

HEX #ABAF0D

RGB 171 175 13

HSL 61.48, 0.86%, 0.37%

LAB 69, -17.84, 69.29

 

CMYK 0 / 23 / 93 / 31

HEX #AF870D

RGB 175 135 13

HSL 45.19, 0.86%, 0.37%

LAB 58.48, 5.26, 61.39

 

CMYK 0 / 48 / 93 / 31

HEX #AF5B0D

RGB 175 91 13

HSL 28.89, 0.86%, 0.37%

LAB 47.78, 29.69, 53.46

 

CMYK 0 / 73 / 93 / 31

HEX #AF300D

RGB 175 48 13

HSL 12.96, 0.86%, 0.37%

LAB 40.01, 49.95, 47.97

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 2 / 0 / 93 / 31

HEX #ABAF0D

RGB 171 175 13

HSL 61.48, 0.86%, 0.37%

LAB 69, -17.84, 69.29

 

CMYK 27 / 0 / 93 / 31

HEX #7FAF0D

RGB 127 175 13

HSL 77.78, 0.86%, 0.37%

LAB 65.9, -36.33, 65.52

 

CMYK 53 / 0 / 93 / 31

HEX #53AF0D

RGB 83 175 13

HSL 94.07, 0.86%, 0.37%

LAB 63.78, -51.67, 62.91

 

CMYK 77 / 0 / 93 / 31

HEX #28AF0D

RGB 40 175 13

HSL 110, 0.86%, 0.37%

LAB 62.63, -61.24, 61.48

 

CMYK 93 / 0 / 83 / 31

HEX #0DAF1E

RGB 13 175 30

HSL 126.3, 0.86%, 0.37%

LAB 62.37, -63.29, 57.56

 

CMYK 2 / 0 / 93 / 31

HEX #ABAF0D

RGB 171 175 13

HSL 61.48, 0.86%, 0.37%

LAB 69, -17.84, 69.29

 

CMYK 2 / 0 / 93 / 31

HEX #ABAF0D

RGB 171 175 13

HSL 61.48, 0.86%, 0.37%

LAB 69, -17.84, 69.29

 

CMYK 2 / 0 / 83 / 37

HEX #9CA01C

RGB 156 160 28

HSL 61.82, 0.7%, 0.37%

LAB 63.58, -16.43, 61.38

 

CMYK 1 / 0 / 70 / 44

HEX #8E902B

RGB 142 144 43

HSL 61.19, 0.54%, 0.37%

LAB 57.92, -13.64, 50.73

 

CMYK 2 / 0 / 54 / 49

HEX #7F813B

RGB 127 129 59

HSL 61.71, 0.37%, 0.37%

LAB 52.43, -11.09, 37.17

 

CMYK 1 / 0 / 35 / 55

HEX #71724A

RGB 113 114 74

HSL 61.5, 0.21%, 0.37%

LAB 47.03, -7.21, 22.09

 

CMYK 0 / 48 / 93 / 31

HEX #AF5B0D

RGB 175 91 13

HSL 28.89, 0.86%, 0.37%

LAB 47.78, 29.69, 53.46

 

CMYK 0 / 23 / 93 / 31

HEX #AF860D

RGB 175 134 13

HSL 44.81, 0.86%, 0.37%

LAB 58.22, 5.81, 61.19

 

CMYK 2 / 0 / 93 / 31

HEX #ACAF0D

RGB 172 175 13

HSL 61.11, 0.86%, 0.37%

LAB 69.08, -17.4, 69.39

 

CMYK 26 / 0 / 93 / 31

HEX #81AF0D

RGB 129 175 13

HSL 77.04, 0.86%, 0.37%

LAB 66.02, -35.54, 65.67

 

CMYK 51 / 0 / 93 / 31

HEX #56AF0D

RGB 86 175 13

HSL 92.96, 0.86%, 0.37%

LAB 63.89, -50.78, 63.05

 

CMYK 2 / 0 / 93 / 62

HEX #606207

RGB 96 98 7

HSL 61.32, 0.87%, 0.21%

LAB 39.98, -11.46, 44.79

 

CMYK 3 / 0 / 93 / 46

HEX #85890A

RGB 133 137 10

HSL 61.89, 0.86%, 0.29%

LAB 54.97, -15.23, 57.45

 

CMYK 2 / 0 / 93 / 31

HEX #ABAF0D

RGB 171 175 13

HSL 61.48, 0.86%, 0.37%

LAB 69, -17.84, 69.29

 

CMYK 2 / 0 / 92 / 16

HEX #D0D510

RGB 208 213 16

HSL 61.52, 0.86%, 0.45%

LAB 82.4, -20.77, 80.51

 

CMYK 2 / 0 / 87 / 7

HEX #E9EE20

RGB 233 238 32

HSL 61.46, 0.86%, 0.53%

LAB 91.04, -22.14, 85.73

 

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

CMYK 93 / 0 / 73 / 31

HEX #0DAF30

RGB 13 175 48

HSL 132.96, 0.86%, 0.37%

LAB 62.47, -62, 51.79

 

CMYK 35 / 93 / 0 / 31

HEX #710DAF

RGB 113 13 175

HSL 277.04, 0.86%, 0.37%

LAB 31.56, 63.32, -62.55

 

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

CMYK 93 / 2 / 0 / 31

HEX #0DACAF

RGB 13 172 175

HSL 181.11, 0.86%, 0.37%

LAB 63.91, -34.4, -11.95

 

CMYK 0 / 93 / 2 / 31

HEX #AF0DAC

RGB 175 13 172

HSL 301.11, 0.86%, 0.37%

LAB 41.81, 72.31, -43.66

 

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

CMYK 93 / 0 / 73 / 31

HEX #0DAF30

RGB 13 175 48

HSL 132.96, 0.86%, 0.37%

LAB 62.47, -62, 51.79

 

CMYK 91 / 93 / 0 / 31

HEX #0F0DAF

RGB 15 13 175

HSL 240.74, 0.86%, 0.37%

LAB 21.89, 56.53, -78.87

 

CMYK 0 / 93 / 20 / 31

HEX #AF0D8C

RGB 175 13 140

HSL 312.96, 0.86%, 0.37%

LAB 40.07, 67.87, -27.09

 

CMYK 2 / 0 / 93 / 32

HEX #AAAE0D

RGB 170 174 13

HSL 61.49, 0.86%, 0.37%

LAB 68.64, -17.77, 68.97

 

CMYK 93 / 0 / 45 / 31

HEX #0DAF61

RGB 13 175 97

HSL 151.11, 0.86%, 0.37%

LAB 63.02, -55.32, 29.65

 

CMYK 91 / 93 / 0 / 31

HEX #0F0DAF

RGB 15 13 175

HSL 240.74, 0.86%, 0.37%

LAB 21.89, 56.53, -78.87

 

CMYK 0 / 93 / 48 / 31

HEX #AF0D5B

RGB 175 13 91

HSL 331.11, 0.86%, 0.37%

LAB 38.12, 62.67, 0.68

 

Description

Color code: HEX #AAAE0D | qconv.com Color code: HEX #AAAE0D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 174 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 174 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 93 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 93% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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