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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB4CE it is the complementary color #554B31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB4CE shade: #AFB4C9, #C0C6DC, #D1D8EF, #E2EAFF and #F3FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB4CE shade: #AAB4CE, #99A2BB, #8890A8, #777E95 and #666C82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB4CE shade: #AAB4CE, #AAABCE, #B4AACE, #BDAACE and #C7AACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB4CE shade: #AAB4CE, #AAABCE and #AAAACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB4CE shade matches the following richer shades: #AAB4CE, #A0AFD9, #95ABE4, #8AA6EE and #7FA1F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB4CE shade: #AAB4CE, #B5B9C3, #C0BEB9, #CAC3AE and #D5C7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB4CE shade: #AAC8CE, #AABECE, #AAB4CE, #AAABCE and #B3AACE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB4CE shade: #7686B0, #909DBF, #AAB4CE, #C4CBDD and #DFE2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB4CE shade: #AAB4CE, #CBAACE and #C3CEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB4CE shade: #AAB4CE, #CEAAB4 and #B4CEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB4CE shade: #AAB4CE, #CBAACE, #CEC4AA and #ADCEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB4CE shade: #AAB4CE, #CEAAC6, #CEC4AA and #AACEB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

Complementary color

CMYK 0 / 12 / 42 / 67

HEX #554B31

RGB 85 75 49

HSL 43.33, 0.27%, 0.26%

LAB 32.22, -0.13, 17.03

 

CMYK 13 / 10 / 0 / 21

HEX #AFB4C9

RGB 175 180 201

HSL 228.46, 0.19%, 0.74%

LAB 73.53, 2.48, -11.22

 

CMYK 13 / 10 / 0 / 14

HEX #C0C6DC

RGB 192 198 220

HSL 227.14, 0.29%, 0.81%

LAB 80.05, 2.29, -11.64

 

CMYK 13 / 10 / 0 / 6

HEX #D1D8EF

RGB 209 216 239

HSL 226, 0.48%, 0.88%

LAB 86.45, 2.11, -12.06

 

CMYK 11 / 8 / 0 / 0

HEX #E2EAFF

RGB 226 234 255

HSL 223.45, 1%, 0.94%

LAB 92.68, 1.35, -11.05

 

CMYK 5 / 1 / 0 / 0

HEX #F3FCFF

RGB 243 252 255

HSL 195, 1%, 0.98%

LAB 98.39, -2.4, -2.47

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 18 / 13 / 0 / 27

HEX #99A2BB

RGB 153 162 187

HSL 224.12, 0.2%, 0.67%

LAB 66.67, 2.12, -13.95

 

CMYK 19 / 14 / 0 / 34

HEX #8890A8

RGB 136 144 168

HSL 225, 0.16%, 0.6%

LAB 59.9, 2.33, -13.59

 

CMYK 20 / 15 / 0 / 42

HEX #777E95

RGB 119 126 149

HSL 226, 0.12%, 0.53%

LAB 52.96, 2.56, -13.25

 

CMYK 22 / 17 / 0 / 49

HEX #666C82

RGB 102 108 130

HSL 227.14, 0.12%, 0.45%

LAB 45.85, 2.81, -12.92

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 17 / 17 / 0 / 19

HEX #AAABCE

RGB 170 171 206

HSL 238.33, 0.27%, 0.74%

LAB 70.96, 6.86, -17.86

 

CMYK 13 / 17 / 0 / 19

HEX #B4AACE

RGB 180 170 206

HSL 256.67, 0.27%, 0.74%

LAB 71.49, 10.65, -16.98

 

CMYK 8 / 17 / 0 / 19

HEX #BDAACE

RGB 189 170 206

HSL 271.67, 0.27%, 0.74%

LAB 72.24, 13.62, -15.77

 

CMYK 3 / 17 / 0 / 19

HEX #C7AACE

RGB 199 170 206

HSL 288.33, 0.27%, 0.74%

LAB 73.12, 16.97, -14.37

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 17 / 17 / 0 / 19

HEX #AAABCE

RGB 170 171 206

HSL 238.33, 0.27%, 0.74%

LAB 70.96, 6.86, -17.86

 

CMYK 17 / 17 / 0 / 19

HEX #AAAACE

RGB 170 170 206

HSL 240, 0.27%, 0.74%

LAB 70.7, 7.41, -18.26

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 26 / 19 / 0 / 15

HEX #A0AFD9

RGB 160 175 217

HSL 224.21, 0.43%, 0.74%

LAB 71.65, 4.09, -22.91

 

CMYK 35 / 25 / 0 / 11

HEX #95ABE4

RGB 149 171 228

HSL 223.29, 0.59%, 0.74%

LAB 70.26, 5.87, -31.13

 

CMYK 42 / 30 / 0 / 7

HEX #8AA6EE

RGB 138 166 238

HSL 223.2, 0.75%, 0.74%

LAB 68.64, 8.45, -39.16

 

CMYK 49 / 35 / 0 / 2

HEX #7FA1F9

RGB 127 161 249

HSL 223.28, 0.91%, 0.74%

LAB 67.16, 11.82, -47.53

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 7 / 5 / 0 / 24

HEX #B5B9C3

RGB 181 185 195

HSL 222.86, 0.1%, 0.74%

LAB 75.12, 0.55, -5.54

 

CMYK 0 / 1 / 4 / 25

HEX #C0BEB9

RGB 192 190 185

HSL 42.86, 0.05%, 0.74%

LAB 77, -0.2, 2.76

 

CMYK 0 / 3 / 14 / 21

HEX #CAC3AE

RGB 202 195 174

HSL 45, 0.21%, 0.74%

LAB 78.84, -1.12, 11.42

 

CMYK 0 / 7 / 23 / 16

HEX #D5C7A3

RGB 213 199 163

HSL 43.2, 0.37%, 0.74%

LAB 80.54, -0.78, 19.82

 

CMYK 17 / 3 / 0 / 19

HEX #AAC8CE

RGB 170 200 206

HSL 190, 0.27%, 0.74%

LAB 78.64, -8.74, -6.36

 

CMYK 17 / 8 / 0 / 19

HEX #AABECE

RGB 170 190 206

HSL 206.67, 0.27%, 0.74%

LAB 75.96, -3.46, -10.34

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 17 / 17 / 0 / 19

HEX #AAABCE

RGB 170 171 206

HSL 238.33, 0.27%, 0.74%

LAB 70.96, 6.86, -17.86

 

CMYK 13 / 17 / 0 / 19

HEX #B3AACE

RGB 179 170 206

HSL 255, 0.27%, 0.74%

LAB 71.41, 10.32, -17.11

 

CMYK 33 / 24 / 0 / 31

HEX #7686B0

RGB 118 134 176

HSL 223.45, 0.27%, 0.58%

LAB 56.12, 4.41, -24.02

 

CMYK 25 / 18 / 0 / 25

HEX #909DBF

RGB 144 157 191

HSL 223.4, 0.27%, 0.66%

LAB 64.81, 2.98, -19.06

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 11 / 8 / 0 / 13

HEX #C4CBDD

RGB 196 203 221

HSL 223.2, 0.27%, 0.82%

LAB 81.66, 1.13, -9.74

 

CMYK 6 / 4 / 0 / 7

HEX #DFE2EC

RGB 223 226 236

HSL 226.15, 0.25%, 0.9%

LAB 89.92, 0.84, -5.22

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 1 / 17 / 0 / 19

HEX #CBAACE

RGB 203 170 206

HSL 295, 0.27%, 0.74%

LAB 73.48, 18.32, -13.79

 

CMYK 5 / 0 / 17 / 19

HEX #C3CEAA

RGB 195 206 170

HSL 78.33, 0.27%, 0.74%

LAB 81.1, -10.02, 16.67

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 0 / 17 / 13 / 19

HEX #CEAAB4

RGB 206 170 180

HSL 343.33, 0.27%, 0.74%

LAB 73, 14.73, -0.19

 

CMYK 13 / 0 / 17 / 19

HEX #B4CEAA

RGB 180 206 170

HSL 103.33, 0.27%, 0.74%

LAB 80.04, -15.37, 15.03

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 1 / 17 / 0 / 19

HEX #CBAACE

RGB 203 170 206

HSL 295, 0.27%, 0.74%

LAB 73.48, 18.32, -13.79

 

CMYK 0 / 5 / 17 / 19

HEX #CEC4AA

RGB 206 196 170

HSL 43.33, 0.27%, 0.74%

LAB 79.33, -0.8, 14.32

 

CMYK 16 / 0 / 17 / 19

HEX #ADCEAA

RGB 173 206 170

HSL 115, 0.27%, 0.74%

LAB 79.57, -17.8, 14.31

 

CMYK 17 / 13 / 0 / 19

HEX #AAB4CE

RGB 170 180 206

HSL 223.33, 0.27%, 0.74%

LAB 73.31, 1.93, -14.31

 

CMYK 0 / 17 / 4 / 19

HEX #CEAAC6

RGB 206 170 198

HSL 313.33, 0.27%, 0.74%

LAB 73.51, 17.86, -9.33

 

CMYK 0 / 5 / 17 / 19

HEX #CEC4AA

RGB 206 196 170

HSL 43.33, 0.27%, 0.74%

LAB 79.33, -0.8, 14.32

 

CMYK 17 / 0 / 14 / 19

HEX #AACEB2

RGB 170 206 178

HSL 133.33, 0.27%, 0.74%

LAB 79.56, -17.39, 10

 

Description

Color code: HEX #AAB4CE | qconv.com Color code: HEX #AAB4CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 180 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 180 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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