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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB4C5 it is the complementary color #554B3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB4C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB4C5 shade: #AFB4C0, #C0C6D3, #D1D8E6, #E2EAF9 and #F3FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB4C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB4C5 shade: #AAB4C5, #99A2B2, #88909F, #777E8C and #666C79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB4C5 shade: #AAB4C5, #AAACC5, #AEAAC5, #B5AAC5 and #BDAAC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB4C5 shade: #AAB4C5, #AAACC5 and #AAAAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB4C5 shade matches the following richer shades: #AAB4C5, #9EB1D0, #92AEDC, #87ABE7 and #7BA8F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB4C5 shade: #AAB4C5, #B5B7B9, #C1BAAE, #CCBDA2 and #D8C096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB4C5 shade: #AAC2C5, #AABBC5, #AAB4C5, #AAADC5 and #AEAAC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB4C5 shade: #7888A3, #919EB4, #AAB4C5, #C2C9D5 and #DBDFE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB4C5 shade: #AAB4C5, #C0AAC5 and #BFC5AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB4C5 shade: #AAB4C5, #C5AAB4 and #B4C5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB4C5 shade: #AAB4C5, #C0AAC5, #C5BAAA and #AFC5AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB4C5 shade: #AAB4C5, #C5AAC2, #C5BAAA and #AAC5AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

Complementary color

CMYK 0 / 12 / 32 / 67

HEX #554B3A

RGB 85 75 58

HSL 37.78, 0.19%, 0.28%

LAB 32.41, 1.17, 11.68

 

CMYK 9 / 6 / 0 / 25

HEX #AFB4C0

RGB 175 180 192

HSL 222.35, 0.12%, 0.72%

LAB 73.26, 0.62, -6.7

 

CMYK 9 / 6 / 0 / 17

HEX #C0C6D3

RGB 192 198 211

HSL 221.05, 0.18%, 0.79%

LAB 79.78, 0.46, -7.19

 

CMYK 9 / 6 / 0 / 10

HEX #D1D8E6

RGB 209 216 230

HSL 220, 0.3%, 0.86%

LAB 86.2, 0.32, -7.69

 

CMYK 9 / 6 / 0 / 2

HEX #E2EAF9

RGB 226 234 249

HSL 219.13, 0.66%, 0.93%

LAB 92.51, 0.17, -8.17

 

CMYK 5 / 1 / 0 / 0

HEX #F3FCFF

RGB 243 252 255

HSL 195, 1%, 0.98%

LAB 98.39, -2.4, -2.47

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 14 / 9 / 0 / 30

HEX #99A2B2

RGB 153 162 178

HSL 218.4, 0.14%, 0.65%

LAB 66.39, 0.14, -9.36

 

CMYK 14 / 9 / 0 / 38

HEX #88909F

RGB 136 144 159

HSL 219.13, 0.11%, 0.58%

LAB 59.6, 0.3, -8.91

 

CMYK 15 / 10 / 0 / 45

HEX #777E8C

RGB 119 126 140

HSL 220, 0.08%, 0.51%

LAB 52.66, 0.46, -8.45

 

CMYK 16 / 11 / 0 / 53

HEX #666C79

RGB 102 108 121

HSL 221.05, 0.09%, 0.44%

LAB 45.54, 0.64, -8

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 14 / 13 / 0 / 23

HEX #AAACC5

RGB 170 172 197

HSL 235.56, 0.19%, 0.72%

LAB 70.93, 4.35, -12.96

 

CMYK 12 / 14 / 0 / 23

HEX #AEAAC5

RGB 174 170 197

HSL 248.89, 0.19%, 0.72%

LAB 70.72, 6.77, -13.24

 

CMYK 8 / 14 / 0 / 23

HEX #B5AAC5

RGB 181 170 197

HSL 264.44, 0.19%, 0.72%

LAB 71.29, 9.11, -12.33

 

CMYK 4 / 14 / 0 / 23

HEX #BDAAC5

RGB 189 170 197

HSL 282.22, 0.19%, 0.72%

LAB 71.96, 11.82, -11.25

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 14 / 13 / 0 / 23

HEX #AAACC5

RGB 170 172 197

HSL 235.56, 0.19%, 0.72%

LAB 70.93, 4.35, -12.96

 

CMYK 14 / 14 / 0 / 23

HEX #AAAAC5

RGB 170 170 197

HSL 240, 0.19%, 0.72%

LAB 70.4, 5.45, -13.75

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 24 / 15 / 0 / 18

HEX #9EB1D0

RGB 158 177 208

HSL 217.2, 0.35%, 0.72%

LAB 71.74, 0.26, -17.87

 

CMYK 34 / 21 / 0 / 14

HEX #92AEDC

RGB 146 174 220

HSL 217.3, 0.51%, 0.72%

LAB 70.56, 1.31, -26.3

 

CMYK 42 / 26 / 0 / 9

HEX #87ABE7

RGB 135 171 231

HSL 217.5, 0.67%, 0.72%

LAB 69.5, 2.93, -34.01

 

CMYK 49 / 31 / 0 / 5

HEX #7BA8F3

RGB 123 168 243

HSL 217.5, 0.83%, 0.72%

LAB 68.52, 5.14, -42.13

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 2 / 1 / 0 / 27

HEX #B5B7B9

RGB 181 183 185

HSL 210, 0.03%, 0.72%

LAB 74.31, -0.32, -1.27

 

CMYK 0 / 4 / 10 / 24

HEX #C1BAAE

RGB 193 186 174

HSL 37.89, 0.13%, 0.72%

LAB 75.77, 0.37, 6.95

 

CMYK 0 / 7 / 21 / 20

HEX #CCBDA2

RGB 204 189 162

HSL 38.57, 0.29%, 0.72%

LAB 77.19, 0.94, 15.57

 

CMYK 0 / 11 / 31 / 15

HEX #D8C096

RGB 216 192 150

HSL 38.18, 0.46%, 0.72%

LAB 78.75, 2.28, 24.31

 

CMYK 14 / 2 / 0 / 23

HEX #AAC2C5

RGB 170 194 197

HSL 186.67, 0.19%, 0.72%

LAB 76.78, -7.48, -4.26

 

CMYK 14 / 5 / 0 / 23

HEX #AABBC5

RGB 170 187 197

HSL 202.22, 0.19%, 0.72%

LAB 74.9, -3.77, -7.04

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 14 / 12 / 0 / 23

HEX #AAADC5

RGB 170 173 197

HSL 233.33, 0.19%, 0.72%

LAB 71.19, 3.8, -12.57

 

CMYK 12 / 14 / 0 / 23

HEX #AEAAC5

RGB 174 170 197

HSL 248.89, 0.19%, 0.72%

LAB 70.72, 6.77, -13.24

 

CMYK 26 / 17 / 0 / 36

HEX #7888A3

RGB 120 136 163

HSL 217.67, 0.19%, 0.55%

LAB 56.33, 0.52, -16.23

 

CMYK 19 / 12 / 0 / 29

HEX #919EB4

RGB 145 158 180

HSL 217.71, 0.19%, 0.64%

LAB 64.78, 0.17, -12.95

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 9 / 6 / 0 / 16

HEX #C2C9D5

RGB 194 201 213

HSL 217.89, 0.18%, 0.8%

LAB 80.76, -0.07, -6.8

 

CMYK 5 / 3 / 0 / 10

HEX #DBDFE6

RGB 219 223 230

HSL 218.18, 0.18%, 0.88%

LAB 88.71, -0.05, -3.89

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 3 / 14 / 0 / 23

HEX #C0AAC5

RGB 192 170 197

HSL 288.89, 0.19%, 0.72%

LAB 72.22, 12.85, -10.84

 

CMYK 3 / 0 / 14 / 23

HEX #BFC5AA

RGB 191 197 170

HSL 73.33, 0.19%, 0.72%

LAB 78.41, -6.82, 12.85

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 0 / 14 / 9 / 23

HEX #C5AAB4

RGB 197 170 180

HSL 337.78, 0.19%, 0.72%

LAB 72.17, 11.48, -1.51

 

CMYK 9 / 0 / 14 / 23

HEX #B4C5AA

RGB 180 197 170

HSL 97.78, 0.19%, 0.72%

LAB 77.6, -10.77, 11.59

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 3 / 14 / 0 / 23

HEX #C0AAC5

RGB 192 170 197

HSL 288.89, 0.19%, 0.72%

LAB 72.22, 12.85, -10.84

 

CMYK 0 / 6 / 14 / 23

HEX #C5BAAA

RGB 197 186 170

HSL 35.56, 0.19%, 0.72%

LAB 76, 1.17, 9.5

 

CMYK 11 / 0 / 14 / 23

HEX #AFC5AA

RGB 175 197 170

HSL 108.89, 0.19%, 0.72%

LAB 77.25, -12.53, 11.04

 

CMYK 14 / 9 / 0 / 23

HEX #AAB4C5

RGB 170 180 197

HSL 217.78, 0.19%, 0.72%

LAB 73.04, -0.01, -9.8

 

CMYK 0 / 14 / 2 / 23

HEX #C5AAC2

RGB 197 170 194

HSL 306.67, 0.19%, 0.72%

LAB 72.57, 14, -8.62

 

CMYK 0 / 6 / 14 / 23

HEX #C5BAAA

RGB 197 186 170

HSL 35.56, 0.19%, 0.72%

LAB 76, 1.17, 9.5

 

CMYK 14 / 0 / 12 / 23

HEX #AAC5AD

RGB 170 197 173

HSL 126.67, 0.19%, 0.72%

LAB 76.98, -13.73, 9

 

Description

Color code: HEX #AAB4C5 | qconv.com Color code: HEX #AAB4C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 180 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 180 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 9 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 9% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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