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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB6CE it is the complementary color #554931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB6CE shade: #AFB6C9, #C0C8DC, #D1DAEF, #E2ECFF and #F3FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB6CE shade: #AAB6CE, #99A4BB, #8892A8, #778095 and #666E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB6CE shade: #AAB6CE, #AAADCE, #B2AACE, #BBAACE and #C5AACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB6CE shade: #AAB6CE, #AAADCE and #AAAACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB6CE shade matches the following richer shades: #AAB6CE, #A0B3D9, #95AFE4, #8AACEE and #7FA8F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB6CE shade: #AAB6CE, #B5BAC3, #C0BDB9, #CAC1AE and #D5C5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB6CE shade: #AAC9CE, #AAC0CE, #AAB6CE, #AAADCE and #B1AACE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB6CE shade: #7689B0, #90A0BF, #AAB6CE, #C4CDDD and #DFE3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB6CE shade: #AAB6CE, #C9AACE and #C5CEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB6CE shade: #AAB6CE, #CEAAB6 and #B6CEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB6CE shade: #AAB6CE, #C9AACE, #CEC2AA and #AFCEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB6CE shade: #AAB6CE, #CEAAC8, #CEC2AA and #AACEB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

Complementary color

CMYK 0 / 14 / 42 / 67

HEX #554931

RGB 85 73 49

HSL 40, 0.27%, 0.26%

LAB 31.62, 1.12, 16.24

 

CMYK 13 / 9 / 0 / 21

HEX #AFB6C9

RGB 175 182 201

HSL 223.85, 0.19%, 0.74%

LAB 74.05, 1.39, -10.43

 

CMYK 13 / 9 / 0 / 14

HEX #C0C8DC

RGB 192 200 220

HSL 222.86, 0.29%, 0.81%

LAB 80.56, 1.22, -10.87

 

CMYK 13 / 9 / 0 / 6

HEX #D1DAEF

RGB 209 218 239

HSL 222, 0.48%, 0.88%

LAB 86.96, 1.06, -11.3

 

CMYK 11 / 7 / 0 / 0

HEX #E2ECFF

RGB 226 236 255

HSL 219.31, 1%, 0.94%

LAB 93.18, 0.32, -10.3

 

CMYK 5 / 0 / 0 / 0

HEX #F3FEFF

RGB 243 254 255

HSL 185, 1%, 0.98%

LAB 98.89, -3.41, -1.74

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 18 / 12 / 0 / 27

HEX #99A4BB

RGB 153 164 187

HSL 220.59, 0.2%, 0.67%

LAB 67.21, 1.02, -13.14

 

CMYK 19 / 13 / 0 / 34

HEX #8892A8

RGB 136 146 168

HSL 221.25, 0.16%, 0.6%

LAB 60.44, 1.2, -12.76

 

CMYK 20 / 14 / 0 / 42

HEX #778095

RGB 119 128 149

HSL 222, 0.12%, 0.53%

LAB 53.52, 1.4, -12.4

 

CMYK 22 / 15 / 0 / 49

HEX #666E82

RGB 102 110 130

HSL 222.86, 0.12%, 0.45%

LAB 46.43, 1.62, -12.05

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 17 / 16 / 0 / 19

HEX #AAADCE

RGB 170 173 206

HSL 235, 0.27%, 0.74%

LAB 71.48, 5.76, -17.07

 

CMYK 14 / 17 / 0 / 19

HEX #B2AACE

RGB 178 170 206

HSL 253.33, 0.27%, 0.74%

LAB 71.33, 10, -17.24

 

CMYK 9 / 17 / 0 / 19

HEX #BBAACE

RGB 187 170 206

HSL 268.33, 0.27%, 0.74%

LAB 72.07, 12.96, -16.04

 

CMYK 4 / 17 / 0 / 19

HEX #C5AACE

RGB 197 170 206

HSL 285, 0.27%, 0.74%

LAB 72.94, 16.29, -14.65

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 17 / 16 / 0 / 19

HEX #AAADCE

RGB 170 173 206

HSL 235, 0.27%, 0.74%

LAB 71.48, 5.76, -17.07

 

CMYK 17 / 17 / 0 / 19

HEX #AAAACE

RGB 170 170 206

HSL 240, 0.27%, 0.74%

LAB 70.7, 7.41, -18.26

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 26 / 18 / 0 / 15

HEX #A0B3D9

RGB 160 179 217

HSL 220, 0.43%, 0.74%

LAB 72.71, 1.89, -21.3

 

CMYK 35 / 23 / 0 / 11

HEX #95AFE4

RGB 149 175 228

HSL 220.25, 0.59%, 0.74%

LAB 71.32, 3.65, -29.5

 

CMYK 42 / 28 / 0 / 7

HEX #8AACEE

RGB 138 172 238

HSL 219.6, 0.75%, 0.74%

LAB 70.23, 5.07, -36.68

 

CMYK 49 / 33 / 0 / 2

HEX #7FA8F9

RGB 127 168 249

HSL 219.84, 0.91%, 0.74%

LAB 69.01, 7.82, -44.62

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 7 / 5 / 0 / 24

HEX #B5BAC3

RGB 181 186 195

HSL 218.57, 0.1%, 0.74%

LAB 75.38, 0.01, -5.15

 

CMYK 0 / 2 / 4 / 25

HEX #C0BDB9

RGB 192 189 185

HSL 34.29, 0.05%, 0.74%

LAB 76.74, 0.33, 2.38

 

CMYK 0 / 4 / 14 / 21

HEX #CAC1AE

RGB 202 193 174

HSL 40.71, 0.21%, 0.74%

LAB 78.32, -0.06, 10.69

 

CMYK 0 / 8 / 23 / 16

HEX #D5C5A3

RGB 213 197 163

HSL 40.8, 0.37%, 0.74%

LAB 80.02, 0.27, 19.11

 

CMYK 17 / 2 / 0 / 19

HEX #AAC9CE

RGB 170 201 206

HSL 188.33, 0.27%, 0.74%

LAB 78.91, -9.27, -5.96

 

CMYK 17 / 7 / 0 / 19

HEX #AAC0CE

RGB 170 192 206

HSL 203.33, 0.27%, 0.74%

LAB 76.5, -4.53, -9.55

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 17 / 16 / 0 / 19

HEX #AAADCE

RGB 170 173 206

HSL 235, 0.27%, 0.74%

LAB 71.48, 5.76, -17.07

 

CMYK 14 / 17 / 0 / 19

HEX #B1AACE

RGB 177 170 206

HSL 251.67, 0.27%, 0.74%

LAB 71.25, 9.67, -17.37

 

CMYK 33 / 22 / 0 / 31

HEX #7689B0

RGB 118 137 176

HSL 220.34, 0.27%, 0.58%

LAB 56.96, 2.67, -22.74

 

CMYK 25 / 16 / 0 / 25

HEX #90A0BF

RGB 144 160 191

HSL 219.57, 0.27%, 0.66%

LAB 65.62, 1.3, -17.83

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 11 / 7 / 0 / 13

HEX #C4CDDD

RGB 196 205 221

HSL 218.4, 0.27%, 0.82%

LAB 82.17, 0.08, -8.97

 

CMYK 6 / 4 / 0 / 7

HEX #DFE3EC

RGB 223 227 236

HSL 221.54, 0.25%, 0.9%

LAB 90.18, 0.33, -4.85

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 2 / 17 / 0 / 19

HEX #C9AACE

RGB 201 170 206

HSL 291.67, 0.27%, 0.74%

LAB 73.3, 17.64, -14.08

 

CMYK 4 / 0 / 17 / 19

HEX #C5CEAA

RGB 197 206 170

HSL 75, 0.27%, 0.74%

LAB 81.24, -9.3, 16.9

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 0 / 17 / 12 / 19

HEX #CEAAB6

RGB 206 170 182

HSL 340, 0.27%, 0.74%

LAB 73.06, 15.06, -1.21

 

CMYK 12 / 0 / 17 / 19

HEX #B6CEAA

RGB 182 206 170

HSL 100, 0.27%, 0.74%

LAB 80.17, -14.67, 15.24

 

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 2 / 17 / 0 / 19

HEX #C9AACE

RGB 201 170 206

HSL 291.67, 0.27%, 0.74%

LAB 73.3, 17.64, -14.08

 

CMYK 0 / 6 / 17 / 19

HEX #CEC2AA

RGB 206 194 170

HSL 40, 0.27%, 0.74%

LAB 78.81, 0.26, 13.59

HEX #CEC2AA

CMYK 15 / 0 / 17 / 19

HEX #AFCEAA

RGB 175 206 170

HSL 111.67, 0.27%, 0.74%

LAB 79.7, -17.11, 14.51

HEX #AFCEAA

CMYK 17 / 12 / 0 / 19

HEX #AAB6CE

RGB 170 182 206

HSL 220, 0.27%, 0.74%

LAB 73.84, 0.84, -13.52

 

CMYK 0 / 17 / 3 / 19

HEX #CEAAC8

RGB 206 170 200

HSL 310, 0.27%, 0.74%

LAB 73.57, 18.22, -10.33

 

CMYK 0 / 6 / 17 / 19

HEX #CEC2AA

RGB 206 194 170

HSL 40, 0.27%, 0.74%

LAB 78.81, 0.26, 13.59

HEX #CEC2AA

CMYK 17 / 0 / 15 / 19

HEX #AACEB0

RGB 170 206 176

HSL 130, 0.27%, 0.74%

LAB 79.51, -17.76, 11

HEX #AACEB0

Description

Color code: HEX #AAB6CE | qconv.com Color code: HEX #AAB6CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 182 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 182 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 12 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 12% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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