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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB9C9 it is the complementary color #554636. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB9C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB9C9 shade: #AFB9C4, #C0CBD7, #D1DDEA, #E2EFFD and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB9C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB9C9 shade: #AAB9C9, #99A7B6, #8895A3, #778390 and #66717D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB9C9 shade: #ABB9C9, #ABB1C9, #ACABC9, #B4ABC9 and #BDABC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB9C9 shade: #ABB9C9, #ABB1C9 and #ABABC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB9C9 shade matches the following richer shades: #ABB9C9, #9FB9D4, #94B8DF, #89B8EA and #7EB8F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB9C9 shade: #ABB9C9, #B6BABE, #C1BAB3, #CCBAA7 and #D7BB9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB9C9 shade: #ABC9C8, #ABC2C9, #ABBAC9, #ABB2C9 and #ACABC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB9C9 shade: #7890A9, #91A4B9, #ABB9C9, #C4CED9 and #DDE3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB9C9 shade: #AAB9C9, #C0ABC9 and #C6C9AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB9C9 shade: #AAB9C9, #C9ABBA and #BAC9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB9C9 shade: #AAB9C9, #C0ABC9, #C9BAAB and #B4C9AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB9C9 shade: #AAB9C9, #C9ABC9, #C9BAAB and #ABC9AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

Complementary color

CMYK 0 / 18 / 36 / 67

HEX #554636

RGB 85 70 54

HSL 30.97, 0.22%, 0.27%

LAB 30.83, 3.7, 12.04

 

CMYK 11 / 6 / 0 / 23

HEX #AFB9C4

RGB 175 185 196

HSL 211.43, 0.15%, 0.73%

LAB 74.7, -1.26, -6.75

 

CMYK 11 / 6 / 0 / 16

HEX #C0CBD7

RGB 192 203 215

HSL 211.3, 0.22%, 0.8%

LAB 81.2, -1.38, -7.25

 

CMYK 11 / 6 / 0 / 8

HEX #D1DDEA

RGB 209 221 234

HSL 211.2, 0.37%, 0.87%

LAB 87.59, -1.5, -7.74

 

CMYK 11 / 6 / 0 / 1

HEX #E2EFFD

RGB 226 239 253

HSL 211.11, 0.87%, 0.94%

LAB 93.88, -1.62, -8.22

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

CMYK 16 / 8 / 0 / 29

HEX #99A7B6

RGB 153 167 182

HSL 211.03, 0.17%, 0.66%

LAB 67.86, -1.74, -9.38

 

CMYK 17 / 9 / 0 / 36

HEX #8895A3

RGB 136 149 163

HSL 211.11, 0.13%, 0.59%

LAB 61.11, -1.62, -8.93

 

CMYK 17 / 9 / 0 / 44

HEX #778390

RGB 119 131 144

HSL 211.2, 0.1%, 0.52%

LAB 54.2, -1.5, -8.47

 

CMYK 18 / 10 / 0 / 51

HEX #66717D

RGB 102 113 125

HSL 211.3, 0.1%, 0.45%

LAB 47.13, -1.38, -8.02

 

CMYK 15 / 8 / 0 / 21

HEX #ABB9C9

RGB 171 185 201

HSL 212, 0.22%, 0.73%

LAB 74.55, -1.53, -9.72

 

CMYK 15 / 12 / 0 / 21

HEX #ABB1C9

RGB 171 177 201

HSL 228, 0.22%, 0.73%

LAB 72.44, 2.8, -12.88

 

CMYK 14 / 15 / 0 / 21

HEX #ACABC9

RGB 172 171 201

HSL 242, 0.22%, 0.73%

LAB 70.95, 6.42, -15.11

 

CMYK 10 / 15 / 0 / 21

HEX #B4ABC9

RGB 180 171 201

HSL 258, 0.22%, 0.73%

LAB 71.59, 9.05, -14.09

 

CMYK 6 / 15 / 0 / 21

HEX #BDABC9

RGB 189 171 201

HSL 276, 0.22%, 0.73%

LAB 72.34, 12.06, -12.89

 

CMYK 15 / 8 / 0 / 21

HEX #ABB9C9

RGB 171 185 201

HSL 212, 0.22%, 0.73%

LAB 74.55, -1.53, -9.72

 

CMYK 15 / 12 / 0 / 21

HEX #ABB1C9

RGB 171 177 201

HSL 228, 0.22%, 0.73%

LAB 72.44, 2.8, -12.88

 

CMYK 15 / 15 / 0 / 21

HEX #ABABC9

RGB 171 171 201

HSL 240, 0.22%, 0.73%

LAB 70.87, 6.09, -15.24

 

CMYK 15 / 8 / 0 / 21

HEX #ABB9C9

RGB 171 185 201

HSL 212, 0.22%, 0.73%

LAB 74.55, -1.53, -9.72

 

CMYK 25 / 13 / 0 / 17

HEX #9FB9D4

RGB 159 185 212

HSL 210.57, 0.38%, 0.73%

LAB 74.08, -2.85, -16.51

 

CMYK 34 / 17 / 0 / 13

HEX #94B8DF

RGB 148 184 223

HSL 211.2, 0.54%, 0.73%

LAB 73.48, -2.85, -23.46

 

CMYK 41 / 21 / 0 / 8

HEX #89B8EA

RGB 137 184 234

HSL 210.93, 0.7%, 0.73%

LAB 73.25, -2.91, -29.85

 

CMYK 49 / 25 / 0 / 4

HEX #7EB8F5

RGB 126 184 245

HSL 210.76, 0.86%, 0.73%

LAB 73.1, -2.51, -36.08

 

CMYK 15 / 8 / 0 / 21

HEX #ABB9C9

RGB 171 185 201

HSL 212, 0.22%, 0.73%

LAB 74.55, -1.53, -9.72

 

CMYK 4 / 2 / 0 / 25

HEX #B6BABE

RGB 182 186 190

HSL 210, 0.06%, 0.73%

LAB 75.31, -0.62, -2.51

 

CMYK 0 / 4 / 7 / 24

HEX #C1BAB3

RGB 193 186 179

HSL 30, 0.1%, 0.73%

LAB 75.89, 1.23, 4.41

 

CMYK 0 / 9 / 18 / 20

HEX #CCBAA7

RGB 204 186 167

HSL 30.81, 0.27%, 0.73%

LAB 76.52, 3.29, 11.94

 

CMYK 0 / 13 / 27 / 16

HEX #D7BB9C

RGB 215 187 156

HSL 31.53, 0.42%, 0.73%

LAB 77.51, 5.33, 19.39

 

CMYK 15 / 0 / 0 / 21

HEX #ABC9C8

RGB 171 201 200

HSL 178, 0.22%, 0.73%

LAB 78.81, -10.2, -2.88

 

CMYK 15 / 3 / 0 / 21

HEX #ABC2C9

RGB 171 194 201

HSL 194, 0.22%, 0.73%

LAB 76.96, -6.33, -6.15

 

CMYK 15 / 7 / 0 / 21

HEX #ABBAC9

RGB 171 186 201

HSL 210, 0.22%, 0.73%

LAB 74.82, -2.07, -9.32

 

CMYK 15 / 11 / 0 / 21

HEX #ABB2C9

RGB 171 178 201

HSL 226, 0.22%, 0.73%

LAB 72.7, 2.26, -12.48

 

CMYK 14 / 15 / 0 / 21

HEX #ACABC9

RGB 172 171 201

HSL 242, 0.22%, 0.73%

LAB 70.95, 6.42, -15.11

 

CMYK 29 / 15 / 0 / 34

HEX #7890A9

RGB 120 144 169

HSL 210.61, 0.22%, 0.57%

LAB 58.79, -2.53, -15.94

 

CMYK 22 / 11 / 0 / 27

HEX #91A4B9

RGB 145 164 185

HSL 211.5, 0.22%, 0.65%

LAB 66.58, -2.01, -13.04

 

CMYK 15 / 8 / 0 / 21

HEX #ABB9C9

RGB 171 185 201

HSL 212, 0.22%, 0.73%

LAB 74.55, -1.53, -9.72

 

CMYK 10 / 5 / 0 / 15

HEX #C4CED9

RGB 196 206 217

HSL 211.43, 0.22%, 0.81%

LAB 82.32, -1.25, -6.62

 

CMYK 5 / 3 / 0 / 9

HEX #DDE3E9

RGB 221 227 233

HSL 210, 0.21%, 0.89%

LAB 89.95, -0.89, -3.63

 

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

CMYK 4 / 15 / 0 / 21

HEX #C0ABC9

RGB 192 171 201

HSL 282, 0.22%, 0.73%

LAB 72.59, 13.08, -12.47

 

CMYK 1 / 0 / 15 / 21

HEX #C6C9AB

RGB 198 201 171

HSL 66, 0.22%, 0.73%

LAB 80.02, -6.19, 14.66

 

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

CMYK 0 / 15 / 7 / 21

HEX #C9ABBA

RGB 201 171 186

HSL 330, 0.22%, 0.73%

LAB 72.95, 13.42, -3.62

 

CMYK 7 / 0 / 15 / 21

HEX #BAC9AB

RGB 186 201 171

HSL 90, 0.22%, 0.73%

LAB 79.13, -10.52, 13.28

 

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

CMYK 4 / 15 / 0 / 21

HEX #C0ABC9

RGB 192 171 201

HSL 282, 0.22%, 0.73%

LAB 72.59, 13.08, -12.47

 

CMYK 0 / 7 / 15 / 21

HEX #C9BAAB

RGB 201 186 171

HSL 30, 0.22%, 0.73%

LAB 76.36, 2.81, 9.51

 

CMYK 10 / 0 / 15 / 21

HEX #B4C9AB

RGB 180 201 171

HSL 102, 0.22%, 0.73%

LAB 78.7, -12.65, 12.62

 

CMYK 15 / 8 / 0 / 21

HEX #AAB9C9

RGB 170 185 201

HSL 210.97, 0.22%, 0.73%

LAB 74.48, -1.86, -9.83

 

CMYK 0 / 15 / 0 / 21

HEX #C9ABC9

RGB 201 171 201

HSL 300, 0.22%, 0.73%

LAB 73.39, 16.14, -11.2

 

CMYK 0 / 7 / 15 / 21

HEX #C9BAAB

RGB 201 186 171

HSL 30, 0.22%, 0.73%

LAB 76.36, 2.81, 9.51

 

CMYK 15 / 0 / 15 / 21

HEX #ABC9AB

RGB 171 201 171

HSL 120, 0.22%, 0.73%

LAB 78.09, -15.79, 11.67

 

Description

Color code: HEX #AAB9C9 | qconv.com Color code: HEX #AAB9C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 185 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 185 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 8 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 8% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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